The ambition was shared by many people within Okkervil River, particularly drummer Travis Nelsen, who Sheff describes as a brother figure. “We would trade tales of hilarious antics and outrageous excess and tragic death like they were almost scripture,” he continues. Disciples on the road to martyrdom, worshipping at the altar of legends who went before them and practising self-destruction in search of the paradoxical legacy inherent within short bright bursts of life.

But of course reality is not so simple, and excesses and tragedy too often come with no redeeming features. Something thrown into sharp relief as Sheff’s relationship with Nelsen deteriorated then ended abruptly. “Travis and I fell out painfully, and he died in the early weeks of lockdown,” he explains. “I think a big part of Nothing Special centres around grieving for him, grieving for everything my friends have lost, grieving for the rock and rock and roll myth, and trying to open my eyes to a more transcendent reality.”

Lead single ‘Estrangement Zone’ takes this transcendental ambition into overtly speculative territory. A quasi-sci-fi sound owing as much to retro psychedelica as any futuristic vision. Or perhaps it is both simultaneously. Retrofuturism. An old-fashioned vision of what is to come. The accompanying video, directed by Sheff himself, nods to Tarkovsky and Jodorowsky in its vivid dystopia, the calamity of man unfolding within something larger and stranger.

Nothing Special comes out via ATO in October. Order it now from the Will Sheff Bandcamp page.

Photo by Bret Curry

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Here are some great songs from the tumultuous year that was 2003.

1) The Thermals – No Culture Icons
2) The Wrens – Ex-Girl Collection
3) Wintersleep – Orca
4) Yeah Yeah Yeahs – Maps
5) Sun Kil Moon – Carry Me Ohio
6) Bonnie ‘Prince’ Billy – Hard Life
7) Califone – Million Dollar Funeral
8) Okkervil River – The War Criminal Rises and Speaks
9) Sufjan Stevens – Romulus
10) Hymie’s Basement – Lightning Bolts and Man Hands
11) The National – Lucky You
12) Malcolm Middleton – Cold Winter
13) Damien Jurado – Amateur Night
14) Cursive – Sierra
15) The Constantines – Shine a Light
16) Casiotone for the Painfully Alone – Jeanne, If You’re Ever in Portland
17) The Unicorns – I Was Born a Unicorn
18) The Decemberists – Red Right Ankle
19) Songs: Ohia – Farewell Transmission

What did we miss from 2003? Let us know via Facebook or Twitter! Be sure to check out our posts on 2000, 2001 and 2002, and pop back in a month when we’ll be turning our attention to… 2004.

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Ah, 2002. Who could forget the International Year of Ecotourism, Mountains, and the Outback (in Australia)? If that wasn’t enough, the queen celebrated her golden jubilee, the king came back with a bang to win the World Cup, and Hollywood decided it would release (almost) nothing but sequels. Of course, there was also a lot of great music, and here’s a selection of our favourites.

Tracklisting:

1) Broken Social Scene – Anthems For A Seventeen Year Old Girl
2) Say Hi To Your Mom – Kill the Cat
3) The Decemberists – July, July!
4) Spoon – The Way We Get By
5) The Flaming Lips – Yoshimi Battles the Pink Robots Part 1
6) The Mountain Goats – The Best Ever Death Metal Band Out of Denton
7) The Libertines – Time For Heroes
8) Mclusky – To Hell With Good Intentions
9) Pavement – Baptiss Blacktick
10) Sleater-Kinney – One Beat
11) The Mountain Goats – No Children
12) Okkervil River – Westfall
13) Thee More Shallows – Where Are You Now?
14) Julie Doiron – All Their Broken Hearts
15) Múm – Green Grass of Tunnel
16) Iron & Wine – Faded From Winter
17) Carissa’s Wierd – So You Wanna Be A Superhero
18) Wilco – Radio Cure
19) Songs:Ohia – Didn’t It Rain
20) Sigur Ros – Untitled I

What did we miss from 2002? Let us know via the usual channels! Be sure to check out our posts on 2000 and 2001, and come back next month when we’ll be turning our attention to… 2003.

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Tracklisting:

1. Staying in Line – Un Blonde
2. Skinned Knees – Soccer Mommy
3. Dream Wave – Tiny Ruins
4. No Sadness/Furrowed Brow – Good Good Blood
5. Pain – LVL UP
6. Theory Wars – Pop Weirdos
7. Crab Line – Trust Fund
8. Heaven’s Gate – Ghost Camp
9. Holy Ghost – Deer Scout
10. Desert Blues – Nassau
11. Okkervil River R.I.P. – Okkervil River
12. Housemouse – Wyndwood
13. Smash – Varsity
14. Raised By Wolves – Eternals
15. Starting Again – Lisa Prank
16. Feel You – Pat Moon
17. Nothing – Naps
18. Everywhere A Man Can Be (Teaser) – Zachary Lucky
19. Mailbox – Alexandra Gordon
20. Ditmars – Rainwater
21. You Are on the Water – Ben Seretan
22. Pinesol – Fern Mayo

You can check out the previous monthly roundups here, and our various other playlists and mixtapes here. Thanks as always for getting us through another month. Here’s to a good August!

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After a three year break, Okkervil River are back with a new album, Away. Recorded in New York state with a new backing band and orchestration composed by Nathan Thatcher and performed by yMusic, Sheff describes the record as “not really an Okkervil River album and…also my favorite Okkervil River album,” the meaning of which remains to be seen.So far we only have one song to go by. ‘Okkervil River R.I.P.’ is a song about new beginnings and the necessary deaths needed in order for them to occur. As Sheff explains:

“I think this record was me taking my life back to zero and starting to add it all back up again, one plus one plus one. Any part that didn’t feel like it added up I left out. Eventually, I realized I was writing a death story for a part of my life that had, buried inside of it, a path I could follow that might let me go somewhere new.”

The track comes complete with a video written and directed by Will Sheff himself, starring Tim Blake Nelson of O Brother Where Art Thou? fame. Check it out below:

Away is set for release on the 9th September via ATO Records and you can pre-order it now. The band are heading out on a massive tour this summer, culminating in European dates this autumn (see below). Full dates are available here.

10/30 @ Parkteatret in Oslo, Norway
10/31 @ Pustervik in Gothenburg, Sweden
11/02 @ Debaser Strand in Stockholm, Sweden
11/03 @ Vega in Copenhagen, Denmark
11/04 @ Rolling Stone Weekender in Weissenhauser Strand, Germany
11/05 @ Paradiso Nord in Amsterdam, Holland
11/07 @ Petit Bain in Paris, France
11/08 @ Botanique Rotonde in Brussels, Belgium
11/10 @ Islington Assembly Hall in London, UK
11/11 @ Thekla in Bristol, UK
11/12 @ Gorilla in Manchester, UK
11/13 @ Stereo in Glasgow, UK

Photo by Fionn Reilly

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The first track on Alpine Seas is ‘I’m An Ocean, which introduces the album’s tone and themes immediately. In terms of sound it could be filed alongside artists such as S. Carey, feeling somehow natural and panoramic, not unlike the landscape on the album art. ‘Beyond the Dark’ is a love song about finding peace in the quiet moments, evoking that period of time just before sunrise when the sky begins to brighten slowly and the hidden edges of the darkness become softer and less unknown. When life feels every bit as magical as it should.

“Beyond the glow there is a place
Where the shade bends with the night
Where I’ve been known to go
To help my mind hear my heart”

‘A Cruise’ has acoustic guitars and piano and the same undulating vocal melodies and electrified sense of the natural world that I associate with Bon Iver. ‘Arcadia’ is like one of the more upbeat songs from Evening Hymns and has shades of the same outlook, of finding solace and encouragement in nature, quite literally the classical notion of Arcadia. The song is imbued with a sense of hope and encouragement, a positive outlook that feels sometimes all too rare in serious, thoughtful art. “Walking in the pine wood / I feel I could say the words that could make you love me,” Cassidy sings, “I haven’t figured them out, but I’m gonna try / I haven’t asked you yet but I’m going to try, try, try”. ‘Uncompahgre’ is a rockin’ Americana track with pedal steel and talk of sunsets in the American West, the warm and rich acoustic guitar on ‘Make Believin’ accentuated with horns and layered vocals, and ‘Clare’s Bridge’ opens with glacial atmospherics before the entrance of big crunchy electric guitars. ‘The South’ is one of those songs that rises above its own sense of sorrow, feeling if not joyous then at least hopeful, with mandolin and charming backing vocals from Cassidy’s seven year old daughter.

“Do you remember all the times we spent
in our lives looking up at the stars?
How can you afford to
forget what I cannot?
Is it all the same?
Does it take all you got?”

‘Rich Man’ is a set in the aftermath of a break-up, all elegant piano and electric guitar, before ‘If I Could Right a Song’ offers a simple acoustic track about finding that mythical collection of words and chord changes that captures the hearts of society, a song that brings not just fortune and fame but also the love of the people you care about most.

Alpine Seas is a record about the wonder of the world and the fact that we’re alive in it. That feeling you get when looking at the star-scattered sky, the feeling of infinite smallness and insignificance before the vastness of the universe, the way your problems pale when held up to the persistent beauty of the natural world. Alpine Seas was released by Wren & Shark, a really cool not-for-profit independent record label who give 100% of proceeds directly to the artist. You can buy it now from the Brian S. Cassidy Bandcamp page.

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Whether Garth Risk Hallberg lived up to the hype is up for debate. I’d suggest there is a certain ‘hype threshold’ past which people will ensure you get a fair share of criticism regardless of what’s between the covers. What is not up for discussion is the beauty of the writing on show, nor is the sheer scope of the world it brings to life. Here we find a network of characters linked by blood or love or sheer chance which grows through schizophrenic POV changes and creative interludes. To give you some idea: There’s Mercer, a man struggling with being gay and black in 1970s New York and his relationship with punk musician/artist William, heir to the Hamilton-Sweeney fortune who’s music with the now-defunct Ex Post Facto “seemed to promise complete freedom, on the condition of complete surrender”. Then there’s William’s estranged sister Regan and her troubled relationship with husband Keith, who are themselves caught up in the Hamilton-Sweeney machine, plus loser-loner Charlie and his friendship with punk cool-kid Sam, and their link to the Post-Humanist Phalanx. That’s not to mention the police detective, the art dealer, the shock jock radio presenter. The investigative journalist, the firework-setter, the transvestite keyboard player. The anarchistic, arsonist cult leader.

So… yeah, it’s all too detailed to review properly, though the key plot is strangely simple. Packed with the sort of suspense/drama you might expect from a film or television show, the book is not as challenging (difficult, ‘literary’) as you might expect. What Hallberg does achieve is to conjure New York at a specific time. The web of characters produce a panoramic snapshot of a generation, palpable nostalgia and a good sprinkling of well-used topics (troubled artists, drug addicts, traumatised and/or damaged lovers) creating a view of the seventies perhaps as we’d like to remember them. The spirit of the book is captured nicely near the beginning, when the clock strikes midnight on New Year’s Day :

“For a second the city seemed to lean forward and make contact with a future self: ruined, de-peopled, and nearly still. In a sealed hanger, forensic economists move around numbered lots with scales and callipers. Believing themselves to have evolved beyond delusion and loneliness, beyond illness and longing and sex, they hum distractedly and wonder what it all meant”

As books go, City on Fire is pretty easy to soundtrack, so this playlist could have been a hundred songs. But anyway, here are twenty songs which go some way to capturing the time/place/mood Hallberg created. I’ve included a mix of classics and newer stuff to keep things interesting, and the order isn’t important.

Tracklisting:

1. Blank Generation – Richard Hell and the Voidoids
2. Art is Hard – Cursive
3. To Hell With Good Intentions – Japandroids
4. Kimberly – Patti Smith
5. Chinese Rocks – The Heartbreakers
6. Roar of Nothingness – Sun Organ
7. Docking Guard – Northern Primitive
8. Today, More Than Any Other Day – Ought
9. Aloha Steve and Danno – Radio Birdman
10. The Kids – Lou Reed
11. Orphans – Teenage Jesus and the Jerks
12. Stevie Nix – The Hold Steady
13. Who Do You Belong To? – The Spirit of The Beehive
14. You Can’t Hold The Hand of a Rock and Roll Man – Okkervil River
15. Our Lives Would Make a Sad, Boring Movie – The Hotel Year
16. Using – Sorority Noise
17. Fireworks – Radiator Hospital
18. Your Own Place To Ruin – Rivulets
19. New York Hardcore – Talons’
20. This Heart’s on Fire – Wolf Parade

City on Fire is out now via Knopf Doubleday (US) and Jonathan Cape and is available from all good book shops. Quiet, Constant Friends is available digitally and on cassette via the Wake The Deaf Bandcamp page.

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The title is taken from The Pharmacist’s Mate by Amy Fusselman, where she is describing that almost miraculous nature of music. She sums up by saying:

“And how even though the vibrations are invisible, I can feel them in the air. I can feel them, they are there, they are as there as I am.”

A song is a strange thing. The way in which the writer captures it and builds it up to what we find on our records and CDs is unique to each artist. A whole host of changes are possible from that first spark of inspiration, be it a certain lyric or series of notes. What we hear on studio albums may be an evolved version of the original. It may have been sped up or toned down, altered to sit with the other nine or ten songs with which it shares the album. Conversely, what we hear during live performance may itself be the evolved state, an shift of empahsis or tone to better suit the context.

Whatever changes occur, live songs are different to their recorded counterparts, and this mix contains songs that are different and/or special when performed live. Sometimes there are obvious differences from the recorded track (such as the frenzied ending to ‘Wolves’ by Phosphorescent) and other times it is subtler, increased emphasis on just a word or two. Sometimes there is nothing obviously different apart from some sense of  purity, something organic in the single take delivery.

I’m sure even the most seasoned concert goer will be able to point to two or three moments where a live song somehow transcended normal experience, becoming something so inherently personal it’s hard to believe others were in the room. For me, great art is about the trading of emotions to some empathetic goal, the artist allowing the listener/viewer into themselves to see something pure, something to which everyday labels and descriptions do an injustice. In truly great art, seeing inside another is not fascinating in a some voyeuristic way but instead because it stirs a recognition in the listener. The indescribable feelings within us are given voice, they are painted for us by the artist and shared so that others can see. In this way, the song becomes as much about us as it is about the artist (something which much prove difficult for musicians, which is another debate entirely).

Adam wrote about his choices for the mix in his own blog post, so be sure to go and check that out too.

Hopefully the tracks below contain some sort of spark, that indesribable magic that Fusselman describes.

I Can Feel Them In The Air (Wake The Deaf Side):

1. A Few Kind Words (Live at the Queen’s Hall) – Meursault
2. Tapes (Live at WMSE) – Conrad Plymouth
3. When My Time Comes (Live at the R&R) – Dawes
4. Dead Letter & the Infnite Yes (iTunes Session) – Wintersleep
5. Lately (Live on KEXP) – BOAT
6. Something, Somewhere, Sometime (Daytrotter Session) – Ben Sollee
7. Last to Swim (Weekender Session) – Strand of Oaks
8. Medication – Damien Jurado
9. Mountain Song (Live in Munich) – Evening Hymns
10. Red (Live at Schubas) – Okkervil River
11. Allahu Akbar (Daytrotter Session) – Emperor X
12. The Twist (Quietly Now) – Frightened Rabbit
13. Wolves – Phosphorescent
14. Blood Bank (Live at Glastonbury) – Bon Iver
15. Wasp Nest (Black Session) – The National
16. Jeanne, If You’re Ever in Portland (Daytrotter Session) – Casiotone for the Painfully Alone
17. Down in the Valley (Live on KEXP) – The Head and the Heart
18. Wake (Live at the Bowery Ballroom) – The Antlers
19. First Night (A Positive Rage) – The Hold Steady
20. Robots (Live at Shorefest) – Dan Mangan

I Can Feel Them In The Air (Songsfortheday side):

1. Years/Cleo’s Song (Daytrotter Session) – JBM
2. Grown Ocean – Fleet Foxes
3. Ghost of the Beast – Kelli Schaefer
4. Ocean Open Wide – Hoots & Hellmouth
5. First Sight – These United States
6. Nobody But You – Langhorne Slim
7. Yellow (Piano Version) – Coldplay
8. Blackout (a capella) – Pickwick
9. Everything Trying (Fuel/Friends Chapel Session) – Night Beds
10. I Won’t Be Found – The Tallest Man on Earth
11. To Sing For You/Brand New Colony – Ben Gibbard
12. Kathleen (Live from Dublin Castle) – Josh Ritter
13. Outfit – Jason Isbell & The 400 Unit
14. Acuff-Rose – Jeff Tweedy
15. Catapult – Counting Crows
16. Evening Kitchen – Band of Horses
17. Always on My Mind – Iron & Wine/Calexico
18. Born to Run – Bruce Springsteen
19. Since I Fell For You (ft. Mike Noyce & Justin Vernon) – Eau Claire Memorial Jazz I
20. I Just Wanna Love U (Give It 2 Me) – Jay-Z

You can find both mixes here as a collection.

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Today is the first volume. It features a mix of styles and bands, covering classic songs and new music. We hope you enjoy these re-workings as much as we do.

WTD’s Covers Mix, Volume #1:

1. Crystalized (The XX Cover) – Holly Miranda
2. Her Vore (Coma Cinema Cover) – Fog Lake
3. There Is A Light That Never Goes Out (The Smiths Cover) – Dan Mangan
4. Don’t Haunt This Place (The Rural Alberta Advantage Cover) – Yellow Ostrich
5. Tears Are In Your Eyes (Yo La Tengo Cover) – The Antlers
6. Cars (Gary Numan Cover) – The Leisure Society (Thanks to TWR for the shout!)
7. Old Old Fashioned (Frightened Rabbit Cover) – John Statz
8. Owner Of A Lonely Heart (Yes Cover) – Grizzly Bear
9. I Fought The Law (Bobby Fueller Cover) – Titus Andronicus
10. I Will Truck (Dirty Projectors Cover) – Painted Palms
11. A Case Of You (Joni Mitchell Cover) – James Blake
12. Devil Town (Daniel Johnston Cover) – Bright Eyes
13. Like A Diamond (Glass Ghost Cover) – Sharon Van Etten
14. Ex-Girl Collection (The Wrens Cover) – Will Sheff
15. Angst In My Pants (Sparks Cover) – Signals
16. Sleep All Summer (Crooked Fingers Cover) – St Vincent & The National
17.Beacon Hill (Damien Jurado Cover) – The Head And The Heart
18. Best Ever Death Metal Band Out Of Denton (The Mountain Goats Cover) – Andy Hull
19. Godbye Again (John Denver Cover) – Youth Lagoon
20. Long Desert Train (Jason Molina Cover) – Strand Of Oaks (Thanks to CXCW)

You know the drill – support the bands. Each of the artists’ names above will take you to their website so explore further. Don’t be an Emily White, musicians have to eat too.

The Covers Mix: Volume #1 from Wake The Deaf on 8tracks Radio.

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