Last month we previewed Anniversary & More Songs About Love, the deluxe version of Abigail Lapell‘s recent full-length which expands the album with eight additional songs. Alongside more intimate, acoustic versions of tracks from the original, Lapell also offers a handful of additional songs, and has now released a cover of Tame Impala’s Feels ‘Like We Only Go Backwards’ as part of the package. A minimal, electrified version of which mines the song for all of its stark weight, adding yet another dimension to the diverse picture of love and relationships which the album brings to life.

Anniversary & More Songs About Love will be released via Outside Music on 2nd May. Pre-order it now from the Abigail Lapell Bandcamp page.

Casper Skulls – Numbing Mind

The new album from Sudbury/Toronto indie rock outfit Casper Skulls, Kit-Cat is the product of a band confident enough to spread their wings. From the moody ‘Spindletop‘ and energetic ‘Roddy Piper’ to bittersweet Dylan-esque narrative ‘Dying in Eight Verses‘, each single offered a different style and set of influences, and culminated in a mosaic-like album able to confront a wide range of themes. With the release out now via Next Door Records, Casper Skulls have shared final single ‘Numbing Mind’ to further deepen the picture, exploring the vast media landscape of distractions into which we can retreat from contemporary existence. The song is itself a microcosm of the wider Casper Skulls style, presenting a collage of references (Ms. Rachel, Bob Ross, Macho Man, Rugrats, South Park, ASMR and Antique Roadshow and more) to paint the vast network of small comforts to which we turn.

Watch the video directed and edited by Bosmo below:

Kit-Cat is out now via Next Door Records and you can get it from the Casper Skulls Bandcamp page.

Classic Trucks – Oil

“Pairs a rich, warm sound with Jarman’s approachable, near-spoken vocals and a dark, distressed lyrical style. But instead of playing as a contradiction, the resulting track looks to solve the concern at its heart in real time, fashioning a cure to the complaint itself.” So we wrote of ‘Letting In Too Much Light’ by Classic Trucks last month, the first single from the new solo venture of Langkamer‘s Josh Jarman which introduced the empathetic nature of the project. With EP Century Songs set for release in late May, Classic Trucks are back with new single, ‘Oil’. A meditation on some of the grandest existential questions—free will, nature vs. nurture, the apparent futility of life—housed in a bright, pop-inflected brand of folk, again highlighting Jarman’s ability to approach difficult subjects without being overwhelmed by their weight.

Gay Meat – Champaign Ill

The recording project of producer, songwriter and multi-instrumentalist Karl Kuehn, Gay Meat has made a name in recent years with a distinctive blend of self-deprecation and sincerity, something embodied by 2022 EP Bed of Every. Mixing indie pop, rock and emo sensibilities, the release clocked in at barely thirteen minutes but managed to evoke a compelling inner world all the same. Recent single ‘Champaign Ill’ builds upon the style, a wistful lo-fi ode to the ways in which people change over time, as well as those who stay the same despite everything. Again the tone possesses a wry edge, but one which does nothing to limit the unguarded earnestness at its heart.

Gum Parker – Crocodile

“Draws on the considerable DIY history of its members to create good old-fashioned indie rock.” That’s how we described the debut album from Portland, Maine outfit Gum Parker, with singles ‘Two Subarus‘ and ‘Hive‘ packing a real punch despite the vastly different moods which underpinned them. With the album out now via Repeating Cloud, the outfit have shared final single ‘Crocodile’, and the song again embraces the chaotic, irrepressible energy of the do-it-yourself aesthetic to find joyous momentum within ordinary life. “Lately I’m trying to just write down phrases or bits of language that I like and scrape together a song from them,” as lead Galen Richmond explains. “It seems to have worked out for this joyful mess. The chorus is sorta a half-joke about how I couldn’t write a chorus for this one.”

Jangus Kangus – No Future In This

Christened by Emerson Dameron as “LA’s foremost purveyor of imagist garage surf,” Jangus Kangus is making a name with a sound at once hazy and raw, with debut album Fortune Cookie highlighting how evocative and playful such a contradictory style can be. Lead Jasmine Sankaran is joined by Steph Anderson (keys/backing vocals), Antonio White (lead guitar/backing vocals), Dan Perdomo (drums) and Ryan Kellis (bass), and together the band eschew genre convention in favour of instinct experimentation. Single ‘No Future In This’ serves as an ideal introduction, a track which preserves some of the DIY spirit of the project’s previous releases yet comes wrapped in a golden retro hue.

LEYA – Corners (Chanel Beads Rework)

Last year we wrote about ‘Corners’ by LEYA, a single from their EP I Forget Everything on NNA Tapes which displayed how harpist Marilu Donovan and vocalist/violinist Adam Markiewicz create “evocative and ambiguous” soundscapes, as we put it, which “explore the avenues open to us in the face of catastrophe.” Like much of LEYA’s work, the song occupied a strange space between medieval and futuristic tones, feeling like both a throwback and a promise of something new. Now rising pop favourite Chanel Beads has reworked the track to further deepen this contradictory tension. With additional layers of lush sonic textures and extra pop polish, the new interpretation serves as a heightened version of the original, playing like the interstitial space between the Now and the Then with all the instinctive longing left intact.

Watch the self-directed video starring model Mariah Morvant below:

‘Corners (Chanel Beads Rework)’ is out now via NNA Tapes and available from Bandcamp.

LUCKY – Traveler

LUCKY are a new Bay Area supergroup featuring Half Stack‘s Peter Kegler, Andrew St James, Marika Christine and Zach Elsasser (Affectionately). A slice of upbeat country rock that also provides the obligatory shadow to its light, debut single ‘Traveler’ gives an indication of what to expect from the project. A song full of backward looking despite its forward motion, resulting in a mood at once wistful and affirming. Produced and mixed by Joe Santarpia (Mac DeMarco) and mastered by Timothy Stollenwerk (Kevin Morby, Woods, Rose City Band), there’s real talent behind the project too, making for a polished, accomplished sound that retains its authenticity via a subtle lo-fi edge.

Maryse Smith – Freedom

This May sees the release of Transience, the new full-length from Massachusetts songwriter Maryse Smith, via Ghost Mountain Records, and latest single ‘Freedom’ both introduces the album’s warm folk rock sound and furthers the thematic resonance of the its title. It’s a song about regaining a sense of ownership and agency in the face of apparent restriction, placing trust in the transience of any condition in the way all longing must. Fittingly, the track is the product of one such process of overcoming. “‘Freedom’ was written upon returning from a festival that friends put on every year in Vermont,” as Smith explains. “I didn’t play that year, I was feeling bummed about being in a long writing dry-spell and couldn’t bear the thought of playing songs I had written years prior. But I felt so inspired after seeing so much good music I pretty much came home, sat at the piano and wrote this. I remember feeling afterwards, on a deep level, that the dry spell was broken and it was.”

Steel Wool – Fading

What the band describe as “a collision of sound experiments wearing the borrowed work uniform of rock music,” the self-titled debut EP from LA shoegaze outfit Steel Wool brings together the varying tastes of each of its four members. Shoegaze fuzziness meets not only its natural bedfellows in dream pop and indie rock, but also folk and screamo too, resulting in something that uses familiar ingredients in a fresh and innovative way. “The band has always been more of a sonic game of tug-of-war than a regiment in lockstep,” Steel Wool continue. “Stepping outside these orthogonal backgrounds in search of common ground, we’ve ended up somewhere that isn’t quite home turf for any of us.” Opener ‘Fading’ is the best place to start, a hazy and soaring dream pop song that eventually boils over in a snarl of feedback and wailing vocals.

Yuno – Massive

Having won acclaim with 2018 EP Moodie and a number of subsequent singles, Jacksonville-based pop visionary Yuno is releasing debut full-length Blest this May with Sub Pop. An artist in constant flux, Yuno has moved from skate punk and Johnstonian anti-folk to downbeat pop across his career to date, and the new album not only continues this evolution but pushes the sound to its most expansive, inventive spaces to date. Latest single ‘Massive’ embodies the sound’s widescreen richness, pairing languid pop confidence with fuzzy rock sensibilities to create a rueful backdrop for what is a reflection on the passing of time.

Watch the video directed and Edited by Yuno himself below:

Blest will be released on the 16th May via Sub Pop and you can pre-order it now.

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With the release of the album fast approaching via Next Door Records, Casper Skulls are back with ‘Dying in Eight Verses’, a brand new single that introduces another string to their bow and further whets appetites for the full release. The song is personal, reflective and bittersweet, led by its narrative in a manner stemming from the lineage of Dylan et al. and confessing its innermost fears in a way at once melancholic and affirming. “And ‘remember whens’ are our conversations / Until it no longer brings alleviation,” as one verse goes. “When we can’t express all that we invest / We took a vow but I guess we’re just memories now / Until no one’s left to remember us.” Though written before Melanie and Neil had their baby, “I think I could feel that I was ready to be a father when I wrote this song,” Bednis explains. “I think this is my most personal song and I can’t help but think of my grandparents, my parents, my wife and my daughter when I hear it. I think there’s a lot of sadness in the song but also so much hope. ”

Kit-Cat is out on the 11th April via Next Door Records and you can pre-order it from the Casper Skulls Bandcamp page.

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‘Patterns’ is a song that I wrote about navigating relationships while in a depressive episode,” explains Annie Schultz of their first single on Trailing Twelve Records. “My songs often subconsciously end up being letters to myself, observing shifting dynamics with the people I love and posing questions about why I choose to make certain decisions.” Having cut their teeth in the Minnesota DIY scene, the Olympia-based singer-songwriter and multi-instrumentalist set about crafting a sound somewhere between indie folk and classic goth and punk, allowing for the kind of soul-searching so apparent in the new single. A song about being there for friends when it feels difficult enough to even be kind to yourself.

‘Patterns’ is out now via Trailing Twelve Records.

Haley Blais – Matchmaker

“It’s a love song about being so confident and safe in a relationship that you start to look for cracks out of fear,” explains Haley Blais of new single, ‘Matchmaker’. The Vancouver artist has made waves with her emotive, cathartic style, though one which always possesses a certain playfulness too. Having signed with Arts & Crafts and preparing for a full-length, the single finds Blais at the peak of her powers, combing sincere emotion with a certain impish charm to explore the pressures social and cultural expectations can place on a relationship. “And I read somewhere on the internet / That if we have kids, then they won’t exist,” she sings. “And then I’m the bitch who ruined your family line / It’s nobody’s fault, though, but somebody’s pissed.” Watch the video below, directed by Jacob Pascoe and edited by Haley Blais & Jacob Pascoe:

‘Matchmaker’ is out now via Arts & Crafts.

Kylie V – Runaway

Based in Vancouver, Kylie V is a singer-songwriter looking capture the joys and angst of young life. Following on from 2021 debut Big Blue, they recently returned with The Runaway EP, a collection of four songs which further develops their self-described “overemotional indie folk rock.” The title track typifies the style, casting its eye over the trials of falling in love after one too many burns, and how romance can be curdled by the presence of anxiety and OCD. “What if we don’t get too far and I leave it in ruins cause / these days my body’s struggling to cope?” as Kylie V asks, though the rest of the track plays as a slow lesson in giving in to feelings of comfort and love. Check out the video by Malcolm MacMaster below:

The Runaway EP is out now and available from the Kylie V Bandcamp page.

Luka Kuplowsky – Sudden Reach from the Inner World

Following on from previous single ‘The Spirits Are Busy’, Toronto-based songwriter Luka Kuplowsky has returned with new single ‘Sudden Reach from the Inner World’ on Mama Bird Recording Co. and Next Door Records. The previous track offered a dappled, jazz-inflected sound around Kuplowsky’s distinctive almost-spoken vocals to conjure something at once laid back and esoteric, and this duality is again present in ‘Sudden Reach’. A song which pushes into almost ambient territory in its intuitive warmth, with Bahamas’ Felicity Williams again offering heavenly backing vocals. “This was a beautiful accident,” as Kuplowsky says of the track. “The lyrical imperative of trusting the immediacy of new love seems fitting for a song that’s creation was so sudden and surprising.”

Soft buzz of a summer day
Compassion of a silent kind
Birds meet and disperse
They astound me every time
Sudden reach from the inner world sudden reach

‘Sudden Reach from the Inner World’ is out via Mama Bird Recording Co. and Next Door Records and is available from Bandcamp.

Noah Roth – C U Tomorrow

When moving back to the Chicago suburbs after five years in Philadelphia, Noah Roth was on a bit of a downer. They’d just gone through a break-up, had to leave the place they’d called home to return to their childhood bedroom, and had been working on their last album Breakfast of Champions for so long that they’d fallen into a burnt out disillusionment. But borrowing equipment from a sibling, Roth began experimenting with Ableton and found new songs pouring forth with an unexpected ease. Three weeks later the basis of a new record, Don’t Forget to Remember, had solidified. Lead single and opener ‘C U Tomorrow’ hints at the album’s new direction, set for release on Devil Town Tapes, foregoing any agonising over fine details in favour of a direct expression. “I wanted to make something that was kind of quick and dirty, and doing it myself the way that I used to do when I was a teenager,” as Roth explains.

Plastic Cactus – Year of the Rat

Portland, Oregon outfit Plastic Cactus are gearing up to release their debut full-length album, and new single ‘Year of the Rat’ is the first taste of what to expect. Together, Brooke Metropulos (guitar/vocals), Michaela Gradstein (guitar/vocals), Bill Willson (bass) and Tyler Brown (drums) take equal parts cosmic desert rock and languid surf pop and submerge everything in vocal harmonies, creating a sound which owes as much to spaghetti westerns as it does the polish of classic pop.

‘Year of the Rat’ is out now and available from the usual places.

Rin McArdle – Something Blue

With a self-titled album coming later this summer, Naarm/Melbourne-based multi-instrumentalist, songwriter and producer Rin McArdle has released new single, ‘Something Blue’. The album spans the emotional gamut from searing anger to tender vulnerability, and the track shows off the latter side of the work, tapping into a nineties aesthetic to bring to life its searching, therapeutic sound. Camp Cope’s Georgia Maq joins on vocal duties too, charging things with an impassioned intimacy. “It’s a really personal song so I wanted to get someone close to me to sing on it in a kind of conversational way,” McArdle explains. “I thought Georgia would be perfect, our voices are quite different, there’s a contrast to them that I really like.”

The song also comes with a video directed by Louis Oliver Roach which takes imagery from  Norwegian black metal band Immortal and transplants it into the Australian bush.

Rin McArdle is out on the 28th July and you can pre-order it now.

Sea Lemon – Cellar

Having just signed with Luminelle Recordings, Sea Lemon (AKA Seattle‘s Natalie Lew) has unveiled a delightfully ethereal new single, ‘Cellar’. Dream pop in an almost literal sense, where weightless textures bely the ominous weight within, and close-held impulses make themselves known in strange ways. “‘Cellar’ was inspired by my love of really classic horror and thriller films, like Blow Out and Misery,” Lew explains, “and how loving scary movies can sometimes feel like something is wrong with you.” A compulsion to seek out the dark and disturbing aspects of life that’s often mirrored within the movies themselves. Characters who allow their morbid curiosity to get the better of them, drifting toward what they already know to be bad news as though a certain inevitability exists within the situation. Watch the video shot and edited by Natalie Lew and Abe Poultridge below:

‘Cellar’ is out now via Luminelle Recordings.

Sleepy Gonzales – Skylight / Freaking Out

With EP Mercy Kill coming next month on Light Organ Records, Vancouver‘s Sleepy Gonzales have unveiled a double single, ‘Skylight/Freaking Out’. A pair of tracks which act as a kind of yin and yang, the first slower, heartfelt and emotive, searching for illumination within an otherwise gloomy environment, while the latter is the polar opposite. A racing track which taps into darker interiors, finding catharsis in allowing the less than positive feelings out into the world. “Maybe they balance each other out, or maybe one eventually destroys the other,” as the band explain. “That depends on you.” Watch the video for ‘Skylight’ filmed by Ethan Andrews below:

Mercy Kill is out on the 30th June via Light Organ Records.

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Originating from Asheville, North Carolina and now based in Los Angeles, Adriana McCassim introduced her distinctive brand of folk rock back in 2020 with the EP Quiet Sides. It was a release equal parts visceral and ethereal which looked for sparks of beauty and solidarity amid difficult circumstances. With debut full length See It Fades coming next year, McCassim has shared the new single ‘TOUCH’. A track which builds upon the previous releases, stripping out all excesses to place the vocals front and centre, left to work through unreciprocated desire with nothing to hide behind. “This song is about finally allowing myself to take up space,” McCassim explains. “To be naked, ugly and loud.”

Arima Ederra – Steel wing

Discovering the Ethiopian spiritual music mezmur in a Las Vegas Ethiopian Orthodox Church during childhood, Arima Ederra was convinced of the power of music from an early age. Her work since 2016 debut Temporary Fixes has been geared towards capturing this joyous, healing force, and latest album An Orange Colored Day feels like the most confident yet, applying everything learned from a life steeped in music to process any and every pressing issue at hand. Single ‘Steel wing’ is a good place to start for a window into what this entails, its inventive and relaxed style imbued with an infectious, toe-tapping rhythm, inviting you in to sit a while and leave your concerns at the door.

Credit Electric – summit sipper

Fresh from single ‘here 4 u‘ on the Royal Oakie Records tenth anniversary compilation, Bay Area outfit Credit Electric have released their latest full-length record, out of love in the face of a shadow. Germinating within the limitations imposed by the global pandemic, the album represents a new era for the Credit Electric style, their moves to adapt to the novel conditions opening up new avenues of inquiry. Which is how the liner notes can describe the album as one drawing from acts as diverse as Hiroshi Yoshimura, American Football, Dire Straits and Magnolia Electric Co. Single ‘summit sipper’ is just one snapshot of this style, a laidback yet affirming pop number penned after a hike in the Sierra Nevadas, overcoming mountains both figuratively and literally to delve into themes of resilience and recovery.

Denitia – My Weakness

We’ve previewed Highways, the new album from Denitia, a few times in recent months, first with the title track in April and then ‘All the Sweet Tea‘ a little later. Wrapped in a wistful atmosphere, the latter “tap[ped] into bluegrass sensibilities to evoke the American landscape in all its nostalgic idealism,” we explained, and served as an introduction to the bittersweet tone of the album and Denitia’s quest to reimagine the concept of home. Final single ‘My Weakness’ sits at the heart of the record, another track of conflicted moods which possesses real depth beneath its controlled burn.

Grace Hellen – Bubblegum Pink

Hailing from the coast of North Carolina and now based in Nashville, singer-songwriter Grace Hellen cut her teeth in jazz and bluegrass but is now turning toward a more indie pop/rock style. Latest single ‘Bubblegum Pink’ is a great introduction to this aesthetic. A combination of psych and surf sensibilities laid over pop tones sweet enough to live up to its title, though the sugary energy belies the tension beneath the surface. “Bubblegum pink when you spit in the sink this morning,” Hellen sings, twisting the tone. “Flash forward, last night’s an empty dream.” Because this is a song “about fighting depression with hyper-femininity and candy-coated optimism,” as Hellen describes it. As though to keep moving is to stay ahead, no matter how exhausting.

‘Bubblegum Pink’ is out now and available to stream from the usual places.

h. pruz – what a long way i’ve come to be destroyed

h. pruz is the recording alias of Brooklyn-based Hannah Pruzinsky, who will soon release debut EP again, there via oof records. Lead single ‘old car’ introduced the style, which finds emotional power in a gentle, intimate hush. Now h. pruz has unveiled the record’s second single, ‘what a long way i’ve come to be destroyed’, another folk-slash-bedroom-pop song that burns with quiet intensity. Lyrically sparse, the song captures one of the EPs main themes—of recognising life’s cycles and rhythms and the feeling of uncertainty experienced after breaking out of them and moving on.

Jenny O. – The Natural World

Following on from ‘Prism‘, a single we described as allowing “us to see fine cracks in a seemingly unscalable wall of disempowerment, and begin to realise we might not be completely helpless after all,” Jenny O. is back with a brand new single on Mama Bird Recording Co. No less ambitious and heartfelt, ‘The Natural World’ confronts the ecological emergency from a new angle. Turning away from the usual visions of doom and destruction to instead offer a vision of what might be. “This is a declaration of wonder and reverence for the living Earth,” Jenny O. explains. “As we phase out fossil fuels, the way through the climate crisis is by the regeneration of this planet’s incredible natural systems. This song is for alignment with life on Earth (including one another). The future requires us to consider everything and everyone; love and curiosity are key.” Check out the suitably celebratory video filmed and edited by Sam Gezari below:

‘The Natural World’ is out now via Mama Bird Recording Co. and available from Bandcamp.

Joe McCarthy and the Faders – Hey Dom

With new release Outpost Truck Stop out later this week, Joe McCarthy and the Faders have unveiled new single ‘Hey Dom’ to raise the anticipation. An ode to friendship, the track captures the road trip spirit of the EP. One following in the footsteps of Craig Finn or The Boss himself, built on a togetherness and camaraderie which faces down life’s difficulties through equal parts compassion and momentum. The result is bittersweet but undeniably joyous, and better yet its triumphant energy invites the listener along for the ride. Check out the video edited by Zach Pulls below:

You’re just as dumb as me
And we’re as thick as thieves when we can stand
Hey dom!
Why don’t you take my hand

Outpost Truck Stop is out on the 21st October and you can pre-order it now.

Poolblood – shabby

Back in July we wrote about ‘twinkie‘ by Poolblood, their first single since signing with Next Door Records. Now the project (Toronto‘s Maryam Said) has announced their debut album, mole, which will release early next year. To celebrate the announcement, Poolblood has unveiled a brand new single ‘shabby’, a song which they says “celebrates the intimacy of friendship.” Fittingly then, the song is reflective and introspective, pairing bedroom pop sincerity with just the faintest hint of country twang. There is also a video featuring friends and collaborators Shamir and Drew Harmon, which you can watch below:

mole will be released on 13th January and you can pre-order a copy from the Poolblood Bandcamp page.

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The recording project of Boston‘s Doug Poppe, An Triangles works within a variety of styles to achieve its distinctively idiosyncratic sound. Think the emotion of Mount Eerie, the lo-fi energy of Pavement and Daniel Johnston-esque eccentricity. Ahead of debut album Triangular Life, Poppe has unveiled new single ‘Mother on You’. A slice of classic bummed-out bedroom pop which offers a glimpse into the inner child which drives the record’s curiosity and vulnerability. “And I know you got my bag / It’s got everything I have,” Poppe sings. “And I know you got my dues / It’s got everything I lose // I’ll call my mother on you.”

Blush Club – Ornamental Ponds

After the success of 2021 EP A Hill To Die On, Glasgow five-piece Blush Club are set to return later this year with a brand new EP, Ornamental Ponds. Ahead of the release, the band have unveiled the title track. It’s a song which adds a newfound catchiness to their hybrid pop/post-punk style, so while the leftfield jaunt and characteristically sardonic tone are still present, some of the frantic verbosity of the previous release is swapped for a slower, more confident flow. Which means we can now sing along with the cutting commentary on our rubbish-filled Anthropocene, pining for the sweet ignorance of the nineties.

Jacob Brodovsky – Night Baker

Winnipeg-based songwriter Jacob Brodovsky has shared brand new single, ‘Night Baker’, a character study of a figure facing long-hour loneliness amid the unseen ecosystem of a city at night. “The night baker leaves the lights on in the basement even though he never goes down there,” opens the song by way of introduction. “The night baker once a Christian now a Quaker leaves his shoes on when he walks down stairs.” Channelling the sincerity and wry humour of fellow Manitoban John K. Samson, Brodovsky presents the scene with equal parts playfulness and emotional resonance, our titular baker mocked by the sourdoughs and begged by the bagels as he pines after his lost love, the gluten-free flour asking if he is okay.

‘Night Baker’ is out now and available via various streaming services.

The Other Each Other – Heads

Apparently Joel Finch, frontman of Seattle punk rock outfit The Other Each Other, is not a real person. Their website has few details. There are no tour dates, no merch, no jazzy social media pages. Just a list of previous releases and the date of a forthcoming album, Mirror Memorials, coming later this summer. Single ‘Heads’ is the first taste of this new album, a conflicted track which struggles with the pandemic-era confinement while also appreciating the luxury of having a place to be stuck inside. Indeed the track has a twin, ‘Tails’, one of several count/counterpoint pairs on the record intended to more fully explore the nuances of living. “The truth is probably not just one perspective,” as Finch puts it, “but multiple.”

Mirror Memorials is out on the 19th August and you can find more info on their website.

Poolblood – twinkie

After releasing the EP Yummy back in 2019, Toronto-based artist Poolblood had only shared one single, ‘I’m Sorry’, a collaboration with Louie Short and Eliza Niemi. But signing to Next Door Records, this summer saw the first taste of a new phase of the Poolblood project with the single, ‘twinkie’. A rich and nostalgic sound lifting searching vocals, capturing a blend of fondness and uncertainty for the bittersweet summer croon we’re all craving. Check out the video directed and shot by Emma Cosgrove below:

‘twinkie’ is out now and available via the Poolblood Bandcamp page.

Pound Land – Bunker

Formed by lyricist Adam Stone (Future Bomb/Holy Ghost People) and multi-instrumentalist Nick Harris (Reverends of Destruction/ex-Dead Sea Apes), Pound Land is a self-described ‘kitchen-sink punk’ project based in Manchester. Their self-titled debut came out in 2020 on Misophonia Records, though Cruel Nature Recordings has recently put on Pound Land Plus, a repackaged version with extra material. Playing like The Fall meets Threads, new track ‘Bunker’ is as good an introduction to their pitch black style, a nine-minute noise punk behemoth ranting about dooms both future and present.

Thomas Stajcer – Building A Home (Yip Walla Wahoo)

Written on the back of a John Deere mower in Seaforth, NS, ‘Building a Home (Yip Walla Wahoo)’ is not the usual slice of American melancholy or heartbreak you might expect from a good old fashioned folk song. The latest release from Thomas Stajcer, the track instead celebrates life’s blessings, however big or small they might be, with the playful energy of John Prine or more recent compatriots like Doug Poole. The result is a lesson in looking forward in a genre that’s often all too ready to look back.

Tunnel – Lemonhead

The project of LA‘s Natasha Janfaza, Tunnel are readying the release of their debut EP, Vanilla on Washington DC label House of Joy. The record sees Janfaza joined by D Saperstein, Owen Wuerker and Fugazi drummer Brendan Cant, who come together to craft a sound that owes as much to 90s rock and alt pop as it does to contemporary acts like Snail Mail. ‘Lemonhead’ is the EP’s lead single, what the band describe as a “soft and cruel” song which introduces both the Tunnel sonic sensibility and their general sense of apathetic cool. Janfaza delivers her vocals with a sardonic edge (“Tell me the truth,” she sings in the opening line, “I’ll think you’re lying”), which transforms a tale of frustrated romance into something that feels fresh and raw.

Love is fine
Love is boring

The post Weekly Listening: July 2022 #1 appeared first on Various Small Flames.

runnner – eggshell

runnner is the project of Noah Weinman and Nate Lichtenberger, who make muic that they describe as “fus[ing] electronic and experimental elements into ragged, heart-on-your-sleeve folk-rock.” In May last year we premiered a video from their debut album Awash, and now the band are readying a follow-up EP entitled Fan On. In anticipation, runnner have released the first single, ‘eggshell’, a song that sees them inject a little lo-fi folk aesthetic into their bedroom pop. It’s something like the breezily reflective folk pop of Pinegrove meets the kitchen-based everyday introspection of early Trace Mountains. Lyrically the song is both smart and sad, probably the most affecting song you’ll hear about cooking eggs all year.

Stay tuned to the runnner Bandcamp page for news on the new EP.

Wy – Pavements

We wrote about ‘Gone Wild’ by Malmö’s Wy back in 2017, describing the track as “representing the sensation of being stuck in your own head, a vast lonely place that’s somehow claustrophobic too.” The track was taken from Okay, an album which existed within a great cloudy haze of atmosphere and emotion, though latest single ‘Pavements’ expands upon the record’s style and pushes into more urgent, aggressive territory. The evolution serves to increase the intensity and ferocity of the Wy sound, the insistent rhythm driving Ebba’s ominously threatening vocals and forthright lyrics.

‘Pavements’ is out now via Hybris.

Westkust – Swebeach

Based in Gothenburg, rock band Westkust have been quiet since the the release of Last Forever back in 2015, though this year will see that put right with a self-titled album with Run For Cover Records. Lead single ‘Swebeach’ gives an indication of what to expect, fun-filled garage rock as filtered through a shoegaze prism, Julia Bjernelind’s vocals emerging through the wall of noise with a sense of assurance and warmth, like a hand reaching out in the dark.

Merival – Sinner

Merival, the project led by Toronto’s Anna Horvath, make lush and emotive songs that combine self-searching introspection with slow-burning catharsis. Their latest single ‘Sinner’ is what Horvath describes as a song “about being caught between two places, one known and comfortable, and the other intoxicatingly new and impossible to avoid.” It combines the lyricism commonly associated with folk with sparse guitar arrangements and confident vocal delivery. The sense of grand emotion is heightened in the track’s second half as elegant strings weave onto the scene, proving that you don’t need to write a sad-sounding song to convey real feeling.

You can buy ‘Sinner’ from the Merival Bandcamp page.

community college – novocaine / karaoke

The side project of Horse Jumper of Love bassist John Margaris, community college are readying their debut album on Disposable America. Joined by his brother Dan on drums and fellow Horse Jumper Dimitri Giannopolous on bass, Margaris makes downbeat lo-fi pop songs that are nevertheless crunchy and catchy. The opening two tracks have been released into the wild early, and both ‘novocaine’ and ‘karaoke’ are short and moreish, the former feeling as numbed as the title suggests, while the latter has a bit more life, tentatively shambling towards glorious basement indie rock.

You can pre-order comco now from the Disposable America Bandcamp page.

Seamstress – Everything

New Jersey’s Gabriella Chavez met Charlie Sztyk in their local music scene, and the pair formed Seamstress, a band that take Chavez’s personal history of heartbreak and moulds it into songs that sweep and shift around a solid emotional core. Their latest single, ‘Everything’ is a case in point, a vulnerable admission of the difficulty of communication in trying times. Chavez’s vocals sound strong and still despite this sense of fragile yearning, resulting in the kind of sincere folk rock that Sharon van Etten has made her own.

I don’t wanna talk about it, anymore,
I don’t wanna talk about it

Tender Glue – Dear Peri

Tender Glue is Tom Gluewicki, born and raised in Poland but now residing in New York. ‘Dear Peri’ is a track from the latest Tender Glue album, Closet Leftovers, an achingly emotive song inspired by the death of a Polish climber on Nanga Parbat in the Himalayas. The Peri of the title is a ghost of local legend which protects the mountain, and the lyrics confront imagined details of the climber’s last moments as he succumbs to the will of the mountain. Built on an anchoring guitar line, the song sways with waves of atmospherics as Gluewicki’s vocals deliver his words with an intense melancholy.

Closet Leftovers is out now and available from the Tender Glue Bandcamp page.

Charlotte Cornfield – Andrew

Charlotte Cornfield is a singer-songwriter from Toronto. Her third LP, The Shape of Your Name, is on its way in the Spring, and is set to feature a stellar cast of collaborators, including Leif Vollebekk and Brendan Canning, Kevin Drew and Charles Spearin (all of Broken Social Scene). In anticipation of release, Cornfield has unveiled the record’s first single, ‘Andrew’. She describes the song as a “reminder to step back and look at the bigger picture instead of dwelling on the minutiae,” and says that it could be about a partner both platonic or romantic. The press release promises something contemplative and contemporary, funny and heart-wrenching, and Cornfield makes good on the pledge, creating a folk rock song that feels both spry and tender, a clear-eyed and confident confrontation with the truth of a situation.

The Shape of Your Name will be released on the 5th April via Outside Music’s new imprint Next Door Records.

Zelma Stone – Light Bulb Boy

Zelma Stone are from San Francisco, with lead Chloe Zelma joined by Haley Pan (bass), Jake Kissner (drums), Jewelz (keys) and Kevin Fielding (lead guitar). Citing Big Thief and Angel Olsen as major influences, the band have recently released their debut EP, Layla, which promises to “channel grief and pain into a dreamy soundscape of empowering arrangements and addictive melodies.” ‘Light Bulb Boy’ is the third track on that EP, a song that builds from mellow folk rock beginnings into something altogether more stirring.

Being here where things are breakable
I guess we’ve chosen this path
It’s a long familiar road now darling
and these seasons just keep on coming back

Field Medic – henna tattoo

We’ve been fans of Field Medic, aka Kevin Patrick, for a long time here at VSF, and have been pleased to watch his progress as he has made music his full-time endeavour. His latest album, fade into the dawn, is on the way via Run For Cover Records, a release that promises to blend “black humour and bold introspection” to find meaning in the mundane. As a taster, Field Medic has unveiled first single, ‘henna tattoo’, a characteristically sincere song recorded to 4-track tape recorder. Acoustic guitar is joined by Patrick’s earnest vocals and subtle beats from his drum machine, making for a track that lands at the folkier end of the bedroom pop spectrum.

fade into the dawn will be released on Run For Cover Records on 19th April, and you can pre-order it now from their website or Bandcamp page.

Shady Bug – Make it Up

The latest addition to the ranks of Exploding in Sound, Shady Bug are an indie rock band from St Louis. Their forthcoming album Lemon Lime is due to be released next month. The first single, ‘Make It Up’ is available to stream right now, and it’s immediately apparent that their sound feels right at home next to their new label mates. Lead Hannah Rainey says the song is about sharing Sprite with a crush, although the sweetness is offset somewhat by the chorus which covers worries both personal and what Rainey describes to Flood Magazine as “anxiety caused by the trees blooming early and dying in my neighborhood because of global warming.” The thrashing, cathartic finale helps too, proving that Shady Bug have the indie rock chops to support their fun songwriting.

Pre-order Lemon Lime now from the Exploding in Sound Bandcamp page and the Shady Bug Bandcamp page.

UV Rays – Flowerhead

Though originating as the solo project of Adrien DeFontaine, Brooklyn’s UV Rays soon grew into a four piece and found their groove as a raucous indie rock band. New single ‘Flowerhead’ serves as a great introduction for the uninitiated, driven forward by the drums and vocals of  Erica Warner, the guitars and bass surging behind with warm energy—like a shoegaze track as imagined by a power pop band, all melancholy blown away by the sheer momentum.

‘Flowerhead’ is taken from the band’s debut EP, Try and Begin, which is set for release on the 1st March, so keep an eye on the UV Rays Bandcamp page.

a. harlana – faces

Juno Roome leads a. harlana, a band that make gauzy and vaporous ambient pop songs with a raw and emotional edge. They have recently released an EP, ada belle, three tracks that shift and swirl with dreamy feeling, or as the press release accurately puts it, “elegaic, elegant, enigmatic and extra-good.” ‘Faces’ is the initial standout, a 7+ minute lesson in patience and atmosphere, lingering like tendrils of fog over sparkling guitar and lovelorn vocals. The overall aura is one of yearning, especially with the final line of “but i can’t seem to will your face next to mine.”

Okay Embrace – Phantom Text

We first featured David Schaefer’s Okay Embrace back in November when we premiered their single, ‘Moving’. “The delivery has a breathless quality,” we wrote of the track. “like the words of a person who has withheld their feelings for too long, the mounting pressure breaching some threshold and spewing forth in manic flow.” ‘Phantom Text’ is the second song from the release Moving/Improving, a song that builds from uncertain beginnings and kicks into a tighter rhythm. Again, the track builds into an increasingly pressing emotional state, bringing to mind the likes of Bright Eyes and Slaughter Beach, Dog in its ability to craft personal struggles into affirming, searching tunes.

Moving/Improving is available now from the Okay Embrace Bandcamp page.

Lady Dan – What Sanity

Working out of Texas but with roots in Birmingham, Alabama, Lady Dan makes music which is self-described as “Melancholic cowboy sounds you can cry in front of your cat to.” Taken from a forthcoming EP, ‘What Sanity’ takes this aesthetic and runs in the direction of unrequited love, detailing the soul-sucking sensation of falling for someone when they are indifferent to your very existence.

Bellows – What Can I Tell You About the World?

Recording as Bellows, Oliver Kalb has made his name as an interesting, ambitious songwriter that deals in heartfelt honesty. The Rose Gardener, his forth record that’s coming soon on Topshelf Records, looks set to continue the trend, stretching the limits of the bedroom pop genre and calling into question the use of such terms. Still, leads single ‘What Can I Tell You About the World?’ keeps things simple, a humble, touching folk song that comes complete with an intimate video from Richard Gin, setting the tone for an album that looks to address the poisonous culture of judgement and loneliness that marks the contemporary Western experience.

The Rose Gardener will be released on Topshelf Records on the 22nd February and you can get it on Bandcamp.

The This – The Strangest Ritual

Beginning life as a solo project of Evan Matthiesen, the ungoogleable Victoria, B.C. band THE THIS put out a debut EP back in 2017, and have since followed up with a series of single in preparation for a full length album. After the dejected weariness of ‘Casual Encounters’, the band are back with ‘The Strangest Ritual’, a frantic slice of punk rock that trades any hesitancy for frantic forward motion. As Matthiesen shouts over runaway instrumentation, you get the sense that the song is determined to have a good time despite whatever might be happening around it, as though fun and assured energy can be willed into existence with enough desire and dedication.

Bleeder – Rusted and Raw

Bleeder is the recording project of Shelby Smoak a writer and musician who focuses much of his attention on his experiences as a haemophiliac. His memoir, also titled Bleeder, was published by Michigan State University Press back in 2013, detailing the quest for life and love when suffering from haemophilia and HIV, with what Joanna Smith Rakoff described as “not just brutal honesty, but also with humour and grace.”

Bleeder the band emerged from the book’s ashes, looking to explore similar themes through a different form and tone. The second video in the outfit’s Singles Series, ‘Rusted and Raw’ takes the emotion, fear and loneliness of the memoir and weaves it into a wistfully retro brand of indie rock—once again breathing human life into a story of suffering and perseverance.

You can find all previous editions of Bright Sparks here, and why not check out our monthly roundup mixes?

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