15. Tune Yards – W H O K I L L
(4AD)

14. Oneohtrix Point Never – Replica
(Mexican Summer/Software)

13. Youth Lagoon – The Year of Hibernation
(Fat Possum/Lefse)

12. Parts & Labor – Constant Future
(Jagjaguwar)

11. Radiohead – The King of Limbs
(XL/TBD)

10. Clams Casino – Instrumentals Mixtape
(Self Released)

9. South of Lincoln – Homes

 (Self Released)

8. Blanck Mass – Blanck Mass
(Rock Action)

7. Conrad Plymouth – Comrade Plymouth
(Ten Atoms)

6. St. Vincent – Strange Mercy
(4AD)

5. The Antlers – Burst Apart
(French Kiss/Transgressive)

4. Gil Scott Heron / Jamie XX – We’re New Here
(XL/Young Turks)

3. James Blake – James Blake
(A&M/Atlas)

2. Handsome Furs – Sound Kapital
(Sub Pop)

1. Bon Iver – Bon Iver
(4AD/Jagjaguwar)

If you’d like a sample of the above, check out the Wake The Deaf Top Albums of 2011 playlist on Spotify. Click here to be taken straight there.

The post Wake the Deaf’s Top 15 Albums of 2011 appeared first on Various Small Flames.

Dan Boeckner’s Handsome Furs (who I wrote about briefly back in April) have produced a strong contender for my album of the year in Sound Kapital. They have taken their work onto a new level and seem to have found their perfect niche – somewhere between indie rock and industrial music. This may sound a curious mix but rest assured, it works, both on record and live. I was lucky to catch the couple on tour back in April and was blown away by their ability to combine thumping keyboards with the familiar vocals of Boeckner, neither was required to be subdued to allow the other to be heard.

Sound Kapital is out now, available on Sub Pop and from all the usual outlets.

___

Moonface is the latest of an ever increasing list of works involving Spencer Krug. If you are unfamiliar then all are worth checking out: Sunset Rubdown, Canadian ‘supergroup’ Swan Lake, Frog Eyes (now ‘Krug-less’) and the instrumental Fifths of Seven. Sunset Rubdown, originally used to release solo recordings, have formed into a fully fleged band so Krug has established Moonface as his solo moniker.

Organ Music not Vibraphone Like I’d Hoped is only six songs long but seeing as the shortest track is over 6 minutes long you don’t feel it is too short. Experimental is the obvious blanket term for the album but this doesn’t really explain the sound very well. High tempo electronic sounds are interspersed with Krug’s characteristic vocals (prehaps not at their yelping best but unmistakable nonetheless), producing what a few other reviewers have described as reminiscent of late 70s experimental music with the retro sounding drum machines. It’s probably best you just have a listen and decide for yourself, the highlight of the album ‘Fast Peter’ is available to download here.

Organ Music not Vibraphone Like I’d Hoped is available from Jagjaguwar.

Both Moonface and Handsome Furs are on Spotify for you to sample if you so wish.

The post Handsome Furs + Moonface appeared first on Various Small Flames.

The new album follows on from Face Control, continuing the band’s interest in Russian music and culture. The album is written entirely on keyboards (apparently) and is inspired by Russian electronic and industrial music from the 1980s.

They set off on a tour soon, starting in the US and stopping off in various places in Eastern Europe (even Albania and Bosnia!) before reaching the UK in May:

05-13 Brighton, England – Great Escape Festival
05-14 Cardiff, Wales – Buffalo Bar
05-16 London, England – Lexington
05-17 Glasgow, Scotland – Captain’s Rest
05-18 Birmingham, England – Rainbow
05-19 Liverpool, England – Sound City Festival

Sound Kapital will be released on Sub Pop in June.

The post Handsome Furs appeared first on Various Small Flames.