First single ‘Kings Die Like Other Men (Rediscovery)’ used this to weave a cinematic composition full of cosmic detail and latent drama, updating the comparatively reflective 2009 original into something larger and more far-reaching (as captured in the video by Alex Osmolovsky and Vlad Voronin). The song highlights Metavari’s willingness to confront mortality on the grandest stage, something also illustrated by the naming of the album’s conceptual tracks. ‘Drift’, ‘Swell’, ‘Arc’, ‘Flux’, ‘Swarm’, ‘Collapse’ and ‘Bloom’ take their names from stages of the phenomenon of stellar rebirth, charting a journey from life to death and back again on an almost unimaginable scale. Finding both darkness and light with cosmic rhythms.

Latest single ‘Páirc Sequence’ is no less inventive or evocative, finding a balance between organic, celestial and electronic styles to weave another transportive composition. In 2020, Metavari was invited to create music for a park in Fort Wayne, and Utesch developed an app called SoundWalk which uses proximity and location to play the user music at the appropriate moment, meaning a soundtrack could play and change according to a person’s exact location. “Páirc Sequence” represents a version of that experience, losing the interactivity but still capturing the inherent movement and energy that sat at its heart.

Again Metavari use the song’s video to further the style. Shot and directed in Amsterdam by filmmaker Hans Peter Schepp, the film features Nancy Burer of the Dutch National Ballet and Donnie Duncan, Jr. of the Netherlands Dans Theater contemporary dance company and uses mirrored dances to accentuate the motion of the electronics.

Soft Continuum (Studies Vol. 2) is out via Joyful Noise Recordings on the 10th June and you can pre-order it from the Metavari Bandcamp page.

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Based in Nashville, Anne Malin is a poet and songwriter whose work exists at the intersection of country, freak folk and indie rock. New album Summer Angel, coming this June on Dear Life Records, works this space to explore the conflicted themes of love and violence, Malin at its centre both curious about the possibilities of the world and painfully aware of its cruel extremes. Serving as the perfect introduction to the release, lead singles ‘Destroyer’ and ‘Redeemer’ are harrowing in both senses of the word. Vulnerable songs which descend into distress and pain, but also songs sharp and toothed, capable of breaking new ground and imagining the field anew.

Summer Angel releases on 17th June via Dear Life Records. You can pre-order it now from the Anne Malin Bandcamp page.

Chris Bathgate – Don’t Look Back

Next month sees the release of The Significance of Peaches, the latest album from Michigan songwriter Chris Bathgate on Quite Scientific Records. Continuing Bathgate’s distinctively evocative style, new single ‘Don’t Look Back’ evokes the mythic tale of Orpheus and Eurydice to explore a more personal mythology. A love story coloured by both tragedy and defiance, finding compassion in its hard won wisdom. “Ain’t it strange how the things we’ve done,” he sings, “often are the cause of us undone– / that’s love, or something.” Check out the video by Kevin Romeo and Bathgate himself below:

The Significance of Peaches is out on the 13th May via Quite Scientific and you can pre-order it now.

HUSHPUPPY – Nervous

The project of New York‘s Zoë Brecher, HUSHPUPPY makes a cathartic brand of indie rock, as highlighted by latest track, ‘Nervous’. The latest in Hardly Art‘s Singles Series, the track confronts difficulty with defiance, finding empowerment in the knowledge that others suffer too. “As someone who suffers from anxiety and depression, I often struggle to leave the house,” Brecher describes. “This song is about acknowledging I’m not the only one who feels that way.”

Keeps – Over Again

Keeps are an indie rock four-piece from Nashville, Tennessee. Following on from their second album Affectianado released in 2020, they have returned with a brand new single, ‘Over Again’. Written by singer Agustin Escalante and guitar player Robbie Jackson through the lens of pandemic-induced isolation, the song charts the pressures time and distance can put on a relationship, the warm jangle and melancholic vocals combining into a decidedly wistful air.

Kisskadee – Black Hole Era

Next month sees the release of Black Hole Era, the new album by Kisskadee on Anxiety Blanket. The project of LA multi-instrumentalist Kasie Shahbaz, the record combines folk, pop, psych and ambient styles to realise its distinctive sound. Its title track displays just how evocative this blend can be. The various styles knit together into a near cosmic bed of sound which holds Shahbaz’s vocals, the lyrics probing into universal mysteries and possibilities beyond what we understand as reality, a very human line of questioning amid the spacey sound.

Black Hole Era releases on 3rd June via Anxiety Blanket. Pre-order it now from the Kisskadee Bandcamp page.

Metavari – Kings Die Like Other Men (Rediscovery)

Described as “in communion with the decade past,” Soft Continuum sees Nathaniel David Utesch’s Metavari reimagining their 2009 debut full-length, Be One of Us and Hear No Noise. Out this June on Joyful Noise Recordings, the new record functions as both a work by and tribute to founding member Ty Brinneman who passed away in 2020, his recordings expanded into what eventually became the album. With stellar contemporary electronics elevated by a range of styles, from Italian horror movie dramatics to the cosmic experimentation of kosmische and new age music. Lead single ‘Kings Die Like Other Men (Rediscovery)’ drops the listener straight into this style, especially when paired with the video directed by Alex Osmolovsky along with director of photography Vlad Voronin.

Soft Continuum (Studies Vol.2) is out via Joyful Noise Recordings on the 10th June and you can pre-order it now from the Metavari Bandcamp page.

Riches – The Frequency

Riches is described as the “manifestation of an ongoing dialogue” between Catherine McCandless (of Young Galaxy) and the choreographer Wynn Holmes. “A glowing and airy slice of pastoral folk,” was how we described previous track ‘Light of Dawn‘, and though new single ‘The Frequency’ retains some of the lightness, it heads into altogether deeper territory with a full band arrangement that introduces an almost gothic dream pop sound. “The frequency is: being swept up, being in love, longing and belonging, soothing and alive,” the band explain. “It is a calling on the ethereal to take on form, on music to bring touch and connection over the frontiers of physical walls and distances.”

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