Oh, Rose

“The vocals have the quality of an exorcism, like the unnatural utterings of a twelve year old as some jaded man of faith flicks holy water at her forehead” – “we reviewed SEVEN, the excellent and vaguely supernatural new album by Oh, Rose”

Amelia Gray

“Reading these stories is like watching a fungus bloom across a wall, like watching a slow-motion video of yourself going up in flames” – we started up a new ‘Books’ section with a review of Amelia Gray’s short story collection, Gutshot.

The Wooden Sky

“[The] distinctive vocals… [are] not pristine or manufactured but rather a product of a feeling, making the protagonists alive and nuanced enough for us to care” – we bumped our review of The Wooden Sky’s Lets Be Ready as it was released worldwide on Nevado Records.

Sean Henry

“When confronting big, complicated things like love, imperfection and death in art, surely the most fruitful method is not to sugar-coat the message in high production values and carefully constructed narratives but instead try to replicate the messy, fractured nature of our lives and consciousness?” – we got deep when previewing Sean Henry’s new album with his first single, ‘The Crow’

O-FACE

“Whirring like a well-oiled machine of cogs and gears which achieves so much more than its composite parts suggest” – a belated review of O-FACE’s EP Mint, out on Father/Daughter and Miscreant Records.

Glen Hansard

“A perfect example of a folk song made pop, a smooth and sentimental tale of goodhearted promises that are impossible to keep” – Our thoughts on ‘Winning Streak’, the first single from Glen Hansard’s new album

June Roundup

Miss anything in June? We have you covered with a playlist featuring every artist we covered during the month.

The Wailin’ Smithers

“The album is packed with smash hits from an alternate dimension, an easygoing universe in which everybody gets along just fine” – The self-titled album from Bloomington rockers The Wailin’ Smithers.

Quick Before It Melts

The music blog celebrated Canada Day by releasing a compilation of Canadian Bands covering Canadian songs.

Alanna McArdle

“Why do women have to work so much harder: why does it always feel like I’m trying to pass a test to prove that I deserve to call myself a musician?” – Alanna McArdle’s essay for The Talkhouse on the perceived role of the frontwoman and why she hates being referred to as just “the singer”.

Ezra Furman

“I’ve embraced the liminal zone that so many of my heroes occupy. I’ve declared independence from categories that don’t work for me…We exist in a multivalent world filled with ambiguities, and I aim to move through it like Lou Reed: independent, continually transforming, free.” – Ezra Furman writes for The Guardian on how he found freedom by embracing ambiguity in both his music and persona.

Noisey / Owen Pallet & Warren Hildebrand

“I found out about the Les Mouches album some time in 2006 and got it from a private torrent site or something similar. It really blew me away when I heard it…It means a lot, being able to help put together a new release for an album that’s been so important to me for so long is so crazy and cool to me.” – Noisey spoke to Owen Pallet and Orchid Tapes’ Warren Hildebrand about the latter’s label reissuing an album from the former’s project Les Mouches.

Fog Lake / START-TRACK

“I would say to keep it as true-to-heart as possible. Stop thinking about what other’s want to hear and start thinking about what you wanna hear. Don’t worry about being technical. Don’t worry what your parents think. Give it your best shot.” – Aaron Powell, aka Fog Lake, has some good advice for creative types in this interview with the cool dudes over at START-TRACK.

Advance Base / Ben Weaver

Daytrotter, the undisputed kings of the live session, served up two gems this week with sets from Advance Base (who has an album on the way dontcha know?) and Ben Weaver (whose album we liked a lot).

Titus Andronicus

Titus Andronicus released a music video / short film which features not one but six songs from their forthcoming album, The Most Lamentable Tragedy, which we will not stop plugging.

Gurr

The Le Sigh premièred a video from Berlin-based “sassy brat punk” band Gurr, featuring live recordings and vintage found footage.

And finally… the 8tracks playlist of the week:

This week’s playlist, from Music Means Family, is collection of songs from artists playing Eaux Claires music festival in Wisconsin. Features some of our favourites like Aero Flynn, S. Carey and Field Report.

The post Week in Review #8 (29th June – 3rd July) appeared first on Various Small Flames.

Until then, here’s our June Roundup, a playlist of songs rounding up everything we covered during June. Clever, huh? Click on the artist name in the tracklisting to be whisked away to the specific post.

Tracklisting:

1. Trisha Please Come Home – Advance Base
2. Slower Now – Star Horse
3. I Make Boys Cry – Adult Mom
4. Cordella – On The Water
5. Destroy – Henoheno
6. A Long Time Ago – Kalle Mattson
7. Only One Who Feels a Little Bit Bad – Fazed on a Pony
8. Ohio Snow Falls – Unraveler
9. Pylon Pile On – Benjamin Shaw
10. For Luck – Cyberbully Mom Club
11. The Offer – Yowler
12. When I Met Death – Right Away, Great Captain!
13. Patriarchaeth – Gwenno
14. Future Bones – Bells Atlas
15. Beautiful Brian – Harley Alexander and The Universal Lovers
16. Whip-Poor-Will – Morning River Band
17. I Admit I’m Scared – Eskimeaux
18. Ideal World – Girlpool
19. Observation Satellites – GRNDMS
20. Podesta – Peptalk
21. Cwm Llwm – Yucatan
22. Clouds – Estan
23. Lullaby – Long Neck
24. KiwiKisses – Trenton Point
25. My Only One – PONY
26. Return to View – The Wandering Lake
27. Clicking Clanking – Ylayali
28. Pull Me Apart – Lung Cycles
29. Red Coat – Adeline Hotel
30. Johnny Go Riding – Damien Jurado
31. When the Day is Fresh, and the Light is New – The Wooden Sky
32. The Crow – Sean Henry
33. Yolanda – O-FACE

The post June Roundup – A Mixtape appeared first on Various Small Flames.

There are two things to know about O-FACE: 1) their sound is complex and intricate, whirring like a well-oiled machine of cogs and gears which achieves so much more than its composite parts suggest, and 2) they are committed to taking seriously the fact that they don’t take themselves too seriously. Take opening track ‘740 Turbo’ as an example, a song about true love which centres upon the gloriously American image of a luxury station wagon:

“baby you can drive my car;
it’s a luxury station wagon.
you can go wherever you want;
it’s a luxury station wagon”

The track thunders into existence and doesn’t let up until the closing bars, mixing humorous lyrics with sincere delivery and sound to produce something which wins you over instantly. ‘Yolanda’ is begins with mathy guitar before evolving into a bouncy pop song, half-sentimental, half-carefree and wholly fun to listen to. Think the rollercoaster power pop of Fang Island blended with 90s emo rock. ‘O-FACE is Breaking Up’ hits the brakes but ramps up the volume for a pretty epic slow-burner which contains the line “Now I’m dressed up like Davy Crockett trying to grin down a bear”, which is good enough reason to buy the release in itself. Closer ‘Torres’ continues the grand scale, a post-hardcore instrumental which leaves the band’s immaculate arrangements fresh in the mind of the listener long after the final chord.

Mint is out now through Father/Daughter and Miscreant Records.

The post O-FACE – Mint appeared first on Various Small Flames.