The artwork for Bright Sparks Vol. 32

Bright Sparks: Vol. 32

Bright Sparks is posted once a month and offers a collection of really great songs that we’re determined not to let slip past our radar. Here’s Vol. 32, the first edition of 2020.


Locate S,1 – Personalia

Recording under the moniker Locate S,1, Christina Schneider stretches the boundaries of pop to create strange, beguiling songs that play light and dark off of one another. Following a successful tour with Frankie Cosmos in 2019, Locate S,1 signed with Captured Tracks and will release their second album, Personalia, this April.

The title track is the record’s first single, and represents the ideal welcome into the world of the album. Taking it’s title from a Mary Ruefle poem, ‘Personalia’ rises from a period of personal darkness toward something brighter, its clever, determined lyrics pitched somewhere between honesty and self-deprecation. It’s a potent mix, a spell which conjures life, and by the close Schneider is fired into orbit by her own energy once again.

Almost killed myself so I went home
I just cannot take these local shows
Tom T. Hall said don’t let your music kill you
But I’m no country boy
I’m just some punk

Personalia is out on the via Captured Tracks and you can pre-order it from the Locate S, 1 Bandcamp page.

Ratboys – I Go Out At Night

After the success of previous records AOID (2015) and GN (2018), Ratboys are back this month with the third album, Printer’s Devil, on Topshelf Records. Crafted around themes of instability and change, the record seeks to make peace with upheaval by defusing the fear it brings, and such a headspace proved conducive to a real development of the band’s sound. “There’s definitely a lot of uncertainty about what’s next,” explains lead Julia Steiner. “But I like to think that, in the midst of creating a lot of vulnerability for ourselves, we’re confident and becoming more self-assured.”

Latest single ‘I Go Out at Night’ makes good on that sentiment, finding Ratboys building upon the style they’ve been developing across their previous records. Settling as a four-piece, with Marcus Nuccio (drums) and Sean Neumann (bass) joining founding duo Dave Sagan and Steiner, the project has fully transcended its acoustic beginnings while preserving the original spirit—delving into power pop, garage rock and alt-country to not only highlight the Ratboys range but also best chart the ever changing world in which it is created.

Printer’s Devil is out via Topshelf Records on the 28th February and you can pre-order it now.

Sea Offs – Will (You)

The collaborative project of songwriters Olivia Price and Rashmit Aror, Sea Offs make an atmospheric collision of folk and rock that manages to inject a tangible urgency without puncturing the enveloping ethereal tone. Released in 2017, album What’s the Point? displayed just how evocative a blend this can be. “Every moment on the album, from the dazzling highs to the locked-away lows,” we wrote, “is threaded not just with an unshakeable sense of isolation but the equally persistent suspicion that things need not always be this way.”

This spring sees the band return with a brand new release, and lead single ‘Will (You)’ shows that they have lost none of their impact. Let loose into a delicate miasma of ambient tones and driven by a deep drum beat, Price’s vocals move from crooned questioning to steely determination, eventually rising into a cathartic closing section. Thematically, the song “discusses body ownership in a relationship,” the band explain. “The detachment one can feel sexually when there is no emotional connection to serve as a basis.”

En Root will be released on the 27th March, so be sure to watch the Sea Offs Bandcamp page for more.

Greg Mendez – Bike

Philly native Greg Mendez has been making music since 2006, self-releasing CDs from home alongside his presence on Myspace and the not-yet blossoming DIY scene in the city. Years struggling with addiction, homelessness and mental health issues meant that his output was sporadic through the 2010s, but Mendez released his debut full-length ¯\_(ツ)_/¯ in 2017, and is now back with a brand new record, Cherry Hell.

A joint release between Forged Artifacts and Devil Town Tapes, the album represents another link the chain of American songwriting, taking the themes of Townes Van Zandt, Connie Converse and Elliott Smith and casting them in the bedroom pop spirit of today. Lead single ‘Bike’ is one such example, a song based around “wanting to change and longing to be someone else” that dreams against the restrictive nature of our one single life—pining for experiences wide and disparate so as to exist more fully, free from the accumulated dirt of our positions in the world.

Cherry Hell is out on the 28th February and you can pre-order it via Forged Artifacts or Devil Town Tapes.

Mount Sharp – Ordinary

Writing back in August, we describe Mount Sharp‘s ‘Apostate’ as a song “indebted to the past but shaped by present conditions, concerned with the personal and the political when exploring what it means to be pushed away from someone or something.” The track was the first single of forthcoming album That Shadow, a record that will finally be released this month.

To increasing the anticipation, the Brooklyn band have release a brand new single, ‘Ordinary’. Ramping up the energy from the half-paced ‘Apostate’, the track is one of jangling confidence, bringing to mind the way Nap Eyes juxtapose loose-limbed inquisitiveness and deadpan lyrics, though injecting a punk energy too. There’s a dark humour to the way the track ebbs and flows, the lulls shaking into intense collisions of noise, as though firing itself through its own gathering motion, all tied together by the cutting lyrics.

How many times before it starts to feel ordinary
How many (how many) before
Cause I heard I’ll start to feel things relatively
And I don’t know if that sounds good or bad anymore
Normal’s just what you’re used to
And you’re surprised
So find all the space your anger takes
And try not to make all of it about you

That Shadow is out on the 22nd February and you can pre-order it now from the Mount Sharp Bandcamp page.

Silo’s Choice – Annwn

Silo’s Choice is the moniker of Chicago resident Jon Massey, a musician interested in pushing the boundaries of rock to further its conceptual and political scope. Forthcoming album Twilight on the Trail dials back slightly on the more idiosyncratic elements of previous releases, allowing a sincere immediacy to flourish (“less Mahler and more Joni Mitchell,” in the words of the artist), yet still the art-rock foundations remain. As such, the record seems perfectly positioned to explore big themes without straying too far into the inhuman abstract.

Lead single ‘Annwn’ is a clear progression in this sense. Named after the otherworld of Welsh mythology, the track takes on theme of death and mourning from an oblique angle, focusing not on the usual sadness and suffering but rather the mystery life’s end. Annwn was a world of peace and eternal youth, death with the pain removed, and Silo’s Choice uses it as a foil to examine mortality in a new manner—melancholic perhaps, but also joyous, lost in the sublime of that which we do not know.

and how i long to see the old things
the old world written in the old words
consumed with my body in a long fire
and wake up to the sound of a new chord
do you float?
does your spirit sink into the earth?
i think you slip sideways into a new birth

Twilight on the Trail is set for release in the first quarter of this year, so keep an eye on the Silo’s Choice Bandcamp page.

Jesse Blake Rundle – Radishes and Flowers

“A story of longing arranged into a bed of radishes and flowers.” That’s how Jesse Blake Rundle described his latest single, aptly named ‘Radishes and Flowers’. Adapted from Wallace Stevens’s ‘Cy Est Pourtraicte, Madame Ste Ursule, et Les Unze Mille Vierges’, the song is the title track of an entire collection inspired by the poetry of Stevens, crafted to match the source material in both theme and shape.

Rundle is a self-taught musician who utilises unconventional tuning to form a singular style, an aesthetic that proves the perfect mode with which to capture the nuanced life of Stevens’s Florida. As the title track shows, Rundle’s arrangements are capable of both whimsical creeps along the small details of our world and grand swells of emotion, achieving a balance between macro and micro that makes for a striking and beautiful sound.

Ursula, in a garden, found
A bed of radishes.
She knelt upon the ground
And gathered round,
With flowers blue, gold, and green

Radishes and Flowers will be released on this spring so head on over to the Jesse Blake Rundle Bandcamp page for more.

Isadora Eden – Anhedonia

Hailing from Colorado, Isadora Eden is a songwriter who pairs dark, searching lyrics with a moody sound, ranging from intimate simplicity to something altogether fuller and more striking. The lead single from a forthcoming EP, ‘Anhedonia’ makes this apparent, its stark style lending the sound a haunting edge.

The track is produced by Corey Coffman of Gleemer, and there’s certainly a shared emotional depth between the projects, the sounds so rich and evocative that their undoubted melancholy takes on an affirming quality. Opening with little beyond a simple acoustic guitar and Eden’s poignant vocals, the track soon welcomes jags of guitar and a driving drum beat, swelling beyond its minimalist beginnings and taking on an elevated form.

i’m alone again
like i wanted to be
didn’t i say
that i wanted to be
i guess it’s easier now
i guess it’s easier now
there’s gotta be a break
someday
i don’t wanna be left behind

‘Anhedonia’ is out now and available from the Isadora Eden Bandcamp page.

Shadwick Wilde – Rain

You might know Shadwick Wilde as the front man of Louisville band Quiet Hollers, though he is writing solo music too. Latest single ‘Rain’ was written after Wilde was asked to perform at the Climate Strike in 2019, in particular a song for Greta Thunberg who was in attendance via her solar powered yacht. Originally averse to the idea, Wilde latched onto a a song he had started months earlier, the line “clean on the inside, free as the sun” suddenly taking on a new meaning as this young person arrived on her boat.

With help from Sarah Balliet (of Murder by Death) on cello and Shelley Anderson on bass, Wilde crafts a sullen soundscape of dark tones, the plaintive strings weaving their way over backdrop and conjuring a place of perpetual rain. There’s a fatality to the track, though hope too, as though the narrator has given up their own future but retains a vague belief in the possibility the next generation might somehow succeed.

We’ll leave our home to you
our fugitive daughter
and all we’ve built for you
will be reclaimed by the water
giver of life and destroyer of worlds
red, gold and coral, mother of pearl

Wilde expects to release an album later this year so be sure to follow him on Twitter for more news.


Thanks for stopping on by! Be sure to check out the Reviews and Previews sections for more in-depth writing, and do let us know what you’ve been listening to on Twitter, Facebook or Instagram.