“Rise in the west, set in the east / do what I want, go where I please / just gravity keep holding me.” So sings Abbey Blackwell on ‘Rise and Set’, the lead single from the Seattle-based artist’s forthcoming album Dream a Day. Emerging from the aftermath of a relationship, the song is at once playful and heartbroken, existing in that disorienting space where everything you thought you knew is upended and you are left to hope at least physics will hold true. The arrangement is built to support Blackwell’s distinctive vocals, building from acoustic beginnings into something far richer with the help of Norman Robbins (electric guitar, lap steel) and Evan Woodle (drums, percussion). The result transforms a decidedly personal experience into something universal.

DoYeon Kim – The Beats of Distant Thunder

It is telling that Brooklyn-based composer, improvisor and vocalist DoYeon Kim is one of, if not the only, Gayageum player within contemporary music. Her embrace of the centuries-old Korean zither within her boundary-pushing work is indicative of Kim’s willingness to harness both cultural traditions and cutting edge vision in order to bring to life her singular sound. Her first release as a bandleader, forthcoming album Wellspring is an encapsulation of this spirit and sign of its radical potential. Because, with Tyshawn Sorey (drums), Henry Fraser (double bass) and Mat Maneri (viola) in support, the record sees Kim utilise these sensibilities to create something of a sonic manifesto. A desperate, timely plea for humanist connection within an otherwise fractured world. “This is the first time I open my hand to the world, a first greeting,” Kim explains. “I wish people hearing this music [receive] energy and comfort. I want to be there with them.” Listen to first single ‘The Beats of Distant Thunder’ now:

Mudgoose – Yum Cha Takeover

The recording project of Te Whanganui-a-Tara/Wellington-based songwriter Fletcher Ng, Mudgoose put out album Chasing Horse a few weeks ago, introducing a sound that sits somewhere in the middle grounded between slowcore, bedroom pop and alt-country, with sprinklings of a slacker vibe thrown in for good measure. Recorded to tape with a Tascam 4-track, the songs are textured, hazy and patient, delivered as though through the fog of memory and further clouded by a drink or two. Single ‘Yum Cha Takeover’ is a good place to dive in, the opening so slow its almost sedated, the vocals emerging from beneath these rhythms with what might be resignation or desperation. “[The] lyrics are loosely based on an embarrassing moment in which I screamed at a group of strangers to get out of my kitchen during a party,” Ng explains, though the resulting track is by no means a funny anecdote. More a murmured plea from the end of a rope, one last attempt to communicate something before fatalism settles for good.

Otracami – Perfect Reach

We’ve featured a couple of singles from Otracami‘s new album Runoff in recent months, first ‘Please‘ back in January then ‘Sirens’ a few weeks later.  Taking the story of Persephone from Greek myth, the latter saw Camila Ortiz weave “mythic elements with personal reflection,” we wrote, asking “How far do the obligations of loyalty extend? […] When you are linked to a person involved with something bad, how much responsibility are you expected to take?” With the album coming this week via Figure & Ground, Otracami is back with ‘Perfect Reach’. A song written during a winter School of Song class with Adrianne Lenker and partly inspired by the novel Our Share of Night by Mariana Enriquez, it sees Ortiz lean into a darker, almost threatening atmosphere. “I was writing in a way that was less directly narrative and more vibes-based, using images, feelings, textures,” she explains, though a narrative thrust is implied by the very mood. A certain sense of guilt, even villainy marks the shadowed sound. The sensation of having committed a regretful act and having to acknowledge the fact.

Ramsey Thornton – Rocking

Back in October, we featured ‘Riverside’, a single by Tulsa-based songwriter, banjoist, and drummer Ramsey Thornton. It was released to announce his signing with the good folks at Gar Hole Records, and at the time we mentioned how a full-length record was in the pipeline. Well that time has now come. Titled I Called It! and set for release in May, the album collects 13 songs that perfectly introduce Thornton’s warm, down-to-earth sound. “I like my music to sound natural,” he describes. “These are songs that I wrote around my kitchen table. I recorded them with my friends. I hope they just sound like me.” New single ‘Rocking’ is a great example, Thornton’s fingerpicked guitar backed with drums, bass and lap steel to conjure something that feels both understated and emotionally deep.

runo plum – butterflies

Following on from 2025 full-length patching, an album we described as “equipped to elucidate the highs and lows of life,” Minneapolis songwriter runo plum is sharing brand new EP Bloom Again this May via Winspear. Released in support of an upcoming West Coast tour and SXSW, the EP sees plum expand upon her diaristic, emotionally-charged style, as introduced by lead single ‘butterflies’. “I showed you butterflies / You took ‘em in and burned them alive / In a house buried in smoke,” she sings in the song’s opening verse, “shoved myself to the ground to lay low.” The blunt, bleak lyricism is juxtaposed with the warm richness of the sound itself, the track playing like a confession or unburdening, runo plum unveiling all of her doubts and disappointments as though the only path to new growth is by clearing the ground.

The Same Sky – Sad Songs

Montreal ‘outsider pop’ band The Same Sky have a new record, Haunting in the Mountains, on the way via Casa Joven. Following lead single ‘What’s Left’, which we described previously as “a track where dreamy textures meet an almost mechanical sense of forward motion,” the four-piece have now unveiled a second preview, titled ‘Sad Songs’. Existing at the heavier end of the post punk / shoegaze spectrum, the song is soaked in fuzz and noise, siren-like guitar riffs and violent percussion carrying the minimal lyrics toward something almost ritualistic. “The track moves through hypnotic repetition like a ritual, closer to a chant than a traditional song,” describes lead Joseph Simon. “Unless ‘traditional’ means a psychotic monk howling through a wall of distortion.”

This Lonesome Paradise – Unending

When previewing This Lonesome Paradise‘s upcoming release Death Motels back in January, we described how the album “position[s] the project as one working slightly outside of time with a sound that conjures a mythic past while always facing forwards.” Following on from single ‘Changelings’, what we called a “brooding, Lynchian number as dark as the night itself,” This Lonesome Paradise have shared new single ‘Unending’ to celebrate the release of the record. Another shadowy slice of desert rock which plays as something both stark and romantic, the cinematic sound and E Ray Béchard’s pathos-filled vocals combining into an evocative picture of America. A landscape littered with broken dreams and unrealised futures, dark and dangerous and haunted by the ghosts of all that was sacrificed to establish itself upon the world.

Watch the video directed, shot and edited by David Lampley on Super 8 film below:

Death Motels is out now and available from the This Lonesome Paradise Bandcamp page.

Thomas Dollbaum – Dozen Roses

Born in Tampa and now based in New Orleans, songwriter Thomas Dollbaum has put out several releases in recent years, 2022 LP Wellswood and 2025 EP Drive All Night, though grew frustrated with the slow process as recording was hampered by a variety of factors. For latest album Birds of Paradise, coming this May on Dear Life Records, Dollbaum was determined to buck this trend. After writing for no more than three months, he enlisted the help of most trusted collaborators Nick Corson, Josh Halper and MJ Lenderman and travelled to Dial Back Sound in Water Valley, Mississippi to work with producer/engineer Clay Jones. There, the album came to life in a handful of days, the recording process finally matching the urgency and charge that Dollbaum’s style of music demands. Lead single ‘Dozen Roses’ serves as a window into the album and its themes, tapping into the magic and beauty of the natural world to enliven personal memories, and ultimately displaying the lightning-in-a-bottle intensity these songs promise to bring.

Watch the video by ALLUVIAL below:

Birds of Paradise is set for release on 22nd May via Dear Life Records. Order it now from the Thomas Dollbaum Bandcamp page.

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What emerges is a picture of a day which might appear ordinary on the surface, yet is churning with the small dramas and existential currents beneath the surface. A day, that is, like any other. “I had no choice on Riverside / Saw it in the last few moments of its life / There was no way that I could stop / But now I am frozen,” as Thornton sings in the opening lines, voice wavering with sincerity as though urging the listener to grasp the gravity of the moment. “Now I can’t get past the thought / This doesn’t feel very fair at all / I know that there must be a spot / In heaven and he is chosen.” The tone of the Ramsey Thornton project is embodied by the these first verses, possessing all of the closeness, heart and longing which underpins his work.

Now all I wanna do is just pull over
Turn off my radio and sit here for an hour
When I left home today I figured I’d just keep hanging out

Watch a live performance of the track captured by Calebe Severo below:

‘Riverside’ is out now via Gar Hole Records and available from the Ramsey Thornton Bandcamp page.

The post Ramsey Thornton – Riverside appeared first on Various Small Flames.

“At some very basic and intuitive level, [Will] Kennedy taps into the stuff that’s really important. Getting lost in the present, side by side with those you love.” That’s how we described ‘Bird Sanctuary’, the first single from 22° Halo‘s new album Lily of the Valley, coming this November on Tiny Library Records. The single introduced the style with experience of the natural world, but new track ‘Virtual You’ shows such feelings are not unique to the great outdoors. As the title suggests, the song delves into cyberspace and the abundant nostalgia it offers. But rather than finding melancholy in those old photographs of cherished moments now past, the song is delivered with something brighter. Wistful, yes, and not immune from a certain sense of longing, but always with an overarching gratitude that such times happened at all.

Chris Acker – Shit Surprise

“The most beautiful and poetic song about stepping in dog shit that has ever been written.” That’s how label Gar Hole Records describe Chris Acker’s ‘Shit Surprise’. The first track from upcoming album Famous Lunch, the song is an ode to the cosmic justice which so often comes attached to vanity. How those walking a little too tall will inevitably get slapped down again. Behind Acker’s trademark absurdity is the essential troubadour tale, where the confused dreamer collides with the banalities of life and comes to feel cursed for his failings. And, most importantly, the tongue-in-cheek style sacrifices none of the track’s emotional weight, positioning Acker alongside the likes of Dean Johnson as one of the most authentic and interesting practitioners of contemporary folk.

Watch the video directed and edited by Cooper Kenward with animation by Anubha Gupta below:

Famous Lunch is out on the 11th October via Gar Hole Records and you can pre-order it now.

Liv Greene – Katie

Described as “a reckoning with reality, a vulnerable snapshot of hard-won self-acceptance,” Deep Feeler is the forthcoming full-length from Nashville songwriter Liv Greene on Free Dirt Records. The product of a decision to finally embrace a truer self within her work, the album sees Greene cease attempts to bury personal truths, reframing songwriting from an escape mechanism to a kind of spotlight. Belonging to a rich lineage of songwriters going back through Lucinda Williams, Gillian Welch and others, the album emerges defiant in its unguardedness, finding healing within the act of revealing one’s core. New single ‘Katie’ is a great example of the style. A lesson in how learning to be oneself can lead to objective good. “This came out of a relationship that wasn’t my first queer love experience,” as Greene explains, “but it was my first time allowing it to not be a bad thing. It comes from a place of tenderness—of allowing yourself to feel those romantic feelings and really revel in them.”

Deep Feeler is out on the 18th October via Free Dirt Records and you can pre-order it now.

Lutalo – Oh Well

Last month we featured two new singles from Lutalo‘s upcoming album The Academy, coming soon via Winspear. A hint at the spectrum of moods present on the record, with ‘The Bed’ offering a bright folk sound and ‘Broken Twin’ something altogether darker. Latest track ‘Oh Well’ splits the difference between the two, marbling heavy reverb with an almost transcendent falsetto to evoke Lutalo’s teenage years in Minnesota, a time set against the backdrop of his mother’s mental health challenges. What results is a spectrum of emotions packed tightly together, where confusion and desperation sit alongside fondness, and a crushing weight is always threatening to overtake everything.

Molina – Organs

This October Danish–Chilean composer Molina will release debut full-length When you wake up via Escho, an album which looks to in some way transcend the rush of contemporary living via a committed awareness of life’s small details. Thus emerges a layered brand of dream pop which eschews the nostalgia so common for the genre in favour of a close attention to the present. Latest single ‘Organs’ sees ML Buch lend their talents to push this sound further. A song “very much a fusion of our individual approaches to perceiving melodies, recordings and sound in general,” as Molina explains. “We are both fascinated by the ‘pulse’ in music and how a song can be perceived to move at different paces. We also share a mutual attraction to catchy melodies. ML tends to unfold words with the melody in an elastic manner, while I prefer more on-the-note vocals that introduce unexpected harmonic shifts. ‘Organs’ kind of holds all those elements of fascination and exploration together.”

Sam Weber – Tamarindo Sunsets

In recent months we’ve previewed the Clear + Plain, the new album from Vancouver Island-based singer-songwriter and guitarist Sam Weber, first with the evocative ‘Oregon‘ and later the warm and relaxed ‘Void‘. “But while the languid tone might suggest a track of romance and intimacy,” we wrote of the latter, “the lyrics paint a more ambiguous picture, where mortality flashes into view with an unnerving abruptness.” With the album out now via Sonic Unyon Records, Weber is back with new single, ‘Tamarindo Sunsets’. A song about “staring into the digital abyss and being confronted with greener and greener grass,” as he explains. “Reckoning with what it means to find that beauty, peace, satisfaction in your heart.”

Clear + Plain is out now via Sonic Unyon.

Soot Sprite x Muttering – Burn The Leaves

Hot on the heels of recent single I Went Swimming / Home Among Your Bones, which we described as “a refusal to romanticise difficult relationships, a determination to learn lessons and live more healthily,” Soot Sprite are back with For Joy, a new collaborative EP with London‘s Muttering. Again released via Specialist Subject Records, the three-song release sees Elise Cook and Chaz Bush share songwriting duties, with Bush taking the reins for first single ‘Burn The Leaves’. A weighty and cathartic examination of the past inspired by J. L. Carr’s A Month in the Country, drawing on the novel’s bittersweet retrospection on a time which could not last. “We all have certain anchor points that you look back on,” Bush explains. “Memories that hold significance and in difficult times often hope to rekindle. The thought of what could have been.”

This Lonesome Paradise – These Western Roads

With forthcoming album Luna Nocturna, California psych-folk outfit This Lonesome Paradise conjure a world worthy of their name, drawing the listener into a sonic environment as stark and striking as the American West of Cormac McCarthy’s oeuvre. Lead single ‘These Western Roads’ offers a path into this landscape. A dark and brooding slice of country noir which simmers with equal parts beauty and foreboding. But more than a lesson in cinematic worldbuilding, the album serves as a meditation on the American Dream with all its brutality, broken promises and betrayals. A project doomed from its very inception, destined to always be haunted by the means in which reached for its goals.

Luna Nocturna is out on the 18th October via Bad Vibes Good Friends and you can pre-order it now.

Why Bonnie – Three Big Moons

“Foregoes easy pigeonholing in terms of style, unified instead by the defiant new self-confidence which underpins it.” That’s how we described Wish On The Bone, the new full-length from Why Bonnie coming later this week on Fire Talk Records, in a preview back in June. A style fitting for the new philosophy of lead Blair Howerton, who is looking to escape preconception and expectation to embrace the freedom of constant change. Take latest single ‘Three Big Moons’, where the old Why Bonnie country twang is repurposed to tell an old story in a different way. Themes of loneliness and isolation are keystones of the genre, but here the dusty roads and full moon heartbreak are swapped out for something altogether more extraterrestrial.

I was a heavy weight
Out there in space
Took one for the team
And took a swan dive into nothing
They pinned a note to my collar
It said “we couldn’t save her”
And dropped down the american flag
Like it was a favor
Walked around a few earth hours
Until my feet got sore
Found a nice big crater
24 by 24

Wish On The Bone will be released via Fire Talk Records on 30th August and is available to pre-order via Bandcamp.

The post Weekly Listening: August 2024 #4 appeared first on Various Small Flames.

I’m so glad I met you
Our love was a dream come true
It’s not gonna fade away
Just lives in a different place
Our hearts aren’t broken
No, they’re growing

I’ve been trying hard to try harder
I stretch and drink my eight cups of water
I put down my phone, made me smarter
I’ve been trying hard to try harder

Shadow On My Light will be released via Gar Hole Records on 16^th August. Pre-order a copy now from the Maddy Kirgo Bandcamp page.

Album art by Emma Ledgerwood, Feed My Ego

The post Maddy Kirgo – Shadow On My Light appeared first on Various Small Flames.

Last year, East Vancouver post-punks Aversions put out the full-length You Wanted The Bike, an album which “combine[d] heavyweight riffs, pounded percussion and acerbic vocals to comment on our contemporary moment,” as we put it in a preview. Songs like ‘Undecider‘ channelled this raw energy into a sound of “anxiety and latent violence, drawing on a whole host of political and social themes in three and a half minutes of Strummer-esque polit-punk.” Recorded at the same time as that album but not quite sitting right among the rest of the tracks, latest single ‘Wormhole’ sees the three-piece reaching further afield for their stylistic influences, dialling back some of the ferocity to allow in alt-country sensibilities. But the lyrics are as cutting and contemporary as ever, charting the rise and fall of an internet personality who, after selling their soul for recognition, is left lonely on the other side of fame, banging the locked door leading back to normal life.

Blue Canopy x A Beacon School – Bright Spot II

When Blue Canopy‘s Alex Schiff asked Patrick Smith of A Beacon School to remix single ‘Bright Spot’ after its release back in 2022, he probably didn’t quite expect the level of collaboration and vision which followed. Fast-forward eighteen months and the result has now been released as a single via Grind Select. ‘Bright Spot II’ is not so much a remix as a reimagining, a sister track which drags a cover of darkness over the original’s sunny wistfulness, carving out a nocturnal space of electronics which further amplifies the themes of regret and longing in a song about facing difficult periods with a long-term partner. “I just wanted everything to be OK between us,” Schiff explains, “and this song sorts through my feelings throughout that time, hoping for a resolution.”

The song comes complete with a video by Ebony Davies with additional edits from Chase Wagner:

‘Bright Spot II’ is out now via Grind Select and you can get it from Bandcamp.

The Dead Tongues – Body of Light

“Baby there ain’t no rules here / we can just slide / keep bending and drawing new lines / all shapes defined.” So opens ‘Body of Light’, the title track from one half of the upcoming double record from Ryan Gustafson’s The Dead Tongues on Psychic Hotline. Described as a pair of “interweaving and disparate albums,” the release embraces the diaphanous, intangible sentiment offered in those opening words, refusing to calcify into solid form in favour of something ephemeral. As the lead single suggests, the result is something intuitive and ever-shifting, mapped along the unseen currents of both our own interiors and the natural world. “Maybe you don’t know what to call it,” as Gustafson sings, “or it ain’t got a name / i’m here for it all just the same / all colors and shades / i’m just a body of light.” Watch the video by Gustafson and Cat Siravantha below:

Body of Light will be released digitally on the 14th June, and physically as a double album with I Am A Cloud on the 9th August via Psychic Hotline. Pre-order it now.

dog eyes – fair

dog eyes is the recording project of Oakland‘s Davis Leach and Haily Firstman which started when Leach helped produce Firstman’s previous project Mr Marigold. The pair soon realised their collaborative chemistry could stretch much further. Following on from the earnest, delightfully lo-fi debut good, proper sendoff on Grand Jury Music, new single ‘fair’ continues to develop the dog eyes sound. A track about friendship and its strange ebb and flow, the childlike wonder of the vocals is shaded by a lingering wistfulness, as though every perfect moment foreshadows its inevitable end. “When you’re a kid and you make a new friend you think they’ll be your friend forever and often they are not, the band explain. “They were there for a season. A love or crush can be the same.” Watch the video directed by Ev Fitzpatrick below:

‘fair’ is out now and available from the dogs eyes Bandcamp page.

Joy Guidry – I Will Always Miss You

Writing in March, we described how Brooklyn-based bassoonist and composer Joy Guidry was releasing new album AMEN via Whited Sepulchre Records, where Guidry experiments with the multitude of Black American music styles to create something new. Previous single ‘Members Don’t Get Weary’ combined jazz and gospel music into something impassioned and triumphant, whereas new track ‘I Will Always Miss You’ takes an entirely different path. Built upon a foundation of lush ambient synths and boasting some of the most evocative bassoon you are likely to hear, the instrumental piece offers a meditative space that’s rooted within the wider experience of life—where mourning and joy marble into a single whole.

Lake Michigan – Rituals

Described as an album about “love, OCD, class, addiction and probably a couple of other things too,” La Madrugada is the latest full-length release from Mexico City-based Lake Michigan on Start-track. The record continues the project’s gloomy, intimate bedroom pop style, with arrangements stripped back to their sparest elements to sound like raw messages as voiced in the latest hours of the night. Focusing on OCD and the general unease so intrinsic to the condition, single ‘Rituals’ is great entry point, its vocals emerging through the lo-fi sound as barely a murmur, heavy with weariness yet afraid of relaxing, as though compelled by the need to balance the world.

Mr. Sam and the People People – Go People Go (Part One)

This summer sees the release of Again! Again!, the new full-length album from New Orleans-based songwriting project Mr. Sam and the People People on Tape Dad (distributed by Gar Hole Records). Opening single ‘Go Baby Go (Part One)’ introduces the compassionate tone with a mindful reflection on the beauty inherent in simple things. Mr. Sam Gelband’s vocals land somewhere between Dean Johnson and Frederick Squires in their fond baritone. “I wrote ‘Go Baby Go’ to honor […] my closest people, the lake, the porch, the mountain, the shoreline, the neighbourhood, the quiet moments with myself,” Mr. Sam describes. “I know now that these things are the keepers of my truest joy, and I thank them.” Watch the video by Mayme O’Toole and Sam Gelband below:

Again! Again! is out via Tape Dad on the 11th June and available for pre-order now.

shn shn – Glimmer

We’ve covered the work of shn shn several times in recent years, always admiring how Toronto-based producer, singer-songwriter and creator Shanika Lewis-Waddell reimagines what the project might be with each release. “[shn shn] aims to do more than merely convince the listener to examine themselves,” we wrote of Form(s) last year. “Rather, it allows them to drift off to new frontiers. That is, to dream.” With its expansive ambient tones and idiosyncratic details, new single ‘Glimmer’ furthers this aesthetic. A meditation on the power of patience and understatement which coalesces into something quietly triumphant. “Building up gradually,” Lewis-Waddell sings, “unexpectedly found myself /so close yet so far / to a glimmer of hope.”

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“Has it been a year or two? Will it be cotton or leather?” asks Abigail Lapell in new single ‘Anniversary Song’. “Mercury and iron, carbon, silver / bind us together.” Taken from the Toronto singer-songwriter’s forthcoming album Anniversary on Outside Music, the song encapsulates the marriage of symbolism and tangibility used across the record. Romantic chemistry as both otherworldly magic and physical reaction. Not that the love on the album is merely of the romantic sort, with a series of personal milestones prompting Lapell to contemplate the phenomenon in all its guises, offering a picture of relationships and commitment with all the complexities left intact.

Agent blå – Rain To You

Last month we wrote about ‘Discount’, the lead single from the upcoming album Stab! by Gothenburg‘s Agent blå on VÅRØ Records (Sweden) and Kanine Records (US). What we described as a song “simmering with eerie menace and charged with forward motion, splitting the difference between familiarity and strangeness.” With the album coming later this spring, Agent blå have returned with second single ‘Rain To You’ to build upon these beginnings. Squally and loaded with momentum, it looks to small details as sources of comfort within an otherwise overwhelming world, and submits itself fully to forces large and mysterious.

Never spoke it with a sober mouth
I’m drawn to the chaos, my sanity grown shy
Keep clinging to no time
You’re the moon to me
I was rain to you

Al Harper – Plaster of Paris

Later this month, San Francisco-based songwriter Al Harper will release album The Analemma Observation League via Take a Turn Records. An album which draws upon the solar phenomenon of its title to explore themes of change and growth. Analemma refers to the figure of eight plot made if one was to chart the sun’s position in the sky from the same position at the same time of day across an entire year, rendering what might otherwise seem a linear process into an infinite loop. Working in such a spirit, Al Harper draws on a variety of memories and experiences to offer the past not as some line trailing ever further into the distance, but rather something forever orbiting around us. Lessons to learn from, patterns to take comfort in. The suitably sunny sound of latest single ‘Plaster of Paris’ is the perfect introduction, and comes complete with a video shot by Harper and Craig Barclift and edited by Simon Linsteadt:

The Analemma Observation League is out on the 23rd February via Take A Turn Records and you can pre-order it now.

bedbug – postcard

We’ve long followed the work of bedbug, charting how Dylan Gamez Citron has taken the project through a trilogy of acclaimed bedroom pop albums before metamorphosing into a full band for a self-titled EP in 2022. This year sees bedbug return with pack your bags the sun is growing, a full-length album which builds more fully upon this change of direction to push the project closer to Cap’n Jazz than the hushed aesthetic from which they originated. A style which only furthers Citron’s ability to weave the personal and the political into a seamless whole. Vitally none of the heart or intimacy is lost in this transformation, as single ‘postcard’ attests, and while any project inevitably passes through various life stages as time goes on, you get the sense Citron and co. are rising towards their fullest potential. The first bedbug to ever sprout wings.

Dead Slow Hoot – Take It Or Leave It

Specialising in a style of atmospheric alt-rock that’s at once melancholy and anthemic, Sheffield/London outfit Dead Slow Hoot draw on a variety of genres to create something unique. Previous releases have drawn on poetic folk, shadowy post-punk and epic post-rock, sometimes within the same song, and new single ‘Take It Or Leave It’ is no different. Opening with just pared-back guitar and banjo, it eventually builds to a dramatic crescendo of wailing guitar and crashing percussion, straddling the line between an intimate acoustic ballad and a monumental rock song. The song is about “making necessary compromises for the good of your partner and growing together through that,” the band explain, “[and also] a more general realism, accepting the ‘competing intentions’ that you might have with another person… and actively engaging with them to make something better.”

‘Take It Or Leave It’ is out now via streaming services.

Emma Geiger – Reverse Bloom

We’ve featured Durham, North Carolina-based songwriter Emma Geiger several times over the last year or so. First with 2022 EP Haven, and then with several stellar singles. Excitingly, Geiger is now putting the finishing touches to her debut full-length, Reverse Bloom, which features those singles alongside four brand new tracks. To further whet anticipation, she has released the title track, a song which moves its focus away from romantic relationships towards the difficult loss of a friendship. Someone Geiger was formerly close to wrote a song detailing the dissolution of their friendship, and this is an exploration of the following emotions. “When I first heard it, I felt her anger, frustration and bitterness,” she describes. “That friendship meant a lot to me, and losing it really shook me. It brought up a lot of questions about who I am, and who I was in that relationship.” Watch the video filmed by Archer Boyette and directed by Boyette and Geiger herself below:

Reverse Bloom is out on 26th April. ‘Reverse Bloom’ the single is available now via the Emma Geiger Bandcamp page.

Eyesore & The Jinx – Float Like a Jellyfish (Sting Like a Subtweet)

“[A song which presents] the gym as the encapsulation of the country,” we wrote of Eyesore & The Jinx‘s ‘Nocturnal Athletes (Ode To Bruno)’ by back in September when previewing their debut album, Jitterbug, “where an assortment of lonely and overworked people run without going anywhere, lift with no purpose beyond some abstract penance, and stare at screens playing Top 40 videos on a loop.” With the record’s release fast approaching, the Liverpool-based outfit have shared final single ‘Float Like a Jellyfish (Sting Like a Subtweet)’, and fans will be reassured to learn it is every bit as twitchy and cutting as we’ve come to expect. Light-hearted, mischievous and a little hyperactive, winding taut with anxious energy to evoke a decidedly contemporary unease.

Jordan Whitlock & Memory Spells – Take My Hand

Memory Spells is the new project of songwriter Matt Bauer which takes the orchestral indie folk he puts out under his own name further towards “his love of contemporary TV, film and video game scores, cinematic post rock, early post punk, and 80s film music.” His latest collaboration is with San Diego songwriter and producer Jordan Whitlock, whose intimate writing and impressive soulful vocals have been wining fans all over. Suffused with the lush, shadowy grandeur of Lynch at his most romantic, latest single ‘Take My Hand’ is what the duo describe as “Emmylou Harris meets Cigarettes after Sex,” not only offering a new dimension to Bauer’s work but opening up a whole world of its own.

You can find out more on the Memory Spells website.

The Lostines – Full Moon Night

The recording project of New Orleans-based songwriters Casey Jane Reece-Kaigler and Camille Wind Weatherford, The Lostines are preparing to release their debut full-length Meet The Lostines this spring on Gar Hole Records. The album draws plenty from the Louisiana landscape, but ultimately conjures a world of its own. One in which time and space has gone a little strange, and a whole host of periods and places layer atop of one another to form something larger than the sum of its parts. Lead single ‘Full Moon Night’ typifies the result, where retro folk harmonies and spectral synths bring to life a languid longing for a love now past.

The post Weekly Listening: February 2024 #3 appeared first on Various Small Flames.

The recording project of Oakland-based illustrator and lettering artist Kyle Benson, Company Vacation uses music as a way to delve deeper into the everyday, and in doing so invites the listener to notice and appreciate the magic in the small details. Out at the beginning of Feruary, new album Okay Headspace feels like the culmination of these ideas, and succinct single ‘I Have a Little Room in My House’ serves at the nostalgic, buoyant prologue. “As a kid, I dominated the family computer. It was steroids to my tiny brain,” Benson explains. “My parents kept it opposite the TV, centrally located in the family room, to keep anyone from using it to look at porn. Having a computer room felt like the luxury of the rich.”

Lately, I’ve been feeling small
But I feel a whole lot cuter
When I play computer

I have a little room in my house
it has a chair and a desk
it’s where I get on the Internet

Watch the video below, with animation by Jared Clark Gay and illustration by Benson himself:

Okay Headspace is out on the 9th February and available to pre-order now.

 Creekbed Carter Hogan – If I Was

With a self-titled album on its way Gar Hole Records, Austin songwriter Creekbed Carter Hogan has released single ‘If I Was’ to introduce their unwavering style of folk. The record sees the trans artist both catalogue the past and confront the present, with Hogan searching for ways to survive and find community in a society which too often seems to have been built to prevent such endeavours. “If I was a loaded gun / You might / Treat me better,” they sing, hinting at the defiance which sits at the heart of their work, an anti-capitalist song which yearns for something more.

Watch the video directed by Jordan Moser below:

Creekbed Carter is out via Gar Hole Records on the 22nd March and you can pre-order it now.

Den Der Hale – Donkey Skin

With their evocative blend of psych, folk and post-rock, Sweden‘s Den Der Hale established themselves as a mysterious force back in 2019 with EP Harsyra, and having now signed to FatCat Records, forthcoming album Pastoral Light looks set to build upon these foundations to paint a bleak picture of humankind’s decimation of the natural world. After the foreboding simmer of Bela Tarr-inspired ‘Horse From Turin’, the five-piece are back with new single ‘Donkey Skin’. A track which draws on the seventies animation of the same name to create an ethereal sound at once alluring and dangerous, doing for French fairy tales what Lankum do for Irish folk tales.

Hatis Noit – Jomon

Having featured in David Lynch’s Manchester International Festival showcase in 2019 and appearing in Rick Rubin’s Showtime documentary series Shangri-La, Japanese voice artist Hatis Noit released the superlative debut album Aura on Erased Tapes in 2022. “Words cannot describe everything we feel,” she explained in the liner notes. “How can one accurately verbalise the sensation we feel when we’re a newborn and our mother holds us in her arms, and we feel her skin on our cheek […] Music is a language that can translate that sensation, feeling, the memory of love.” The description goes some way to describing the album’s tactile, enveloping sound, one all the more impressive for the fact that it is conjured exclusively from Noit’s voice, looped and layered into entire worlds. Made with Berlin-based Taiwanese-Japanese media artist NAOWAO, the new video for the single ‘Jomon’ brings this to life even further, matching the almost shamanistic sound with visuals every bit as mystical, collapsing the apparently divided spheres of human, natural and spiritual experience onto a single plane.

Aura is out now via Erased Tapes and available from Bandcamp.

Kaia Kater – The Internet

Born in Montreal and now based in Toronto, Kaia Kater makes music inspired by Canadian folk music, her father’s Grenadian heritage and the Appalachian music of her college years in West Virginia. Planning to release a new record sometime in 2024, Kater kicked off the year by releasing a new single, ‘The Internet’. A bright and tumbling folk song, it captures the strangeness of communicating with loved ones at a digital remove, replacing physical proximity with a stream of ones and zeros pinged around the world via satellites and fibre optic cables. “I can only talk to you through the Internet,” Kater sings, “in bits and in bytes and right angles.”

Large Brush Collection – Arm’s Length

Back in September we wrote a preview of Off Center, the forthcoming record by Austin folk rockers Large Brush Collection. “The band combine intuitive rhythms with intricate detail to conjure soundscapes able to explore the most personal of things,” we wrote, impressed with their ability to explore thorny issues with nuance and tenderness. The album comes out at the end of the week, and in anticipation Large Brush Collection have unveiled one last single. Titled ‘Arm’s Length’, it is perhaps the most important track of all. “This was the first song I brought to the group when Dan (Magorrian) and Gaby (Torres) and I began playing together,” describes songwriter/bassist Nora Predey. “And we all really connected over it. In a way, I think it became the foundation of the band.” With Torres’s flute and snaking melodies, the song ebbs and flows between dreamy and anxious, floating along sedately before rupturing with stabs of stormy guitar and clattering percussion.

LOUD HOUND – Comet

The project of New Jersey singer-songwriter Tommy Florio, LOUD HOUND is a project that crafts polished pop songs made emotive and interesting with lo-fi guitar and introspective lyrics. Following last year’s album It’s Okay To Be Lonely Part II, LOUD HOUND has returned with a brand new single ‘Comet’, which exists at the quiet, melancholy end of Florio’s stylistic repertoire. This is due to the circumstances in which it was created. “[I] rented a house in the middle of the mountains of Pennsylvania so I could clear my head after the most gut-wrenching break up,” Florio describes. “I needed to isolate myself from the world to understand what just happened and process my emotions so I could slowly get back to myself.” But it’s not all hushed heartbreak, Florio’s tired voice reaches out for hope and healing, and the energetic electronics that support the chorus suggest they might be on the horizon.

Lutalo & Claud – Running

‘Running’ is a joint single between Vermont-based songwriter Lutalo and Brooklyn’s Claud, a song which lands at the super catchy sweet spot between indie rock and pop. Both artists released records last year, Lutalo with AGAIN on Winspear (which we described as “blend of folk, rock and soul which…critique capitalist and racist systems”), and Claud with Supermodels on Saddest Factory Records, both of which established them as some of the freshest new indie pop talent around. The new single is no different, an upbeat, driving indie pop song which explores a tricky relationship with a domineering parent. It comes complete with a video directed by Eleanor Petry which sees the pair act out this relationship in a beautifully warm and grainy seventies colour palette.

‘Running’ is out now via Winspear. Listen via streaming services and purchase a download from the Lutalo Bandcamp page.

Sam Evian – Wild Days

If the soulful psych pop of 2021’s Time To Melt saw Sam Evian embrace a retro aesthetic, then forthcoming album Plunge sees the New York songwriter take things to a whole other level. Carved from the lush pop that marked the seventies, the record is written from the perspective of Evian’s parents, tracing a story of love in all of its complexities and complications. A team of friends including Liam Kazar, Sean Mullins, El Kempner (Palehound) and Adrianne Lenker (Big Thief) all offered their talents, following Evian’s orders to keep things fun and immediate. “No-one knew the songs or what the plan was,” he explains. “We kept it loose and fun. This was the spirit of the sessions. No headphones, no playback, minimal overdubs, or bleed. Fast and loose.” Lead single ‘Wild Day’ gives a glimpse as to what to expect from the album, where the nostalgic haze is leavened by the spontaneity of the process.

Watch the video by CJ Harvey below:

Plunge is out on the 22nd March via Flying Cloud Recordings/Thirty Tigers and you can pre-order it now.

The post Weekly Listening: January 2024 #3 appeared first on Various Small Flames.

Radio Heat has this idea baked into its very bones, Desiree Cannon holding the creation of songs as a kind of alchemical process. With a country-inflected style that reaches towards everything from dark pop and surf influences, Cannon brings an assortment of pain and doubt to the table in an attempt to transform it into something different. As though a song is a kind of machine able to transmute suffering into beauty, not only for the artist but the audience too.

Lead single and album opener, the title track is a door through which the listener is invited to witness this process in action. “I wished for a brighter start for you / Picturing day’s first light / Like a tide running over your door,” as Cannon sings with something like weary fondness. “Hot water on cold veins / When a soft beat drops like a screen / I know, and I know you’ve got it too.”

I can feel radio heat on
While you walk to my back I retreat
Now everytime before like
A box of matches in the sink on fire

The post Desiree Cannon – Radio Heat appeared first on Various Small Flames.

First making a name as part of indie pop outfit Au Revoir Simone, Annie Hart‘s solo work has branched out in a number of directions, most recently Eno-inspired ambient as seen on Everything Pale Blue released via Orindal Records in 2021. With new album The Weight of a Wave coming later this summer on Uninhabitable Mansions, Hart is back with brand new single ‘What Makes Me Me’, and the song suggests some degree of return towards ARS-esque pop. A song which attempts to work through sadness by choosing to smile, as though by calling attention to your own dark moods allows for a certain irony, and with it a sense of distance. “I felt like the only thing I was good at was feeling gratitude—but, paradoxically, I was so melancholy about it,” Hart explains. “I pulled a trick from Belle and Sebastian’s hat and made a song about it as cute, sing-alongable, and folky as I could. If I was going to feel bad about myself, why not have fun with it?” Check out the video shot and edited by Emily James with art direction from Jenna Gribbon:

The Weight of A Wave comes out August 4th on Uninhabitable Mansions. Order a copy now from the Annie Hart Bandcamp page.

Austin Cash – Franklin, King of the Beers

Written over the course of a year but recorded in a single night, Hello, Franklin is the latest release of Fayetteville, Arkansas songwriter Austin Cash. Coming next month via Gar Hole Records, the EP mines a deep history of American Primitive and minimalist styles to paint late-pandemic life in all of its strangeness. A collision of dissonance and harmony which looks to conjure not only the needling dread of the contemporary moment but its small joys too. Single ‘Franklin, King of the Beers’ is the perfect introduction to the record’s tensions, a song which nods to the wide-open landscapes so often painted by the genre while evoking the insular claustrophobia of pandemic living, looping on itself like the anxious motion of a restless mind.

Christopher Tignor – Ritual of a Thousand Limbs

Brooklyn-based composer and violinist Christopher Tignor has won acclaim across classical and experimental music scenes with his evocative electroacoustic arrangements. Latest album The Art of Surrender, coming this September on Western Vinyl, sees Tignor explore instinctive territory, pushing the violin towards an almost atavistic sound which foregoes too much planning or intention to instead embrace raw movement. Single ‘Ritual of a Thousand Limbs’ encapsulates this style, tapping into primal urges to which are brought to life in a video directed by Jason Akira Somma and starring Rachelle Nidra Somma:

The Art of Surrender will be release on the 29th September via Western Vinyl.

Eat My Butterfly – Dolé

With EP Esperar El Sol coming in a few weeks via FPE Records, producer Eat My Butterfly has unveiled new single ‘Dolé’. The EP is described as “a celebration of La Réunion’s folklore,” and the song serves as an encapsulation of this style. A mix of traditional instruments and synthesizers, united by Dilo’s passion for percussion and rhythm which conjures an organic soundscape. Vocals from Romane Mana (of Romane & Gaël) lift the track further, aligning it within the catchy indie pop bracket alongside the likes of Sylvan Esso and more importantly drawing the listening into a living, breathing world of its own.

‘Dolé’ is out now & available on streaming services.

Generifus – Didn’t Even Look at the Mountain

The recording project of Olympia‘s Spencer Sult and assorted friends, Generifus has carved out a space within the independent scene with a steady stream of albums dating back over a decade. A joint release between Anything Bagel and Bud Tapes, latest record Rearrangel sees Generifus back after a hiatus and looking to capture the duality of any journey, where banal details and deep, almost spiritual meaning intermingle along a single road. With live band members Wilson Caicedo, Andrew Dorsett and Henry Wilson joined by the likes of Lee Baggett, the result is brought to life with a rich and often wistful mood, as typified by single ‘Didn’t Even Look at the Mountain’, where regret meets an unfailing fondness.

His His – Underdogs

We’ve written about Toronto‘s His His several times in recent years, most recently back in February with ‘People, Places, Changes’, a “bittersweet” song “both pining for what has now gone and determined to capture the fondness which persists all the same.” Latest single ‘Underdogs’ is similarly concerned with change and the passing of time, though this time the focus is on the gentrification of familiar places. A picture of incremental loss which worsens on every visit, the past slowly changed by multi-millionaires, tree by tree, brick by brick.

Steven van Betten – Yosemite

Though fronting Fell Runner and co-founding School of Song, where he teaches alongside the likes of Phil Elverum, Miya Folick, Luke Temple, Lomelda and Meg Duffy of Hand Habits, it is only now Nevada-born, LA-based songwriter Steven van Betten is releasing his debut EP. Family & Friends sits at the intersection of traditional and contemporary styles, with new single ‘Yosemite’ highlighting van Betten’s ability to evoke both the timeless folk narratives of Townes van Zandt and the ethereality of Sufjan Stevens. The song was written after a close friend lost a parent at the national park, which in turn made van Betten reflect on his own childhood memories of a space where human life gets as close as it might to a sense of something larger. Watch the video shot and directed by Marcus Högsta below:

Hike with your wife
to the top of the falls
and sit in the shade of the afternoon
Your favourite places in the United States
tangible proof that there is a God

Friends & Family will be released on the 27th October via Future Gods.

Tremolo Fields – Stumble On Out

The recording project of Iowa-raised, Portland-based artist David T. Rogers, Tremolo Fields combines folk sensibilities with rock and electronic styles to weave its evocative sounds. With debut album still as can be out now, latest single ‘Stumble On Out’ serves as the perfect introduction to the project. A song where heartfelt romance meets brooding drama, strung on a drum machine rhythm though prone to drifts upward, capturing a balance between physical and ethereal sensations. The rhythm builds as the track develops, eventually descending into an overwhelming crescendo which carries both passion and desperation—love as a kind of longing, even in the present moment.

I once heard the drum
deep in your chest
pulsating blood below
our hands pressed
and we held each other so close
counting down til the sun rose
six, five, four, three, two, one
I’ll always feel
the beating of your drum

still as can be is out now and available via the Tremolo Fields Bandcamp page.

Zeus – Air I Walk

Almost a decade since their last record (2014’s Classic Zeus), Toronto indie rock band Zeus return this September with their fourth album, Credo, via Arts & Crafts. Inspired by equal parts classic rock and 80s synth pop, the record promises to see a continuation of the Zeus M.O., indie rock at once fresh and timeless and full of hooks and harmonies. Lead single ‘Air I Walk’ is our first taste of the new material, a song that’s been a fixture of live sets for a while and serves as a stepping stone from past to present Zeus. What lead Neil Quinn calls “lovesick cowboy music,” there’s a slight dusty folk influence amidst the guitars and electronics, a niggling ache beneath the catchy chorus. Watch the video, directed by 1TruR, below:

Credo releases 8th September via Arts & Crafts. Pre-order a copy now via Bandcamp.

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Bay Area songwriter Asha Wells is releasing a double single ahead of forthcoming album Water Words on Royal Oakie Records. Written during a testing period of a relationship, Water Words traces the arc of a partnership from dreamy beginnings to the new paths of the aftermath, and this pair of singles sits in the strange space at the heart of this progression. The period where nothing is decided in any one direction, the potential of both promise and regret latent within every detail. Take ‘Blue Angels’ and the way it marbles intimacy and hesitance into its tender tones, like an open palm wanting to grasp what is before it, though wary of the thorns hidden out of view.

Elisapie – Uummati Attanarsimat

Recording under her first name, Juno Award-winning Inuk musician, filmmaker and activist Elisapie Isaac makes music that reflects Canada’s complex history, singing in English, French and the Inuit language of Inuktitut as she combines contemporary pop with her ancestral culture. Her latest single ‘Uummati Attanarsimat’ is a cover of Blondie’s new wave classic ‘Heart of Glass’ translated into Inuktitut. A song that transports Elisapie to her childhood, bringing back memories of dancing to the radio with her cousins. “I remember one night when they played ‘Heart of Glass,'” she recalls. “I must have been five or six years old. They all started dancing like crazy. I observed their joy with admiration. I felt like I was free.” The cover also comes with a video, directed by Philippe Léonard, which comprises of Super 8 archival footage from Quebec’s northern reaches. Watch it below:

‘Uummati Attanarsimat’ is out now via Bonsound and available to download from the Elisapie Bandcamp page.

Her New Knife – douglasland.v1

Philadelphia outfit Her New Knife have recently released lead dreams/flayed so light, a new EP via Julia’s War Records. Through a combination of noise and shoegaze elements, the band weave a deliciously dark sound somewhere between 90s alt rock and contemporary acts like Greet Death, the controlled simmer of its brooding dark always threatening to spill over into chaos. Inspired by the band’s dog, who is said to have the regular old name of Halo 3, ‘douglasland.v1’ is the ideal intro to the aesthetic for anyone uninitiated, its palpable weight settling over the listener and gathering like a thunderhead before the searing climax.

Josie Toney – Extra

With album Extra coming soon on Like You Mean It Records, Olympia‘s Josie Toney has shared the title track to whet appetites for her distinctive blend of traditional and contemporary country styles. It’s a tale of longing dressed in a wistful brightness, inspired not so much by the heartbreak so familiar to the genre but rather the missed opportunity that comes with lonely living. “Is there anybody out there / who wants what I’ve got to give?” she sings in the opening lines. “I have so much extra / more than any one girl needs to live.” But more than that, Toney recognises that others are out there feeling the exact same way, and the song becomes a kind of ode to the possibility of a mutual love, if not yet the love itself.

Extra is out now via Like You Mean It Records.

Jude Brothers – practicing silence / looking for water!

There’s a curious mix of sorrow and whimsy on ‘practising silence / looking for water!’, the lead single from Jude Brothers’ render tender / blunder sunder coming soon on Gar Hole Records. The sense that the distance between the confusion of loss and clarity of peace isn’t all that large, with a considerable overlap between the experiences. Consisting of just Celtic lever harp and vocals, the song explores this territory with a delicate, compassionate tone, cataloguing those things lost amid living while coming to a sense of acceptance too. The track also has a video directed by Adeliza Backus-Pace which featured puppets made by Flying Wall Studios and controlled by Damon and Sabrina Griffith:

render tender / blunder sunder is out via Gar Hole Records and you can pre-order it now.

Langkamer – Hatchet

With new album The Noon and Midnight Manual coming this May on Breakfast Records,  Bristol‘s Langkamer are unveiling a steady stream of new tracks. First single ‘Sing at Dawn’ found “the sweet centre of a Venn diagram of twangy Americana and insouciant indie rock,” as we described it, though in doing so worked through heavier themes and depressive moods. New single ‘Hatchet’ again uses left-field pop energy as a Trojan horse to push into darker territory, taking inspiration from an old poet vocalist/drummer Josh Jarman knew. “He read me a poem about going to the supermarket with his wife, and how much of a struggle it was,” Jarman explains. “His words really stuck with me. How difficult such everyday things had become for them. Even just getting out of a car. It was heartbreaking, the matter-of-fact way he spoke about it.”

The Noon And Midnight Manual is out on the 8th May via Breakfast Records and you can pre-order it now from the Langkamer Bandcamp page.

Matthew Danger Lippman – And

Matthew Danger Lippman practises what has been called “stream-of-consciousness songwriting,” blending psych, pop and indie rock into an inventive and endlessly shifting style able to evoke the flights of fancy of our inner worlds. New album Once You Get Low You’ve Gotta Start Flying Baby promises to build upon this style is all of its bizarre glory, with lead single ‘And’ typifying Lippman’s ability to be earnest and absurd in the same breadth. The sort of thing which only makes sense when caught up within it, dream logic fired by its own momentum and charged by the endearing brightness of its rhythm.

And I had that dream last night
Where I pissed on the third rail
And the charge climbed up the piss trail
And it shot into my dickhole
And electrified me

And I walked around glowing
And I fried everything that I touched
And then I ran into my third grade teacher and she said
“You better watch where you piss”
And watch me now!

Palm Shadow – You Wouldn’t Have It Any Other Way

Based in southern California, Palm Shadow is a songwriter and musician who combines elements of dream pop, shoegaze and folk to create lush, diaphanous songs that shimmer and swirl in an enveloping haze. Debut single ‘You Wouldn’t Have It Any Other Way’ is the perfect introduction, taking the stark emotion of the likes of Phoebe Bridgers or Lucy Dacus and wrapping it up in ethereal ambience. Subtle arpeggiated synths add a cinematic poignancy as the song looks head-on at the tender regrets and heart-quickening inevitability of a complicated relationship, touching on what the liner notes describe as “bad timing, tabled ambitions, missed connections and procrastination guilt.”

Wayfinding – Hiro Up From The Woodshop

Wayfinding is an Edmonton-based project consisting of nêhiyawak members Marek Tyler and Matthew Cardinal alongside musician/artist Cassia Hardy (Wares) and Ryan Beattie (Himalayan Bear, Chet). The band introduced their shoegaze-inflected pomo pop back in November with ‘Bad Bloods’, which turned out to be the opening track of a self-titled EP set for release next month. It is a collection of songs which explores the full spectrum of memories both personal and cultural to Canada’s colonial history and the people shaped within it. Latest single ‘Hiro Up From the Woodshop’ moves through loneliness and humble compassion to capture the essence of a friendship, as well as the existential weight bubbling beneath even the quietest of moments.

And if you should inscribe
Iambic pentameter on my gravesite
make it a couple of lines
about the first part of my life
No empty accolades
Or poetry infantilized
Just the good times

The post Weekly Listening: March 2023 #4 appeared first on Various Small Flames.