Luckily for us, Lauren Rearick from The Grey Estates seems out to disprove the Bad Winners/Good Losers notion. After fighting through the formidable gauntlet of macho vanity and arrogance that makes up the music industry (see also: college, school, life), she has made her blog into one of the best, most consistent sites covering independent music right now. Mirroring her own attitude, she covers music made out of necessity, bands fighting a multitude of prejudistic blindspots because to not-fight is not an option. It might not be overtly militaristic or political, but the very act of persevering in the effort to create/promote such music is a strong statement. This sort of quiet commitment might be often overlooked but the importance of recognising and celebrating it cannot be underestimated. As if to mark her achievement and symbolise what it stands for, Rearick has teamed up with Negative Fun Records to put out Sugar Rush, a compilation of covers featuring female and gender-neutral musicians. The aim of the album is simple – to try to address the balance (or lack thereof) represented in contemporary music. As she explains:

“A glance at festival lineups, year-end lists and favorite bands are often missing a huge ingredient – female and gender-neutral acts. Sugar Rush was spurred by the idea of giving these individuals a voice, and introducing listeners to their sounds in a most unique way – with cover songs.”

Sugar Rush features contributions from some WTD favs, including Boosegumps, PONY and Kississippi, as well as a whole host of bands and artists that we’re unfamiliar with, just waiting to be explored. Claire Morales and Jena Pyle kick things off with a saccharine rendition of Pasty Cline’s ‘Strange’, the heartbreak flowing thick as molasses, while Kississippi’s cover of Sixpence None the Richer’s ‘Kiss Me’ is minimal and spacious, dreamy as a lovestruck gaze. Boosegumps reinvents Fleetwood Mac’s ‘Everywhere’ as a pretty and understatedly resplendent bedroom pop song and Seattle-based dream pop band Sundae Crush provide a quietly sweet take on ‘Unpretty’ by TLC.

The B side sees a change of mood, as Rearick puts it:

“We thought of the A-side as the sugar-y side, the sweet candy you enjoy before the B-side, when all that sugar begins rushing through your veins, leaving you ready to dance, party and load up on more sugary goodness.”

PONY begin the transition into upbeat danciness, updating Blink 182’s ‘Feelin This’ into a sharp and dynamic shoegazey pop song, before Susan take on The Violent Femmes’ ‘I Held Her In My Arms’, stumbling across a verse which could be used to sum up the compilation as a whole: “I will not kill /  the one thing I love / In this world of wreckage, I look above / Help me, Lord, help me understand / What it means to be a boy and what it means to be a man”. Next, Pearl Earl offer a brash take on Devo, Mommy Long Legs bring their familiar energy to The Cramps and Alright race through a Bouncing Souls number. The penultimate track sees Philadelphia’s The Pretty Greens cover Lucille Mathis’ ‘(I’m Not Your) Regular Woman’, before Daddy Issues finish on a cool, dreamy version of ‘Riot Grrrl’ by Keel Her.

It’s likely there was no small amount of anxiety, doubt and stress involved in the making of Sugar Rush and The Grey Estates as a whole, so it’s no exaggeration to consider the whole time-draining, energy-sapping endeavour a noble quest indeed. While nobody is naive enough to think that one compilation and a dozen artists will ever be enough to win the big fight, it’s just possible that an accumulation of such small victories could eventually build into the coup de grâce for this discriminatory industry. So, if you are in a position to strike a blow of any size but need some reassurance and motivation, take a look at Rearick and then rush head-on into an attack of your own. Because make no mistake, a fight this certainly is.

Sugar Rush is out today (the 29th February) and you can buy it now via Negative Fun Records’ Bandcamp. If you need further convincing, the good people over at The Le Sigh are streaming it in full.

The post The Grey Estates & Negative Fun Records present… Sugar Rush appeared first on Various Small Flames.

Until then, here’s our June Roundup, a playlist of songs rounding up everything we covered during June. Clever, huh? Click on the artist name in the tracklisting to be whisked away to the specific post.

Tracklisting:

1. Trisha Please Come Home – Advance Base
2. Slower Now – Star Horse
3. I Make Boys Cry – Adult Mom
4. Cordella – On The Water
5. Destroy – Henoheno
6. A Long Time Ago – Kalle Mattson
7. Only One Who Feels a Little Bit Bad – Fazed on a Pony
8. Ohio Snow Falls – Unraveler
9. Pylon Pile On – Benjamin Shaw
10. For Luck – Cyberbully Mom Club
11. The Offer – Yowler
12. When I Met Death – Right Away, Great Captain!
13. Patriarchaeth – Gwenno
14. Future Bones – Bells Atlas
15. Beautiful Brian – Harley Alexander and The Universal Lovers
16. Whip-Poor-Will – Morning River Band
17. I Admit I’m Scared – Eskimeaux
18. Ideal World – Girlpool
19. Observation Satellites – GRNDMS
20. Podesta – Peptalk
21. Cwm Llwm – Yucatan
22. Clouds – Estan
23. Lullaby – Long Neck
24. KiwiKisses – Trenton Point
25. My Only One – PONY
26. Return to View – The Wandering Lake
27. Clicking Clanking – Ylayali
28. Pull Me Apart – Lung Cycles
29. Red Coat – Adeline Hotel
30. Johnny Go Riding – Damien Jurado
31. When the Day is Fresh, and the Light is New – The Wooden Sky
32. The Crow – Sean Henry
33. Yolanda – O-FACE

The post June Roundup – A Mixtape appeared first on Various Small Flames.

GRNDMS

“Capitol Mill is proof that sunny little songs need not be mindless nonsense, and that you don’t need to write explicitly sad songs to resonate with the listener” – we reviewed the début album from GRNDMS, out now on Fox Food Records.

Eskimeaux

“About doing the best you can and hoping it’s enough, about accepting and learning and growing so that whatever hand you’re dealt, you carve out some semblance of meaning and happiness to make everything worthwhile” – Eskimeaux’s O.K., out now on Double Double Whammy and Mt. Home Arts, is a triumphant success.

Peptalk

“Peptalk paint ecosystems, thriving arrangements of geology and biology where plants and animals and wind and rain follow their own instinctive patterns. However, things are not quite what they seem…” – We welcomed you to the weird and beautiful world of Peptalk’s Islet.

Craig Finn

“Finn’s sharp turn of phrase… elevates mundane situations to something meaningful, transforming everyday words and imagery into things imbued with symbolism” – the first song from a new album by The Hold Steady’s Craig Finn.

Henoheno

“Emotional suffering is presented in a detached manner, as if the narrator has transcended into an outer body experience or else knows the pain so well it lacks the immediacy it once possessed” – we were delighted to premiere ‘Destroy’, the first track from Henoheno’s upcoming album I Made These Songs Before I Moved.

Kalle Mattson

“Strummed guitars and slow-burning drum machine beats which conjure a vivid, nostalgic image, like a city as seen from a dark shore at night” – ‘A Long Time Ago’, a new song from Kalle Mattson’s upcoming EP Avalanche.

PONY

“Sun-kissed and salt-lipped… four songs about romance and break-ups during the summer months” – we reviewed CRUSHED, the debut EP from Toronto band PONY.

Old Earth

“[Milwaukee] completely shaped and nurtured me. I grew up and spent most of my life here, so going from being a teenager seeing punk shows in VFW halls in the early ’90s to being an artist that some people know and read about in the city is kind of crazy” – Old Earth spoke to Milwaukee Record about the pros and cons of moving to California.

Kathryn Joseph

“I never felt like we were making something beautiful. I just thought my songs were shit, and that this is all really embarrassing” – Kathryn Joseph spoke to The Skinny before winning Scottish Album of the Year award for Bones You Have Thrown Me and Blood I’ve Spilled. We reviewed the album here, and certainly aren’t surprised.

Joseph also unveiled a new song, ‘the worm’, via The Line of Best Fit.

Jenny Hval

I feel a little intimidated at the prospect of writing about Apocalypse, girl, the new album from Jenny Hval. Luckily there are already some great reviews out there, we particularly liked these from The Quietus and God is in the TV.

Crosslegged

“In the past, my summers have been defined by the artists that manage to capture the heaviness of a muggy afternoon or the confusing side of a fleeting romance. I know Speck will be a record that falls into that special category for me this year” – The Le Sigh are streaming Speck by Keba Robinson’s Crosslegged.

Naps

“Finding out about Naps felt like being told a really good secret” – understanding that there can never be enough quality new music, The Le Sigh also premièred a new song from Florida band Naps (who we have featured on numerous occasions).

Frog

“Irreverent, strange and just a little addictive” – Clash premiered a video for Frog’s ‘Judy Garland’. ICYMI, we reviewed (and loved) Kind of Blah and spoke to Frog about their music.

Titus Andronicus

Titus Andronicus have released Sorry About the Delay, a mix of demos, rarities and unheard album cuts in preparation for the forthcoming album The Most Lamentable Tragedy. Pitchfork have all the details, including the link for a free download.

Strand of Oaks

“Filled with bite and sometimes regret, but also a good deal of warmth” – The indomitable Timothy Showalter visited NPR’s Tiny Desk Sessions. We have written about Strand of Oaks quite a bit, but probably still haven’t conveyed how much we love Showalter’s work.

And… our favourite 8tracks playlist of the week was this one by beneller (that cover art!!)

the ultimate summer playlist from beneller on 8tracks Radio.

The post Week in Review: #6 (15th – 19th June) appeared first on Various Small Flames.

Opener ‘Don’t Go’ is a veritable jam, a summer rock song which resists the temptation to hide beneath reverb, like a Best Coast track that has been trawled from beneath the ocean haze and held aloft like a trophy. ‘Baby, Please’ is more laid back, a humid dose of teenage love and longing, while ‘My Only One’ picks up the tempo again, the jangly guitars and percussion charting a drop in the carefree attitude, the downer when you’ve been on the beach too long and your head is fried:

“Can’t stand this time of day,
sunshine won’t go away,
keeps burning at my eyes and skin.
I want to disappear
your sentiment is clear,
I waited up all night for you.

Think about the days in the sand and the sun
think about the days when you were my only one.”

Closer ‘Somethin’ About You’ sees the mood refreshed and narrator rehydrated, a sultry night-time rendezvous where the beers are sweating as much as the lovers. “I knew it was something when you came to say hi” she sings, “I didn’t know why but there was something about you.” Here every glance is loaded, every sipped drink choreographed with romantic intention. Exactly how much these girls and boys mean to one another is unclear but in these hot days and nights it doesn’t seem to matter. As she sings on ‘Baby, Please’: “I just want to have some fun.”

You can buy CRUSHED now on a pay-what-you-can basis on the PONY Bandcamp page.

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