We decided to expand things slightly this year, giving ourselves a chance to write a little something about the albums we wanted to cover but never got the opportunity. Albums which meant something to us at various points through 2021. The list was still incomplete, of course, and we were left with a big list of great songs from great records we didn’t get a chance to mention.

So here are some songs we really enjoyed in 2021. We hope you enjoy them too.

Arooj Aftab – Mohabbat

A take on a piece by Hafeez Hoshiarpuri, Aftab’s multilayered masterpiece is suffused with the patience, sadness and meditative inner wandering of Sufi devotional poetry.

Anjimile – Stranger

As fragile as sandstone, tougher than rock, ‘Stranger’ packages a nuanced assessment of identity as a folk pop hit of which Sufjan would be proud.

Bea Troxel – Getting Where

An empowered anthem for the introverted, slowly circling towards a more truthful self.

Ben Seretan – Cicada Waves 1

Measured and patient piano embedded within an organic field recording, ‘Cicada Waves 1’ plays like a slow day passing in all its quiet details, all its hidden weight.

The Bird Calls – Ritual Crash

With satellites falling from the sky and the burning underworld breaking the surface, ‘Ritual Crash’ presented the most tender, intimate end of the world you were likely to hear in the year of our Lord 2021.

Bria – Buffalo Ballet

Travel to Abilene, TX with this take on John Cale’s “European version of the Old West,” from an EP of covers that both subverts and celebrates country music.

BRNDA – Perfect World

Stable job, accolades, friendly dogs and affirmation. “You’re in the perfect world and doing ok,” sings Leah Gage, voice flat and sardonic as the track eventually tips sideways and falls into an unhinged sax outro.

Canary Room – Lake Effect

Bittersweet folk captured in its best setting, supported by warm lo-fi textures and an ambient embrace of birdsong.

Carson McHone – Hawks Don’t Share

The lid peeled off artistic collaboration, showing the tug of war tension underneath, as well as the lingering regret that results.

Daniel Davies – Spies

On streets as dark and foreboding as this, the question isn’t whether you are paranoid, but whether you are paranoid enough.

Doran – Old Moon

A new song cut from ancient cloth, like a small scrap torn from the drape of the heavens and earth and old moon itself.

Dusted – Not Offering

“I have given up. I’ve given enough,” Brian Borcherdt sings on this tender lesson in regret and letting go. “I was so sure. So it goes, I am not anymore.”

Etran de L’Aïr – Toubouk Ine Chihoussay

A suitably joyous number from Agadez’s premier wedding band, drawing you into its infectious momentum.

Fog Lake – jitterbug

A typically aching and overcast pop song from the master of them.

Frances Chang – eros the love creator dividing chaos

Cosmic spoken word which finds universes within interiors, a daydream transportation away from these sorry lands.

Fust – The Last Days

A song for hard times made warm by the fundamental fondness gained only through shared suffering.

JOHN – A Military Alphabet (five eyes all blind) / Job’s Lament / First of the Last Glaciers / where we break how we shine (ROCKETS FOR MARY)

Some latent thing awoken by our way of living, rising in the name of revenge.

Heka – (a) wall

Anger simmered down to a velvety caramel, coating the tongue on a slow walk through nocturnal alleys.

Hilary Woods – I

One of Hilary Wood’s wordless hymns, to be sung in dark chapels deep underground.

illuminati hotties – Pool Hopping

Working on the logic that slowing down might equal admitting truths or figuring things out, ‘Pool Hopping’ grabs you by the hand and runs.

Indigo De Souza – Pretty Pictures

“I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world,” Indigo De Souza explains, capturing the bummed-out brightness better than we ever could.

Johanna Samuels – Sonny

With its long shadows and golden light, it’s not clear whether the sun is dawning or setting on ‘Sonny’, but it heralds a new day nonetheless.

JOHN (TIMESTWO) – Return to Capital / Šibensko Powerhouse

The reek of ozone as thunderheads slowly gather / The unleashing of the storm. “I see an opening in the sky, high, wide.”

Keith Secola – Intaglio

Just one of the portals on Keith Secola’s latest record. Looking to the heavens, rooted to the ground, tied to everything in between.

Lael Neale – Blue Vein

“Guardian angel / Gather my losses / Keep them all safe / ‘Til I come to my cross”

Le Ren – Dyan

As warm as a mother’s hand, with all the clarity of an empty room.

Lewsberg – The Corner

Perfectly minimal, just guitar, percussion, and incense-scented violin. All backed up by monologue-like vocals that ring with pure patience.

Loretta’s Museum – The Rodney Ave Garage Sale

Instrumental folk and the ambient sounds of a garage sale combine to evoke one of those perfect glittery springtime days when the sky is blue and the leaves are green and the sun isn’t yet too hot to bear.

Lucie, Too – スーパームーン Super moon

A slice of big, radio-ready indie pop from a Japanese duo that seem destined to blow up.

Mal Devisa – Deja playing guitar

With slow guitar and lilting rhythm, a track which isolates the tenderness and patience within loneliness, yearning for connection with plainspoken charm

Marie/Lepanto – Gramps and Grandma

Justin Peter Kinkel-Schuster on reliably emotive form with the picture of familial love and heartbreak, and Jason Isbell shows up to shred some guitar for good measure.

Maxine Funke – Quiet Shore

A quiet meditation on the mundane aspects of a traumatic moment (a tea tray, a snatched umbrella, a slammed door) that illustrates the potency of memory and how a whisper is often louder than a shout.

Merpire – Heavy Feeling

Has an anxiety attack ever felt so cathartic?

Midwife – God is a Cop

“Am I heartless, or am I soft?” The pressing question at the heart of a track suspended between earnest confession and violent conflagration.

Myriam Gendron – Poor Girl Blues

Gendron combines a traditional Québecois folk song with an old blues one to distil their shared meaning, a lament for the lost, lonely and displaced.

Ovlov – Baby Shea

A 97 second eulogy to Brooklyn’s Shea Stadium played at breakneck pace.

Quivers – Gutters of Love

Ageless Aussie pop that’s a little bit 80s, a little bit 2010s, and a whole lot of joyous reassurance that heartbreak passes and things will be just fine.

Reiko and Tori Kudo – The Deep Valley of Shadow

A soft soliloquy on isolation grows quietly unsettling as warped strings whisper at the edges like anxious thoughts.

Sand Duney – Shadow Outside

Ramshackle country-tinged psych pop built on layered backing tracks thats equal parts meditative and energetic.

Space Mountain – Night Sky

A slacker jam.

Spread Joy – Kanst Du

Just one no wave pop nugget from a record that’s full of them, like pulling a weird sweet and sour German candy from a bag of pick ‘n mix.

Talons’ – Vampire

Talons’ tackle the experience of living through the pandemic in typically raw fashion, centring on an anxiety dream of being maskless in ALDI “between the meat, the fake meat and the gluten-free.”

Tiny Deserts – Wild Mt. Thyme

This beautifully unfussy and intimate take on an old Scots/Irish folk song captures that uniquely summertime feeling where the slow sunny evenings feel at once sorrowful and jubilant.

Trace Mountains – Eyes on the Road

The sound of a late-night self-reckoning while flying down the highway

TV Priest – Lifesize

A slurred and snarling assault on the patriarchal “strongmen” of politics and culture.

Typhoon – We’re In It

A band known for orchestral maximalism hone things to a razor edge in this emotional gut-punch on isolation, drifting friendship and, ultimately, persisting.

Valley Palace – Patch

Sky-blue guitar pop washed in hazy nostalgia that will have you dreaming of summer.

Weakened Friends – Quitter

A very nineties marriage of confession and catharsis, confronting fears over life’s direction by attaching heart to sleeve and blazing on ahead.

World Record Winner – Pockets of Nature

An honest-to-goodness ode to the joy of rooting around in the dirt and leaf litter away from worries and cares.

Wormy – Hungry Ghost (feat. Samia)

A whirlwind tour through the banal and heartbreaking details of life, gathering enough momentum to convince yourself everything might just be alright.

Yellow Ostrich – Timothy

“What’s a man? I’m just as soft as I can be” sings Alex Schaaf on this rumination on connection and the fallacies of masculinity.

If you enjoyed anything on this list, you may also be interested in our list of albums we missed in 2021. And of course, there were lots of amazing songs that we did write about in the last year, so have a look back through our Reviews and Previews sections to find more.

The post Songs We Missed in 2021 appeared first on Various Small Flames.

Cold Beat – Mother

Out via DFA Records, the latest Cold Beat album, Mother, came into existence when front person Hannah Lew was expecting a child. “I found myself trying to describe our earth to a new human who had never been here,” they explain, submerged in what is undoubtedly a pessimistic age. “It was a bleak year to be pregnant, but I was simultaneously filled with so much love and hope at the same time.”

Mother is Lew’s attempt to communicate these conflicting sensations. Shot through with a binding sense of energy, the record channels the like of Au Revoir Simone in its otherworldly beauty, synths and guitars offering sparkling yet melancholic soundscapes that are constantly shifting. That said, the songs actively work against the sense of doom of our age, unearthing light amid the darkness, and finding a sense of hope and perseverance in the cycle of life.

MAITA – A Beast

Inspired by the songwriters of 2000s indie rock, from Conor Oberst to Lesley Feist, Maria Maita-Keppeler found her own artistic vision in the amalgamation of reality and poetry. The result is songs both honest and emotionally resonant, driven by the urge to communicate more deeply. “For me, songwriting comes from a place of wanting to find the truth in life,” Maita-Keppeler explains. “Sometimes that truth is so complex and nuanced that it requires a whole song to explain.”

Recording under the moniker MAITA, the Oregon-based musician works with such ideas in mind, crafting emotionally resonant tracks that look to convey what might otherwise be left unsaid. New single ‘A Beast’ is a superb example, drawing the listener in with the gentle lilt of the opening before plunging you headlong into the cold rush of the chorus. However, MAITA has a firm grip of your shoulders, and pulls you out for breath before immersing you once more.

Best Wishes will be released via Kill Rock Stars on the 3rd April and you can pre-order it now from the MAITA Bandcamp page.

Orpine – Sondern

Orpine is UK duo Eleanor Rudge and Oliver Catt, self-described migratory birds “singing in harmony 300 miles removed.” The pair had spent time together in the past, lending their talents to various bands and records, yet fell out of touch for several years before Rudge eventually reached out once more. A trip to Black Hill in the Scottish Borders entailed, and a four day writing period where the collaboration truly began.

The result was Grown Ungrown, a full-length album to be released this May on Heist or Hit. Forgoing the trappings of contemporary life, the album is a celebration of the natural and organic—tapping into the great rhythms of nature so as to create a space in which their own emotions can ebb and flow. Lead single ‘Sodern’ is a great example, a song ostensibly about loss and mourning that nevertheless finds the time to cycle through various moods and states. A seasonal song that finds not only comfort in the patterns of life, but something like awe.

Cold ice water covering my head
And a long, hard winter breaking whatever’s left
And black coal burning, warming my legs
And my old, lone island, sinking for itself

Grown Ungrown is out via Heist or Hit on the 15th May and you find Orpine on Bandcamp.

Alli Millstein – Smoke in Her Eyes

Combining folk and rock sensibilities and driven by an impressive vocal range, the music of Brooklyn songwriter Alli Millstein is an evocative trip through the emotions and vulnerabilities of modern life. New EP Psychic Distance represents an authentic and idiosyncratic experience, drawing as much on classic country rock as contemporaries such as Lucy Dacus, and capable of both urgency and dreamy patience.

Latest single ‘Smoke in Her Eyes’ is firmly in the latter camp. A slow ballad of lazy saxophone and unfurling lyrics, the song brings to mind the moving conversational power of Frederick Squire, Millstein possessing the confidence to lean into the expansive half-paced style.

There is a flame burning all day
too hot to touch it
There is a name on every page
too shy to say it

she’s on the tip of my tongue
and the skin of my hands
I sleep in her waves
and live on her land

Chase Weinacht – Leap Day

Best known as the singer of Austin band Marmalakes, Chase Weinacht records solo under his own name, and has teamed up with the ever-reliable Keeled Scales to release a brand new single, ‘Leap Day’. In contrast with the slick polish of the Marmalakes sound, Weinacht’s solo work is far more individual and textured, refusing the urge to iron out every kink or answer every question.

Such a sense of uncertainty marks ‘Leap Day’. The song is “about how big and small New York feels when you’re there with the people you’ve known for years,” Weinacht explains, “but how you can feel like an imposter in that very familiar person’s very unfamiliar-to-you world, like you can’t understand how they are so in their element in a place that feels so different from the space where you made the initial connection.” Chase Weinacht is not writing perfect answers to every ambiguity but mapping their shapes, making them known so that the common humanity there might be teased to the surface.

On a rooftop in Bushwick at 5am
I couldn’t look at you
Without almost leaning in
And if we’d been alone
I’d have had no control
but if we’d never met up
How would I have ever known

V.V. Lightbody – If It’s Not Me

Back in May last year, we wrote about ‘Babe, Honestly‘, a single by Chicago’s V.V. Lightbody on Acrophase Records. The song has a “surreal, constantly-shifting atmosphere that subverts and surpasses the genre conventions,” we wrote, noting the duality between the “delicate and hospitable sound masking a colder, more vicious tone.” Again working with Acrophase, Vivian McConnell and co. are back with a brand new full-length album, Make a Shrine or Burn It, to be released this May.

Lead single ‘If It’s Not Me’ serves as our introduction to the record. Although there might be an ambiguous space between the soft, warm sound and the lyrical themes, the bite of the previous single is replaced by something altogether more conciliatory. For rather than anger or jealousy, the song attempts to make peace with an ex and their new flame, viewing the ‘other woman’ not as some poisonous figure but a fellow human being. Treating this person “with respect and dignity,” McConnell explains, is “an important step for healing and one’s sanity.”

Make A Shrine Or Burn It will be released on the 1st May via Acrophase Records.

Grizzly Coast – Forever

Writing last year about the single ‘Half-Light Boy‘, we described the music of Alannah Kavanagh’s Grizzly Coast as “vivid […] heartbroken rock,” the song “operating within the liminal space between clinging to and moving on from someone who was once important […] a cathartic detailing of the profoundly wounding experience of another’s selfishness.”

A brand new Grizzly Coast single has just been released, and the song builds upon this style. Finding harmony between thoughtful lyricism and instrumental immediacy, ‘Forever’ is dream pop in its most potent form. The haziness of the genre is present but not overpowering, Kavanagh’s vocals cutting through the velvet tones in a forthright, confrontational manner. The result is something of a subversion of the usual conventions, a fight against the false romanticism of longing and loneliness.

Grizzly Coast is releasing her debut EP this spring, so be sure to follow on Facebook, Twitter and Instagram for more news.

Foreign Fields – Rose Colored

Hailing from Wisconsin, Foreign Fields have been crafting some of the most evocative folk music of recent years, starting with their debut record in 2012. Indebted to both the natural world and the human experience, the songs of Eric Hillman and Brian Holl have always carried a quiet grandness, melancholy and wonder wound tight into soundscapes both lonely and affirming.

Brand new album The Beauty of Survival looks set to continue this style, holding up small pockets of human warmth against the cold. Latest single ‘Rose Colored’ displays this with its fittingly moving sound. A song “about contentment and the paths we take to reach it,” the song looks into the past for answers about the present. “It is probably the most autobiographical song on the record that closely follows our path and journey in making this record.”

Merpire – Heavy Feeling

Recording as Merpire, Melbourne’s Rhiannon Atkinson-Howatt released her debut EP Endless Chatter back in 2018, a record that introduced her distinctive brand of urgent pop emotion. Leading up to an as of yet unannounced debut album, a series of singles followed that saw the sound evolve and grow. As our friends over at Swell Tone put it: “Building from acoustic beginnings, [Merpire] has developed a sound that maintains her songwriting’s signature punch of familiarity but ignites it with unexpected textures and tones to create her own mystical sonic world.”

Based around experiences of anxiety and discomfort, latest single ‘Heavy Feeling’ is a good view into the world Merpire is creating. Rich, affirming and confident, a steely-eyed glare into the face of one’s demons in the hope that they might just blink. “I write music to get those thoughts out of my head so that they seem like less of a reality I’ve created and more just thoughts that will pass,” Atkinson-Howatt explains. “This song is more straight-up lyrically, melodically, production-wise than previous releases. Straight to the point of ‘anxiety is shit so I’m going to write a loud, strummy song to get it out’.”

The debut Merpire album is on the horizon, so be sure to follow on Facebook and Instagram for further updates.

Minor Powers – Wound Like Me

Minor Powers is duo Megan Lightell and Derek Greene, partners from the Appalachian foothills who combine mountain music with indie rock to produce a bittersweet sound perfectly positioned to explore the age old themes of love and loss. Album Stones We Keep is a collection of such tracks, staying true to folk influences while adding newly emotive edges. As the Minor Powers website explains, the songs are “haunted by the past while grasping at the ephemeral nature of the present […] search[ing] for the meaning of memories and second chances.”

Single ‘Wound Like Me’ is the perfect example. The song “explores what life is without the one that chose another,” the band explain, as well as “the regret that follows.” But rather than the self-pity and melodrama of many a break-up record, Minor Powers offer something far more poignant. Embedded in the organic world, loss and longing are presented as another of nature’s cycles, persistent features of being alive.

Jordana – Crunch

The recording moniker of Wichita’s Jordana Nye, Jordana put out the record Classical Notions Of Happiness last year to some pretty impressive acclaim. Teaming up with Grand Jury Music, this March sees the re-release of that record, giving those who missed it the first time around the perfect opportunity to right the mistake and fall for Jordana’s distinctive brand of indie pop.

Despite being the closing track, latest single ‘Crunch’ is as good a place to start as any. Introducing Jordana’s knack for taking relatable vignettes and twisting them into evocative, layered weirdness, the track highlights how Nye masks her clever and often cutting writing within deceptively simple scenarios. “Crunch is a feeling of an overbearing want for validation from someone and getting the cold shoulder from them,” Nye explains. “The song starts out with the confidence in knowing this person could possibly notice you, and ends in anger and frustration seeing that they ignored you, established by a distorted guitar solo.“

Laveda – Ghost

Regular readers of VSF will recognise Laveda, the Albany duo of Jake Brooks and Ali Genevich, after we covered several releases in the past, including single ‘If Only (You Said No)’ back in November. Unbeknown to us, the song was actually part of the band’s forthcoming debut record, What Happens After, set for release this spring on Color Station.

Laveda used new single ‘Ghost’ to make the announcement. “It was the song that invented our sound,” Genevich explains. “If we had never written it I don’t think the rest of the record would sound the way that it does. It felt obvious and just right to make it the first track on the LP because it laid the foundation for all our other songs.” As we’ve come to expect, the song packs a real punch, setting up What Happens After to be one of the most anticipated dream rock albums of 2020.

Thanks for stopping on by for Vol. 33! Be sure to check out the Reviews and Previews sections for more in-depth writing, and do let us know what you’ve been listening to on Twitter, Facebook or Instagram.

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