There is a repeated line, a single word refrain, in ‘The Glow’, the new song from Aïda Mekonnen Caby, which you may have some trouble comprehending. Fjaðrárgljúfur is the name of a canyon in south east Iceland which Caby and her partner visited in the early days of their relationship, and the landmark’s cinematic majesty leaks into the song’s very DNA, transforming a gentle indie folk song into something rich with widescreen emotion. It also represents something of a new dawn. For one, it is the opening track of the debut Aïda Mekonnen Caby album, Mais Uma, which comes out at the end of August via Mtn Laurel Recording Co. But also because the trip that inspired it and the feelings it evokes marked a turning point in Caby’s life too, one which saw her move first to Portugal and then to France. Mais Uma promises to explore this period of personal change and all its associated heart swells and aches, illuminated throughout with that sense of wonder at newfound love.

Dead Tooth – Song of the Weak

Led by New York-based songwriter Zach Ellis, self-described ‘rodeo-core’ outfit Dead Tooth have made a name crafting an atmospheric and often slightly chaotic brand of post-punk, combining the brooding shadow of the genre with raw energy. With their self-titled debut out now via Trash Casual, Dead Tooth have shared single and opener ‘Song of the Weak’ to introduce their work to the uninitiated. A song full of volatility and bite, Ellis’s vocals spiking with frustration as though driven half-crazed by the constant motion beneath him, or else how it never seems to lead to anywhere new. “In so many words [the song is] about struggling with cyclical destructive decision making,” Ellis explains. “Choosing hedonism over looking in the mirror. I’ve spent many years in NY on what feels like a hamster wheel of trying to fill a void or chase some kind of unattainable self/other. A song written for the darker times that in retrospect I feel have eaten too many years of my life.”

Dead Tooth is out now via Trash Casual and available from Bandcamp.

Living Hour – Wheel

Winnipeg’s Living Hour have announced Internal Drone Infinity, their fourth record, which will release later this year. What the band themselves have coined “yearn-core”, their style combines slowcore, indie rock and dream pop into something shaded by the gauzy texture of memory. The record was in part inspired by lead Sam Sarty’s time as a cinema projectionist, and it exists in a similarly otherworldly setting, its dark backdrop illuminated by a wistful glow as the band express what they call “the quiet magic hidden in everyday life.” To celebrate the announcement, Living Hour have unveiled lead single ‘Wheel’, which shows off both the dreamy yearn and crunchy rock sides of their sound very nicely.

The track comes complete with a video by Leigh Lugosi and Brett Ticzon, which you can see below:

Internal Drone Infinity will be released on 17^th October via Keeled Scales, Paper Bag Records (Canada) and Beloved Records (Australia). Pre-order a copy now from the Living Hour Bandcamp page.

Malena Zavala – MELT

Born in Argentina and now living between London and Mexico City, Malena Zavala is a self-taught musician and producer who first caught attention with her 2018 debut, Aliso. Drawing inspiration from both Latin American music and the likes of Devendra Banhart, Beach House and Feist, Zavala’s music layers poetic lyrics over hypnotic and haunting instrumentation. Latest single ‘MELT’, the first single from an EP of the same name that comes out later this year on Zavala’s own new label Paraná Records, is a good example. A soft and cosy love song that Zavala says tries “to express the feeling of being wrapped up in bed,” it’s built on gentle acoustic guitar and her hushed and intimate vocals and accentuated by ethereal harmonies and subtle synths.

‘MELT’ is out now via streaming services

Oh, Rose – For Art

Almost a year on from their last full-length Dorothy, Olympia/Portland mainstays Oh, Rose return in September with For Art, a brand new EP released via the good folks as Antiquated Future Records. The EP finds the band’s members in the midst of some big personal events, like getting married and starting families, and perhaps understandably this has them ruminating on family and relationships. As the label put it, the EP focuses on “themes of long-term commitment and partnership—both in romantic and platonic relationships, as well as to artistic practice itself.” Oh, Rose have released the title track by way of introduction, an unhurried and heartfelt song that captures these themes perfectly. “At first I feel so nervous to be this vulnerable,” Rose sings with courageous clarity, “it’s true that I was thinking about you.”

Routine Caffeine – Green Glass

“A track which marries a taut central rhythm with a dreamy haze, and hints at a sharp bite too, all highlighting just how much control Katie O’Brien Kelley (vocals, guitar), Madison Elizabeth Case (bass, synth, background vocals) and Emma Treganowan (drums) have over the mood of their work.” So we wrote of Routine Caffeine‘s ‘Philodendron‘ back in 2024, a track taken from the Louisville-based trio’s Weeds Under Concrete Stones. Their first release since that EP, new single ‘Green Glass’ is no less evocative, again crafting an immersive atmosphere to explore themes of nostalgia, belonging and the passing of time. “This song has served as a way for me to reflect on my family’s old farm in Michigan, one of my most treasured places,” they explain. But more than a lesson in simple longing for home, the track also charts the changes to the beloved place which accumulate with every return, adding an extra layer melancholy as the familiar slowly shifts into something different, and the past only grows further away.

runo plum – Lemon Garland

Minnesota singer-songwriter runo plum has slowly amassed a following over recent years, her detailed, wistful style of bedroom folk winning plenty of attention online. Having now signed with the ever-impressive Winspear, plum has released new single ‘Lemon Garland’ to celebrate. The first taste of forthcoming debut album patching, the song embodies the fondness and compassion of the runo plum style, as well as the longing for connection which underpins it. “Give me company / barefoot and muddy,” as she sings, “give me pointing / at the birds we’ve never seen before / we’ll stop to pick some veggies / for the big feast at our friendly table.” The result is inherently bittersweet, a hopeful vision of the future shadowed by the suggestion such community remains just a dream, though the lasting feeling is one of affection. As though it wishing for something so simple and fulfilling, runo plum shows our desires need not be so far away.

Watch the video directed by Karlee Boon below:

patching will be released soon via Winspear.

Scree – TV Sometimes

Brooklyn experimental maestros Scree return next month with August, a brand new full-length on Ruination Record Co. The band—that’s primary trio guitarist/composer Ryan El-Solh, bassist Carmen Quill and drummer Jason Burger, plus lots of guests—are hard to pin down, smashing together everything from Romantic classical music, dusty lonesome Americana, improvisational jazz and weighty indie rock to create some of the most interesting and deep instrumental music around. Scree released the title track as the lead single a few weeks back, and have now returned with a second cut, the enigmatically titled ‘TV Sometimes’. The song has been part of the band’s live repertoire for years, and here it gets a richer arrangement with contributions from the cast of collaborators. “It’s something like a love song,” El-Solh describes. “I probably should’ve chosen a more generally intelligible title, but at the time there was really only one person I was trying to reach with this bit of code and she got the message so the title stuck.”

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