After a hiatus from music, Yasi Lowy moved to San Francisco in 2018 and returned as Bad Tiger. Released in 2020, album The Goat and the Bad Tiger was the first product of this new period, but far from being the full realisation of Lowy’s goals, it merely opened the doors to new possibilities. With new ideas in hand, Bad Tiger worked with Mackenzie Bunch at Coyote Hearing Studio on a new EP, Sanctuary. ‘Clear Vision’ is our first taste of the release, a bedroom pop track stretched taut with strength of feeling. A track which holds paradoxes in its palm with a sense of curiosity. “I know what I want so long as it’s gone,” Lowy sings, “so long as it’s out of sight, I’ve got clear vision.”

Head to the Bad Tiger Bandcamp page for info on pre-ordering Sanctuary.

bedbug – songs about ghosts

When bedbug released their last full-length, life like moving pictures, back in 2020, it was something of a conclusion. The final part of a trilogy of albums that began with on 2016’s if i got smaller grew wings and flew away for good, it marked the end of a significant stage of the project’s life. It served “not only as a conclusion,” we wrote in a review, “but a summation of what bedbug has come to mean over the previous few years.” So the natural question was, what comes next?

After a little wait, the answer is now revealed. bedbug has evolved Pokémon-style into a full band and announced a self-titled EP, to be released in March on the inimitable Disposable America. To display this new direction, bedbug have unveiled the EP’s lead single, a reimagining of ‘songs about ghosts’, which initially featured on if i got smaller…. Check it out below:

Big Nothing – A Lot of Finding Out

Philly-based outfit Big Nothing are set to release their second record Dog Hours this coming February. Their first on Lame-O Records, the album captures the buoyant blend of compassion and confidence that makes Big Nothing so compelling. Equal parts intimate alt-country and bold power pop, as highlighted by lead single ‘A Lot of Finding Out’ with its acoustic guitars and elastic bounce.

Julia Blair – Waste Away

Making her name fronting Wisconsin country rock outfit Dusk, whose 2018 self-titled record on Don Giovanni Records won wide acclaim, Julia Blair has gone solo for brand new album Better Out Than In on Crutch of Memory. After the bright and fierce nineties-inflected pop rock of lead single ‘Relax’, new song ‘Waste Away’ shows off another side to Blair’s work. A considered meditation on the dissolution of a relationship wrapped within a rich arrangement of strings. The track comes complete with a video directed by Finn Bjornerud, with choreography by Monica Endres.

Better Out Than In is out via Crutch Of Memory and you can pre-order it from the Julia Blair Bandcamp page.

Bryde – Silver Suns

Hailing from Pembrokeshire and now based in London, Bryde has won acclaim with an emotive and cathartic brand of indie rock. Following on from 2020’s The Volume of Things, Bryde is opening 2022 with the first taste of a brand new record. With its tenderhearted piano foundations, ‘Silver Suns’ explores the diversity of love, pushing beyond the stereotypical images to delve into ideas of self-acceptance and non-judgemental affection.

Georgia Harmer – Austin

Following on from first single, ‘Headrush‘, Toronto‘s Georgia Harmer returns with new track, ‘Austin’, on Arts & Crafts. Building on the rich and nostalgic sound of the first song, ‘Austin’ tackles homesickness and familial love with a special focus on Harmer’s father and his experiences as a touring musician. Indeed, Harmer Snr. plays lead guitar on the track, recorded in the family living room. A tangible link to the connection which sparked the song in the first place. “Went to Austin Texas for a day / To everyone I saw I said your name,” she sings in the opening line. “The setting sun the hot wind on my face / Felt like home an unfamiliar place.”

We were cowboys in another life
But I am you your other life is mine
Often when I speak to you I cry
Never can explain the reason why
Never understood the reason

KASHKA – isolation

Last winter saw the return of Toronto-based dream pop project KASHKA with latest release, soft. Part of Kat Burns‘s ever-evolving style, the record lived up to its title with its gentle and welcoming sound, providing a nook in which the listener can sit and contemplate the current moment. Single ‘isolation’ captures this mood through the muted beauty of a snow day, looking for common humanity within the experience of being cut off from the world.

soft is out in February and you can find it on the KASHKA Bandcamp page.

Lofi Legs – My Silence

Combining garage rock and bedroom pop with psych and surf sensibilities, San Francisco‘s Lofi Legs are out to capture the highs and lows of life. Ahead of their album Leg Day on Italian-American label We Were Never Being Boring Collective, they have unveiled lead single ‘my silence’ to welcome us into this style. A song smack back in the middle of a Venn diagram between poignant and playful. “‘My Silence’ started as a conversation on shrooms about how I had gotten quieter,” explains Paris Cox-Farr, “and in the song I am picking apart my silent vulnerability to see if there’s something happening inside.”

Night Shop – Let Me Let It Go

Next month sees the release of Forever Night, the full-length album from LA‘s Night Shop on Dangerbird Records. To add to the anticipation for what we’ve described previously as a “triumphant meditation on nocturnal life,” Justin Sullivan has unveiled a brand new single, ‘Le Me Let It Go’. With a band featuring Meg Duffy (Hand Habits), Will Ivy (Flatworms) and Anna St. Louis, as well as engineering from Jarvis Taveniere (Woods), the song finds a bona fide supergroup at the height of their chemistry. Check out the video by Jeff Davenport and Cooper Kenward below:

I was halfway through my time on this earth. When I had a strange feeling like I had at my birth. Surrounded by strangers, crying in some room. I felt myself at such a remove. And I loved them all but I couldn’t say how, I just screamed a lot and then I shut my mouth.

Forever Night is out via Dangerbird Records on the 11th February and you can pre-order it from the Night Shop Bandcamp page.

Quiet Hollers – Garden of Love

Louisville outfit Quiet Hollers returned this January with Forever Chemicals, what they describe as their “joyfully nihilistic” fourth record. True to their genre-bending spirit, the album draws from all facets of the rock style to create a sound at once mischievous and sincere, leaning toward the darker end of the spectrum without sacrificing the steely will beneath the gloom. Single ‘Garden of Love’ is and example of the record’s earnest side, a yearning track fired by propulsive drums and lifted by the evocative delivery of lead Shadwick Wilde.

Rascal Miles – Locusts

We’ve previously described Rascal Miles‘s Tailor-Made as an examination of “both the violence and banal practicalities of becoming the person you are meant to be,” and latest single ‘Locusts’ is no different. Taking inspiration from Ennio Morricone and the world of Spaghetti Westerns, the track confronts post gender transition dysphoria and the hostility of the world with a sense of defiance. “I am who I am, and sometimes it seems like the whole world is out to get me, but even if we’re marching into an outnumbered battle in our fight for acceptance, we’re stepping out of the shadows and into the light,” Miles explains. “No more hiding. No backing down. Bring on the locusts.”

You can grab a copy of Tailor-Made from the Rascal Miles Bandcamp page.

Lee Switzer-Woolf – The Negative Twin

Having been a part of bands like Launch Control and The Seasons in Shorthand, 2022 sees Reading-based artist Lee Switzer-Woolf step out on his own with debut single, ‘The Negative Twin’. Taken from full-length Scientific Automatic Palmistry, out by All Will Be Well Records this February, the song introduces the darkly ruminative tone of Switzer-Woolf’s sound. A sparse and haunting track which nevertheless carries a stark urgency beneath its inky surface. Like an undercurrent pulling toward some unfortunate conclusion.

Erisy Watt – New Same

This spring sees the release of Eyes like the Ocean, a new record from Portland’s Erisy Watt on American Standard Time Records. Lead single ‘New Same’ welcomes us into the world of the record, one as indebted to contemporaries like Haley Heynderickx as the sixties stars of the genre. “I was reflecting on habits, trying to break the old and shape the new, and I was feeling stuck,” Watt explains. “We all want to blossom into the best versions of ourselves and often forget that it takes time, that it’s never a linear path. Old voices linger. Old behaviours crop up.” ‘New Same’ is a recognition of this fact, learning to adapt one’s outlook as the landscape shifts below.

Anna Westin – Bright Burning Mess

‘Bright Burning Mess’ finds Canadian poet and songwriter Anna Westin working at the intersection of her various artistic outlets. With both spoken word and sung lyrics populating the lushly ethereal folk arrangement, the track slots in alongside those contemporaries like Cassandra Jenkins. Songs looking to push the possibilities of language within the indie folk movement, and elevate the emotions found within.

‘Bright Burning Mess’ is out now more about Anna Westin’s work on her website.

Kimberly Morgan York – Real Thing

Though it was recorded way back in 2006, only to be released in 2022, Kimberly Morgan York’s debut LP Found Yourself a Lady transports you far further back than that. Recorded with The Everlovin’ Band and featuring Brad Morgan of the Drive-By Truckers, Found Yourself a Lady is a country record in the classic sense. A collection of songs occupying a timeless space of love and loss, as demonstrated by single ‘Real Thing’. A romance so fierce it could never burn for long, but oh how warm it is in the moment.

Call your momma we ain’t coming tonight
I need some lovin by the pale moon light
She’ll forgive you and I won’t wait
Tomorrow I’ll call in late

Found Yourself a Lady is out now and you can find more about Kimberly Morgan York’s work on her website.

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We’ve been big fans of Oh, Rose for quite a while now, feelings which peaked over their latest album SEVEN, an album of quite spectacular ferocity and strangeness. As we wrote in July:

“The vocals have the quality of an exorcism, like the unnatural utterings of a twelve year old as some jaded man of faith flicks holy water at her forehead. Here Rose sounds quite literally possessed, as if channelling something old and malevolent and playful in a mean, spiteful way”

Sounds cool, right? So cool in fact that we asked Oh, Rose to be a part of our project. Accepting the offer, they teamed up with fellow Olympians Sawtooth to make ‘TV’, a song which first appeared on Because Mountains Are There To Climb, an excellent compilation from the ever-reliable Fox Food Records.

How does this tie in with the books theme, I hear you shout! Well, let’s just say it’s down to your own interpretation. I think there’s an interesting discussion ongoing on books vs. TV/internet, and the slow deliberation of reading vs. instant gratification, and even the most square-eyed among you would admit that having something so easy to digest being beamed out of the various screens in your home might have a tiny influence on your reading habits. But anyway, buy the compilation, listen to the song and stare in a catatonic daze at the artwork below.

You can pre-order Quiet, Constant Friends now on our Bandcamp page, and all profits go straight to Worldreader! Why not grab a tape, complete with super-limited edition art prints?

The post Quiet, Constant Friends: Oh, Rose & Sawtooth – TV appeared first on Various Small Flames.

First off, I should say that Byron Easy is not a book about music. There are a few references and lines of songs that the protagonist hears/remembers but other than that it’s a regular literary fiction novel. I don’t want to go into the storyline in any great detail, but I will say that the book is based around the titular character’s recollection of his sorry life, a cash-strapped (poverty stricken may be a better description) failing poet (he’s published one piece at the age of thirty), who’s marriage to a demanding (and sometimes psychotic) wife collapses before ever really existing properly.  

One of the thoughts in my head while reading the book (and one of criticisms I picked up from the few reviews I’ve read) is that for all of his self-pity, his problems were solveable if he just avoided certain people and got a steady job. While this observation has it’s truths, I think Cook put in enough small hints that suggest at the other side of a terrible coin – the conveyor belt of a middle-of-the-road life, where monotony and boredom reign supreme. In one part he writes:

In the distance, beyond the glut of jammed car parks and office-space-to-let, there is a cluster of newly built homes advertising their promise of soul death. This is where your life’s journey ends, they seem to proclaim: under the brown-tiled roof, next to the too-new fences, the unspoilt mica-macadam driveways, the fitted bathrooms and kitchens that must annihilate the soul just to enter them.

For me, this shows that for all of Easy’s woes while trying to live the life of an artist, he is still suitably terrified of a painted-by-numbers ‘regular’ life where all the traditions are followed and clichés fulfilled. He isn’t willing to become another faceless member of the population, at least not at first, before it’s too late, and his existential angst throughout the story (while a traditional cliché itself in young to middle-aged men, but that’s another discussion entirely) supports this notion. Yes there are clear answers to his problems but that doesn’t mean these ‘answers’ would be any more bearable than his current predicament.

It is this sort of no-right-answer dilemma that makes Byron Easy an interesting read. The style is impressively both realistic and intelligent, avoiding the usual ‘realism = short words and swearing’ pitfall, and the protagonist is neither especially nice or inherently nasty. He’s both blameless and the root of all his problems. He’s a victim of circumstance and a destroyer of his own luck. He’s part tragedy, part comedy. He’s real.

I’m not going to say any more than that, other than saying it is well worth your time. Cook’s work has been compared to Saul Bellow, Martin Amis, and John Kennedy Toole, and while I don’t necessarily agree with all of them, he is not out of his depth in such company. Byron Easy is available through William Heinemann at all good book stores (and the big online powerhouses). You can read an excerpt and an essay on the book here.

P.S. This may be the first and last book review on Wake the Deaf. Although, if anyone else wants to send me free books then please don’t hesitate to get in touch. Maybe we should start a sister blog (Wake the Blind?) to deal with literary matters? Let us know. And don’t forget the free books.

The post Jude Cook – Byron Easy appeared first on Various Small Flames.