After the critical success of 2021’s An Overview on Phenomenal Nature—a collection of songs we described as “shaped by [a] careful but fleeting hand, like sculptures allowed to dissipate as soon as they have formed. Moments captured, meaning what they will”—Cassandra Jenkins is returning this summer with a brand new album, My Light, My Destroyer. Again released via Dead Oceans, the record promises to push Jenkins’s sound to new heights, building upon indie rock foundations with sophistipop, jazz and new age sensibilities. Latest single ‘Petco’ gives a hint at exactly what this sounds like, all tied together by a distinctive lyricism that’s as confessional, wry and ambitious as anything on An Overview.

My Light, My Destroyer is out on the 12 July via Dead Oceans and you can pre-order it now.

Closebye – Pilates

Hammer of My Own, the forthcoming full-length from New York‘s Closebye, embraces both the destructive and constructive connotations of its titular tool. The early 2020s saw the outfit on the verge of break-up, and the heavy cost of the pandemic on the music industry left them in need of a complete rebuild. The new album finds catharsis in razing what stood before, clearing the ground for a new version of Closebye to slowly rise. In doing so, it finds the band exploring pressing themes of work and self-reliance in a world which too often demands we pull ourselves up by our bootstraps. Single ‘Pilates’ sees Margaux join for an exploration of self-improvement and its attached baggage, discovering how change requires as much dismantling (be that of doubt, denial etc) as it does building.

Watch the video directed by Elizabeth Kroner below:

Hammer of My Own is out on the 23rd August and you can pre-order it now.

Dustin O’Halloran – Spiritus Naturae Aeternus

Having started out as a founding member of the dream pop outfit Dēvics while also working solo under his own name, composer and pianist Dustin O’Halloran found himself invited by Sofia Coppola to provide music for Marie Antoinette, triggering an adjacent career scoring films. If that wasn’t enough, he’d later go on to form A Winged Victory for the Sullen with Adam Wiltzie (Stars of the Lid), but has continued to release music under his own name too. Probing at the intersection of technology and human consciousness, latest album 1 0 0 1 originated as a collaboration with choreographer and dancer Fukiko Takase, and single ‘Spiritus Naturae Aeternus’ offers a small glimpse of the conceptual whole which results.  A “representation of the beauty and chaos of nature,” as O’Halloran describes, where piano, solo violin, orchestral strings and the female voice create a celebration of the natural world and a requiem for that we stand to lose. Watch the video directed by Markus Englmair and featuring Takase below:

1 0 0 1  is out now via Deutsche Grammophon.

Gabriel Birnbaum – A Feeling Unbroken

“Now that you’re on your way / how does it feel to remember / from thirty thousand feet / to those apartments where the air pressed down / down on your throat you’re waking choking in hell?” So asks Gabriel Birnbaum on ‘A Feeling Unbroken’, the latest single from his forthcoming album Patron Saint of Tireless Losers on Western Vinyl. It’s a line which captures the essence the record both tonally and stylistically. Birnbaum has become increasingly interested in music’s narrative potential, and Patron Saint finds him at his most confident to date. It presents vignettes which occupy the knife-edge between specificity and ambiguity, rewarding the return listener with layers of wry humour and naked human emotion. ‘A Feeling Unbroken’ might be one of the more sonically restrained songs, but its sense of downward pressure seems central to a record of characters desperate for a few inches of fresh air within the choking hell of their present.

god is a feeling unbroken
long may you run in the open
god is a feeling unbroken
long may you run in the open
I’ll be watching

Joseph Decosimo, Luke Richardson, Cleek Schrey –  Rockingham

Back in 2021, Joseph Decosimo, Luke Richardson and Cleek Schrey convened at a cabin in Tennessee to work on an album, Beehive Cathedral. Each of the musicians are storied stewards of the traditional folk style and the record provided an opportunity for them to share, exchange and elevate their collective repertoire to not only preserve Old-time American and Appalachian songs but fashion the next link in the long chain of musical history. The album will be released later this month via Dear Life Records, but for now latest single ‘Rockingham’ offers a prime example of the trio’s intentions. Keeping alive a rich cultural heritage while mining the old tunes for the full depth of their interpretive possibilities.

 Mark Trecka – Sense of Fiction

We’ve followed the work of Chicago-born, Paris-based writer, sound artist, performer and activist Mark Trecka since 2021’s Acknowledgement. It was what we described as “more akin to an intertextual artwork than a conventional album” which explored the connective tissue which links individuals in a society no matter how oppressed or invisible those people might be. Subsequent releases have built upon this compassionate style, be it Implication‘s continued exploration of community and connection or The Bloom of Performance which used an amalgamation of post-punk and art pop to push Trecka’s work further still. The first in a series of singles released with Beacon Sound, ‘Sense of Fiction’ sees the continuation of this style. What the artist describes as “a paean to self-mythologizing as an instrument for overcoming emotional darkness,” the song sits adjacent to the eerie beauty and strangeness established on the previous record, reaching towards an almost Bowie-esque confidence with a soundscape of dream pop bass, drum machine beats and Trecka’s signature avant garde experiments.

 Moonheart – people’s prayer (after​/​w/ Lucille Clifton)

Moonheart is the project of songwriter, composer and poet Kim Mayo, who has recently released a new single, ‘people’s prayer’. Inspired by and featuring a Lucille Clifton poem, Mayo says the song is “an ode, thank u letter, & prayer for all the freedom fighters, truth tellers, mess-makers, & courageous, principled hearts who have been planting such fertile seeds for the new world now blooming.” It’s calm and unhurried but with a gentle power, a burning belief in a better world free of violence and war and inequality. As May continues, the song is for “[Those] who have created portals to show us that new world where care reigns supreme, who have made stunning dents in the war machine & the ruling class’s pockets full of blood & shown us how, who have created beautiful noise & mess & chaos in the name of love, freedom & justice.”

Pure Hex – Web and Wick

San Francisco‘s Pure Hex—that’s Marta Alvarez (vocals), Zach Dighans (guitar) Hussain Khan (guitar), Luke Clingerman (bass) and Jon Annunziato (drums)—are taking an unorthodox approach to their new album, Spilling/Five of Tears. Though envisaged as a full-length record, the release is separated into two discrete sections (as suggested by the title), and the band decided to share it in two parts via Neon Bloodbath. Hence Spilling, the first six songs, is out now, while fans have to wait for the second half. Closing out this section, latest single ‘Web and Wick’ has the job of not only concluding a set of songs but opening up towards what might come next. It proves itself more than ready for the task, this mammoth, shoegaze-inflected slice of indie rock which blends dreamlike imagery with a visceral weight to leave the audience desperate for what comes next.

I had a dream that we parted
When I woke up it was fake
It isn’t safe to come home anymore
Maybe you’ll burn me like a witch at the stake

 Warik – Biscuits

Later this summer Chicago-based music and video artist Warik is releasing the follow-up to 2016 album Warik’s Tape, the appropriately titled Warik’s Tape 2. Landing somewhere between indie rock and pop, the previous album offered an ideal summer sound, full of enough hazy tones and playful energy to satisfy those pining for 00s buzz bands like Wavves and Abe Vigoda. The opening tracks of the new record find Warik continuing with the bright pop sensibilities but add a layer of sleek polish. Be it ‘Yellowish’ with its combination of languid rhythm and glitchy detail, or the soulful, loose-limbed confidence of ‘Biscuits’. The sound of an artist to watch for sure, not to mention an early addition to your summer playlists.

Warik’s Tape 2 will be released later this summer, so keep an eye on the Warik Bandcamp page.

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