Montreal artist Cassandra Angheluta uses the moniker APACALDA to create an atmospheric blend of shadowy indie pop and emotive indie rock. Early next summer, she will release There’s a Shadow In My Room and It Isn’t Mine, a much-anticipated album that explores a person’s journey from unblemished purity to marked and bruised with life’s burdens. Displaying this dark mood in full effect, latest single ‘Dead Weight’ is a song about watching helplessly as a loved one spirals into addiction. “True love, whether romantic or platonic, can be imprisoning,” APACALDA explains of the song. “There are journeys—like addiction—that people ultimately have to face within themselves to find healing. Watching them go through this is incredibly hard because you’re constantly battling the fear of losing them.”

There’s a Shadow In My Room and It Isn’t Mine is due to be released in June next year.

Blood Lemon – Perfect Too

Uniting over a shared love of Kim Deal and 90s Riot Grrrl music, Boise three-piece Blood Lemon burst onto the scene in 2021 with their self-titled debut, combining musical expertise with political urgency to create a searing sound. Now the trio—Lisa Simpson (Finn Riggins, Treefort Music Fest), Melanie Radford (Built to Spill, Marshall Poole) and percussionist Lindsey Lloyd (Tambalka)—are preparing to release new EP Petite Deaths on Moon Ruins, and lead single ‘Perfect Too’ sees an escalation of this style. A seven-minute behemoth which sets its furious sights on the dead end of greed and endless treadmill in search of perfection.

Watch the video directed and edited by Grant Osman with animation by James W.A.R. Lloyd below:

Petite Deaths is out in the 17th January via Moon Ruins and you can pre-order it now.

Daneshevskaya – Scrooge

Daneshevskaya‘s Long Is The Tunnel was one of 2023’s most inventive and ambitious releases, using rich arrangements and distinctive vocals to present the individual experience as a patchwork of histories and hopes for the future. Again out via Winspear, new single ‘Scrooge’ is no less layered and finely crafted. Drawing loosely on the titular figure, the track brings to life a sense of growing alienation within a relationship, as though the significant other is slowing deforming into a stranger in real time. “Ebenezer, I wish you wouldn’t stay,” admits the opening line, and the rest of the track is equally frank. “When you talk like that I don’t recognize you,” as the chorus goes. “When you move like that I don’t recognize you / I don’t even think you notice.” Watch the video below, directed by Madeline Leshner and Zach Stone with cinematography by Stone and Isaac Berner:

‘Scrooge’ is out now via Winspear and available from the Daneshevskaya Bandcamp page.

David Allred – Oh Lauren

“Death, grief and loss are understandably key moods, but perhaps the most striking emotion is that of longing,” we wrote of David Allred‘s forthcoming album The Beautiful World on Erased Tapes. “Not only a desire to return to the past and that which is lost, but also for something better in the future.” After the title track weaved seemingly mundane details into a picture of a fulfilling life, new single ‘Oh Lauren’ continues this spirit with an even more direct focus. Dedicated to a childhood friend who took her own life at a young age, the song collects the tangle of competing emotions surrounding the event and aims to communicate them as honestly as possible. Mourning and confusion, a desire to understand, as well as the enduring sense of gratitude for having known her at all.

Don’t Worry – Ever So Clear

Released to coincide with the ten-year anniversary of the band and in preview of a third full-length album scheduled for sometime in 2025, ‘Ever So Clear’ sees Harlow, Essex indie rockers Don’t Worry continue the sense of heartfelt emotion and playful humour which made 2022 album Remorseless Swing so special. “All night I’m thinking for England / I can’t be with you at all,” sings songwriter Samuel Watson, casting an unflinching eye on a personal situation and reporting back every uncomfortable detail. The result might not be the most romantic of pictures, but the earnest delivery lends an affirming edge, and positions the singalong refrain as something between a promise and a plea.

I just need a little time
Stay with me
I just need a little time

 Free Lunch – rosebud

The recording project of Bournemouth brothers Henry and Ted Scanlan, Free Lunch rose from the ashes of two solo outfits—Sprog and Wilder respectively—and has come to welcome an array of friends and collaborators such as Michael Rea (Symbol Soup) and Dave ‘The Attic’ Mountain. New single ‘rosebud’ highlights the atmosphere and versatility of the resulting sound, building from warm, relaxed beginnings into something altogether deeper. A middle lull shimmers to near-silence as though to herald what is coming, and the closing third of the track makes good on the promise with a climax full of weight and soaring release.

Leif Vollebekk – Peace of Mind (Morning)

Leif Vollebekk‘s new album Revelation, out now on Secret City Records, is one keyed into mystery and ambiguity, drawing on Jung’s Dreams, Memories, Reflections to explore themes such as alchemy and the unknowable divine. The sort of release which appears to be inching closer to some truth with every listen. It is fitting then that Vollebekk has returned to some of the tracks again, recording different versions as though in search of that elusive perfection. ‘Peace of Mind (Morning)’ offers an acoustic take which looks to carve out its own space away from the album. A small pocket of calm to be maintained and returned to. Watch the visualiser by director, cinematographer and editor Andy Mann and colourist Beatrice Tremblay below:

Revelation is out now via Secret City Records.

leoblu – PEACHES

Following this summer’s EP Blu Lucid Nightmare and a recent collaboration with World Wide Web, leoblu (that’s Åland-born, Berlin-based producer and artist Julia Carlsson) returns with new single ‘PEACHES’. Making what we described previously as “ambiguous and atmospheric music which situates intimate emotion against the more mysterious forces at work around us,” leoblu specialises in the dark and haunting, and ‘PEACHES’ is no exception. An indie pop song filtered through a digital prism, it combines synths, beats and Carlsson’s signature vocals to create something at once emotional and oddly mesmerising.

‘PEACHES’ is out now via streaming services.

MacGregor Burns – Can’t Go Back

“Stretch[es] the gamut between despondent, desperate and something like tenuous hope as they strive towards a truer version of self, whatever that might look like.” So we wrote of MacGregor Burns‘s ‘Silent Answers’ back in September, introducing the artist’s idiosyncratic personality. Combining nostalgic nods to the likes of David Byrne while forging a new path forwards, latest single ‘Can’t Go Back’ looks for further clues in the fertile space between the familiar and the new. Going back might not be possible, but there’s no harm in looking to those who have walked before us for indications of what direction we might take next.

Pleasure Systems – Merry Christmas

Described by label Primordial Void as “not quite Christmas music,” ‘Merry Christmas’ is the new single from Clarke Sondermann’s Pleasure Systems. It’s our first glimpse of his new working relationship with producer Ivan Berko, and channels the signature Pleasure Systems ruminative indie pop towards the layers of bittersweet memory that the festive season can often break open and reveal to us. Grant Chapman provides drums and May Rio sings along as Sondermann reflects on Christmases past, pairing a warm nostalgic fondness and moments of small beauty with a sharp pang of loss. The 7″ single and digital download comes complete with a b-side ‘Signing in My Sleep (Demo)’, so be sure not to miss out on that too.

The storm took down the power lines
it ripped the needles off the pines
but I see you at the door
and I couldn’t ask for more
Merry Christmas

winded – wish on the mezzanine

Based in Miami, winded was originally the solo project of lead Thrin Vianale, but has since expanded into a four-piece featuring Nick Cody (guitar) James Sturges (bass) and Gunther Schenk (drums). Their latest release, a double single featuring the tracks ‘wish on the mezzanine’ and ‘mercy 27’ is therefore something of a reintroduction. The ramshackle lo-fi pop of 2022’s schwartz provides is levelled up into something with genuine mass, pairing thick noisy fuzz and shredding guitar with hooky melodies and bright harmonies. ‘wish on the mezzanine’ is the perfect introduction—power pop meets shoegaze meets crunchy lo-fi rock.

Yoshika Colwell & The Vernon Spring – This Weather

In early December, English songwriter Yoshika Colwell will release a collaborative EP with The Vernon Spring (London composer and producer Sam Beste). The record finds the pair’s creative spirits coming together in an effortless flow, The Vernon Spring taking Colwell’s classical folk songwriting and spinning it off into new, daring territory. The focus was very much on intuition and improvisation, from snippets of melodies that arrived as if from the ether, to the lyrics themselves. “I sang without letting my analytical mind get in the way,” Colwell explains. “The words came out like in a conversation or thought, complete with strangeness and non sequiturs and contradictions.” Take a listen to the title track for a taste of what this sounds like.

The post Weekly Listening: November 2024 #4 appeared first on Various Small Flames.

The feelings brought on by these experiences were charged, sometimes stagnant and unforgiving, much like the summers here in South Florida. When it comes to expressing these personal narratives I always felt that articulating them through the lens of nature was something that anyone could feel a connection to. A lot of these songs were written at a time when it felt like the world was going to end, which also presents a feeling of longing to return to something ‘normal’.

Spinning out of experiences in the aftermath of George Floyd’s murder and the high profile protests which followed, latest single ‘Pesada’ deals with the ways in which activism can be co-opted and exploited. “‘Pesada’ is about performative activism and the convenience of sitting at home and clicking ‘add to story,’ Campos continues, “how the delusion created by attention makes you think you’re absolved from being labelled as a bad character.” The sound is as tumultuous and hefty as you might expect for such a subject, taking no prisoners with its crushing weight.

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When we spoke with Ben Seretan about his album Youth Pastoral back in 2020, he brought up the impact friend and collaborator Devra Freelander had on the record. “Dev understood how special it was to get together,” Seretan explained. “She was always, always happy to see other people, and really went out of her way to make you feel like you were having the best day of your life.” Made in Italy with Nico Hedley (bass) and Dan Knishkowy (drums) mere weeks after Freelander untimely death in 2019, Seretan’s latest album Allora in many ways represents an attempt to harness such sentiments, however conscious this might have been. There’s so much more to say about the record, which will be released via Tiny Engines later this summer, but for now we’ll leave you with opener and lead single ‘New Air’—a song as thunderous, chaotic and big-hearted as anything Seretan has released to date.

Islands – Drown A Fish

Eighteen years since debut Return to the Sea, Islands return early this summer with What Occurs, the tenth album in their storied and always idiosyncratic history. Replacing the band’s signature style of meticulously layered indie pop with something more raw and natural, the record promises to emphasise the spontaneous energy of a band still finding fresh and quirky angles from which to explore pop music. This new approach is apparent on lead single ‘Drown A Fish’. Recorded live in a single take in a studio on Vancouver Island, it’s a power pop jam with an unconventional narrator. “I was looking to throw my hat in the ring of Pop Songs About Lovelorn Losers Who Couldn’t Buy a Clue to Save Their Life,” lead Nick Thorburn says of the track. “I set out to write a song that laid bare a series of ‘ironic situations narrated by a delusional idiot’, because I think that’s more interesting than listening to an uplifting anthem about a flawless, self-empowered smartypants.”

What Occurs comes out on 21st June and is available to pre-order from the Islands Bandcamp page.

Jahnah Camille – flesh

Based in Birmingham, Alabama, songwriter and musician Jahnah Camille is set to release her debut EP i tried to freeze light, but only remember a girl next month via Winspear. The songs offer a picture of late adolescence in all of its bittersweet nuance, its introspective contemplation matched only by its bold confessional attitude. Single ‘flesh’ offers a glimpse of the style, channelling a 90s alt rock aesthetic to evoke a mood at once tender and simmering with bite. “Limit my flesh / And tell me my place,” Camille sings, tone set somewhere between desire and wistful regret. “We shared so many kisses / But we weren’t awake.”

Check out the video directed by Sapir Blain with text by Disney Bagwell below:

i tried to freeze light, but only remember a girl is out in the 21st June via Winspear and you can pre-order it now.

Kramies – Social Light

“A combination of folk, rock and dream pop which conjures its own fantastical worlds. Places both haunting and romantic, separate from reality but on some level echoing its deeper truths.” That’s how we described the self-titled album by Kramies back in 2022. With a new EP coming this autumn on VanGerrett Records, the Dutch-American songwriter has returned with new single ‘Social Light’. With contributions from members of Band of Horses, The Black Keys and Grandaddy, not to mention backing vocals from Allison Lorenzen, the song represents another dreamy, melancholic fairy tale which blurs the line between eeriness and empathy to form something ultimately affirming.

Las Nubes – Would Be

Las Nubes, that’s Miami duo Ale Campos and Emile Milgrim, have made their name with a raucous blend of punk rock and dream pop, earning them shows with the likes of  Shannon and the Clams and The Coathangers, not to mention backing Iggy Pop as the first all-female version of The Stooges in 2020. Following on from 2019 debut SMVT, Las Nubes return this summer with a brand new album to build upon these successes. Titled Tormentas Malsanas (which translates to ‘unhealthy storms’), the album channels the unpredictability and fury of its meteorological title to produce an electrically charged sound, as introduced by single ‘Would Be’. Because while the track opens with a reflective haze as Campos and Milgrim consider life’s inhospitable nature and the too quick passing of time, they soon burn away any negativity with sheer force.

M. Vaughan – Tire Swing

New York-born, Lisbon-based artist M. Vaughan cut his teeth in the indie rock scene before devoting his creative energies to electronic music, putting out releases on labels like Freerange and Monologues as well as his own Super Tuff imprint. New EP Keep In Touch feels like that of musician looking to embrace all the disparate influences which came to shape his sound, be it the genres he has moved between or the places in which he has worked on them. “This record is about these past few years of transition,” Vaughan explains, “trying to reckon with my own musical roots while making sense of life abroad, and eventually landing in a new place and making it home.” Single ‘Tire Swing’ presents the result of such a motivation, breaking the mould to offer something looking towards rock while keeping one foot firmly inside the club.

Russian Baths – Bind

In June, New York indie rock band Russian Baths will release their sophomore album Mirror, via Good Eye Records. The album’s second single, ‘Bind’ is a dark and ominous track that fuses goth rock, post-punk and a shimmer of shoegaze into something at once propulsive and eerie. Lyrically stark with a sense of gloomy poetry, it’s a song the band say explores past injustices “all connected by misguided vengeance desperate to escape the past but doomed to repeat it.” The result lands somewhere between a sweaty basement club and the desolate landscape from a folk horror tale. Nervous clockwork percussion chugs beneath stabs of sharp and surreal guitar that gives the whole thing a sense of sickly madness and doom. As the press release puts it, “it’s all a sinking ship that keeps pressing onward.”

 Sleeepy Anderson – Gamblin’ Shoes

Louisville-based musician, songwriter and visual artist Scott T. “Sleeepy” Anderson, AKA Sleeepy Anderson, is releasing his debut album Truck Songs later this year. New single ‘Gamblin’ Shoes’ offers a view into a record which promises to hark back to the heavyweights of classic country. It was formed while Andersen was travelling the breadth of the US in an old red pick-up truck, tapping into the freedom and lonesome heartache of the transient life to offer a contemporary vision of which Hank Williams and Townes van Zandt would be proud. Anderson’s vocals sit above plucked guitar, unadorned and raw, at the crossroads between forlorn and easygoing. Watch the video shot by Cullen Monasterio and Nick Netherton below:

Truck Songs will be released later this year. You can download ‘Gamblin’ Shoes’ from the Sleeepy Anderson Bandcamp page.

Yoshika Colwell – Adelaide

Following the release of her debut single ‘It’s Getting Late’ last month, Kent-based singer-songwriter Yoshika Colwell has announced her debut EP, There’s a Time. It comprises of five tracks of timeless and emotionally wrought folk music, recorded live with a band that bring a rich and easy grace to Colwell’s explorations of time, relationships and the notion of selfhood. To further whet appetites for the EP, Yoshika Colwell has unveiled a second single, ‘Adelaide’, an intense song which reaches for all of these themes in its three and a half minute runtime. “Adelaide is a song about tension and release,” Colwell describes. “About repetition of unhealthy patterns, hurting yourself and others because of a fear of being radically honest.” But it’s not all turbulence and gloom, there’s a freedom too, that sense of relief experienced when letting go to those unhealthy patterns. As Colwell puts it: “It also is a song about catharsis and the phenomenal lightness that comes when you listen to your intuition.”

There’s a Time is out on the 26th May and you can pre-order it now.

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The experience is set out with the opening title track, where illusions of youthful invulnerability are dispelled by the sudden onset of pain. “Was up midnight all around / I was twenty-two / Drinking till sundown / Like I was bulletproof,” Angel sings, driven onwards by the upbeat country rock tempo. “And now I’m grown / I think I can pull it / Ain’t got no home / Where I belong.” The self-deprecation is apparent but so to the spark of change. A genuine epiphany played back to us in real time. The moment when Rachel Angel decided to change and live.

I was losing my mind
Halfway to heaven
They convinced me with their words
That I was sentenced

Which isn’t to say the rest of the album occurs within the seamless light of newfound conviction. For all its jaunty energy, ‘I Can’t Win’ is a wry look at transcendence, where salvation is still an uncertain thing, and ‘Baby Can I Come Home to You’ continues this doubt as something between a warning and a threat (“Gonna cry like it’s my birthday / And then you won’t know what to do”). The same applies regardless of the track’s tone. Bouncy country rock songs like ‘Daddy’ have mischievous sarcasm built in, whereas the likes of ‘Many Nights’ are less playful but still beholden by the potential for injury and loss.

Even ‘Closer to Myself’, a song all about moving on from uncertainty and longing, possesses a certain self-awareness. As though understanding change to be something other than linear. No epiphany can be total, some of the past’s worries will always remain. Closer ‘Candle’ burns with this gathered knowledge, its image of a candle in the wind capturing the brightness and fragility of anything in life. But while this means the good things are delicate and transient, it also highlights the cracks in the worst life has to offer too. Nothing is permanent or monolithic. Any flame can be snuffed out. The decision is which flickers to cup your hands around, and which to leave exposed.

Midnite Heart Attack is out now via Ruzafa Records and you can get it from the Rachel Angel Bandcamp page.

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