Syracuse, his new album, is very different from that record. The title track that opens proceedings is a strange and otherworldly spoken word piece that builds into something cinematic, the soundtrack of a weird old sci-fi film set in a future year that has already passed. It ends with an alarm clock sound just as the song was building toward a climax, as if Adem was exploring an alternate reality where he played with computers rather than guitars. It’s an effective opening that certainly makes you sit up to see where the album takes you next.

The album flits between with traditional songwriting with guitar strumming and experimental nods to other genres, refusing to sit nicely in the ‘folk’ box. With spoken word bits and different instruments appearing throughout, you never quite know what is around the corner. ‘St. John’s Ukrainian Catholic Church’ is an urgent message that John Darnielle would be proud of, and the next track ‘I am Alright’ is a regular folk song that you might expect after Armour, but then ‘I Am Not’ defies all expectations and does whatever the hell it pleases. It’s a tangled jungle of a song with snaking tendrils feeling in all sorts of directions from 80s electronica to hip-hop and rap and even a Paul Simon inspired ending.

There is something admirable about Kyle Adem. We mentioned last time that he left a career in buisness to pursue his creative ideals and that attitude is present on Syracuse. This is the record, these are the songs, listen to them. If they are hard to characterise then, frankly, that is none of his concern. Where he goes next will be very interesting to see.

Buy Syracuse now from the Kyle Adem Store or on iTunes.

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