What she calls “[a song] about the experience of being both loved and misunderstood by someone,” ‘Poser’ is the title track of the forthcoming EP from Edmonton‘s Antonia Estelle. Built on a skeleton of stark acoustic guitar, the song is fleshed out with syrup-heavy drums and gusts of distorted guitar, the vocals swaying with quiet intensity like a flickering flame. The emotions underpinning it are gloomy and turbulent, focusing on the strange balance of a dysfunctional relationship and the ultimate unknowability of selfhood. “I had a dream that bears had butterfly wings,” Antonia Estelle sings, “it’s a picture I can’t paint—a feeling that stays inside.”

I don’t know why I even try to explain
Things that I know you won’t understand

Big Cry Country – Pest Control

Based in Washington D.C., Big Cry Country pour a whole host of moods and emotions into their sound, as latest single ‘Pest Control’ attests. Taken from their EP Living Conditions, the song finds inspiration in the likes of Cayetana and Remember Sports to offer something at once deliciously angsty and infectiously energetic. “I’m older but not better,” as the cathartic refrain states. “I’ve seen the afterlife and you are wearing my old sweater.” Big Cry Country might be a fitting name, but releasing emotion has never been so much fun.

Closebye – Hell’s Kitchen

Formed by Dallas-born, NYC based duo Jonah Paul Smith and Julian Paint Smith (unrelated), Closebye make folk-inflected indie pop inspired by the likes of Elliott Smith, Aimee Mann and Hovvdy. Following their debut album Lucid News, released in 2022, the band have returned with a perfectly autumnal single, ‘Hell’s Kitchen’, what they call “an ode to their libra birth season and to their home base of New York City.” The Smiths are joined by Ian Salazar, Margaux Bouchegnies and Simon Clinton, who together use a plethora of instruments to craft a “breezy pop banger” that’s tinged with just a hint of something more wistful, creeping in at the edges like the cool touch of the oncoming winter on an autumn afternoon.

Who are you gonna be?
When every day is Halloween

Check out the video, directed and edited by Elizabeth Kroner, below:

‘Hell’s Kitchen’ is out now and available from Bandcamp.

Dumb Things – Self Help

‘Self Help’ is the lead single and title track from the new record by Meanjin/Brisbane indie poppers Dumb Things, coming soon via Coolin’ By Sound. Influenced by the droll poetic style of David Berman, it’s a slice of breezy, dusty pop with a streak of yearning melancholy, the narrator looking to self-improvement as a remedy to past mistakes. “The original idea for the song is that it’s a letter from a guy who’s a bit down on his luck but still in the fight, to his ex, some time after they split up,” says vocalist Adam Vincent.

Lately I’ve been working hard on my personality
Cos you got to keep it up, to keep it together ah ha
Been trying to find the time to put the work in
Yeah, I’ve been working out how to work it out

Elephant in Red – Honey

The creative outlet of Glasgow‘s Loup Havenith, Elephant in Red make what they call “sappy sounds for earthly beings.” Latest single ‘Honey’ sees the band combine gently grooving, stripped back folk with a shimmer of shoegaze, full of rich textures and gently wavering vocals. Havenith is joined by Chris McRory (drums), Fin Logie (bass) and Alex Gyllos (piano), who together built the song from the ground up. “[The song is] a sort of longing for calmness and simplicity,” the band describe. “Wanting to move past the weird overwhelming coming-of-age feelings that come hand in hand with being young in a city full of people.”

Lando Manning – Driftwood

Written during what he calls “the final dregs of lockdown,” ‘Driftwood’, the new single from London‘s Lando Manning, is an exploration of the many shades of isolation and loneliness. A quiet folky song, it’s built on percussive acoustic guitar and soft peals of piano, full of loaded negative space and a film-grained cinematic quality. “I had moved to Brighton and felt that I had been isolating myself from my friends back home,” Manning describes of his time writing the song, “and the track was written as a letter to my friends to try to explain why I had been absent.”

‘Driftwood’ is out now and available on streaming services. Manning will release his sophomore EP on his label Mango Wax Records next February.

Laurel Bluffs – Richmond

“Losing myself in the mirror / drenched in alcohol and smoke / I called, you came and picked me up / laid me down, turned out the lights.” So opens ‘Richmond’, the latest single from Phoenix, Arizona-based project Laurel Bluffs. A drive to Richmond follows, a hungover nausea, the bumpy road, and with it the kind of wistful reflection which blooms in the sorry aftermath of things. The folk rock sound and unadorned delivery lend an intimacy to the track, where fondness and longing are present without spilling into sugary sentiment. Instead, there’s just the highway, a building pressure, and the accumulated weight of actions as gathered over the course of regretful years.

‘Richmond’ is out now and available from the usual places.

Neighbours Burning Neighbours – Neil Young

Specialising in a brand of meaningful chaos, Rotterdam noise pop act Neighbours Burning Neighbours have been crafting songs from disorderly melodies and left-field harmonies since 2018. Following a couple of single releases, the band set to work on their debut full-length, which they plan to release in 2024. To whet appetites, they have released the record’s first single ‘Neil Young’, a typically discordant but infectious track which challenges gender norms and the harmful status quo. Watch the video, directed by Charlotte Brand and produced by A Small Production Company, below:

‘Neil Young’ is out now via streaming services.

Twin Bridges – A Dream of You

Led by cellist Zach Gerzon, Twin Bridges are a band from Portland, Oregon who combine folk and indie rock songwriting with neoclassical arrangements and elements of chamber music. They recently released Fertile Ashes, a new record which Gerzon wrote in the aftermath of some very difficult personal circumstances. “These songs explore what can feel like an impossible task, overcoming grief from loss, trauma, and failed relationships,” he says of the album. “Making this album helped me let go of things I held onto for so long.” Perhaps the record’s most personal cut, ‘A Dream of You’ is an ode to Gerzon’s late mother, suffused with an elegant simplicity and sorrow.

The post Weekly Listening: November 2023 #1 appeared first on Various Small Flames.

This balance between bedroom pop earnestness and left-field strangeness marks the record. Take the title track, a song which speaks of wearing a Mitski shirt “like body armour” and watching the glow-in-the-dark stars on a bedroom ceiling, but ultimately pushes these emotions to their raw conclusions. “And I will wear the scalps of men who sought to harm her,” Gabbo sings, “I will be angry until death / I’ll use my final dying breath to tell them.”

‘Swallow’ and ‘Birthday’ are equally caught up in the emotional weather of the situation, ranging from reflective tenderness to black fatalism (“I think I’ll slam my stupid head in the dishwasher tomorrow,” as the former details). Sitting at the centre of the record, ‘To Be Alone’ acts as a kind of pause in these proceedings, a space in which Gabbo takes stock of the world around them. A track of bright acoustic guitar and piano leavened further by an underlying bed of field recordings into which the listener is slowly submerged in the closing segment, mirroring the reconnection.

‘Too Far’ ponders the regret of the failed situation, mourning the things lost as a consequence, before ‘To the country’ returns home to the fog and the bay and the chicken shit, finding the hope of a new beginning in the most familiar of places. In some ways, its penultimate track ‘Who Else’ that’s the real highlight. Franks is joined by a bunch of friends, a chorus of voices that lend a campfire-style, almost ritualistic atmosphere that swirls and swells and eventually soars. Its the perfect illustration of the duality at the heart of Corn, earnest emotion sitting next to almost mystical psych folk experimentalism. Watch the video by Kyle Sandhoff below:

Corn is out now via Gardenhead Records and available via the Gabbo Bandcamp page.

The post Gabbo – Corn appeared first on Various Small Flames.

Following on from singles ‘Sun Self‘ and ‘Kristofferson/StarStuffs‘, DoomFolk StarterKit (the recording project of Portland’s David Swick) is back with a brand new song. Existing within a conflicted state familiar in our contemporary moment, ‘2Hands’ finds a narrator caught between a need to retreat and rest and the seemingly endless task of working in order to stay afloat. A challenge faced with Swick’s trademark brand of introspective sincerity.

Field Guides – Margaret

“Attempting to not just represent the world, but show it to us anew.” That’s how we described Ginkgo, the forthcoming album from Field Guides on Whatever’s Clever in our preview of lead single, ‘Salmon Skin‘. Latest track ‘Margaret’ takes its inspiration from the nineteenth century author and women’s rights activist Margaret Fuller, her transcendentalist belief in the possibility of change lingering over an otherwise melancholic scene of domestic conflict. “And all that we have is ours for the taking” goes the final line, amended slightly from those which come before it, shimmering if not with hope then some mysterious precursor. Check out the video by Caleb Bryant Miller, Rebecca El-Saleh and Kupstas himself below:

Ginkgo is out via Whatever’s Clever on the 26th June and you can pre-order it now.

Fronjentress – Moon

Consisting of a rotating band of musicians based in Portland, Fronjentress unites artists who share an interest in the styles and themes of country music. “Classic country for contemporary times” is how the project describes its output, utilising traditional instruments and tropes to create something rooted within the present moment. Out this week on Perpetual Doom, latest album Baby Got Problems displays not only the aching melancholy of classic country music but also its wit and wry humour, as demonstrated on lead single, ‘Moon’. “If they told us that the moon / could be our new home pretty soon,” it begins:

Well, I’d pack a single bag
and go drifting
because this world has gotten strange
I surely won’t miss the rain
from my lonely paradise up in space

Baby’s Got Problems will be released on 14th May via Perpetual Doom. Order it now via Bandcamp.

Old Moon – Eastern Skies

Old Moon is the project of Tom Weir from Lyme, New Hampshire, who next month is releasing a brand new album titled Cities of the Plain via à La Carte Records and Love Chain Tapes. New single ‘Eastern Skies’ introduces Old Moon’s style, opening as an electrified folk song stark and expansive enough to live up to the McCarthy reference of the album’s title, but soon evolves into gothic shoegaze clamour. Weir’s vocals emerge from this with a brooding intensity, as though suspended within the sound, or else conjuring the heavy, sparkling tone itself.

Otracami – Pipe Scream

The project of Brooklyn-based songwriter Camila Ortiz, Otracami pitches itself between open coastal landscapes and gloomy bedrooms, working to unveil the mystery within both worlds. Latest single ‘Pipe Scream’ evokes the building pressure of an interrupted flow, its spacious, dreamy sound belying the desperation beneath the surface. There might not be a crashing crescendo within the track itself, but the promise of release is ever-present, even if the dam holds for now.

pipe scream
until it’s not
water pools behind my eyes
until i let it fall

Photokem – Future Minister

Consisting of Nana Acheampong (vocals), Leah Blom (violin), Nico Fennell (instrumentals/production), Jack Kelly (instrumentals) and Evan Ryckebusch (cello/bass), Photokem is an Austin-based outfit formed in 2021 after the group read Acheampong’s writing in the University of Texas’ BlackPrint publication. None of them had recorded music before, and Acheampong had never sang in public, which makes the richness and detail of debut EP Luffon Bright all the more impressive. ‘Future Minister’ introduces the style, its arrangement moving from quiet folk and emo-inflected rock to vivid orchestral swells, all tied together by Acheampong’s conversational yet striking delivery.

Shrill Pill – Still Alive

Northampton, MA’s Shrill Pill introduced their new EP Sparky on Hand Over Foot Records with the plucky and raucous ‘Loud and True’, though the latest single shows a different side to the band. ‘Still Alive’ offers an altogether more restrained sound, its quiet folk sensibilities creating a space reflective and warm, but within this subdued mood the lyrics still hold a feistiness. “War stories and war trophies are not the same at all,” goes one verse. “One you win and one you tell your friend you love but never call / Memory is better than an elegy / Keep me in your thoughts but please don’t talk to me.”

Troy Everett – ripples / outcast

The music of Maryland-born, D.C.-based artist Troy Everett encompasses a whole range of genres. From orchestral strings and electronic beats to more metal-adjacent screaming, his work lifts elements from across the stylistic gamut to bring to life his reflective and vulnerable themes. New double single ripples / outcast is the perfect example of this range, the first a mournful classical composition, the latter a stark and confessional pop song which slots alongside the work of artists like G. Brenner. “I feel like an outcast in my own mind,” Everett sings as the song builds around him, frenzied beats and lush classical arrangements coalescing into something urgent and poignant.

The post Weekly Listening: May 2022 #2 appeared first on Various Small Flames.

The latest signing of Furious Hooves, BAL is the brand new project of Jack Foster and Jordan Powers, long-time bandmates from acts like House of Fools and Far-Less, who longed to tap into a different side of their artistic sensibilities. Namely a passion for sci-fi and 90s alt/heavy rock. Debut single ‘Seafoam’ introduces this style, a track which transports you to a lush new world, one weighted not by gravity as we know it but hefty guitars and drums. Check out the video by Brandon Hackler below:

‘Seafoam’ is out now via Furious Hooves and you can get it from the BAL Bandcamp page.

Bartees Strange – Heavy Heart

We’ve followed Washington D.C.’s Bartees Strange since 2018’s Magic Boy, and his subsequent rise has been nothing short of meteoric. After his acclaimed debut album Live Forever on Memory Music, Strange has now signed with 4AD, a new period marked by new single ‘Heavy Heart’. The single feels like an acknowledgement of everything that has changed and all that has not. An apology, a promise.

I never wanna miss you this bad
I never want to run out like that
Sometimes I feel just like my Dad
Rushing around
I never saw the God in that
Why work so hard if you can’t fall back?
Then I remember, I rely too much upon
My heavy heart

Check out the video directed by Marisa Dabice of Mannequin Pussy below:

‘Heavy Heart’ is out now via 4AD and you can get it from the Bartees Strange Bandcamp page.

Cave People – I Don’t Want Hope

“I don’t want hope / I don’t need that kind of misinformation.” So opens the lead single from upcoming LP Wind Burn by Philadelphia‘s Cave People on Disposable America. But contrary to its central sentiment, ‘I Don’t Want Hope’ is an upbeat indie rock number that finds some affirming joy in relinquishing one’s optimism. As though the only thing weighing it down were the dreams and expectations, empty things now cast to the wind. “Just don’t give me something to believe,” the track continues, “it won’t agree with my new cynicism / fatalist but at least it’s my decision.”

Dao Strom – Inside

Following 2020’s Traveler’s Ode, Portland, Oregon-based artist Dao Strom has returned with a brand new album, Redux, on Antiquated Future Records. Or perhaps not brand new, because as the title suggests, the tracks are reimaginings of older songs taken from past decades, reworked into what the label describes as a “haunting song-cycle about loved ones, the natural world, and the nuances of emotional memory and Vietnamese diasporic identity.” It’s a process which proved more fruitful than Dao Strom ever expected. “I wrote my songs from a place of honesty in those times,” she explains, “yet in re-recording discovered in them even truer timbres. As if the songs had been waiting for me all this time, to come back to them, to reclaim something left undone; still hidden; left othered.” Check out the single ‘Inside’ below:

Dittocrush & Daniel Young – Coral Rose

With last year’s debut album Growth at a Death Pace, Dittocrush introduced their transportive blend of organic and electronic sounds, using analogue tape samples to create slow and subtle soundscapes full of spirit and texture. A collaboration with Daniel Young, new single ‘Coral Rose’ is no less evocative. Wending pedal steel anchors the track in the American landscape, though by the close you will suddenly realise you have been taken away from earth and returned just as gently.

Laveda – bb

Albany’s Laveda have made their name with a brand of dream pop which feels far larger and deeper than something made by two people. New single ‘bb’ sees Jake Brooks and Ali Genevich pull the trick once again. An introspective meditation on pandemic isolation, the track grows slowly from morose shadow and blossoms into something urgent. “It sounds sad, but it’s not,” Genevich explains. “It’s just reality, and sometimes it’s ok to be angry with the way things are.”

Mark Twang – Sweetness & Love

Gambier, Ohio duo Mark Twang are preparing to release their debut full-length, Companion, and the first single gives a real insight into the album’s sincere, reflective tone. Rising from the ashes of a past relationship, ‘Sweetness & Love’ stands apart from the traditional bitter break-up track, instead choosing to acknowledge and foster the fondness that remains. What emerges is small and tender, and no less beautiful for it.

i hope you find someone
who can give you what you want
i wish you nothing but sweetness and love

Wombo – Below the House

Louisville‘s Wombo have been putting out a series of great singles on Fire Talk Records and their latest ‘Below the House’ is no different. The song is “about leaving things buried for the best sometimes when there’s nothing you could gain from trying to make sense of them,” as the band put it. A track “loosely based on a nightmareish type dream” which exudes its own inherent unease. Like some liminal space between waking and dreaming where nothing is quite what it seems.

‘Below the House’ is out now via Fire Talk Records and you can get it from the Wombo Bandcamp page.

The post Weekly Listening: March 2022 #1 appeared first on Various Small Flames.

This extends beyond the ordinary lived experience and into art too. Certain spheres, be it indie rock music or literary fiction, are still dominated by the White voices, and even when trying to reach for some degree of representation, the forces that be so often reinforce the notion. Black authors win acclaim for novels about slavery, or explicit confrontations of racism. The only space for Black voices is within a small, fenced off subsection. An entire community of artists only allowed to belong by centering their otherness, even within mediums and genres that they themselves created before the co-option and slow erasure began.

Bartees Strange faced the issue earlier this year with Say Goodbye To Pretty Boy, a covers EP of songs by The National which was released on Brassland, the label owned by Aaron and Bryce Dessner. Both a love letter to one of indie rock’s biggest winners and an attempt to recenter the Black voice in the genre’s history, the EP presented reinterpretations rather than duplications, Strange’s unique take on some of The National’s best known songs. “They try to tear that black dot off the surface, but it’s still there,” Strange said, citing the image on the album’s artwork. “This black dot represents attempts to undersell the contributions black people have made to genres like indie rock music. Despite the lack of credit, we’re still here and we’re adding to these scenes everyday.”

This autumn will see the release of the debut Bartees Strange record, Live Forever, via Memory Music. While continuing Strange’s exploration of his place within music as a Black individual, the album also feels like a landmark within his oeuvre. The moment where, having laid the groundwork with previous releases, he fully arrives, unapologetic, subscribing to no conventions or expectations, be they racial, cultural or stylistic. “I didn’t let myself be seen,” he sings on lead single, ‘Mustang’. “I held myself down so I could make people feel more comfortable around me.” This is Bartees Strange unbarred, an identity multifaceted and complex in which every conflict, confusion and idiosyncrasy is held aloft.

After ‘Mustang’ announced just how forceful and energetic this would sound, Strange recently released new song ‘Boomer’, which only amps up the promise of the record. Wrapped up within a tense, binding rhythm, the track blows anyway distinctions of genre and mood alike, drawing on pop punk, R&B and blues rock, as well as a marbled blend of optimism and fatalism, to craft a sound that’s both celebratory and nervous, and the most uninhibited we’ve heard Bartees Strange to date.

Live Forever will be released on the 2nd October via Memory Music and you can pre-order it now.

Photos by Bao Ngo, artwork by Corey Purvis

The post Bartees Strange – Boomer appeared first on Various Small Flames.