The release of Avery Friedman‘s forthcoming album New Thing is fast-approaching on Audio Antihero. Previous singles ‘Flowers Fell’ and ‘Photo Booth’ introduced a sound which, as we put it, “seems to sit in the interstitial space between trauma and growth,” and if these two states exist at opposite ends of a continuum, then latest single and title track sees Friedman dig further back in her personal history towards the difficult end. “I wrote ‘New Thing’ in one sitting after riding the subway home alone at night for the first time since being mugged at knifepoint months prior,” as she explains. “I was shocked and disoriented by the anxiety I experienced doing something so routine—I felt foreign to myself.” But however directly the song confronts this upsetting experience, it also represents the beginning of the path forward, allowing Friedman a method by which to return to her body and start the process of becoming whole again.

Hallelujah The Hills – Fake Flowers at Sunset

Boston indie rock royalty Hallelujah The Hills have never been ones to shy away from a challenge, Ryan H. Walsh and co. have released a plethora of idiosyncratic albums across their near two-decade career. But their latest project DECK pushes the boat out even for them. A joint release between Discrete Pageantry Records and Best Brother Records, DECK is a something of a magnum opus—a quadruple album two-and-a-half years in the making which maps entirely to a deck of cards. That’s four LPs (fittingly titled CLUBS, DIAMONDS, HEARTS and SPADES) and fifty-two songs, all brought to life with an enviable supporting cast which includes Craig Finn (The Hold Steady), Patrick Stickles (Titus Andronicus), Sadie Dupuis (Speedy Ortiz), Tanya Donelly (Belly, Breeders), Clint Conley (Mission of Burma), Ezra Furman and Cassie Berman (Silver Jews). It is Berman who appears on new single ‘Fake Flowers at Sunset’ (that’s three of diamonds within the pack), providing supporting vocals to a song which evokes the push and pull of love in its combination of mournful folk and pressing disco beat.

Honey I’m Home – Wishful Thinking

Dutch outfit Honey I’m Home might have already supported the likes of Goat Girl, The Buoys, Blood Wizard and Hotline TNT, but have only now released their debut single, ‘Wishful Thinking’. Operating at the intersection of shoegaze, indie rock and post-punk, the song introduces the band’s penchant for shadowy textures and visceral energy, tapping into ethereal moods without sacrificing a certain emotional immediacy to achieve a cathartic sound. “‘Wishful Thinking’ explores the longing to reconnect with people no longer in your life, whether it’s a lost love or a departed family member,” as vocalist and guitarist Thom Schotanus explains. “We tried to capture the intensity of that unfulfilled desire with a layered, dreamlike soundscape.”

‘Wishful Thinking’ is out now via streaming services.

Jahnah Camille – what do you do?

Writing last May, we described how Jahnah Camille‘s album i tried to freeze light, but only remember a girl used a number of different styles and genres to “offer a picture of late adolescence in all of its bittersweet nuance, its introspective contemplation matched only by its bold confessional attitude.” The record, released via Winspear, made the list of our favourite releases of 2024, so it is very much welcome news that Camille is returning with a new EP, My sunny oath! As lead single ‘what do you do?’ shows, the six-song release sees a newfound focus on the louder, stormier end of the spectrum, Camille working with producer Alex Farrar (Wednesday, Indigo De Souza, MJ Lenderman) to explore grunge and shoegaze-inflected styles of indie rock. Exploding into life from the off, the song packs a newfound punch without sacrificing the heart which marked previous releases, and emerges with an affirming sense of forward motion.

Watch the video below, directed by Harrison Shook with assistance from Polycarpe Ancelet and Ava Cavasos:

My sunny oath! is out on the 13th June via Winspear and you can pre-order it now.

Ruby Gill – The Flood

We’ve featured a couple of songs from Ruby Gill‘s forthcoming album Some Kind of Control in recent months, with both the title track and ‘Touch Me There‘ highlighting what the artist describes as a “cheekier, looser, gayer and even more raw” style. Both singles explored ideas of agency and control in various guises, from the experience of lockdown to the empowerment found in the queer community, and latest track ‘The Flood’ is no different. A song inspired by Gill’s experience of being trapped in the cyclone which struck eThekwini/Durban in 2023 which questions just who possesses power in a contemporary society facing a worsening environment year upon year. Watch the video directed by Emily Dynes below:

Some Kind of Control is out now and available to purchase.

Sea Lemon – Stay

After the success of 2023 EP Stop At Nothing (an evocative release populated by protagonists, as we put it, which “feel at once fearful and dangerous, some absence at the heart of their existence pushing them toward the darkest of places”) and subsequent singles like ‘Crystals‘ and ‘Sweet Anecdote‘, Natalie Lew’s Sea Lemon is preparing to release debut full-length Diving For A Prize this June via Luminelle Recordings. As the prior singles suggested, the album looks to broaden the dream pop and shoegaze styles which inform the Sea Lemon sound, pushing towards increasingly fantastical directions. And new single ‘Stay’ is no different. Suspended in gauzy textures, the track weaves a warm, enveloping space into which the listener is invited, then reflects the world back to us at odd angles to more fully reveal the strangeness at its core. “‘Stay’ […] is a little vignette of a man I saw in a local thrift store,” Lew explains. “This older guy, probably in his 70s or 80s, was acting as a security guard at this thrift store near my house, but he was basically asleep on the couch the entire time I was there. I couldn’t stop thinking about him after I left, and wrote Stay as a reaction to seeing this guy who I felt deserved to take a break.”

Watch video by Otium with styling by Greta Akopov below:

Diving For A Prize is out on the 13th June via Luminelle Recordings and you can pre-order it now.

So It Was – In a Rose

We first covered Daniel Lobb’s So It Was back in 2023 with the release of full-length Round the Mountain, an album which ranged from the “combination of earnest heart and laidback charm” of singles like ‘Speak Now!‘ and “something altogether more taut and building” in the case of ‘Dance Now!‘, a song which “confront[ed] the uneasy truth of change with as much positivity as it can muster.” Now So It Was has returned with ‘In a Rose’, a new single which combines the ornate detail of acts like Beirut, a Vampire Weekend-style playfulness, and some of the indie rock attitude of The Strokes to take on the modern blight of consumerism. “Aaa-ccumulation / Is such a silly pose,” as Lobb sings. “We countin’ on our fingers / We countin’ on our toes.”

Soot Sprite – Days After Days

Writing back in February, we introduced Wield Your Hope Like A Weapon, the new album from Exeter-based emos Soot Sprite, calling it “a call to arms to fight against the forces that make contemporary life so difficult, and a reminder of the radical potential within empathy and community.” With the release via Specialist Subject Records on the horizon, Soot Sprite have now shared new single, ‘Days After Days’. The album’s opener, the song acts as a mission statement, not only raising awareness of the stakes at hand but also the importance of celebrating every inch of ground won. “It’s about facing the endless horrors of the world and remembering to pay attention to the good,” as lead Elise Cook explains. “People on the ground, activism, and remembering that we shouldn’t be hardened by everything we witness or we can lose empathy. And it feels like without empathy we’ll never be able to achieve class consciousness, and lose our sense of community.”

Uncanny Valet – Almost Island

The recording project of New York-based electronic musician and producer David Queen, Uncanny Valet is a descendant of the likes of Oneohtrix Point Never and Ryuichi Sakamoto, marrying precise production with an unbridled creative vision in effort to push electronic music into uncharted territory. New album Almost Island carries the mission further, taking elements of eighties pop, ambient, dub and even Saturday morning cartoons and recombining them into something new. The result rarely sits still (just listen to the stylistics differences between the sleek sophisti-pop grooves of ‘Cameo Glass’ and melancholic drift of ‘Archway’), not only straddling the nostalgic and the contemporary but mining this juxtaposition for all of its thematic resonance, making for a sound that wouldn’t be out of place in an Adam Curtis documentary. Nowhere is that more obvious than on the closer and title track, a graceful and thickly-textured piece of ambient beauty.

Almost Island is out now and available from the Uncanny Valet Bandcamp page.

Why Dogs Why – Clunkers

Los Angeles-based project Why Dogs Why are preparing to release brand new EP Play The Hits this May, and have shared lead single ‘Clunkers’ by way of introduction. Writing back in 2023, we described previous EP Homebody as “full of buoyant energy and wacky lyricism, anchored by an underlying volatility and unease,” and the ‘Clunkers’ is no different. It’s a song which embraces both scrappy indie rock sensibilities and the smooth surf pop of yesteryear to explore themes of idealism and disappointment, the sound filled with brightness and forward motion but again troubled by the possibility of a less than perfect reality. “We’ll book a tour up the coast / And drive right through the bay,” as lead Alex Johnson sings, “When no one comes out to see us / We’ll hit the motel bedbug hay.” But however disheartening real life might prove, Why Dogs Why champion committing to your dreams if only for the romantic hell of it.

Let’s write some clunkers together, baby,
Some songs we’ll sing for fourteen fans.
Let’s write some clunkers together, baby.
Our dads will never understand.

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Hailing from Regina, Saskatchewan, Darryl Kissick has made a name with the band Foxwarren along with Dallas Bryson, Andy Shauf and brother Avery Kissick. But he records solo under his own name too. Forthcoming album Goodbye Patterns invites Avery (drums/percussion) along with Andrea Hedlund (vocals/violin) to help create its sound, exploring themes as diverse as aliens, werewolves and various other extra-dimensional things. With that in mind, lead single ‘In the Middle’ might sound surprisingly subdued, though in reality, intricacy lies beneath the surface as Kissick works through the drifting strangeness of a depersonalised state.

In the middle of it
feel a little unlike yourself
saw a vision
from another dimension
now you don’t recognise yourself

Fast Romantics – Smoke + Lightning

Toronto’s Fast Romantics have a new record, their fourth, slated for released at the end of next month. Titled Happiness + Euphoria, the album sees core duo Matthew Angus and Kirty finally create something that has been on their minds for the best part of a decade. Latest single ‘Smoke + Lightning’ sees Kirty take on vocal duties to achieve an ethereal sound which questions the distinction between reality and dreams. One in which pressing emotion and unanswered questions are pursued with a kind of intuition, the dream logic of the subconscious brought to the surface and allowed to flow. Watch the video by by Raven Shields below:

Happiness + Euphoria will be released on 29th September via Postwar Records and you can order it form the Fast Romantics website.

Jordan Murawa – Let Her Dance

A cover of sixties rock & roll band The Bobby Fuller Four, ‘Let Her Dance’ is the latest single from Phoenix, Arizona singer songwriter Jordan Murawa. The original (which you may recognise from a certain Wes Anderson Roald Dahl adaptation) has a manic clockwork energy, but Murawa’s take is very different, instead sculpting the song right the way down to its gently aching heart. George White’s percussion adds a sense of widescreen weight, and the whole thing comes together with a feeling of lived-in emotion.

‘Let Her Dance’ is out now via streaming services.

Loose Wing – Capital Alphabet

Loose Wing are an indie rock band from Seattle, led by Claire Tucker (who also plays in psychgaze outfit Black Nite Crash). Along with her husband Jack Peters (bass), Aimee Zoe (drums) and Bill Patton (pedal steel, guitar), Tucker writes songs that combine catchy college rock with arty, left-field pop. Later this year, Loose Wing will release Miracle Baby, a brand new full-length on Drums & Wires Recordings and lead single ‘Capital Alphabet’ is our first taste of what to expect. It’s a gritty and defiant indie pop song that rallies against the soul-sucking drudgery enforced on many by the capitalist overlords, what Tucker describes as the “prevailing model of life where you get up, put all your energy into a job, then go home drained and exhausted.”

Things are looking up for the company
They’re gonna buy the moon
Things are looking up for the company
We’ve got a flash sale on single-use plastics

maeve & quinn – I Know I Will

Alaskan twin sisters Maris and Bryce O’Tierney, AKA maeve & quinn, are set to release their new LP Another Door in the very near future, and latest single ‘I Know I Will’ should convince anyone unaware of the duo to take note. Drawing on the landscape of their home of Anchorage, as well as their Irish heritage, the song offers a spacious, compassionate soundscape into which the listener is invited. Where the searching emotion of the narrator is balanced against something larger and unmoving, as though beyond personal trials exists solid ground upon which we can find our footing and realise who we are meant to be.

i’m not sorry that i’m on my own — /
the sky is clear…/
but my memory has a memory
that brings me back to you; /
and my memory has a memory /
and i don’t know what’s true //
on the outside /
i know i will //

Sea Lemon – Breakdown

We’ve featured several songs from Sea Lemon‘s EP Stop at Nothing in recent months, first the oneiric ‘Cellar‘ and then the ominous ‘Vaporized‘. With the release now out via Luminelle Recordings, Sea Lemon has released final single ‘Breakdown’, which sees Natalie Lew team up with Oakland’s Day Wave to create a nostalgic duet submerged beneath throwback nineties reverb. “The song is a campy story,” as Lew explains, “all about the aftermath after being wronged by someone where you’re trying to figure out if you should forgive and forget or seek revenge.” Watch the video below:

Stop At Nothing is out now on LUMINELLE and you can get it from the Sea Lemon Bandcamp page.

So It Was – Dance Now!

Back in June we wrote about ‘Speak Now!‘ by Daniel Lobb’s So It Was, a “combination of earnest heart and laidback charm” which “draws on a rich selection of instrumentation—from trumpet, trombone and clarinet to keyboards and electronics—yet always maintains a sense of casual ease.” With album Round the Mountain now out, Lobb has released brand new single, ‘Dance Now!’ A song which swaps out the languid calm for something altogether more taut and building, confronting the uneasy truth of change with as much positivity as it can muster. If things are uncertain, then why not roll with the punches and lean into life’s unpredictable rhythms? Watch the video directed/produced by Matt Boyle and Chris Monroe below:

Round the Mountain is out now and available from the So It Was Bandcamp page.

trash girl – Static

The project of New York‘s Shaughnessy Jones, trash girl has been making gentle and intricate folk-inflected bedroom pop songs since 2017. Following bedbug-produced debut the whole place is titled a little, and last year’s Rock N Roll, trash girl has returned with new single ‘Static’. It’s a characteristically hushed folk song painted in pastoral greens and earth tones, conjuring the cool breeze and slanting sunbeams of a late summer afternoon. Short and sweet and very beautiful.

you get me higher than heaven
you get me madder than hell
can you see me through the static
can you hear those wedding bells

Wastelander – Be Where (feat. Erin Rae)

Wastelander is the recording project of singer-songwriter and multi-instrumentalist Cooper Formant. Soon he will release his debut album What is Left Of Me, which although ostensibly a solo record, draws upon the wealth of talent in Nashville’s Americana scene. This includes Jo Schornikow, Paul Defiglia (Langhorne Slim, The Avett Brothers), Spencer Cullum and singer-songwriter Erin Rae, who has a starring role in latest single ‘Be Where’. A throwback to the classic folk rock stylings of the Laurel Canyon scene, the song sounds sepia-toned and wistful without abandoning its sunny buoyancy. Rae’s vocals match Formant’s in effortless harmony.

Worriers – Cloudy And 55

“A song which leans headlong into the spirit of freedom and self-discovery, shaking off the nagging doubts and second guesses with its building momentum.” That’s how we described the title track of Trust Your Gut by Worriers. With the release of the LP fast approaching on Ernest Jenning Record Co., Lauren Denitzio has unveiled new single, ‘Cloudy and 55’, which offers an altogether more reflective sound. “This song is for your soundtrack to missing Autumn in New York,” as they put it, “where every corner has a memory you can’t shake.” Though true to the new Worriers spirit, the track rises through its wistful mists towards the widescreen clarity of its climax, even if that epiphany is merely coming to terms with the omnipresent emotion of missing the things which constitute your history.

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We previously covered So It Was back in March as part of Whatever Clever‘s Sprigs and Sprays compilation, describing ‘You Are Welcome (In This World)’ as “an overtly political track that somehow manages to embody a much needed oasis of calm in the current climate of greed and bigotry.” ‘Speak Now!’ might not be so direct in its message, but the same combination of earnest heart and laidback charm marks the sound. It’s a track which draws on a rich selection of instrumentation—from trumpet, trombone and clarinet to keyboards and electronics—yet always maintains a sense of casual ease. Something elevated by Lobb’s distinctively welcoming delivery.

Is it “speak now or forever hold my peace” time already?
I’m always holding my tongue far too steady,
she’s fine.
When my park puff’s interrupted by subs gone blasting down the street,
while I’m ashamed just to even be

The track comes complete with an animated lyric video. Check it out below:

‘Speak Now!’ is out now and available from the So It Was Bandcamp page.

Art by Leia Sexton, photo by Jon P. Cherry

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Next month, the second volume in the series will be released, Sprigs & Sprays, Vol. II: A Benefit Compilation for Environmental Justice. This time, all proceeds will go to The Indigenous Environmental Network, an incredible organization which describes itself as “an alliance of grassroots indigenous peoples whose mission is to protect the sacredness of Mother Earth from contamination and exploitation by strengthening maintaining and respecting the traditional teachings and the natural laws.”

The compilation will feature sixteen artists in total, including some we are already familiar with (such as Vireo, Bea Troxel and Strawberry Runners) and some who are completely new to us. Only three are available to listen to so far, but offer more than enough to suggest that every entry will be a small gem in its own right. Such as ‘Eternity’ by Brooklyn’s Nadoyel, a slice of mournful slo-mo dream pop that crests in swathes of emotive strings and whale song-like wails.

The project of Louisville, Kentucky’s Daniel Lobb, So It Was shares an overtly political track that somehow manages to embody a much needed oasis of calm in the current climate of greed and bigotry. “You are welcome in this world,” Lobb sings in a gentle yet steadfast rebuttal to prejudice and injustice, “no matter your points in the game.”

Lastly is ‘Fisher Cat’ by Lindsay Skedgell’s Mother Juniper, a project we have grown to love over the last couple of years. As we described previously, Mother Juniper make music “full of small textures and tactile moods which sits within a lineage of such lo-fi recordings, from Connie Converse to Michael Hurley and beyond,” combining earthy folk with dreamlike ambience to evoke both the natural world and some other plane beyond our limited senses. This song is no different, rich with a sense of place and rooted in ecosystems that continue to cradle us even us we dig them up, chop them down, cover them in steel and glass and concrete.

Sprigs & Sprays, Vol. II releases on 7th April. Pre-order it now from the Whatever’s Clever Records Bandcamp page. There is also an option to buy a limited edition postcard (see example below) by Benedict Kupstas of Field Guides.

Cover art by Tyler Rai and Benedict Kupstas

The post Whatever’s Clever Records – Sprigs & Sprays, Vol. II appeared first on Various Small Flames.