In recent months we’ve been following London-based songwriter Eli Carvajal as he prepares to release new full-length Eyen Forever in October via Safe Suburban Home Records. After singles like ‘Stretch Marks‘ (which “manag[es],” we wrote, “to evoke the ways in which love elevates the ordinary into something wonderful, and creates the possibilities of new myths and dreams before us”) and ‘Scar’ (“welcom[es] the audience into the mundane details of everyday existence in order to gesture towards themes more poignant and sweeping”), Carvajal has returned with the album opener, ‘Forever’. Another emotive, tender track, the song finds Carvajal at perhaps his most intimate, the arrangement stripped right back to its bare necessities and possessing the kind of wistful fondness only accessed when one finds themselves far away from home. As he explains: “‘Forever’ was inspired by my two years’ teaching English in Tokyo, Japan. In the song, I play with the language we use around romance, reframing love and loss with poignancy as well as humour.”

Fulton Lights – Hold That Thought

Recording under the moniker Fulton Lights, Andrew Spencer Goldman last put out new music in 2018, when album Moonwalking into the Future highlighted the ambition and invention of his work. New EP Well the Night Has Come shows the hiatus has done nothing to dampen his creative energies. Take single ‘Hold That Thought’, a song concerned with the very process of making art in a world of distraction. Along with guests TJ Lipple (Aloha) on drums, John Davis (ex-QandNotU/Georgie James/Title Tracks/Paint Branch) on backing vocals and Tony Maimone (Pere Ubu) on percussion, Goldman crafts a sound layered and languid, though the laid-back rhythm belies the urgency and depth of feeling present in the delivery. Because this is a track about “trying to remain open to those moments where creativity is born,” as Goldman explains. “Capturing and releasing them before they dissipate. It can be an act of resistance against all of the things conspiring to distract.”

Leilani Patao – Cut

Starting in 2021 at the tender age of seventeen, Brooklyn (via Los Angeles) based songwriter Leilani Patao put out a series of DIY self-releases, culminating in the acclaimed 2024 album But What If? which earned, among other things, a feature on The Tonight Show starring Jimmy Fallon. But despite this success, Patao grew disallusioned with the biz, not an unfamiliar story within a contemporary music scene which demands not only on hard work in an artistic sense but an even greater degree of effort (and luck) be spent on self-promotion, algorithmic appeasement and any number of equally soul-destorying things. Many criticize this system but few take concrete action against it, which makes Patao’s new EP daisy, forthcoming this autumn via Audio Antihero, all the more notable. A release which promises to shun streaming services, playlists and social media in order to focus on what really matters, and thus an experiment to judge what exactly is possible within the conditions of the twenty-first century. “Is it possible to share my music properly, pay everyone who was involved, get paid myself, and not have to interact with the many systems in place that make me dread music?” Patao asks. Lead single ‘Cut’ is out now for an early glimpse at a release we’re rooting for in more ways that one.

Little Angry – Outerside

You might know Evan Hashi as part of acts like The Hive Dwellers, Mega Bog, Twig Palace and Flying Circles, but the Seattle-based songwriter and multi-instrumentalist has also long recorded under the moniker Little Angry, blending pop, punk and psych influences with an experimental, DIY spirit. Set for release next month via Antiquated Future Records, the fourth Little Angry album Screamin’ Inside Your Heart!!! is the first to see the project become a full band, and thus a slightly new name—Little Angry & The Sweets—though the spirit remains the same. With Jen Weisberg (bass guitar, vocals) and Joseph Kuta (guitar, vocals), Little Angry sound better than ever, Hashi using the album’s title (taken from COVID-era safety instructions provided to riders of roller coasters in Japan) to explore the idea of being a ‘good immigrant’ in the US, a notion reinforced through generations. Listen to opener and lead single ‘Outerside’ for an idea of the drama and playfulness of the record.

Screamin’ Inside Your Heart!!! will be released on the 2nd October via Antiquated Future Records and you can pre-order it now.

LUCKY – Olden Goldy

We’ve been following Bay Area supergroup LUCKY (that’s Half Stack‘s Peter Kegler and Andrew St James alongside Marika Christine and Zach Elsasser of Affectionately) in recent months as they gear up to release their self-titled album, with songs like ‘Friends‘ embodying the buoyant rhythm and wistful edge of the project. With the album out now via Royal Oakie Records, LUCKY have shared new single ‘Olden Goldy’ to win over anyone not yet on board. The album’s closer, the song encapsulates everything that makes the outfit so special. “Out in the big olive groves / where the warms wind blows / I’m a young man who’s getting old,” go the opening lines, though again the reflection of the lyrics and delivery is slightly at odds with the upbeat, swaggering style of the sound itself. As though understanding, for all of the slow realisations and dawning regrets, life will go on kicking yet.

Up in the lonely pines
the wind haunts my mind
I spent days just losing time.
The sky’s is getting long,
the night is looking cold
and I’m still a young man who’s getting old

But I can’t let go

Night Teacher – New Cage

Consisting of multi-media artist and singer-songwriter Lilly Bechtel and drummer, writer and producer Matt Wyatt, Night Teacher sits somewhere between indie rock, chamber pop and doom folk in its style, a sound tied together by Bechtel’s emotive, often haunting delivery. Ahead of new album Year of the Snake, coming this autumn via First City Artists, Night Teacher have shared new single ‘New Cage’. The song utilises the Charlottesville duo’s evocative and thoughtful style to meditate on pernicious influences of social media in contemporary culture, positioning such forces as a kind of imprisonment we enter on our own volition. “I was reading Naomi Klein’s brilliant book Doppelgänger, where she writes about the original surveillance system as the concept of God, which in many ways has been replaced by the concept of the idealized self,” Bechtel explains. “Social media may be doing a very old thing in a new way: getting people to run surveillance on themselves in order to become better commodities for the marketplace.”

Perish – God I’m Freaking Out

“A vivid slice of folk-inflected rock which sounds at once wistful and affirming, a combination which looks to be a signature of the Perish sound,” we wrote of single ‘Cool Guys‘ back in July when previewing Brooklyn outfit Perish‘s new self-titled album. “Because while [Katie] Callihan’s delivery is thoughtful, her lyrics probing beneath the surface of things, the sound retains an upbeat, exultant air. As though there’s some energy to be found in the act of being open and honest to the point of vulnerability.” With the record out now via Rue Defense, Perish have shared new single ‘God I’m Freaking Out’. The song started life as something of a slow ballad when Callihan was playing solo, but the new version is altogether different, the full band adding extra groove and charge to a track all about the push and pull of solitude in the face of stress.

Ribbon Skirt – LUCKY8

Principally consisting of Anishinaabe musician Tashiina Buswa and guitarist Billy Riley, Montreal’s Ribbon Skirt won acclaim earlier in the year with the release of their debut Bite Down on Mint Records, an album which explored ideas of memory and heritage with a raw, stark style of post-punk. Fast-forward a few months and Ribbon Skirt are back with PENSACOLA, a brand new EP intended as something of an epilogue to its predecessor. One which seems to exist in the wake of Bite Down, powered by the still-charged air and smouldering heat. Lead single ‘LUCKY8’ welcomes listeners into this space, a track of woozy layers and surreal, dreamlike imagery which nevertheless holds a pulsing urgency beneath the surface. Like a memory bathed in the feedback and distortion of time yet still possessing its serrated edge.

One day you’re gonna wake up crystalline and mountain-clear
Left her hanging on a word in Thunder Bay the 15th year
You lift your shirt up and then tell me you’re the chosen one
The family knew back then that god made you the lucky one
You make it easy to believe that you’re so strong like that
It’s not a promise and believe me
he could con like that

Watch the visualizer by Rory Stobart below:

PENSECOLA will be released on the 3rd October via Mint Records and you can pre-order it from Bandcamp.

Starcharm – The Color Clear

The Fire Talk imprint Angel Tapes has been unearthing emergent artists for a number of years now, introducing the likes of Retail Drugs and Jawdropped to audiences, and their latest addition Starcharm is another act you will want to get to know. Featuring Elena Buenrostro (vocals, guitar), Jasmin Feliciano (bass) and Amaya Peña (drums), the Chicago trio has risen from the ashes of Buenrostro’s defunct project Soft and Dumb with all the confidence and energy of new beginnings. Debut single ‘The Color Clear’ displays both pop and noise sensibilities, pairing off-kilter post punk vibes with a rising intensity so that everything feels a little odd and unreal. The song “is inspired by a time when I lost all faith in love and felt like men were seeing me as a projection instead of a real person,” Buenrostro explains. “I was going through a bit of nihilistic mania during this time which I think you can definitely hear. An avoidant attachment anthem if you will.”

Watch the video directed and produced by Peña themselves below:

‘The Color Clear’ is out now via Angel Tapes and available from Bandcamp.

Tiberius – Moab

With the release of new album Troubadour edging nearer via Audio Antihero, Boston farm emo band Tiberius have shared latest single ‘Moab’. After ‘Sag‘ and ‘Felt‘ introduced the conflicted, searching and cathartic style of the record (“ebbs and flows across its runtime,” we wrote of the former, “pulled in all directions by competing emotions. Uncertainty, doubt, desperation, a recurrent yet skittish determination to embrace some inner truth”) the new song highlights a different dimension. A track more farm than emo, leaning closer to alt country in its warm twang and compassionate delivery, though one no less cathartic for its more relaxed approached. “’Moab’ was a song I wrote about trying to let go. At the time I was defining myself by expectations of a strained relationship. I was feeling pretty insane—like the kind of insane you feel back in 8th grade where you come home crying all of the time because you have absolutely no sense of self,” explains lead Brendan Wright. “Writing ‘Moab’ offered catharsis. Looking back, I feel a lot of embarrassment around those feelings, but it was how I felt at the time and that was the place I was in. I wish I had acted differently, and I strive to now.”

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