“With… tender and confessional vocals, the track paints a vulnerable, open-hearted mood which longs for certainty within the painful fervour of love.” So we described ‘Enough‘, the previous single by San Francisco‘s Bad Tiger. Latest single ‘Obedience’ follows the same mood, but whereas its predecessor bloomed into something brighter, the track fails to break from its atmosphere of understated melancholy. A song somehow both intimate and spacious, as though tapping into the heart of relationship and finding the internal landscape windswept and barren.

All I wanted was a little more time
Before I thought it died
Paranoia, unable to decide
If what we’re holding is alive

‘Obedience’ is out now and available from the usual places.

Con Davison – Look At Me That Way

There’s long been a bittersweet quality to the music of Con Davison, with tracks like ‘Sofa Bed‘ and ‘Postcard‘ marked by the way they use languid pop warmth to explore personal difficulties. Latest single ‘Look At Me That Way’ is no different, its laidback brightness belying the loneliness at its heart. The track “is about my struggle to connect and understand my closest loved ones when life gets hard,” Davison explains. “It’s so easy to isolate and not make an effort when you’re going through some shit. It’s childish and I think LAMTW is my reminder to give it a go at trying to understand and empathize with people, and allow them to understand and empathize with me.”

 Luce Rushton – Night Drive Through

Having risen to prominence under the moniker TV Room, Luce Rushton has now adopted her own name, and single ‘Night Drive Through’ serves as our first impression of what this change might mean. Released via Sad Club Records, the song offers a picture of early-relationship suspicion, as if unable to believe good things might happen, or perhaps anticipating their eventual end right from the beginning. “Being gay, I never thought I would ever find love and so when I did I was convinced at first it was someone playing a prank on me,” as Rushton explains. “Although a love song, I wanted this song to show how every event was clouded by fear.” Watch the video by Amy Ryder and edited by Olly Ryder below:

‘Night Drive Through’ is out now via Sad Club Records and available via the Luce Rushton Bandcamp page.

Middle Priest – Fingernail

Back in July we wrote about Middle Priest, the songwriting project of Raleigh-born, LA-based Colson Dorafshar, describing single ‘Act Your Age’ as “a bright and emotionally charged sound that lands somewhere between the rich, country-inflected rock of the likes of The Wooden Sky and probing resonance of someone like Sinai Vessel.” With EP I thought that I was far away coming soon, Dorafshar has unveiled latest single ‘Fingernail’. Driven by another pressing momentum, the track embraces this style, though within the certainty of its rhythm lies a far more conflicted picture. As though the motion might not be that of impetus but rather the anxious thrashing of a directionless life.

I thought that I was far away is coming soon. Find Middle Priest on Spotify.

Nathan Graham – Somebody Else

With debut album Saint of Second Chances due in October on Pravda Records, Chicago‘s Nathan Graham has released a new single ‘Somebody Else’. It’s a showcase of his signature style, which combines the Blues of Chicago’s South Side with Nashville’s guitar-based Americana to form something both sincere in emotion and smooth in its delivery. Latest single ‘Somebody Else’ is the perfect place to start for the uninitiated, exuding an earnest, soulful confidence despite the uncertainty of its themes. “‘Somebody Else’ is not a relationship song,” as Graham explains. “Well, not in the traditional way. I wrote this to personify the relationship between a person and their art… It’s that pull to keep going and one day you will catch up with your dreams.”

‘Somebody Else’ is out now and is available from the Nathan Graham Bandcamp page.

smol fish – Sweet Taste

A self-described “band of best friends” from Borloo/Perth, smol fish make indie pop that’s at once playful and wryly cutting. They’ve just released their sophomore EP, Crocodile Tears, what they call “a meditation on the themes of childhood nostalgia, showing up for your friends and the anxiety that surrounds both new and old love.” The opening track seems like as good a place as any to start, and ‘Sweet Taste’ delivers right up front. Many a song has taken on the bittersweet nature of life, but smol fish invert the classic view, not finding sadness within the everyday but rather homing in on the good. “Even sour has a sweet taste,” as the song’s refrain states, embracing sensitivity not as some flaw or vulnerability but rather the key to appreciating every day.

I think it’s beautiful the way
that hair turns grey
That nervous feet sway
That eyes full of dust still stare at the day
Still happy in the rain

Teenage Halloween – Getting Bitter

Following on from their self-titled debut, New Jersey punks Teenage Halloween are preparing to release their new full-length, Till You Return on Don Giovanni Records. The act have established themselves as key figures in the contemporary emo/pop punk scene, and latest single ‘Getting Bitter’ shows the new album promises to amp up the emotion and melodies. Bassist Tricia Marshall takes on vocal duties, channelling the love and angst of the Teenage Halloween sound into a picture of addiction in all of its tangled complications. Where a desire to help a loved one struggling with such issues is counterbalanced by an unavoidable frustration. “You grow somewhat resentful of this person who takes family and sobriety for granted,” as Marshall explains, “when in reality it’s not entirely their fault, so you’re left in an uncomfortable crossroad.” Watch the video by Preston Spurlock below:

Till You Return is out on the 20th October via Don Giovanni Records and you can pre-order it now.

There Will Be Fireworks – Classic Movies

“Will this shadow ever leave me? / Does my heart again deceive me?” So asks Nicholas McManus near the beginning of ‘Classic Movies’, the lead single from Summer Moon, There Will Be Fireworks’ first album in a decade. The lines are distillation of the record’s mood. The sense of something starting again, or perhaps the voicing of something which never ceased. There Will Be Fireworks emerged within the noughties golden age of Scottish indie rock, more than holding their own with their characteristically atmospheric and impassioned sound, and the new album is both a continuation of this style and something of an evolution. A collection of songs subject to the elastic nature of time, where the weight of years is always matched by a kind of disbelief that barely a minute could have gone by.

Summer Moon is out on the 3rd November and you can pre-order it now.

Quinn Tsan – Once I had a picture of us

Writing of single ‘Roses‘ back in April, we described how the music of Quinn Tsan has undergone something of a transformation, with the smoky barroom style of her previous work moving towards a more reserved, intimate sound. Latest track ‘Once I had a picture of us’ continues in this new vein, a reflective ode to a relationship fading in time if not the mind. But more than a slice of pure nostalgia, the song matches the wistful reminiscence with a resistant thread too, as though the rose-tinted images are not always welcome, but rather pictures which have slipped through the various defence mechanisms built up in self-protection.

‘Once I had a picture of us’ is out now and available from the usual places.

the world famous – Everyday Fear

The first single from the upcoming the world famous album, totally famous, on Lauren Records, ‘Hollywood Pawn’ “treat[ed] the Californian metropolis with a mixture of derision and delight, both ridiculing its oddities and excesses and riding the crest of its sunny, palm-lined feel-good factor.” The mood is typical for a record which moves through the hardships of modern living—be they emotional, financial or spiritual—with a kind of carefree propulsion. As though maybe refusing to stop will prevent the realities of life weighing you down too heavily. “Afraid, I’m afraid, every single day,” Will Harris exclaims in new single ‘Everyday Fear’, though armed with a pressing momentum he aims to shake off the feeling, or else move fast enough to lift its weight.

The post Weekly Listening: September 2023 #1 appeared first on Various Small Flames.

Brooklyn-based musician Alexei Shishkin is about to release new record Goodbye Sunrise on Rue Defense, and latest track ‘Froze Up’ serves as an entry point for those unfamiliar with his jazz-inflected pop rock style. With sax and even some neo-soul elements working their way into the mix. Offering direction to the album’s title, the song conjures not so much a bright dawn as a tropical city night. An open-topped car ride through neon-lit streets, perhaps the last people awake and feeling easy with it, as though with a little luck and not much effort the night might just stretch on forever.

Long nights
fast cars
the city bars
are closed up
and I froze up

Corey Gulkin – Half Moon

“How were we before this?” sings Corey Gulkin on the title track of their upcoming LP Anything Bagel. “Was it all so simple?” The album sees the Montreal artist delve into the fully intricacies of the self, disavowing any clear intention or conclusion in favour of something more natural and kind. “I wanted to engage with parts of myself that I was most afraid of and let them speak their mind, without shame or judgment,” as Gulkin explains. “This album overall feels like both a coming out and a coming into myself.” Watch the video for the single below, filmed and directed by Nasuna Stuart-Ulin, with special effects by Dustyn Lucas:

Half Moon is out on the 6th October via on Anything Bagel and you can pre-order it now.

goodgrief – two wheel drive

Be it in his solo work or through bands like Young Elk and The Slow Sound, the music of Ezekiel Rudick always packs a punch of the darkest kind. Songs which reluctantly set out into the shadowy realm of the past through all the lurking traumas, sometimes emerging with some sense of catharsis and others nothing but bitterness. With love birds, the latest record from his solo project goodgrief, coming this September on Rue Defense, Rudick has shared new single ‘two wheel drive’. A continuation of Rudick’s new mission statement to make “happy-sounding sad music” which blends the 90s shoegaze of Low with a Bazan-esque earnest-yet-forthright delivery.

Lee Baggett – All Star Day

“Like a long-lost seventies summer jam complete with a surreal slacker spirit which captures that easy-going West Coast swagger.” That’s how we described ‘Fruit Dog‘, a song from Lee Baggett released last summer. The track captured the spirit of Baggett’s work, having played in various bands in California since the eighties, eventually meeting fellow musician and surfer Kyle Fields and playing with Little Wings and the Be Gulls for going on two decades. With new album Echo Me On coming next winter on Perpetual Doom, Baggett is back with ‘All Star Day’, and the song might just capture the vibe even better than the last. An embodiment of those perfect summer days you had in your youth, and a reminder that such carefree bliss is still available for those willing to search it out. “The song came to me in my head already done,” Baggett explains. “I couldn’t even bend it a little bit.”

Mali Velasquez – Tore

Described as “a perennial introspection into the wild animal of young adulthood,” Mali Velasquez’s forthcoming LP I’m Green on Acrophase Records explores everything from grief to the trials of toxic relationships, though above all works to acknowledge how our biggest critic so often comes from within. Lead single ‘Tore’ takes on self-judgement directly, looking to overcome the unrealistic barriers and expectations we create for ourselves with a mix of gentle compassion and heartfelt catharsis. “‘Tore’ is a song mostly about my own way of self-sabotaging,” Velasquez says. “I have no idea how to combat being embarrassed all the time still, but explaining it some has helped. Being comfortable in my skin is something that feels out of reach a lot of the time. I put a lot of my ideas of not knowing how to feel or what to do or eat or wear into this song.” Check out the video directed by Reed Schick below:

I’m Green is out on the 13th October via Acrophase Records.

Middle Priest – Act Your Age

LA-based outfit Middle Priest are gearing up to release their debut EP, I thought that I was far away, very soon, and have unveiled their very first single to give an indication as to what to expect. Led by Raleigh native Colson Dorafshar, the band offer a bright and emotionally charged sound that lands somewhere between the rich, country-inflected rock of the likes of The Wooden Sky and probing resonance of someone like Sinai Vessel. “How long must I wait for you?” Dorafshar asks in the opening lines. “How long ’til you’re ready to / come home, talk it out? I am a man now, don’t be a child, no / I’ve been missing you.” The song proceeds from this opening, the sound ebbing and flowing as Dorafshar questions and pleads with this significant other. Though no clear answers emerge, there’s nevertheless something affirming in the bright momentum of the sound.

POSTDATA – Try

Though better known as lead of Canadian rock royalty Wintersleep, Paul Murphy has also developed a solo career under the moniker POSTDATA. With new full-length Run Wild coming soon via Paper Bag Records, Murphy has unveiled latest single ‘Try’, and all the elements which have made him such a prominent songwriter in Canadian independent music are present. From his distinctively searching vocals to the melding of pop and idiosyncratic sensibilities, this time to paint a picture of a frustrated musician driving themselves onwards, regardless of whether the terminus is a brighter horizon or total breakdown. “I think this is about following your passion wherever it leads,” Murphy explains. “There’s a sense of humour I think to it and a sense of lightness and darkness and desperation too. Essentially, they are the same lyrics in verse 1 and 2 with a slight twist in perspective or that’s what I’m trying to arrive at.”

Run Wild is set for release on the 22nd September via Paper Bag Records and you can pre-order it now.

Viv & Riley – Kygers Hill

Viv & Riley, AKA Vivian Leva and Riley Calcagno, is a Durham-based duo preparing to release new album Imaginary People later this year on Free Dirt Records. The record combines pop, indie folk and traditional country sensibilities to evoke the nuances of nostalgia, and opener and lead single ‘Kygers Hill’ serves as the ideal intro to the sound. It’s a song based around Leva’s experiences returning to her childhood home of Virginia after moving away for college, and how new perspectives of such familiar places can emerge with distance and time. “It’s about missing your old home while trying to make a new one.” As Leva concludes. “It’s about growing up.” Watch the video directed by Leva and Calcagno themselves below:

Imaginary People is out on the 15th September via Free Dirt Records and you can pre-order it now.

Your Heart Breaks – Do you dare to dream with me? (feat. Wynne Greenwood)

We’ve shared a number of pieces on The Wrack Line by Your Heart Breaks in recent months, describing how the album functions as a version of title image, with Clyde Petersen detailing “a lifetime of friendships, feelings and memories, broken free of a gyre and left upon the artists’ shoreline.” Across eighteen tracks and with guest appearances from the likes of Christine Fellows, John K. Samson, R.Ring, Kimya Dawson, and Nana Grizol‘s Theo Hilton, The Wrack Line details not only a life spent on the margins, but also the community which Petersen chose to build there. With the album now out via Kill Rock Stars, final single ‘Do you dare to dream with me?’ invites the audience into this project of building a better world. The dreamily triumphant tones and Wynne Greenwood’s vocals convincing us that the impossible can be brought to life, if only we retain a sense of defiance and imagination.

The post Weekly Listening: July 2023 #4 appeared first on Various Small Flames.