Lead single ‘Reward’ comes from 22° Halo, the recording project of Philadelphia-based songwriter and producer Will Kennedy. We’ve followed 22° Halo for a good while, most recently with album Lily of the Valley on Tiny Library Records. An album which “displayed the easy lo-fi nature that Kennedy projects so well,” as we wrote, “small and soft indie pop songs that handle real-life struggles with a shining sense of hope.” Continuing this style, ‘Reward’ makes for the ideal introduction to True Names. Something in its gentle compassion embodies the project’s spirit, Kennedy’s familiar willingness to broach difficulties with empathy and warmth aligning perfectly with the mission set out by Worry Bead Records.

Album art by Sami Martasian

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The mischievous, frolicsome style is made clear from the intro of opening track ‘Beach House’, the pseudo-ironic title announcement (“The co-oh-ne!“) preceding a plucky and playful opening verse. There’s an innocence to the sound, but one more adolescent than childlike, the vocals balanced between earnestness and vulnerability and edged with antagonism too. But the latter is as much in self-defence as spite, a kind of school years jostling for fun and friendship with in-jokes abound, the days of falling out and making up within the same day, creating abstract loyalties on a whim that change as often as the direction of the wind.

The style extends right down to the way the tracks are put together. Often short and boisterous, these are songs of fickle rhythms, heading in one direction then pivoting in another on a flight of fancy. The guitars meander one moment and bounce off in jagged arcs the next, the vocals at times sugar sweet one and others confrontational. Songs that want to be your best friend but then do a double take, looking you up and down, twirling gum around around their finger with a cool detachment.

Photo by Julia Leiby

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Advance Base – Animal Companionship

Run For Cover Records

““The songs are intended to be a comfort for folks going through their own tough times,” Ashworth explained in an essay for Talkhouse. “Commiseration has always been a guiding principle of my songwriting.” Love need not be hugs and hearts and kisses, and loyalty does not necessarily mean hanging in a relationship beyond all reason. But love is loyalty, and Owen Ashworth has been, and seemingly always will be, loyal to those who need it most.”

REVIEW / BUY

Basement Revolver – Heavy Eyes

Sonic Unyon / Fear of Missing Out Records

“An expansive and spacious sound that’s lit up with a slow-burning emotional resonance, centring around Hurn’s impassioned vocal delivery. Their music combines the magnitude and granular glitter of shoegaze, the personal songwriting of bedroom pop and the cathartic noise of 90s indie rock. [Basement Revolver] play a double game of big and small, switching from quiet personal sentiment to big bombastic broadcast, often within the same song.”

REVIEW / BUY

Benjamin Shaw – Megadead

Audio Antihero

“For all the frustration and (self-)loathing in show, there’s also something else. Perhaps the defining characteristics of Shaw’s music is its ability to transcend its own themes. He may be singing about hating his job, about going nowhere fast, but in doing so colours these things with meaning. To create art is to communicate, and as such the songs represent the antithesis to their own concerns, the simulated happiness and artificial connection punctured through their ironic presence.”

REVIEW / BUY

Campdogzz – In Rounds

15 Passenger

“[Closer ‘Sorceress’] at first might seem a slightly strange segue for a final track soon straightens out into an intuitive sense of logic and belonging, as though the album-long teeter on the edge of some epiphanic transformation has finally fallen headlong at the last moment.”

REVIEW / BUY

Damien Jurado – The Horizon Just Laughed

Secretly Canadian

“While it might be tempting to view [Jurado’s] songwriting career as a fruitless quest for his true identity, perhaps the complete opposite is true. His career is his identity, splinters of truth arriving through dreams or divined from another realm entirely, fractals that can be arranged into a whole that far surpasses the meaning of any one component. A manifesto of sorts, one full of prophecy and history, though rather than country-western stars of [Joseph Billie] Gwin’s vision, the Ten Prophets of Damien Jurado are merely alternate versions of himself—past, present, future, dream—each record its own style or consciousness, born of him, yes, but equal to him too.”

REVIEW / BUY

Dear Nora – Skulls Example

Orindal Records

“You can be anyone, we are told, do anything, though only superficially, a multitude of simulations all working toward to same goal, the means to the end of shifting units and making money. Dear Nora’s music attempts to undermine this by playing the same game, crafting an unreal reality of their own to overlay the other. And, by neutering the money-making end, they in effect invert capitalism’s technique, reestablishing the means (ie. living) as the purpose. Yes, Skulls Example might be a simulation, but it is one of the most meaningful and rewarding you could hope to find.”

REVIEW / BUY

Field Report – Summertime Songs

Verve Forecast

“The summertime theme might conjure ideas of cloudless, uptempo good times, but to limit Field Report’s use of the season to a more poppy sound is to miss the deeper point […] We cannot rely on grand promises or paradigm shifts. Rather, we must commit to the slow, considered process of letting go and working through, of deciding who we were and who we want to be. In these times, we’d be foolish to trust that will be enough, but belief in small moments of agency and human connection is more productive than misplaced prayers for epiphany.”

REVIEW / BUY

Free Cake For Every Creature – The Bluest Star

Double Double Whammy

“free cake for every creature don’t make sad songs exactly, usually tending toward a kind and hopeful feel. Yet there is something intangible about them, a strange sensation that weaves its way into quiet moments, like a kind of everyday poetry or nostalgia that we all recognise but don’t have a name for. The case in point is the penultimate song, ‘be home soon’, which somehow portrays a subway ride home as something beautiful and magical.”

REVIEW / BUY

Frog – Whatever We Probably Already Had It

Audio Antihero

“Contains lines of total sincerity that feel disarming in the face of what has come before, as though the truth of things slips out in quiet whispers to oneself, the party over and room emptied out. The truth being the soul-shearing reality of the American Dream, the tragicomedy of understanding your dreams and desires to be complete fictions while leaning on them with all of your weight.”

REVIEW / BUY

Gia Margaret – There’s Always Glimmer

Orindal Records

“The palette of Gia Margaret is built from shades of sadness—loss, regret, wistful longing, the arresting trap of nostalgia and plain old hurt—though again and again Margaret provides a counter-shade, as though the darkness’ true purpose is merely to highlight the warm, weak glow within. Because, while people up and leave, and time is certainly no kinder, Gia Margaret is here to prove that value is inherent in life itself, meaning and fulfilment not in spite of troubles, but within them. No matter how dark, there is always glimmer.”

REVIEW / BUY

Haley Heynderickx – I Need to Start a Garden

Mama Bird Recording Co.

“I Need To Start a Garden is the perfect album for the onset of spring. It’s all about growth and the hope of new beginnings, but also doesn’t shy away from the necessary hard work that makes such growth possible. It’s a reminder that plants are not the only things that need to be tended and cared for, but also that they’re not the only things that can flourish and bloom either.”

REVIEW / BUY

Lisa/Liza – Momentary Glance

Orindal Records

“The context [of bereavement] is important not because we wish to suggest some ‘romantic’ mythology behind the record (indeed, the songs were written before the tragedy occurred), or that there is magical healing power in the making/consumption of art. Rather, Momentary Glance is a symbol of the power of community, generosity in the face of grief, and the album’s use of placidity over bombastic melodrama is indicative of such an authentic spirit.”

REVIEW / BUY

Long Neck – Will This Do?

Tiny Engines

“Despite the difficult circumstances, there is also a sense that things will be okay, that our narrator has gained the sense of strength and self-reliance necessary to move on. Or rather, is working toward being strong enough and self-reliant enough, with this album being the furthest possible reach forward toward that place. Of course, it’s likely full strength and self-reliance will never be achieved, but it’s the strive toward those ideas that is the most important. Of course this will do.”

REVIEW / BUY

Lung Cycles – S/T

Lily Tapes & Discs

“The placid natural flow continues whether we voice our concerns or not, and nothing in this external sphere is working to exacerbate our feelings. In this way, Lung Cycles reveals anxiety and melancholy to be no more than parasites of the human psyche, forces all too willing to consume us should we centre our existence within our own heads, but soon found dead in the vacuum of natural quiet.”

REVIEW / BUY

Monarch Mtn – days of sleepwater

Self-released

“Darkness breeds darkness, and allowed to fester can become a self-perpetuating thing that metastazises unto ubiquity. Here, Monarch Mtn do not pretend that suffering is abating, or can be dispelled by a mere shift in perspective, but rather choose to fight the phenomenon. days of sleepwater exists to fight the creeping dark, and not embrace it.”

REVIEW / BUY

Naps Eyes – I’m Bad Now

Paradise of Bachelors

“Behind the heavy-lidded blasé exterior lies a rich and tangled inner life, an invitation to fall into the folds of Chapman’s brain and watch his thoughts pass by […] Those with enough curiosity or desire can try to arrange the Nap Eyes lines into a magical formation, wrestling with the existential questions in the hope that they will be the first to figure it all out. The rest can take a back seat and let the Big Stuff drift around them, finding comfort in the fact that there are things bigger than us, and beauty in the understanding that they are beyond our grasp.”

REVIEW / BUY

Remember Sports – Slow Buzz

Father/Daughter Records

“Sincerity could be said to represent Slow Buzz as a whole, though sincerity not as some sentimental force rather a commitment to what feels true, no matter how messy and conflicting. There’s something in the Remember Sports story at the heart of this earnestness, the possibility of progressing without sacrificing an entire ideal, of reincarnation where one returns not as some different creature entirely, but a new version of oneself. A truer version, at least for now.”

REVIEW / BUY

Sun June – Years

Keeled Scales

“Years is a record shaped and propelled by the gentle forces of the world, currents in the substrates of the earth and life itself, invisible yet profound, capable of changes both minor and major […] a number of the tracks returning to a repeated phrase, cyclical patterns that rise in intensity like incantations, or else echo out into the fabric of the sound.”

REVIEW / BUY

Swearin’ – Fall Into the Sun

Merge Records

“We live in a time obsessed with the past. Our dreams now look backwards instead of forward, our deepest wish not for some utopian future but rather a return to an unreal past, one sanded of all trials and troubles by nostalgia and the constant passing of time. With Fall Into the Sun, Swearin’ rebel against such a mindset, redirecting our hopes toward the future once more, and compelling us to pay attention to the present while we still can.”

BUY

Talons’ – After Talons

Self-released

“Talons’ capture the futility and hopelessness of a content life in a creaking hyper-capitalist society, an existence often devoid of meaning and full of shame at the hypocrisy in caring about the world but doing little to change it. But it’s also kind-hearted too, its glowing core of humanity somehow comforting despite the heavy subject matter. In other words, there’s no optimism here, but there is hope.”

REVIEW / BUY

Valley Maker – Rhododendron

Frenchkiss Records

“Built upon a thematic bedrock of faith and religion, but anyone who baulks at the R-word need not worry, [Valley Maker] is uninterested in creeds and doctrine, instead exploring metaphysical mysteries that we can all wonder about […] Crane is not foolish enough to offer answers, though his words and voice work as a reassuring balm, even while acknowledging the ambiguity and turmoil that surely awaits. ”

REVIEW / BUY

The Washboard Abs – Lowlight Visions

Antiquated Future

“Clarke Sondermann’s music has always been intimate, but this album treads deeper into this ideal than any of his previous work. In the circumstances, it would be relatively easy to make an album of sad songs, but it’s a brave artist who takes the very personal worry and suffering and uses it to build something that’s this complex and multifaceted, vulnerable but not hopeless, forgoing nihilistic dejection in favour of a strange kind of love, an appreciation of what stands to be lost.”

REVIEW / BUY

The World Without Parking Lots – Seventh Song Counts the Engines

Self-released

“Seemingly simple but rendered dense and cryptic with the addition of Parcell’s poetry […] Seventh Song Counts the Engines is a beautiful collection of songs, one which somehow makes a bold statement in a circuitous whisper, deceptively complex instrumentation and ambiguous lyrics capturing decidedly unambiguous emotion.”

REVIEW / BUY

Young Jesus – The Whole Thing is Just There

Saddle Creek

“How do you adopt a more sincere, hopeful position without becoming a flat Sincere, Hopeful Person, and everything that image entails? Young Jesus have put their hope in a spontaneous, endlessly recursive form of questioning, where every hard fought answer only exists to be questioned further. The endeavour might well take a life time, but the prospect of circling closer to the truth is something of a solution in its own right. So, while it’s tempting to think that the true message or meaning of the songs on The Whole Thing Is Just There is always just out of frame, the reality is in fact the other way around. The message of the songs is that meaning is always just out of frame, and that there is no more valuable an enterprise than the constant search outside and beyond.”

REVIEW / BUY

Yowler – Black Dog in My Path

Double Double Whammy

“The writing is vague and affecting, words imbued with an esoteric power that fuses intimate internal thoughts from the corporeal world with something altogether more supernatural. “I bear the mark, I am sigil,” Jones sings, “to the spirits and the sprites, but I promised not to listen and stay in my life.” The natural and supernatural converge on Black Dog In My Path, and Jones has re-purposed Yowler as the conduit between these two dimensions.”

REVIEW / BUY

We’re be sharing our favourite songs, books and Bandcamp name-your-price releases in good time, so keep an eye on the ‘Lists‘ category for those.

The post Favourite Albums of 2018 appeared first on Various Small Flames.

Tracklisting:

Hop Along – How Simple
Remember Sports – Pull Through
Fresh Kill – San Diego
Badlands – Slow it Down
Foundlings – Misery
Squirrel Flower – Conditions
Valley Queen – Chasing the Muse
Nap Eyes – Every Time the Feeling
wished bone – reasons
Pearl Crush – True Blue
Samia – 21
plant food – baked beans
Gillian Frances – Blue Shit
Luton – Ice Museum
naps – ninth
Allison’s Gate – Traces
Mess – Cave
runner – awash
I’m Kingfisher – Sarajevo
Sam Moss – Snap
The Duke of Norfolk – Dylan Thomas / Bitter Bitter
Michael Nau & The Mighty Thread – Less Than Positive
lung cycles – dcs

You can check out all of our past monthly roundup mixes here, and be sure to follow us on Spotify and Playmoss for all our future playlists.

The post May 2018 Roundup appeared first on Various Small Flames.

So, while new album Slow Buzz is technically their third, the reincarnation as Remember Sports makes it seem more like the first of something altogether new. The record deals with the breakup of a relationship, and the subsequent hardship and heartbreak, but allied with an increasingly mature sense of nuance and depth. Like the Nectar record we wrote about recently, Slow Buzz treads outside of the stereotypical angst of breakup records to explore other emotions, tempering loss and longing with a sense of giddy joy and freedom, and balancing it all with a meditation on the supportive and healing power of friendship.

Despite the potentially painful subject matter, Slow Buzz has all the energy and fun of previous SPORTS releases, though this is more than ironic juxtaposition. Rather, Perry’s introspective lyrics are elevated to bold and brave statements by the sheer enthusiasm of the instrumentation. Opener ‘Otherwise’ provides the perfect example, beginning with a reflective, minimal arrangement of vocals and keyboard which set the emotional scene for the album, before tumbling into a full-blown indie rocker. It’s impossible not to get swept up in the messy catharsis of it all, as Perry sheds every little worry and hang-up and throws them into the tumble, before finding renewed (if wry) contentment in whatever is left. As they put it: “at least I’m okay otherwise.”

Lead single ‘Up From Below’ deals with the end of a relationship pretty explicitly, a close detailing of the awkward death throes of intimacy with the dual emotions of guilt and acceptance. But despite the heavy subject matter, the track is undeniably playful, and as such becomes less a morose reflection than an anthem to bolster and assure.

“I found your sign in the sky last night
I’m a song that you keep in the back of your mind
With all of the things you compartmentalized
You’re not mad at me you just can’t look in my eyes”

Because of the dynamism of the other tracks, ‘Dripping’ feels like a slow-burner. Smoldering strength and hope and melancholic nostalgia coalesce into a mesmerizing rhythm, never quite sparking into the runaway energy of other tracks, yet content in the knowledge that the heat is stronger just under the coals. Then, as if to prove the fact Remember Sports refuse to include a single scrap of filler across all 12 songs, the rattling follow-up ‘Calling Out’ arrives with breakneck speed, leveling out just enough during the verses for Perry to deliver her lines defiantly.

A veritable slow buzz, ‘Nothing’s Coming Out’ makes the switch back to a more considered  pace, aching with a balance of yearning, remorse and self-belief, though ‘The 1 Bad Man’ responds with a boisterous, volatile temperament (“I’m not afraid of what I did but / I’m not getting over it,” Perry sings. And I know that you asked me to stay / I’m just a bad man today”). Again, consciously or otherwise, this serves to subvert the tropes of ‘break-up’ music—refusing to flatten the scenario into a simple melodrama of hurt and miscommunication, and instead adding layer upon layer of conflicting emotion and complication.

Having been revamped since it first appeared on 2013’s self-titled release, ‘Temporary Tattoo’ is a tale of worry and self-doubt rollicking through in under two minutes, all anxious tics and unsent aggressive text messages, while ‘Pull Through’ sees a return to the slower, more considered sound. That said, there are still some crunchy guitar licks to add a bit of foot stomping catharsis to proceedings, suggesting that Remember Sports are even subverting the pattern of subversion, side-stepping any simple binary of happy-sad/quick-slow across the record.

With disarmingly simple lyrics suffused with real emotion, ‘No Going Back’ is embraces this ambiguity within a single song, the killer shout-along chorus likely to cause tears and grins in equal measure. Lyrically, the track could be setting into resigned sadness or else be casting around for some level of acceptance, the narrator experiencing a kind of paralysed shock as the changes become apparent, the realisation that communication has broken down to loaded stares and unsaid sentiments. “Guess I’ll go home now I got tired and you’re staring at me blankly”, Perry sings, “take a shower brush your teeth and remember all the good things. Back to the warm sad place in my chest, where I miss you like a sunset.”

‘Making it Right’ plays like a reaction to this, an attempt to shake free of the stasis, before Slow Buzz ends on a bittersweet note with ‘Unwell’. Beginning as a gentle admission of past mistakes, the song reserves one final blast of catharsis at the very death as a final reminder. It’s the perfect breakup song, avoiding both sulky moping and sugar-coated fakery, feeling sad but resilient. Such sincerity could be said to represent Slow Buzz as a whole, though sincerity not as some sentimental force rather a commitment to what feels true, no matter how messy and conflicting. There’s something in the Remember Sports story at the heart of this earnestness, the possibility of progressing without sacrificing an entire ideal, of reincarnation where one returns not as some different creature entirely, but a new version of oneself. A truer version, at least for now.

You can get Slow Buzz via Father/Daughter Records on vinyl and cassette, or via the Remember Sports Bandcamp page.

The post Remember Sports – Slow Buzz appeared first on Various Small Flames.