Describing themselves as “a quixotic mix of American post-punk and ’80s post-hardcore,” East Vancouver Aversions combine heavyweight riffs, pounded percussion and acerbic vocals to comment on our contemporary moment. Loosely based on the visual essay About Face by graphic novelist Nate Powell, Aversions say ‘New Whip’ is a song about “how the impact of generational thinking shapes the people we become, and the beliefs and opinions we’ll go to any lengths to enforce…shin[ing] a light on how toxic masculinity is passed down like a gene.”

‘New Whip’ is out now via the Aversions Bandcamp page.

bedbugz – if i cried, we’d both drown

Back in June we wrote about Canterbury outfit bedbugz and their self-titled single on Tonetic Records. “With its upbeat rhythm and searching vocals, the title track is a bittersweet tale of young love,” we described, “while the b-side sets out further into shoegaze territory.” The debut bedbugz full-length all hail the goblin king! is out later this week, and lead single, ‘if i cried, we’d both drown’, shows how the band have knitted these styles into something of their own. A sound which owes a debt to both bedroom pop and indie rock without quite belonging to either, and offers a delightful blend of sincere emotion and noisy charm. Check out the video by Elliott Sirota-Gott and Tom Postgate below:

‘if i cried, we’d both drown’ is out now via Tonetic Records.

bmq – Spontaneity

Tokyo‘s bmq have been at work for fifteen years, though it is only now they are releasing their debut full-length album, Order, Spontaneity and the Body. Drawing inspiration from fields as diverse as post-punk, krautrock, ambient and US indie rock, the record feels like it utilises every month of this gestation period, weaving a finely honed style which constantly tests the line between control and volatility. Take single ‘Spontaneity’, which explores the tension between repetition and change with a simmering energy, unpredictable but always harnessed by an understated confidence. The sound of a band who have spent a long time working out what they want to say and how they want to say it.

Burs – Nearly

Back in September, Toronto‘s Burs released their latest album Holding Patterns, a record which blended various shades of indie, folk and dream pop to allow the quartet to explore a myriad of different moods and settings. What resulted was a rich and often ethereal collection of songs able to change with fluid ease, from the vast, spacious opener ‘The Year Now’ to the urgent ‘Lily’. But it is perhaps latest single ‘Nearly’ which best encapsulates the Burs style. The restrained acoustic intro heralding the considerable chemistry of their dual vocal style, the track slowly deepening with subtle layers of textures and warmth.

Once again I find myself awake inside a dream
Two of us and me, myself and I
Four on the floor, one in the door, a light
Out of purgatory darkly shines

Cat Clyde – Mystic Light

Next February sees the release of Down Rounder, the latest album from Ontario‘s Cat Clyde. Writing back in 2019 we described Clyde’s sound as encompassing “everything from folk and rock to blues and jazz, leading to a sound that swaggers with attitude and smoulders with smoky emotion, and lead single ‘Mystic Light’ suggests the new record builds upon these foundations to offer a fresh vision of the country style. One crafted from personal emotion but imbued with something more ancient and mysterious too. Watch the video directed by Laura-Lynn Petrick below:

Down Rounder is out on the 17th February and you can pre-order it now.

Caroline Strickland – Invoice

New York’s Caroline Strickland unveiled her debut single, ‘Invoice’, this month. A confessional track which pits deceptions and truths against one another, exploring the ways in which honesty can hurt the hardest, and lies hold small victories of their own. All set within a swirling moment of love persisting beyond a relationship, and a job with zero fulfilment or worth, Strickland’s vocals burning with a smoky intensity as she navigates both. “It makes you feel devastated, feel like letting go,” as Strickland’s own perceptive take puts it, “feel like California, feel like rock and roll.” Coming clean might be cathartic, but creating fictions might just be the best escape route.

Maybe with the extra cash
I’ll take a trip Ireland
Pretend my name is Marianne
play some music I can drown in
Remind myself it’s over
Standing on the streets of Sligo

Dignan Porch – Electric Threads

Led by South London’s Joe Walsh, Dignan Porch made a name across the 2010s with a distinctive blend of psych rock and fuzz pop, working with labels such as Captured Tracks and Art Is Hard along the way. With Walsh having now moved to Manchester, next February sees the release of a brand new album Electric Threads, this time a joint release by the stellar trio of Hidden Bay, Repeating Cloud and Safe Suburban Home Records. The title track gives a glimpse into the newest iteration of the project. A combination of earnest emotion and off-kilter playfulness which refuses to recognise any distinction between fun and melancholy.

Electric Threads is out on the 23rd February via Repeating Cloud, Hidden Bay and Safe Suburban Home Records and you can pre-order it now.

Lina K.O. – Two-Player Mode

Brooklyn-based artist Lina K.O. is gearing up to release new EP Earth Apple next month, and the latest single serves as a great introduction to her sound. Falling on the rockier side of what she herself describes as “digitally-infused melancholic indie,” the song combines Bridgers-esque indie folk with a grungy weight to achieve its delightfully ambiguous tone. Where doubt and assurance act as perfect counterbalances against one another, Lina K.O. singing with reflective wisdom even within the confusing immediacy of the moment. Check out the video by Mike White and Lina K.O herself below:

Earth Apple is out on the 13th January and you can pre-order it now.

Luke De-Sciscio – The Tourist

There are prolific songwriters and then there is Luke De-Sciscio. Reaching double figures of full-length albums at only thirty, De-Sciscio has consistently honed his work and challenged prior expectations, forever circling around that elusively perfect way in which to communicate what needs saying. Through a series of highs (e.g. being booked to support the likes of Cat Stevens and Jose Feliciano) and lows (the COVID-induced cancellation of said shows), he has not stopped in this search, and new album if one thing were different, nothing would be the same feels like the closest he’s yet come to reaching that mythical ideal. Take closer ‘The Tourist’, seven minutes plus of stark passion and poignance. The culmination of everything which has been before.

Niall Summerton – Human, Dying

You would be forgiven for taking a quick listen to the work of Leeds-based songwriter Niall Summerton and concluding his work to be that of warm, easy-going assurance. But as the name of new single ‘Human, Dying’ gives away, his work uses this welcoming richness as way into the weightier, darker themes of the human experience. With new album What Am I Made Of? coming soon via Tiny Library Records, the new song offers the perfect example of this style. Confronting the heaviest question of them all, Summerton threads anxieties around mortality into the textures of the everyday, and in doing so not only captures a compassionate view of the subject but also something of its pervasive, ever-present weight.

What Am I Made Of? will be release in April 2023 via Tiny Library Records.

Stella Rose – Angel

Following on from the success of debut single ‘Muddled Man’ a few weeks ago, New York-based singer, poet, and musician Stella Rose has shared brand new track, ‘Angel’, via Kro Records. After the insistent energy of the first single, ‘Angel’ offers an altogether more reflective tone, swapping out the electrified intensity for something slower and richer. What results is a strange ode to melancholy, exploring how sadness can serve as the shadow to highlight the brighter parts of life. The song comes with a video directed by Primordialfreaks, who explains how the film aimed to capture the light and dark of the song. “It’s a sad but also triumphant song, like a celebration of loss and loneliness and how the most difficult things can make life more pure in a strange sort of way.”

‘Angel’ is out now via Kro Records.

Sun Kin – I Know This One

We’ve written a fair bit about Kabir Kumar’s Sun Kin this year, from the upbeat pop of single ‘I Wanna Believe‘ to the deep, thematically rich ambient styles of painting whales part 1  and 2. Somewhere in the mix Kumar found the time to release another single, ‘I Know This One’, ironically a song about the creative frustrations which emerge when you set the bar too high and push every new piece to be a genre-bending prototype. Luckily, there’s an antidote to such a malady—dropping any notions of genius and appreciating the simple joys of life. Namely hanging out with your cat.

i’m always saying
how i can’t behave
right in front of you
there sits a bowl of your food
i poured in the morning
of this blessed day

The post Weekly Listening: December 2022 #1 appeared first on Various Small Flames.

Native to Texas and now based in Ojai, CA, Austin Leonard Jones has made a name braiding melancholy and wit into his country style. Described as “somewhere between a funeral and a costume party,” new album Dead Calm continues to develop this apparent juxtaposition. Though as lead single ‘Back in Black Lagoon’ shows, humour and sadness might not be such odd bedfellows. “I’m the sole survivor of the all-night show,” Jones sings, “it cost a thousand tears for every episode.” Check out the video starring Bill Wedden below:

Dead Calm is out on the 29th July via Perpetual Doom and you can pre-order it via Bandcamp.

bedbugz – bedbugz / golf jumper

Hailing from Canterbury, shoegaze outfit bedbugz is the latest addition to the roster of Tonetic Records, a new youth-led label run via the Arts Education Exchange. Their new self-titled single and b-side ‘golf jumper’ first came into being in demo form while the members were still at school, and periods spent in the studio alongside continued world-building developed them further, creating a sense of ambition and energy which mark the band (the songs even come complete with a text-based adventure game). With its upbeat rhythm and searching vocals, the title track is a bittersweet tale of young love, while the b-side sets out further into shoegaze territory, its pace slower but weightier, the feedback gathering slowly before breaking in a stormy finale.

Easy Sleeper – D.T.F.S.

Having formed in DC and now based in LA, indie rock outfit Easy Sleeper have cut their teeth across various locals scenes on both coasts. Following on from previous single ‘Access Reply’, their latest release celebrates the value in creation and community. Titled ‘D.T.F.S.’, or Drive That Fucking Stake, the song is a searing reminder of how powerful the present moment can be, blocking out yesterday and tomorrow in favour of making something worthwhile today.

Every breath that you take
is another chance
to drive that fucking stake

Editrix – Hieroglyphics

As with all the work of Wendy Eisenberg, Editrix is a project which eschews binary thinking to transcend usual labels. To describe new album Editrix II: Editrix Goes To Hell as precise or chaotic would be misleading. Likewise accessible or challenging. It is all these things simultaneously, not only furthering the marvel at Eisenberg’s invention, but also pushing the burning questions of their work. Single ‘Hieroglyphics’ descends into the hell of the title, a depth not burning miles beneath our feet but centred square in our heads. “I don’t think all hells are other people,” Eisenberg explains. “Most of the hells I’ve experienced are the effects of solitary, circular thoughts, the kind that make a person attack themselves, while claiming they’re helping them gain a kind of clarity. This song is a dispatch from that place.”

Enumclaw – Jimmy Neutron

Ahead of debut album Save the Baby on Luminelle Recordings, Tacoma’s Enumclaw have unveiled brand new single, ‘Jimmy Neutron’. Drawing equally from the Pacific Northwest’s grunge history and the working class dreams of Britpop, the song introduces a band aiming for the stars, with lead Aramis Johnson pointing to Oasis’ rise from small-time to stadiums as an arc to emulate. The single’s combination of genuine heart and rock swagger suggests Enumclaw have all the elements required to achieve these ambitions, and its themes of self-sabotage hint at an awareness behind the bravado which will keep them grounded no matter how far into the stratosphere they might shoot. Check out the video directed by John C. Peterson below:

Save the Baby releases on 14th October via Luminelle Recordings. Pre-order a copy now from the Enumclaw Bandcamp page.

headboy – Toothrot

With equal parts riot grrrl ferocity and bedroom pop charm, London‘s headboy capture the worrying absurdity of our decidedly volatile times. Out via Blitz Cat Records, new single ‘Toothrot’ attacks the theme with classic nightmare imagery. Teeth falling into palms with no explanation, the world getting smaller and you shrinking too. Between the deadpan verses and frantic chorus, the song finds both horror and wry humour in the situation, where fear is ever-present but bewildered exasperation never far behind.

You’ve got toothrot
There’s nothing we can do about it
You keep your teeth clean
But it’s still all coming out

Jasmyn – Blank Paper

After fronting Toronto‘s Weaves for a number of albums and EPs, Jasmyn Burke has now gone it alone under her first name with debut solo record, In the Wild. Single ‘Blank Paper’ seizes the sense of freedom and possibility, turning away from self-doubt with a conviction present across much of the record. Uncertainty can be frightening, but it can also be an opportunity. With In the Wild, Jasmyn has decided to make it the latter, finding joy and meaning in music once again, and urging the listener to join her for the ride.

Open up your eyes
Look for what you want to see

Little Mazarn – Dew Nears Yay

Austin‘s Little Mazarn formed in local dive bar The Hole in the Wall, a club famous for hosting the likes of Nancy Griffith, Lucinda Williams and Townes Van Zandt. It’s tempting to say some of the ghosts which lingered there somehow attached themselves to the project, but the experimental folk style of new single ‘Dew Nears Yay’ (from LP Texas River Song on Dear Life Records) suggests the opposite transaction occurred. As though Lindsey Verrill and Jeff Johnston instead joined the spirits there, themselves now phantoms content to haunt the Texan land around them. Scouring for details, salvaging what they find.

Check out the video directed, shot, and edited by Jordan Moser below:

Texas River Song is out via Dear Life Records on the 19th August and you can pre-order it now.

Louien – No

After last year’s No Tomorrow, Norway folk rock outfit Louien have returned with single ‘No’ ahead of new EP, Figure Me Out, coming later this year on Jansen Records. Something of a sequel to the previous release, the EP continues the style and themes established there while shaking up the formula by co-writing with Preben Sælid Andersen. The single highlights the release’s balance between vulnerability and empowerment, confronting the issue of personal boundaries to show how honesty and openness might be painful but ultimately always more affirming. Check out the video filmed, directed and cut by Marthe Amanda Vannebo below:

Figure Me Out releases in September, bundled with No Tomorrow. Order it now from the Louien Bandcamp page.

Occupants – Serpent Shine

Having formed in Portsmouth over a shared appreciate of noisy punk and Father Ted, it is fitting London’s Occupants combine ferocious energy and whip-smart wit within their sound. Forthcoming EP Serpent Shine sees the trio direct this sound toward themes of narcissism, paranoia and grief, and the title track highlights their ability to repurpose cynicism into a purging force. Naked fury scorching all before it, eradicating anything bothersome and banal.

Boring protagonist,
Recycles used plot twists,
Repeats the same catch phrase,
Dripping with tired cliches

I was sent here to destroy you

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