Though led by poet/fiction writer Mike Young, Clementine Was Right is far more than a solo project. With Young now joined by fellow poet Gion Davis, as well as a core group of musicians based between Denver and Arkansas, the project is one always moving and always changing, adapting to each present moment to best convey the stories which feel most pressing at that given time. So while ‘Dreaming of Dancing in a Different Town‘ offered nostalgic country rock and ‘Takes Tall Walks‘ pushed towards Killers-esque indie polish, latest track ‘There Are No More Almond Trees’ adds a scrappier immediacy. Still falling under the wider ‘Western emo’ tag they’ve made their own, the track is full of the wistful fondness we’ve come to expect, but balances this with a newfound playfulness.

Heartrunner – Faltering

‘Faltering’ is the debut single from Toronto indie rock band Heartrunner. Lead vocalist & songwriter Adina V is supported by Eric Bernhardt (guitar), Chris Parnis (bass), and Aidan Lucas-Buckland (drums), who together craft a lush sounds that’s tinged with sadness or longing. The track opens with sedate acoustic guitar and measured percussion, eventually swelling with electric guitar into a rich and emotionally charged finale. The band say the single “takes listeners through the dissociation, slipping relationships, and failing drive that comes with substance abuse,” and this helplessness and loss of self-confidence is captured in the loaded final lines.

Good God I’m faltering
I’m no good at anything

Jeremy Ferrara – Darkness Is A Bright Sound

Next March,  Portland, Oregon-based songwriter Jeremy Ferrara is putting out a brand new full-length, Darkness Is A Bright Sound via American Standard Time Records and A For Effort Records. Though continuing what we’ve previously called a practice centred “on openness and sincerity” which “conjures warm and welcoming songs within which he invites the listener,” the album sees Ferrara adopt a full band arrangement for the first time, resulting in his richest sound to date. The title track and album opener serves as the door through which the audience can enter this world, highlighting the sense of subtlety and control which marks the Jeremy Ferrara sound.

Mal Not Bad – AP

“Drawing the analogy of an athlete going through the highs and lows of competition to ask how one continues to push forward when exhaustion and disappointment have sapped all will to carry on.” That’s how we described ‘Sports’ from Mal Not Bad‘s Continuous Short Feature Film last year. But push forward the LA-based musician and visual artist did, as new single ‘AP’ attests. The first glimpse of a new project due in 2024, the track displays a newfound depth within the Mal Not Bad sound, leaning further into electronic sensibilities while simultaneously interrogating the impact of technology, resulting in a nuanced exploration of the human experience within the digital present.

The song comes with a video co-directed by Hauser and Seannie Bryan, a solo dance-performance created in collaboration with choreographer Alyssa Allen:

‘AP’ is available now from Bandcamp.

Mia Joy – 4th of July

Mia Joy‘s 2021 album Spirit Tamer utilised a dreamy style to form “a chronicle of [Mia] Rocha’s history,” as we put it in a review. “A way of collecting the seemingly disparate pieces that make up a life in the hope of making sense of them, and learning more about the resulting whole.” Again released via  Fire Talk Records, new EP Celestial Mirror sees the Chicago artist continue this exploration, digging into the way people and events can come to shape your sense of identity. Single ‘4th of July’ fashions a safe haven from its hazy sounds, giving space to drop the armour of self-protection in favour of a more vulnerable, open state. “Time is a teacher,” as Mia Joy sings in the opening lines, “so teach me how to love / without the fear of its cost.”

Moselle – Pesticides

“I think I accidentally / smoked pesticides or PCP  the year before I left for college,” sings Moselle on their new single, ‘Pesticides. “Everything looked like a deep fried meme / I think somebody laced my weed / I didn’t do it to myself I promise.” The first taste of an EP coming sometime next year, the track positions the Ozarks folk punk project alongside contemporaries like Pacing, where deadpan delivery and playful details are fashioned into an image of a specific moment and frame of mind. Self-deprecating perhaps, but full of wry humour too. “What if I broke this stupid glass over my dumb head?” as the chorus asks:

Let all the blood run down my arms ’til the garden’s fed
Wait til the flowers bloom in the same place that I bled
Make a bouquet hoping I’m half as useful when I’m dead

Rosie Tucker – Unending Bliss

Following recent “mini visual album” Tiny Songs Volume 1, LA’s Rosie Tucker is back with a brand new single, ‘Unending Bliss’. Packed with power chords and crashing percussion, the single is a fervent and furious treatise on the power of forgiveness and resistance in a society which seems hellbent on pitting people against one another. “’Unending Bliss’ is about petty personal beef,” Tucker describes, “and, simultaneously, about my fury at the material conditions that encourage us to treat each other like crap in order to survive.”

I want nothing but unending bliss for my enemies

Watch Vanesa De La Mora’s animated video below:

‘Unending Bliss’ is out now via Sentimental Records.

Sonya – God Save Your Soul

With new album At What Cost? on the horizon, California-based alt pop act Sonya has shared the first single, ‘God Save Your Soul’. With a sound that flits between chilled and urgent sensibilities, the song offers the sultry pop soundscapes of the late 00s buzz bands and adds a through line of energy. What results might be buried in a sun-kissed haze, but nevertheless possesses a tangible immediacy, Sonya’s vocals emerging from within the hypnotic atmosphere as though looking to shake you from its hold.

‘God Save Your Soul’ is out now via streaming services.

Sophie Gault – Christmas in the Psych Ward

Having previously recorded as Sophie & the Broken Things, Nashville-based songwriter Sophie Gault is releasing new album Baltic Street Hotel on Petaluma Records next spring, and single ‘Christmas in the Psych Ward’ gives an indication what to expect. The record was produced by Ray Kennedy, collaborator with folk royalty including Steve Earle, Lucinda Williams and Patty Griffin, and the single very much follows such a lineage, delving into highly personal experiences of bipolar disorder with a tone both steely and wry.  “There’s a guitar they give you if you’re doing good / It’s got four strings and it’s made of plywood,” as Gault sings. “I’m gonna go write down some songs and take them to Nashville / ‘That’s funny, honey, just swallow a few of these pills’.”

Baltic Street Hotel is out via Petaluma Records on the 12 April 2024.

Trinket – Silver Thread

Trinket might have originated as the solo project of Madison Kate Proffitt, but soon welcomed Basil Lee (drums), Nara Avakian (bass) and occasionally Sean Camargo into the fold and evolved towards a jangling, eighties-inflected pop style. Debut EP New Hobby is coming soon on Sad Club Records, and single ‘Silver Thread’ highlights why audiences should be anticipating their potent blend of lush nostalgia and serious self-reflection. “This song is about idealization, getting to a point with someone important in your life who sends you mixed messages,” Proffitt explains. ‘Maybe you want them to be someone they aren’t, maybe you’re projecting onto them […] It’s about stopping that cycle and letting yourself move forward.”

‘Silver Thread’ is out now via Sad Club Records and available from the Trinket Bandcamp page.

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Opening track ‘Barbara Ann’ is a perfect example of the Rosie Tucker style, to their uncanny ability to weave personal experiences into songs both playful and fierce. The track is best introduced by way of an anecdote, a memory from a visit to their maternal grandparents on a farm out in northeast Illinois. Tucker was given total freedom to explore the area, though not without some ground rules. Rules, it turned out, they could not help but break. “Once, in complete secrecy, I laid an open palm on the electric wire that ran around the property even though I’d been told a million times not to,” Tucker explain. “I desired the knowledge more than I feared my parents. The shock felt like falling to the ground from a great height. I didn’t cry and I didn’t tell a soul for many years.”

‘Barbara Ann’ traces this resolute spirit back not only through Tucker’s memories of Illinois but their maternal line too. For as the world changes, and with it the food on our plates, the method of survival has not. Hard graft and comfort, childhood safety and naked electrical lines. The enormous load shouldered by those who care for others, and their steadfast refusal to ever give up. It’s a song, Tucker explains, about the Midwest both now and then:

How corn and soy monoculture relate both to wider industrial food systems and to farmers trying to make a living. It’s about my grandmother, a working-class woman who spent every second working, not just the work of mucking the chicken house and raising children but of imbuing a hard life with sweetness for herself and her daughters, the work of reminding them that survival means laughing a lot and refusing to yield to the will of any man, be it boss or husband.

Check out the lyric video by Jason Link and Eli Rae, filmed by Tucker themselves and based on photography by Lucy Sandle.

Barbara Ann, don’t fuck around
With a Louisville Slugger under
Your side of the bed
No one’s gonna hurt you now
No one’s gonna hurt you

Sucker Supreme is out now via Epitaph and you can get it now from the Rosie Tucker Bandcamp page.

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Blood Warrior – Wooden Shade
Rosie Tucker – How Sad, How Lovely (Connie Converse cover)
Fran – Company
JAYA – Learn To Swim
Taylor Hamilton – What Is Real?
Carver Baronda – If Nothing Else Comes Along
Rose Dorn – Deathwish
Milly – Crazy Horse
Guidon Bear – Washing Machine
Joey Nebulous – Pride Month
Dorio – Shortcuts
Special Friend – Before
Sarah Pagé – Lithium Taper
Old Amica – Condensation
Blushing – Dream Merchants
Patient Hands – Stasis
Bryce Kepner – Chances
Jake Bellissimo – why fit? (Jordaan Mason cover)

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Seen as a spiritual successor to Swell Tone’s Summer of Sad comp on Z Tapes, the release features takes on tracks by everyone from Bruce Springsteen and Neil Young to Björk, Mazzy Star and even Mr Rogers. Better yet, all proceeds are going to Homeward Bound Animal Rescue, which gives dogs a second chance at life. So when not support the release and relax in the knowledge that you are helping a good cause too?

The release is ostensibly one of love songs, but such a description belies the depth and ambiguity of emotions on offer. Opening the album, Basement Revolver gloss a layer of melancholy sweetness over Springsteen’s ‘I’m On Fire’, subtle percussion and winding guitar allowing Chrisy Hurn’s vocals to come to the fore. Changing tack completely, Anna McClellan takes on ‘Dear Someone’ by Gillian Welch, transforming the original into a romantic piano song that sounds haunted by a sense of long-lost nostalgia, as if it’s floating across a quiet room from a war-time gramophone.

This diversity continues across the rest of the compilation. Yes these are all love songs, but stylistically no two sound quite alike. From Lucy Stone’s heartfelt guitar ballad (a contemporary update of Bonnie Raitt’s ‘I Can’t Make You Love Me’) to the gentle droning pulse and ghostly vocals of Ora Cogan’s Björk cover, the album twists and turns through styles and emotions, from naked declarations to heart-broken longing to that lingering wistful feeling that’s woven into the fabric of things. There’s no sugary Hollywood sentiment here, rather love in its true, maddening form, so closely related to pain and sadness as to make the distinction obsolete.

The mood is perhaps best captured in Rosie Tucker‘s singular take on Connie Converse’s ‘How Sad, How Lovely’, a track which manages to hold tender beauty and creeping loss in the same hand. “How sad, how lovely,” go Converse’s lyrics. “How short, how sweet / to see the sunset / at the end of a street.” To take notice of the small wonders of the world is to notice their slow dissolution, but to take no notice at all is to already have died.

Sixteen Jackies lift the mood with a bouncy rendition of Pete Townsend’s ‘Let My Love Open The Door’, before Honey Moon arrived with their sultry take on ‘Lovefool’ by The Cardigans. Both tracks come with a technicolour finish, their sounds so lush and textured that you can wrap yourself within them, which juxtaposes well with Porridge Radio‘s stripped back version of Neil Young’s ‘Only Love Can Take Your Heart’. However, despite the track’s stark simplicity, the earnest tone and authentic delivery forms an enveloping texture of its own, radiating warmth and a kind of nostalgic grace.

The collection ends with a a hushed and intimate cover of Mr Rogers song ‘It’s You I Like’ by Ings, Inge Chiles delivering Rogers’s trademark earnestness and sentimentality in a near-whisper. The gently plucked guitar keeps its voice down too, leading to a finale as quiet and peaceful as it is suffused with feeling.

Summer of Love is out now digitally and on cassette, and you can get it from Bandcamp.

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A new volume will be posted every few weeks and will offer a collection of really great songs that we’re determined not to let slip past our radar.

Courtney Marie Andrews – May Your Kindness Remain

Last year we spoke with Courtney Marie Andrews about Honest Life, the record that seems to have been her breakout success, despite being in the business for over ten years. Hot on the heels of this newfound recognition, Andrews is back with a brand new album, May Your Kindness Remain, to be released this spring. So far we only have the title track to go on, but the signs suggest Andrews expanding her sound beyond acoustic folk, with strong elements of soul, rock and gospel, giving the song a spirit that seems lifted from some bygone time, and likely cementing Andrews amongst the very best songwriters working today.

May Your Kindness Remain will be released on the 23rd March via Loose (UK) and Fat Possum Records/Mama Bird Recording Co. (North America), and you can pre-order it now.

inning – Feels Like It Did

“Last night, I taught viola to aliens in dreams.” Not many songs aim for territory as weird as this, and even less manage to weave it into such a sad and serious mood, but Virginia-based inning does so with aplomb. The track was inspired by one of those soul destroying college entrance questionnaires, albeit a relatively cool one, which asked “If you could send one thing to aliens that represented human life, what would it be?” inning decided that an instrument might be a good choice, in the hope that, should the contact ever develop into something more face-to-face, we might have something in common, and a way to communicate. Which maybe explains the kind of desperate loneliness that seems to smoulder behind this track, a metaphorical viola solo aimed skyward, not knowing if they could figure out how to play the thing, or even got the package in the first place.

Après​-​Ski EP is available now from the inning Bandcamp page.

Rosie Tucker – Spinster Cycle

Taken from an upcoming EP, Rosie Tucker’s ‘Spinster Cycle’ is a break-up song based, of all places, in a late-night laundromat. Picture the scene: your most treasured relationship failing amidst artificial lighting and a constant mechanical whirr, while muted TV screens try to sell you stuff as an awkward audience of semi-attentive strangers look at their feet. Here is a classic tale of miscommunication and banal distraction, the impossibility of truly knowing another person working its way into the cracks of even the most promising pairings, meaning that instead of trying to talk it through, they just lie back and let the drift carry them apart, even while their clothes share the same hot water, the dyes leeching and mixing into one dull shade.

“My parents met in a laundromat parking lot
I almost tell you but then I think not to
We focus on pulling our lights from our darknesses
We separate even though we’ve got sparks
While the colors bleed”

‘Spinster Cycle’ is available now from the the Rosie Tucker Bandcamp page, and be sure to keep your eyes peeled for the EP.

Why Bonnie – Made of Paper

Ahead of their debut EP on Sports Day Records, Austin band Why Bonnie have unveiled lead single ‘Made of Paper’ to get us suitably excited. Fuelled by a loose sound which belies the surprisingly insistent tempo, lead Blair Howerton explores vulnerability and perseverance through the lens of history and image, challenging preconceptions and expectations in search of some deeper truth. As such, ‘Made of Paper’ feels like a motivating call from Why Bonnie, helping us all shake free of a clinging inertia, or at least urging we test its grasp in preparation for a future escape.

“I never knew my great grandmother,
but I’m always told i have her skin.
although I think I’ve talked to her,
I know I can’t escape the skin I’m born in.

Reading my fortune
in the mess I’ve made in the kitchen
dirty spoons
to show that I’m still going”

In Water is set for release on the 16th February via Sports Day Records and you can pre-order it now from Bandcamp.

Sonny Baker – Comfortable

At the very end of 2017, Buffalo’s Sonny Baker put out a new record, steady hands, dead tired via Admirable Traits, following up an EP, easier, which came out in April. Don’t let the late release date slide under your radar amidst all the end of year lists, because this is an energetic, at times furious, slice of indie rock. Single ‘Comfortable’ serves as a good taster, railing against the chains of routine and comfort zones, the frenetic tempo aiming to shock you from your tracks, scrub the grey film from your eyes.

“I’m at the point
to set it all
on fire

dump the rest
into a garbage can”

steady hands, dead tired is out now via Admirable Traits Records and you can snag it from Bandcamp.

Andrew Goldring – Lost in the Motion

Following up last year’s EP Morning Light, Salt Lake City’s Andrew Goldring is back with a brand new single, ‘Lost in the Motion’. Pitched somewhere between the gruff melancholia of Water Liars and psych-tinged rock of The War on Drugs and The Wooden Sky, Goldring ticks both boxes—managing to represent a clear-eyed stride forward while remaining haunted by lingering images of the past. As such, the single serves as both a confident driving song and introspective examination, and should be a regular in your headphones on just about any occasion.

‘Lost in the Motion’ is out now and you can get it from the Andrew Goldring Bandcamp page.

Field Report – Summertime Songs

Finally, Milwaukee band Field Report have unveiled a new single, ‘Never Look Back’ ahead of their forthcoming record, Summertime Songs. Those unfamiliar with Chris Porterfield’s writing are well advised to check out their previous releases, with both their self-titled debut and 2014’s Marigolden up there with our favourite albums of the decade (no exaggeration). As we wrote in our review of the latter, “Porterfield’s writing is humble, real, able to be all shades of sad and beautiful. He leaves it to the listener to decide what they take from it, be it comfort or disturbance.”

Summertime Songs was written pre-election, and also in the run up to the birth of Porterfield’s first child, and the anxiety and fear of the unknown allows the songs to form “a dialogue about the fragility of America” and it’s various ideals. With that said, the press release leaves us with the promise that “Field Report will grab you by the short hairs and make you see yourself,” which sounds just like the Field Report we know. The record is out via Verve Forecast on the 23rd March, and you can get more information from the Field Report site.

‘Never Look Back’ is streaming now over at Stereogum.

That’s all folks. If you’re still not sated, why not check out previous editions of Bright Sparks?

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Field Medic – Flash Tattoo

If you’ve been following WTD for any length of time, chances are you already know all about Field Medic (if not, check out reviews here, here and here), and the way he makes folk music for the Twenty-first Century. The latest Field Medic single, ‘flash tattoos’, is yet another example, what feels like a sincere classic folk song at heart, a quietly confident paean to celebrating your differences, but embellished with warm lo-fi pop stylings that keep things genuine and rooted to the ground.

“it don’t pay to be different right now
but sometime I know someday it will”

The song will appear on a forthcoming EP, so keep your eyes peeled for the full release.

Praything – You’ll Be Mine

Praything, the project of Brooklyn’s Ju Kovacevich, is another artist we’ve featured several times (for example here and here). Praything’s first song of 2017 is ‘You’ll Be Mine’, another slice of lush and anthemic indie pop, Kovacevich’s distinctive vocals delicate and vulnerable against steady percussion and bubbling synths, before the whole thing breaks out into a cathartic wordless chorus. Sometimes you don’t need words to express emotion.

On the Other Side – Lincoln Oak

On the Other Side is the solo project of Dwight Miller from Modesto, California. He has an EP out early next month on CA DIY label Make Anything Records, and has recently released the first track, ‘Lincoln Oak’. The sound is emotionally charged, emo-tinged, indie rock, with shades of Pinegrove and Modern Baseball. The label say Miller tries to make “music that isn’t just escape from his problems, but forces him to tackle them head on”, so expect heart-on-sleeve sincerity behind the throaty barked vocals.

She Was My Ryan is due on the 7th of April, and you can pre-order it now from Make Anything Records.

Cassandra Jenkins – Red Lips

New York’s Cassandra Jenkins is soon to release her debut album Play Till You Win, and has just released the second single ‘Red Lips’. The song is a beguiling mix of Emmylou Harris’s country rock, Mazzy Star’s dreamy lingering pop and the strange and emotional synths of the Twin Peaks Soundtrack. The song deals with the encroachment of the digital realm on our lives, and the subsequent impact on our mental health. There are messages woven into the fabric of the track, as Jenkins explains, “Each verse takes on one color from the RGB spectrum: red for love and desire, green for jealousy, and blue for sorrow.” If this is anything to go by, the album will be one to look out for as it takes pop music to new ruminative and thematic depths.

Play Till You Win will be released on April 7th through Jenkins’s own label Cassandra Complex, which she set up as a means of making “social commentary in a way that is accessible and beautiful”. You can order it now from Bandcamp.

ULTRAS – Team Handed

The moniker of Scottish multi-instrumentalist Gav Prentice (formerly Over The Wall), ULTRAS is a veritable melting pot of influences, from pop, rock and traditional folk to electronica and hip-hop. The self-titled debut album, set for release this April, is therefore a diverse listen, though lead single ‘Team Handed’ finds Prentice practicing a similar style to that of Over The Wall. Warm guitar and background ambience are coupled with detailed lyrics that manage to sound both dejected and alive, giving the whole thing an emotive, empathetic vibe that speaks highly of Prentice’s songwriting capabilities.

ULTRAS is set for release on the 28th April via Hello Thor Records and Instinctive Racoon.

On The Water – Sun Temple

Philadelphia-based experimental folk band On The Water have announced their sixth collection of songs, Superposition, to be released in the middle of April. Written by Fletcher VanVliet and featuring an array of contributors both old and new, the release comprises of unorthodox folk songs which seem to fall somewhere between eccentric and organic, playing like thoughts and feelings presented unfiltered. Single ‘Sun Temple’ is a good example of this, eschewing convention to sound like a direct view inside someone’s head, ending up every bit as immediate and weird as that might seem.

Superposition will be released on the 22^nd April and you can pre-order it now from the On The Water Bandcamp page.

Rosie Tucker – Fault Lines

Rosie Tucker is a musician and songwriter from LA. Her latest single, ‘Fault Lines’ is her first new music since her debut album Lowlight, and provides what she describes as an “indie-rock ode to a particular sort of sun-bleached, So-cal feeling of isolation”. Fans of Waxahatchee and Frankie Cosmos will find plenty to like, especially as the songwriting is so strong. As the title suggests, the lyrics use the geology beneath California as a metaphor for movements of a more personal nature.

“California aches on her tectonic plates
she waits to make the break into the sea”

Keep an eye on the Rosie Tucker website for info on future releases.

Sleep Movies – Paper Hat

Sleep Movies is the recording project of Pittsburgh’s Skyler Brimmierer, who featured recently on the Crafted Sounds compilation, Have a nice day. (of which there are a few copies left, if you’re quick). April sees the release of EDG, a hazy-yet warm collection blissful lo-fi pop that plays like a tropical sea mist descending on your day at the beach. Lead single ‘Paper Hat’ serves as a perfect introduction, the vocals fuzzed to the point of indecipherability, yet losing nothing in their message thanks to the expressive delivery and idyllic vibes. As such, the track is temperate and hospitable, allowing the listener to relax back into its cloudy embrace. As the press release suggests: “Watch TV in your dreams, and flip on Sleep Movies.”

EDG is out on the 13^th April via Crafted Sounds and you can pre-order it now in both digital and physical formats via Bandcamp.

Panther Hollow – Jamie

NYU music composition graduate Bernardo Ochoa writes and performs for Modern Diet, Ackerman, and a variety of other Brooklyn-based bands, though Panther Hollow is his personal recording project. With the help of Matti Dunietz (drums), Dan Hemerlein (bass) and Evan Lane (trumpet), Ochoa has put together an EP, People Synesthesia, which pulls inspiration from all directions to form what the press release describes as a “stylistically diverse collection of portraits and transient feelings.” While lead single ‘Office’ was a fuzzy slice of grungey garage rock, second single ‘Jamie’ uses banjos and mandolins in support of Ochoa’s gentle, wistful lyrics to create something altogether more pacifying.

People Synesthesia is set for release on the 31st May.

The Saxophones – New Tradition

You may remember us writing about The Saxophones back in August, when we reviewed their debut EP, If You’re On the Water. Excitingly, the 3-song single is now getting the release it deserves on Full Time Hobby. To celebrate, the band have released a video for ‘New Tradition’, a track we described in our review as a “slow dream pop song, like a sad croon in a sparsely filled dance hall, Alexi Erenkov’s sax snaking around and conjuring an almost Lynchian, noirishly romantic vibe”. The video takes a slightly different tack, setting the song to footage of a bright summer day, and one man’s attempts to shake off a sense of gloom.

You can get If You’re on the Water now on 7″ vinyl or digital download from Full Time Hobby.

Day Joy – Fumbling

A few months back we featured ‘Florida’s Warm’, the new song (after a three year hiatus) from Michael Serrin’s Day Joy project. We described the track as, “[not] hopeful so much as hopeful of hope, the narrator holding on to the image of a brighter day, homesick and half-tortured by the slim possibility of the chance the sun might rise once more, bringing a thaw that might allow some sensation to return to frost-bitten limbs”.

Making good on his promise to release the album single by single, Serrin has now unveiled ‘Fumbling’, our second taste of the direction Day Joy will take on the new record. The track is a slow burning ballad, Serrin’s plaintive vocals laid on top of melancholy piano, gentle percussion and winding atmospherics. It’s a stunningly accomplished piece of work that’s wrought with emotion and certainly has us eagerly anticipating the rest of the record.

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