After releasing their sixth album See Through You on DedStrange last February, post-punk icons A Place To Bury Strangers are sharing a series of remixed singles from the record. After offerings from the likes of The Pleasure Majenta and GIFT, the most recent sees Annie Hart take the reins for a reimagining of album opener ‘Nice of You to be There For Me’. A version which strips the harsh immediacy of the original in favour of something reflective and shining, the original’s needle replaced by an ethereal air. Where Oliver Ackermann previously railed against greed with a building volatility, here his words carry the melancholy of hindsight. Mourning mistakes rather than threatening to set them straight.

Illbe – It’s Time

Described as being inspired by the “‘beyond the grave feel’ of Nick Cave’s radical introspection,” Illbe’s latest single ‘It’s Time’ introduces the dark and alluring tone of forthcoming EP, Long Gone. The project is the alter ego of Liège’s Gauthier Gilissen, a musician who draws upon cinema as the source of his sound, aiming for something between the nocturnal paranoia of neo-noir and a Lynchian surrealism. ‘It’s Time’ finds its narrator navigating such a world. Searching for answers within an unforthcoming environment, the patient Cave-esque delivery furthering the existential mystery at the heart. Check out the video directed by Corentin Cuvelier below:

‘It’s Time’ is out now and you can get it from the Illbe Bandcamp page. Long Gone will be released next month.

Kelsey Magnuson – Faking It

Following on from previous single ‘Beep Beep‘, Olympia‘s Kelsey Magnuson has unveiled another track from forthcoming debut Don’t Budge on Earth Libraries. Closing out the album, the song again highlights Magnuson’s ability to sound at once earnest and playful, as though the thoughts communicated are entirely meant, yet delivered with a certain self-awareness. But ultimately the needle settles on the sincere side of things, ending on a sense of hope which feels all the more heartfelt for its plainness. “Cuz growing up feels like were faking it ’til we learn to fake it better,” Magnuson sings in the final lines. “Growing up up feels like were faking it so why don’t we fake it together?”

Laveda – Surprise

The music of Laveda always promises lush textures and heartfelt emotion, and new single ‘Surprise’ is no exception. Introducing an upcoming second album to be released later this year on Papercup Music, the single offers a bright, upbeat sound which belies the turmoil of the lyrics. A juxtaposition which both embraces the nostalgia of the dream pop/shoegaze style while also refusing to retreat fully from the realties of living and working through pandemics and other challenges. “Being alive is just getting old,” Ali Genevich sings, “I’m not surprised that I’m not sober.” Check out the video directed by Genevich herself and shot By Derick Noetzel and Valerie Barbosa below:

‘Surprise’ is out now and available from the Laveda Bandcamp page.

Mali Obomsawin – Odana

Mali Obomsawin is a Wabanaki bassist, composer, and songwriter whose work opposes the Western idea that indigenous cultures are somehow inflexible and backward looking, highlighting the continuous process of resistance and adaptation required to survive in the face of colonialism. Obomsawin recently announced a new album, Sweet Tooth, on Out of Your Head Records. A collection of songs which draws on many threads—jazz, folk, Wabanaki stories and Catholic hymns—to explore contemporary indigenous life and celebrate its endurance and creativity, even when faced with great violence and cruelty. “My people have had to innovate endlessly to get our stories heard,” Obomsawin explains. “Learning to express ourselves in French, English, Abenaki… but sometimes words fail us, and we must use sound.” Lead single ‘Odana’ introduces the record perfectly. A ballad first written in the 1700s, it pays homage to the Abenaki reservation in Quebec, Odanak, founded by Obomsawin’s Sokoki and Abenaki ancestors in 1660 as they fled to modern-day Canada to escape Royally-sanctioned persecution by English colonizers.

Pale Angels – Casper

Based between the Welsh city of Swansea and Rahway, New Jersey, Pale Angels make what label Specialist Subject Records describe as “transcontinental punk trash.” They have just announced a brand new record, their first in six years, titled Plastic Legacy pt II and lead single ‘Casper’ is a glimpse of what to expect. For all of its punk rock fuzz and grittily desperate vocals, it’s actually a lot more sincere than SSR’s label suggests. Founding members Jamie Morrison and Michael Santostefano are joined by Vacation songwriter Jerome Westerkamp on drums to create something with a real emotional punch.

Rival Consoles – World Turns

Rival Consoles, the recording project of London-based musician and producer Ryan Lee West, is set to release new album Now Is via Erased Tapes next month, and latest single ‘World Turns’ welcomes listeners into the blended, digital and acoustic soundscapes West creates. There’s a certain minimalism to the Rival Consoles sound, even if the tag doesn’t quite do justice to the detail of the songs. A sense of clarity developed via a central repetition. This single, for example, is “built around this pendulum-like bass, that constantly drives the piece forward,” as West explains. Minimalism in the way of fine machinery. An elegant coherence to design. “I like having parts in music which are repetitive but everything else is changing around it,” West continues, “almost like a kind of hidden structure, because the repetition becomes more subliminal.”

Secret Shame – Luxury Bitch

“A ferocious, no holds barred descent into the depths of a psyche, emerging if not triumphant then somehow born again.” That’s how we described ‘Hide’, the last single from Asheville post-punks Secret Shame. Next month sees the release of the band’s long-awaited new album Autonomy, and new single ‘Luxury Bitch’ is every bit as intense, barrelling headlong into anxieties surrounding mental health and the knock-on effects such struggles can bring. “Will you still be there / to hold me when I am trying,” asks lead Lena Machina, “when I am losing and when I lose?” If Autonomy represents Machina pivoting towards a new direct approach to songwriting, then ‘Luxury Bitch’ shows exactly what you can expect.

Sheenah Ko – Eyes of the Ego

Montreal electronic artist Sheenah Ko makes introspective and sophisticated pop music in the vein of Kate Bush or Björk. Earlier this summer, Sheenah Ko released her sophomore album The Future is Now, what she described as “a cautious reminder to take advantage of the little time you’ve been given in our wonderous world.” Since the record’s release, Ko has unveiled music videos for several of the tracks, the latest being for ‘Eyes of the Ego’. Directed by Anne Marie Munoz, the video was made with a 100% female, majority LGBTQ+ cast and crew, starring filmmaker/artist/actor Katharine King So and Le Couleur vocalist Laurence Giroux-Do alongside Ko. “Passion and anger are manifestations of the ego; that can drag us deeper and deeper into our minds, into a dream where we can’t escape,” Ko explains “This video is a representation of the exploration of the self, to identify and accept the ego as a part of us, but it does not have to be us or define us. To realize we are the eyes behind our ego and that we can be the observer of the ego.”

Future Is Now is out via Lazy At Work and you can get it from the Sheenah Ko Bandcamp page.

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Secret Shame are about to head back to Asheville’s Drop of Sun studio to work on a follow-up, and to celebrate they have unveiled a brand new single, ‘Hide’. Despite its relative youth, Drop of Sun has quickly become renowned in the area, welcoming Wednesday, MJ Lenderman, Indigo De Souza and Angel Olsen among others, but ‘Hide’ holds the honour of being the first ever single recorded at the studio back in June 2021.

Far from being a throwaway single, ‘Hide’ is every bit as intense as any other Secret Shame track. A ferocious, no holds barred descent into the depths of a psyche, emerging if not triumphant then somehow born again. Seeing the world anew. As Machina writes:

The abysmal valley you’ve been sleeping in for your entire life sparks into a fiery horizon without warning. You’re too caught off guard by this sudden change to notice that flames are growing. Rapidly, they eat up everything on the outside of your shell and pursue the light inside of you. They pull it from you and exfoliate you with sharp teeth and burdens. The flames leave no room for judgment or improvement; they only leave room for denial and the harsh stripping of what once made you who you are. You twist and burn.

Slower this time and with even less thought given towards it, the heat grows cold and lonely. The cold towers over the flames and extinguishes them, ready to move on to better meals. It washes over the embers and creates a consistent ash, smoking on your rubble. Once the heat has subsided and all that’s left is isolating cold, the emptiness makes room for a blinding and spectacular light. Everything parts to reveal something clean and new. It’s a beautiful feeling, but still sharp. This new iridescent light has you realizing you don’t know who you are anymore. You’ve been scalded repeatedly and you can’t recognize yourself. You can’t sink into this. You don’t know how to handle the beauty

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