Gathering momentum after a string of appearances at some of the biggest festivals in the UK (Glastonbury, Reading and Leeds among them), songwriter cathy kio has released a brand new single ‘Last Goodbye’ to reinforce her burgeoning reputation. Crafted with a spare acoustic arrangement and kio’s signature heartfelt vocals, the song digs deep into the aftermath of a relationship in all of its tenderness and longing. A track poignant, aching and not entirely without fondness, looking to salvage all the good from the time now gone while recognising the need to walk away.

‘Last Goodbye’ is out now and available from the usual places.

Clutter – Jesus

Consisting of Hilda Ander, Emma French, Ove Jerndal and Ville Scott, Clutter is a new project out of Stockholm who cut their teeth in the underground Swedish scene but now look set to make waves further afield. Their debut 7″ single, Jesus/Holy Brother, out via via PNKSLM Recordings, underscores exactly why the band have risen to prominence so quickly, offering a noughties-inflected shoegaze style that’s able to sound heavy and playful simultaneously. ‘Jesus’ is a great example of the aesthetic, pairing existential lyrics and grungy guitar with an infectious sense of forward motion, showing Clutter’s ability to pack a punch while still having fun.

Watch the video shot and edited by Majken Bergman with animations by Henry Ander below:

Jesus/Holy Brother is out now via PNKSLM Recordings and available from Bandcamp.

The Convenience – I Got Exactly What I Wanted

The Convenience‘s 2021 debut Accelerator introduced a colourful, endlessly inventive brand of funk-inflected pop, but while follow-up Like Cartoon Vampires continues the imaginative style, the sound is very different. Because, following their artistic intuition, songwriters and multi-instrumentalists Nick Corson and Duncan Troast have pivoted towards new genres, the album reaching out towards post-punk, noise rock and drone in its search for something different. Single ‘I Got Exactly What I Wanted’ shows the wiry menace of this version of The Convenience, though beneath the shadowy mood lies something just as curiosity and playful in its craft as anything the duo have released to date.

Like Cartoon Vampires is out on the 18th April via Winspear and you can pre-order it now.

country girl – field day

Back in September we wrote about country girl, describing how single ‘i like that’ tapped into a nostalgic vibe to paint a picture of real fondness. “The nineties aesthetic adds a fresh, wide-eyed quality to the sound,” we wrote, “creating an ode to a significant other as voiced from the heady early days.” With debut EP out now via FADER Label, country girl is back with the equally warm and affectionate ‘field day’. Another song which finds itself reflecting on the joys of a rose-tinted past, looking to preserve that sense of possibility and fun in the face of life’s inevitable progression. Watch the video directed and edited by Emma Callahan below:

meet me at the fountain is out now via FADER Label.

Gum Parker – Two Subarus

Gum Parker is a new project out of Portland, Maine who are preparing to release their debut album The Brakes this spring on Repeating Cloud. Playing what they describe as “jangly songs” about “small disappointments and occasional wins,” the outfit draw on the considerable DIY history of its members to create good old-fashioned indie rock. Lead single ‘Two Subarus’ embodies this spirit both in style and theme, combining unapologetic nostalgic with a sense of momentous immediacy. “This one is thinking back on my first serious band, which would have been in the early 2000s,” songwriter Galen Richmond explains. “Everything was always just teetering on the edge of falling completely apart and it was the most exciting thing ever. It’s easy to be sorta rose-colored thinking back on that time so I’m making fun of myself for it while I totally indulge it.”

Lutalo – I Figured

We featured Lutalo‘s album The Academy several times last year, admiring how the Vermont-based singer-songwriter delved into their past with such intention and fearlessness. Released via Winspear ahead of a headline tour, new single ‘I Figured’ might not have quite made the cut to be included on the record, but it again shows how evocative Lutalo’s blend of rock and folk aesthetics can be. “Heard your train just holler / I just cussed your collar,” goes one of the verses, typifying the smouldering mix of drama and romance across the track. “You say I should come through / I know I shouldn’t want to / I know I shouldn’t but I want // You.”

Watch the video by Noah Lenker below:

‘I Figured’ is out now via Winspear and available from Bandcamp.

Molly Ganley – Who Are You

With debut album Eldest Daughter coming this March, songwriter Molly Ganley has unveiled brand new single, ‘Who Are You’. Another example of her warm, heartfelt brand of folk which celebrates the work previous generations have done to create and preserve a more hospitable world. “It asks the fundamental question: ‘Who are you to say?'”—who gets to make the call that women’s rights, LGBTQ rights, and climate action are unimportant, and that millions will suffer due to lack of legislative protection?” Ganley explains. The result is born of both love and defiance, promising to take up the mantle of our forebears to fight for the future we deserve.

naya mö – outsider

“Draws on the grunge and alt-pop of the nineties and the soaring indie rock of the mid 00s, resulting in something that sparkles with possibility despite being coated in gritty fuzz and shadowy reverb.” That’s what we wrote of naya mö‘s previous single, ‘wanderlust’, back in November, and the latest track from the French artist is no less atmospheric. The second single from a forthcoming EP, ‘outsider’ again taps into a gauzy shoegaze style to create an enveloping sense of loneliness, though is charged with enough energy to face this darkness with a steely defiance. “The EP is about the ghosts that haunt my mind and body. Good and bad, dark and light, love and fear,” naya mö explains of this duality. “Shadows of memories, ideas, regret, people linger in my head. I wrote songs about them and drench them in distortion, reverb and fuzz.”

‘outsider’ is out now and available from the usual places.

OHYUNG – no good

You might know Lia Ouyang Rusli as the composer behind soundtracks such at that of Julio Torres’s Problemista (A24), but they also produce what is described as “experimental and political” under the moniker OHYUNG. Taken from the upcoming OHYUNG album You Are Always On My Mind, latest single ‘no good’ is every bit as cinematic as any of LOR’s scores, enlisting director and designer Day to create a video capable of furthering the song’s portrayal of a quest of self-actualisation. The album itself uses a vivid, trip-hop-inspired sound to chart the process of gender transition, and ‘no good’ explores the strange dualities which accompany such a process, where the desire to become the person you are supposed to be is matched by no small sense of fear. How do we feel when we achieve the very thing we want the most?

You Are Always On My Mind is out on the 28th March via NNA Tapes and Phantom Limb and you can pre-order it now.

Pit Pony – Vacancy

With new LP Dead Stars due for release next month via Clue Records and EMI North, Newcastle‘s Pit Pony have returned with ‘Vacancy’, a track full of wry humour and cutting energy which sets its sights on the cultivated perfection of social media. “My news feed is full of suggested videos of people telling me my life will be better if I buy some leggings or get the ‘off menu’ Starbucks drink. I love an iced coffee as much as the next person but there’s a whole culture of people driving in nice cars drinking coffee and sitting making videos in carparks that I can’t get my head around,” explains lead Jackie Purver. “I feel like it’s opening a black hole somewhere that we’re all going to be swallowed into—a vacancy—like a Dorian Gray painting on a mass scale. I want to derail it, to take things in a different direction, to make it messy.” The song makes good on this wish with a building momentum, resulting in a chaotic crescendo that punctures the fictitious illusion through sheer disordered passion.

Dead Stars is out on the 7th February via Clue Records and EMI North and you can pre-order it now.

since torino – transatlantic flight song

Sheffield‘s since torino are preparing to release their debut EP in the coming months, and brand new single ‘transatlantic flight song’ serves as the ideal introduction to the band for anyone unfamiliar with their work. Opening with a restrained hush, the song sets out a quiet, reflective mood, combining organ and murmured vocals to create an easy meandering fondness, and gradually develops to push the mood further. First with glitched guitars and eventually sweeps of violin, all working together to create a song which aches with the fondness of nostalgic contemplation.

‘transatlantic flight song’ is out now, and you can find since torino at the usual places.

william h. travis – unfuck my mind

Described as “a moniker for a person and a group of friends from Bethlehem, Pennsylvania,” william h. travis makes an empathetic brand of folk which walks the line between fondness and disaffection. As such, latest track ‘unfuck my mind’ could be something of a theme tune for the project. A song delivered from a jaded person stuck within the awful present, though nevertheless pining for a return to something more curious and joyful. “Candy cigarettes, big league chew were fantastic / now I can’t even drink water without the microplastic,” as a typical verse goes. “Is it the world or is it me, it’s the two of us probably.”

Zoe Firn – Forever New

The latest single from Brooklyn songwriter Zoe Firn, ‘Forever New’ is a song about the enduring nature of love drawn from an experience of that very thing. The song “is inspired by my grandparents, who were married for over 50 years until my granddad passed last October,” Firn explains. “According to gramgram, she and granddad are together in every life, past, present, and future.” Written from the perspective of her grandmother, the track illuminates this romantic idea further, serving as both a highly personal picture of a treasured relationship and a wider embrace of the hope and joy. “Told the grandkids how we met / in every other past life,” as one verse goes. “Distance never did keep us apart / on earth and I believe / that neither does time.”

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Hamilton, Ontario indie rock outfit Dark Mean have been making music for well over a decade now, introducing themselves with a self-titled album back in 2011 and returning every few years with new songs to prove the project is still alive and kicking. Their first release since 2016, ‘Working Hard’ feels like a dispatch from a reality faced by a huge number of acts these days, where cycles of inspiration and hiatus are governed by work schedules and personal responsibilities. A song fired by the twin forces of frustration and passion and driven by the urgency of the ticking clock.  “I haven’t forgot your name / I’d give it to you if you ever came,” as one verse plays. “I’ve still got a lot to say / I’ll tell you about it someday.”

Grocer – Caterpillar Pilled

“‘Packrat’ finds Grocer at their most collaborative, trusting in the bonds which have now developed between the members to make something far greater than the sum of its parts.” So we wrote of the first single from the Philly band’s new album Bless Me, coming later this spring on Grind Select, which promises to elevate Grocer’s trademark volatility to new heights. Latest single ‘Caterpillar Pilled’ embodies this spirit, possessing both brash energy and off-the-wall charm. With constant changes of speed, the song is always on the verge of unravelling into chaos but manages to cling on by its fingertips, emerging all the more triumphant as a result. Watch the video by Nicholas Rahn below:

Bless Me is out on the 19th April via Grind Select and you can pre-order it now.

hemlock – Garbage Truck

Back in 2022 we mentioned talk soon by Chicago’s hemlock, describing single ‘to carry’ as “a song of hushed yet heartfelt vignettes which rises toward an impassioned finale, providing snapshots of love in its various guises.” The project has since gone on to put out several further releases, including the single ‘monarch‘, a month-long song-a-day challenge album and a live session, but now hemlock is teaming up with the good folks at Ghost Mountain Records to celebrate the second anniversary of the talk soon release with the album’s first ever vinyl run. To mark the occasion, hemlock has unveiled a video for the single ‘Garbage Truck’ directed and edited by lead Carolina Chauffe and filmed along with Daniel Joseph and Reed Everette. Check it out below:

The talk soon vinyl is out on the 10th May via Ghost Mountain Records and you can pre-order it now.

Lamplight – S/T

Back in January we previewed the self-titled album Ian Hatcher-Williams’s Lamplight on Western Vinyl, what we called “an exploration of how one’s sense of identity shifts and changes according to any number of present conditions, not least the place we call home at any given time.” With the record now out, Lamplight has shared the title track as a final single, which serves to not only underline the intentions behind the album but the Lamplight project as a whole. After experiencing a profound mixture of love and grief on contemplating the inevitable end of an intimate relationship, Hatcher-Williams found comfort in the concept of reincarnation, as well as a poem by Mark Strand titled ‘Love Silhouetted by Lamplight’ (from which Lamplight would come to take its name). “I’m too high
the lamp light, you’ve / caught me crying,” as he sings:

now we’re laying here uncovered
our legs braided around each other

i’m fixated on the future
that one day we lose the other

come back to, for a moment
that’s just long enough notice

we’re cosmically together
a bond older than each other

The song comes complete with a video which further develops these themes:

Lamplight is out on now via Western Vinyl and available from the Lamplight Bandcamp page.

Margaux – DNA

Back in 2019 we wrote about More Brilliant Is The Hand That Throws The Coin, the debut EP by Margaux released via Massif Records, describing how the juxtaposition of bright energy and syrupy dreamscape on single ‘Palm’ “serve[d] to bring to the life to duality of people too, as though beneath the outward face of our feelings lies depth more expansive and strange.” With a debut full-length on the way later this year, The Brooklyn singer-songwriter has now returned with ‘DNA’, another nuanced picture where longing and confrontation can occur simultaneously, and a floating drift can quickly escalate towards a cathartic climax. It’s apparently the first song from an album due later in the year, so be sure to keep your eyes peeled for more info.

The debut Margaux full-length will be released later this year via Massif Records.

May Rio – Fun!

Stretching the definition of a solo project, New York‘s May Rio sometimes plays with a classic guitar/drums band, and others an arrangement of cello, piano and saxophone. The latter, what she calls the Elegant Ensemble, gives its name to the new May Rio album. A collection of rearrangements of previously released tracks, scrubbed clean of the gloss of studio production and presented anew as an assemblage of their essential parts. There is one brand new track too though. Titled ‘Fun!’ it’s a song about a teenage car accident delivered with the idiosyncratic blend of playfulness and grace which runs through Rio’s work. “The day I got my driver’s permit, aged sixteen,” she describes, “I borrowed my mother’s forest-green Isuzu Trooper for a trip to a new movie showing at the mall,” only the adventure was cut short at a junction.

Sweet sixteen I get to take a spin
Windows rolled down wind’s all on my skin
T-boned by a speeding stoner hard
Momma’s Trooper’s totaled but what’s worse
Is it was fun

Watch the video directed by Ben Gordon below:

Elegant Ensemble is out on the 3rd May.

Meagre Martin – Malcolm

Meagre Martin‘s Gut Punch, released last year on Mansions and Millions introduced the Berlin-based band’s ability to broach the most pressing social themes of the moment with both confidence, fire and relatability. “The gut punch of the title therefore refers not so much to the Meagre Martin sound but rather the subject matter they take on,” as we put it in a preview. “The world as a series of debilitating blows.” New single ‘Malcolm’ continues this style to great effect, leaning into a more guitar-led sound to better evoke the track’s rebellious nature. An ode to Malcolm in the Middle at once fond and discordant, teasing out themes of precarity and generational trauma from within nostalgic memories of the show.

I’m human too,
We break the rules
That’s nothing new
Why settle down
You start to drown
So pull me out

Robert Ouyang Rusli – Elizabeth’s Voicemail

Brooklyn-based composer and artist Robert Ouyang Rusli took on their most ambitious project to date with the soundtrack for Julio Torres’s Problemista, a new film coming later this month via A24, starring Torres alongside the likes of Tilda Swinton. The artist, who also records under the moniker Ohyung, created over fifty songs for the score, looking to match the surreal world Torres has created with something just as agile and inventive. Single ‘Elizabeth’s Voicemail’ serves as an enticing glimpse of the project’s full scope, the film bleeding into the soundtrack in the same manner the music pours into the film. Orchestral arrangements of synths and choral vocals are accentuated with sounds from the colourfully whimsical film-world, creating what the press release describes as “rhythmic backdrops for the bureaucratic nightmares of the American immigration system.”

The Problemista soundtrack will be released on the 15th March, and the film itself on the 22nd.

W. Y. Huang – Life Just Lately (feat. Granata)

Facing the sudden onset of chronic pain, Singapore-born, New York-based singer-songwriter W. Y. Huang turned to music as an outlet. His new EP Knots, coming later this spring, serves as an exploration of pain and healing, as well as the more general transience of things and the ebb and flow of hope. First single ‘Life Just Lately’ introduces this with a bright and breezy indie pop style, welcoming New York rap artist Granata to further the track’s unguarded tone and capture the mood of the release as a whole. “This EP was a deeply personal endeavour, both in how the songs came together and the writing process,” as Huang explains. “It all blossomed from a very vulnerable place.”

‘Life Just Lately’ is out now and available from the W. Y. Huang Bandcamp page. Knots will be released in May.

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