The release of Avery Friedman‘s forthcoming album New Thing is fast-approaching on Audio Antihero. Previous singles ‘Flowers Fell’ and ‘Photo Booth’ introduced a sound which, as we put it, “seems to sit in the interstitial space between trauma and growth,” and if these two states exist at opposite ends of a continuum, then latest single and title track sees Friedman dig further back in her personal history towards the difficult end. “I wrote ‘New Thing’ in one sitting after riding the subway home alone at night for the first time since being mugged at knifepoint months prior,” as she explains. “I was shocked and disoriented by the anxiety I experienced doing something so routine—I felt foreign to myself.” But however directly the song confronts this upsetting experience, it also represents the beginning of the path forward, allowing Friedman a method by which to return to her body and start the process of becoming whole again.

Hallelujah The Hills – Fake Flowers at Sunset

Boston indie rock royalty Hallelujah The Hills have never been ones to shy away from a challenge, Ryan H. Walsh and co. have released a plethora of idiosyncratic albums across their near two-decade career. But their latest project DECK pushes the boat out even for them. A joint release between Discrete Pageantry Records and Best Brother Records, DECK is a something of a magnum opus—a quadruple album two-and-a-half years in the making which maps entirely to a deck of cards. That’s four LPs (fittingly titled CLUBS, DIAMONDS, HEARTS and SPADES) and fifty-two songs, all brought to life with an enviable supporting cast which includes Craig Finn (The Hold Steady), Patrick Stickles (Titus Andronicus), Sadie Dupuis (Speedy Ortiz), Tanya Donelly (Belly, Breeders), Clint Conley (Mission of Burma), Ezra Furman and Cassie Berman (Silver Jews). It is Berman who appears on new single ‘Fake Flowers at Sunset’ (that’s three of diamonds within the pack), providing supporting vocals to a song which evokes the push and pull of love in its combination of mournful folk and pressing disco beat.

Honey I’m Home – Wishful Thinking

Dutch outfit Honey I’m Home might have already supported the likes of Goat Girl, The Buoys, Blood Wizard and Hotline TNT, but have only now released their debut single, ‘Wishful Thinking’. Operating at the intersection of shoegaze, indie rock and post-punk, the song introduces the band’s penchant for shadowy textures and visceral energy, tapping into ethereal moods without sacrificing a certain emotional immediacy to achieve a cathartic sound. “‘Wishful Thinking’ explores the longing to reconnect with people no longer in your life, whether it’s a lost love or a departed family member,” as vocalist and guitarist Thom Schotanus explains. “We tried to capture the intensity of that unfulfilled desire with a layered, dreamlike soundscape.”

‘Wishful Thinking’ is out now via streaming services.

Jahnah Camille – what do you do?

Writing last May, we described how Jahnah Camille‘s album i tried to freeze light, but only remember a girl used a number of different styles and genres to “offer a picture of late adolescence in all of its bittersweet nuance, its introspective contemplation matched only by its bold confessional attitude.” The record, released via Winspear, made the list of our favourite releases of 2024, so it is very much welcome news that Camille is returning with a new EP, My sunny oath! As lead single ‘what do you do?’ shows, the six-song release sees a newfound focus on the louder, stormier end of the spectrum, Camille working with producer Alex Farrar (Wednesday, Indigo De Souza, MJ Lenderman) to explore grunge and shoegaze-inflected styles of indie rock. Exploding into life from the off, the song packs a newfound punch without sacrificing the heart which marked previous releases, and emerges with an affirming sense of forward motion.

Watch the video below, directed by Harrison Shook with assistance from Polycarpe Ancelet and Ava Cavasos:

My sunny oath! is out on the 13th June via Winspear and you can pre-order it now.

Ruby Gill – The Flood

We’ve featured a couple of songs from Ruby Gill‘s forthcoming album Some Kind of Control in recent months, with both the title track and ‘Touch Me There‘ highlighting what the artist describes as a “cheekier, looser, gayer and even more raw” style. Both singles explored ideas of agency and control in various guises, from the experience of lockdown to the empowerment found in the queer community, and latest track ‘The Flood’ is no different. A song inspired by Gill’s experience of being trapped in the cyclone which struck eThekwini/Durban in 2023 which questions just who possesses power in a contemporary society facing a worsening environment year upon year. Watch the video directed by Emily Dynes below:

Some Kind of Control is out now and available to purchase.

Sea Lemon – Stay

After the success of 2023 EP Stop At Nothing (an evocative release populated by protagonists, as we put it, which “feel at once fearful and dangerous, some absence at the heart of their existence pushing them toward the darkest of places”) and subsequent singles like ‘Crystals‘ and ‘Sweet Anecdote‘, Natalie Lew’s Sea Lemon is preparing to release debut full-length Diving For A Prize this June via Luminelle Recordings. As the prior singles suggested, the album looks to broaden the dream pop and shoegaze styles which inform the Sea Lemon sound, pushing towards increasingly fantastical directions. And new single ‘Stay’ is no different. Suspended in gauzy textures, the track weaves a warm, enveloping space into which the listener is invited, then reflects the world back to us at odd angles to more fully reveal the strangeness at its core. “‘Stay’ […] is a little vignette of a man I saw in a local thrift store,” Lew explains. “This older guy, probably in his 70s or 80s, was acting as a security guard at this thrift store near my house, but he was basically asleep on the couch the entire time I was there. I couldn’t stop thinking about him after I left, and wrote Stay as a reaction to seeing this guy who I felt deserved to take a break.”

Watch video by Otium with styling by Greta Akopov below:

Diving For A Prize is out on the 13th June via Luminelle Recordings and you can pre-order it now.

So It Was – In a Rose

We first covered Daniel Lobb’s So It Was back in 2023 with the release of full-length Round the Mountain, an album which ranged from the “combination of earnest heart and laidback charm” of singles like ‘Speak Now!‘ and “something altogether more taut and building” in the case of ‘Dance Now!‘, a song which “confront[ed] the uneasy truth of change with as much positivity as it can muster.” Now So It Was has returned with ‘In a Rose’, a new single which combines the ornate detail of acts like Beirut, a Vampire Weekend-style playfulness, and some of the indie rock attitude of The Strokes to take on the modern blight of consumerism. “Aaa-ccumulation / Is such a silly pose,” as Lobb sings. “We countin’ on our fingers / We countin’ on our toes.”

Soot Sprite – Days After Days

Writing back in February, we introduced Wield Your Hope Like A Weapon, the new album from Exeter-based emos Soot Sprite, calling it “a call to arms to fight against the forces that make contemporary life so difficult, and a reminder of the radical potential within empathy and community.” With the release via Specialist Subject Records on the horizon, Soot Sprite have now shared new single, ‘Days After Days’. The album’s opener, the song acts as a mission statement, not only raising awareness of the stakes at hand but also the importance of celebrating every inch of ground won. “It’s about facing the endless horrors of the world and remembering to pay attention to the good,” as lead Elise Cook explains. “People on the ground, activism, and remembering that we shouldn’t be hardened by everything we witness or we can lose empathy. And it feels like without empathy we’ll never be able to achieve class consciousness, and lose our sense of community.”

Uncanny Valet – Almost Island

The recording project of New York-based electronic musician and producer David Queen, Uncanny Valet is a descendant of the likes of Oneohtrix Point Never and Ryuichi Sakamoto, marrying precise production with an unbridled creative vision in effort to push electronic music into uncharted territory. New album Almost Island carries the mission further, taking elements of eighties pop, ambient, dub and even Saturday morning cartoons and recombining them into something new. The result rarely sits still (just listen to the stylistics differences between the sleek sophisti-pop grooves of ‘Cameo Glass’ and melancholic drift of ‘Archway’), not only straddling the nostalgic and the contemporary but mining this juxtaposition for all of its thematic resonance, making for a sound that wouldn’t be out of place in an Adam Curtis documentary. Nowhere is that more obvious than on the closer and title track, a graceful and thickly-textured piece of ambient beauty.

Almost Island is out now and available from the Uncanny Valet Bandcamp page.

Why Dogs Why – Clunkers

Los Angeles-based project Why Dogs Why are preparing to release brand new EP Play The Hits this May, and have shared lead single ‘Clunkers’ by way of introduction. Writing back in 2023, we described previous EP Homebody as “full of buoyant energy and wacky lyricism, anchored by an underlying volatility and unease,” and the ‘Clunkers’ is no different. It’s a song which embraces both scrappy indie rock sensibilities and the smooth surf pop of yesteryear to explore themes of idealism and disappointment, the sound filled with brightness and forward motion but again troubled by the possibility of a less than perfect reality. “We’ll book a tour up the coast / And drive right through the bay,” as lead Alex Johnson sings, “When no one comes out to see us / We’ll hit the motel bedbug hay.” But however disheartening real life might prove, Why Dogs Why champion committing to your dreams if only for the romantic hell of it.

Let’s write some clunkers together, baby,
Some songs we’ll sing for fourteen fans.
Let’s write some clunkers together, baby.
Our dads will never understand.

The post Weekly Listening: March 2025 #5 appeared first on Various Small Flames.

Now Sea Lemon is back with another new single on Luminelle Recordings. Described as “a dreamy paean to the beginnings of a relationship,” ‘Sweet Anecdote’ employs a delicate swirl of synths to recreate a dreamy, slightly surreal space in which everything is vivid and anything seems possible. But what is most impressive about the track is how it manages to maintain a sense of depth and nuance despite its more overtly positive tone, Lew treating the heady days of romance with the same level of interest as any other emotional state, hurdling a sense of saccharine sentimentality to offer something almost hypnotic.

You were the one
Knew from the start
God I was so
Sure when I saw
You in your car
Such a sweet anecdote

Watch the visualizer by Alexa Terfloth below:

‘Sweet Anecdote’ is out now via Luminelle Recordings and available from Bandcamp.

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This autumn sees the release of Electric Bouquet, a new full-length from Anna McClellan on Father/Daughter Records. An account of the past four years, the album charts a period which saw McClellan go to school to become an electrician, move cross country and experience the end of relationships, and single ‘Endlessly’ captures the release’s atmosphere of bittersweet tenderness. A slow burner which slowly shakes itself from a melancholic piano-led opening into something freer and more affirming, McClellan rising from the blues in real time with an overarching message of hope. “‘Endlessly’ is definitely a mile marker song for me,” McClellan describes. “I think it retains all of the common traits of my songwriting while reaching a new level of maturity. It feels important and urgent to express this idea that we are each other’s truths. We can’t look to the supposed leaders of our system or the media for truth.”

Watch the video filmed by McClellan, Mychal Marasco and Ryan McKeever and edited by Harrison Martin below:

Electric Bouquet will be released via Father/Daughter Records on 25th October. Pre-order it now from the Anna McClellan Bandcamp page.

Anne Malin – River

“I saw my heart beating in a river and left it there for the earth to save / Some muscle wet in the weeds, and flooded through still I will sing.” So sings Anne Malin on ‘River’, the lead single from forthcoming album Strange Power!, set to be released next month via Dear Life Records. The lines not only capture the essence of the song but the wider thematic resonance of the album as a whole. The Durham, NC-based songwriter and poet explores how nature and its inherent motion might possess the key to the process of healing in the aftermath of trauma and loss. The album is being released in tandem with book-length poem, What Floods (published under the name AM Ringwalt), the two not only complimenting and deepening one another, but intersecting on ‘River’, whose lyrics appear within text.

Strange Power! is out on the 25th October via Dear Life Records and you can pre-order it now. What Floods will be published by Inside the Castle and you can find more here.

El Tee – Baby

Based in Naarm/Melbourne by way of California, El Tee (AKA songwriter Lauren Tarver) introduced itself in 2020 with debut full-length album, Everything Is Fine—an album built around an ongoing quest for self-realisation and acceptance. Building upon these themes, new single ‘Baby’ sees El Tee once against push against the grain in the knowledge that confronting discomfort is the only path towards the truth, and moreover directly calls out those who would prefer to avoid vulnerability via the sly tactic of self-sabotage. “I wrote ‘Baby’ about the experience of doing this to myself, but also about being on the receiving end of someone sabotaging a good thing when it feels hard,” as Tarver explains. “Self-sabotage can be a form of protection—creating predictability can give the illusion of safety. At least, that’s what my therapist says…”

Watch the video by Tarver herself below:

‘Baby’ is out now and available from the El Tee Bandcamp page.

Kareem Rahma & Tiny Guns – Baby I Could Never Win

Kareem Rahma might be best known as the comedian, host and creator behind viral TikTok and Instagram series Subway Takes and Keep The Meter Running, but also records as part of the band Tiny Guns along with Tyler McCauley (guitar), Joe Tirabassi (guitar), Matt Morello (bass, piano, backing vocals) and Dale Eisinger (drums, percussion). With new EP No Worries If Not coming next week, Rahma and co. have shared opener ‘Baby I Could Never Win’ to whet the appetite. A hectic dash of a track which pulls the audience into its forward momentum alongside Rahma’s uber cool delivery.

Oceanator – Get Out

Oceanator has long offered lead Elise Okusami a vehicle to explore the emotional landscape of life in a collapsing world, with previous albums Things I Never Said and Nothing’s Ever Fine wrestling with what it means to love and long for things in a time where the approaching end is so apparent. Their latest record, out now via Polyvinyl Records, is the culmination of these ideas, something written in its very title—Everything is Love and Death. As you might expect, the range of emotions on show is vast and ever-changing, but don’t be fooled into thinking such high stakes sap any of the defiant energy from the songs. Take ‘Get Out’, a promise to meet the world on its own stark terms and seize the moment to make itself heard.

Get up get up get out tonight
I’m not going down without a fight
I wanna be here not stuck in my head
Imagining all the things I never said

The track comes with a video directed by Paul DeSilva which casts Okusami as an actual demon slayer. Watch below:

Everything is Love and Death is out now via Polyvinyl and available from Bandcamp.

Quarterly – Illuminati

Last week saw the release of Adonis, the third album from Brooklyn duo Quarterly. The husband and wife duo Kristen Drymala and Christopher DiPietro work at the intersection of folk and neoclassical, combining guitar and cello in wordless compositions of rich depth and sober intensity. Their most formally adventurous yet, the new record sees the pair throw off the shackles of trying to make something that can be played live in favour of experimental tunings, polyrhythms and innovative forms. Album closer and final single ‘Illuminati’ is a good introduction. What the press release calls an “A24-soundtrack-ready track [which] imagines the sound of pre-Christian folk music,” it’s mysteriously beautiful, Drymala’s cello following DiPetro’s guitar in intricate passages before soaring off on its own.

Sea Lemon – Crystals (feat. Benjamin Gibbard)

Hot on the heels of 2023 album Stop At Nothing on Luminelle Recordings, Sea Lemon has returned with a brand new single ‘Crystals’. The previous record saw the Natalia Lew draw on ideas more typically seen in horror films or literary fiction, with narrators which feel, as we put it, “at once fearful and dangerous, some absence at the heart of their existence pushing them toward the darkest of places.” The new single, which sees Benjamin Gibbard lend vocals too, might not be quite so foreboding, but still bucks expectation with its willingness to forgo escape attempts and instead embrace the gloomy present. “I wrote most of the song after coming to this realization that ‘manifesting’ or looking for signs in nature or everyday life is mostly just a coping mechanism to get by day to day,” Lew explains. “When Ben came on and wrote his verse, I loved his added angle—rather than attempting lighter coping mechanisms, just submitting oneself to being upset and living in that darkness for a while can be a way to cope in and of itself.”

‘Crystals’ is out now via Luminelle Recordings and you can get it from Bandcamp.

Shovel Dance Collective – The Rolling Wave

“A stripped back sea shanty hushed with the inevitable loss of grand adventure, the titular vessel just another claimed by the ocean’s mysterious whims.” So we wrote of The Shovel Dance, the forthcoming album from Shovel Dance Collective on American Dreams. As it progressed, the track revealed itself as more than a simple folk song, landing alongside the likes of Lankum and Shane Parish in its mission, as we put it, “to push old sounds and stories into new dimensions.” With the album’s release fast approaching, the London nine-piece have shared new single, ‘The Rolling Wave’. It’s another example of the depth and intricacy of the Shovel Dance Collective sound, not to mention the intuitive spirit which hangs everything together. The humble three-minute runtime might seem modest compared with the previous single, but with a wistful and inherently playful arrangement, the track again offers a portal through which the audience is invited.

Check out the video by Tom Hardwick-Allan, with finishing and colour by Rafi Siraj and bleeds by Nick Granata:

The Shovel Dance is out on the 11th October via American Dreams and you can pre-order it now from the Shovel Dance Collective Bandcamp page.

The post Weekly Listening: September 2024 #3 appeared first on Various Small Flames.

Hailing from Regina, Saskatchewan, Darryl Kissick has made a name with the band Foxwarren along with Dallas Bryson, Andy Shauf and brother Avery Kissick. But he records solo under his own name too. Forthcoming album Goodbye Patterns invites Avery (drums/percussion) along with Andrea Hedlund (vocals/violin) to help create its sound, exploring themes as diverse as aliens, werewolves and various other extra-dimensional things. With that in mind, lead single ‘In the Middle’ might sound surprisingly subdued, though in reality, intricacy lies beneath the surface as Kissick works through the drifting strangeness of a depersonalised state.

In the middle of it
feel a little unlike yourself
saw a vision
from another dimension
now you don’t recognise yourself

Fast Romantics – Smoke + Lightning

Toronto’s Fast Romantics have a new record, their fourth, slated for released at the end of next month. Titled Happiness + Euphoria, the album sees core duo Matthew Angus and Kirty finally create something that has been on their minds for the best part of a decade. Latest single ‘Smoke + Lightning’ sees Kirty take on vocal duties to achieve an ethereal sound which questions the distinction between reality and dreams. One in which pressing emotion and unanswered questions are pursued with a kind of intuition, the dream logic of the subconscious brought to the surface and allowed to flow. Watch the video by by Raven Shields below:

Happiness + Euphoria will be released on 29th September via Postwar Records and you can order it form the Fast Romantics website.

Jordan Murawa – Let Her Dance

A cover of sixties rock & roll band The Bobby Fuller Four, ‘Let Her Dance’ is the latest single from Phoenix, Arizona singer songwriter Jordan Murawa. The original (which you may recognise from a certain Wes Anderson Roald Dahl adaptation) has a manic clockwork energy, but Murawa’s take is very different, instead sculpting the song right the way down to its gently aching heart. George White’s percussion adds a sense of widescreen weight, and the whole thing comes together with a feeling of lived-in emotion.

‘Let Her Dance’ is out now via streaming services.

Loose Wing – Capital Alphabet

Loose Wing are an indie rock band from Seattle, led by Claire Tucker (who also plays in psychgaze outfit Black Nite Crash). Along with her husband Jack Peters (bass), Aimee Zoe (drums) and Bill Patton (pedal steel, guitar), Tucker writes songs that combine catchy college rock with arty, left-field pop. Later this year, Loose Wing will release Miracle Baby, a brand new full-length on Drums & Wires Recordings and lead single ‘Capital Alphabet’ is our first taste of what to expect. It’s a gritty and defiant indie pop song that rallies against the soul-sucking drudgery enforced on many by the capitalist overlords, what Tucker describes as the “prevailing model of life where you get up, put all your energy into a job, then go home drained and exhausted.”

Things are looking up for the company
They’re gonna buy the moon
Things are looking up for the company
We’ve got a flash sale on single-use plastics

maeve & quinn – I Know I Will

Alaskan twin sisters Maris and Bryce O’Tierney, AKA maeve & quinn, are set to release their new LP Another Door in the very near future, and latest single ‘I Know I Will’ should convince anyone unaware of the duo to take note. Drawing on the landscape of their home of Anchorage, as well as their Irish heritage, the song offers a spacious, compassionate soundscape into which the listener is invited. Where the searching emotion of the narrator is balanced against something larger and unmoving, as though beyond personal trials exists solid ground upon which we can find our footing and realise who we are meant to be.

i’m not sorry that i’m on my own — /
the sky is clear…/
but my memory has a memory
that brings me back to you; /
and my memory has a memory /
and i don’t know what’s true //
on the outside /
i know i will //

Sea Lemon – Breakdown

We’ve featured several songs from Sea Lemon‘s EP Stop at Nothing in recent months, first the oneiric ‘Cellar‘ and then the ominous ‘Vaporized‘. With the release now out via Luminelle Recordings, Sea Lemon has released final single ‘Breakdown’, which sees Natalie Lew team up with Oakland’s Day Wave to create a nostalgic duet submerged beneath throwback nineties reverb. “The song is a campy story,” as Lew explains, “all about the aftermath after being wronged by someone where you’re trying to figure out if you should forgive and forget or seek revenge.” Watch the video below:

Stop At Nothing is out now on LUMINELLE and you can get it from the Sea Lemon Bandcamp page.

So It Was – Dance Now!

Back in June we wrote about ‘Speak Now!‘ by Daniel Lobb’s So It Was, a “combination of earnest heart and laidback charm” which “draws on a rich selection of instrumentation—from trumpet, trombone and clarinet to keyboards and electronics—yet always maintains a sense of casual ease.” With album Round the Mountain now out, Lobb has released brand new single, ‘Dance Now!’ A song which swaps out the languid calm for something altogether more taut and building, confronting the uneasy truth of change with as much positivity as it can muster. If things are uncertain, then why not roll with the punches and lean into life’s unpredictable rhythms? Watch the video directed/produced by Matt Boyle and Chris Monroe below:

Round the Mountain is out now and available from the So It Was Bandcamp page.

trash girl – Static

The project of New York‘s Shaughnessy Jones, trash girl has been making gentle and intricate folk-inflected bedroom pop songs since 2017. Following bedbug-produced debut the whole place is titled a little, and last year’s Rock N Roll, trash girl has returned with new single ‘Static’. It’s a characteristically hushed folk song painted in pastoral greens and earth tones, conjuring the cool breeze and slanting sunbeams of a late summer afternoon. Short and sweet and very beautiful.

you get me higher than heaven
you get me madder than hell
can you see me through the static
can you hear those wedding bells

Wastelander – Be Where (feat. Erin Rae)

Wastelander is the recording project of singer-songwriter and multi-instrumentalist Cooper Formant. Soon he will release his debut album What is Left Of Me, which although ostensibly a solo record, draws upon the wealth of talent in Nashville’s Americana scene. This includes Jo Schornikow, Paul Defiglia (Langhorne Slim, The Avett Brothers), Spencer Cullum and singer-songwriter Erin Rae, who has a starring role in latest single ‘Be Where’. A throwback to the classic folk rock stylings of the Laurel Canyon scene, the song sounds sepia-toned and wistful without abandoning its sunny buoyancy. Rae’s vocals match Formant’s in effortless harmony.

Worriers – Cloudy And 55

“A song which leans headlong into the spirit of freedom and self-discovery, shaking off the nagging doubts and second guesses with its building momentum.” That’s how we described the title track of Trust Your Gut by Worriers. With the release of the LP fast approaching on Ernest Jenning Record Co., Lauren Denitzio has unveiled new single, ‘Cloudy and 55’, which offers an altogether more reflective sound. “This song is for your soundtrack to missing Autumn in New York,” as they put it, “where every corner has a memory you can’t shake.” Though true to the new Worriers spirit, the track rises through its wistful mists towards the widescreen clarity of its climax, even if that epiphany is merely coming to terms with the omnipresent emotion of missing the things which constitute your history.

The post Weekly Listening: August 2023 #5 appeared first on Various Small Flames.

Sea Lemon has now shared the EP’s second single, ‘Vaporized’, a brighter song which nevertheless continues the release’s vivid, nocturnal palette, as well as a nuanced lyricism which owes as much to short fiction as it does its musical forebears. “Do you ever feel like you’re falling / I know I do,” sings Natalia Lew in the opening lines. “My body gets stuck underwater / I’m turning blue.”

It is this line between flat disaffection and overwhelming feelings, so typical of authors like Ottessa Moshfegh and Kathryn Scanlan, which lifts Sea Lemon above its contemporaries. A tone which allows Lew’s narrators to feel at once fearful and dangerous, some absence at the heart of their existence pushing them toward the darkest of places. “Sometimes when I struggle to sleep I / Look up the news,” she sings in the following verse, death as some night-visiting spectre. “See someone was caught in a landslide / Ripped them in two.”

I thought he was buried alive
Out of my mind
I thought she was vaporized
Out of my mind

As with the previous single, ‘Vaporized’ comes with a video to further its themes. This time directed by Otium and Lew herself, the film evokes classic slashers in all of their naivety and camp dread.

Stop at Nothing will be released on the 25th August via Luminelle Recordings and you can pre-order it now.

The post Sea Lemon – Vaporized appeared first on Various Small Flames.

‘Patterns’ is a song that I wrote about navigating relationships while in a depressive episode,” explains Annie Schultz of their first single on Trailing Twelve Records. “My songs often subconsciously end up being letters to myself, observing shifting dynamics with the people I love and posing questions about why I choose to make certain decisions.” Having cut their teeth in the Minnesota DIY scene, the Olympia-based singer-songwriter and multi-instrumentalist set about crafting a sound somewhere between indie folk and classic goth and punk, allowing for the kind of soul-searching so apparent in the new single. A song about being there for friends when it feels difficult enough to even be kind to yourself.

‘Patterns’ is out now via Trailing Twelve Records.

Haley Blais – Matchmaker

“It’s a love song about being so confident and safe in a relationship that you start to look for cracks out of fear,” explains Haley Blais of new single, ‘Matchmaker’. The Vancouver artist has made waves with her emotive, cathartic style, though one which always possesses a certain playfulness too. Having signed with Arts & Crafts and preparing for a full-length, the single finds Blais at the peak of her powers, combing sincere emotion with a certain impish charm to explore the pressures social and cultural expectations can place on a relationship. “And I read somewhere on the internet / That if we have kids, then they won’t exist,” she sings. “And then I’m the bitch who ruined your family line / It’s nobody’s fault, though, but somebody’s pissed.” Watch the video below, directed by Jacob Pascoe and edited by Haley Blais & Jacob Pascoe:

‘Matchmaker’ is out now via Arts & Crafts.

Kylie V – Runaway

Based in Vancouver, Kylie V is a singer-songwriter looking capture the joys and angst of young life. Following on from 2021 debut Big Blue, they recently returned with The Runaway EP, a collection of four songs which further develops their self-described “overemotional indie folk rock.” The title track typifies the style, casting its eye over the trials of falling in love after one too many burns, and how romance can be curdled by the presence of anxiety and OCD. “What if we don’t get too far and I leave it in ruins cause / these days my body’s struggling to cope?” as Kylie V asks, though the rest of the track plays as a slow lesson in giving in to feelings of comfort and love. Check out the video by Malcolm MacMaster below:

The Runaway EP is out now and available from the Kylie V Bandcamp page.

Luka Kuplowsky – Sudden Reach from the Inner World

Following on from previous single ‘The Spirits Are Busy’, Toronto-based songwriter Luka Kuplowsky has returned with new single ‘Sudden Reach from the Inner World’ on Mama Bird Recording Co. and Next Door Records. The previous track offered a dappled, jazz-inflected sound around Kuplowsky’s distinctive almost-spoken vocals to conjure something at once laid back and esoteric, and this duality is again present in ‘Sudden Reach’. A song which pushes into almost ambient territory in its intuitive warmth, with Bahamas’ Felicity Williams again offering heavenly backing vocals. “This was a beautiful accident,” as Kuplowsky says of the track. “The lyrical imperative of trusting the immediacy of new love seems fitting for a song that’s creation was so sudden and surprising.”

Soft buzz of a summer day
Compassion of a silent kind
Birds meet and disperse
They astound me every time
Sudden reach from the inner world sudden reach

‘Sudden Reach from the Inner World’ is out via Mama Bird Recording Co. and Next Door Records and is available from Bandcamp.

Noah Roth – C U Tomorrow

When moving back to the Chicago suburbs after five years in Philadelphia, Noah Roth was on a bit of a downer. They’d just gone through a break-up, had to leave the place they’d called home to return to their childhood bedroom, and had been working on their last album Breakfast of Champions for so long that they’d fallen into a burnt out disillusionment. But borrowing equipment from a sibling, Roth began experimenting with Ableton and found new songs pouring forth with an unexpected ease. Three weeks later the basis of a new record, Don’t Forget to Remember, had solidified. Lead single and opener ‘C U Tomorrow’ hints at the album’s new direction, set for release on Devil Town Tapes, foregoing any agonising over fine details in favour of a direct expression. “I wanted to make something that was kind of quick and dirty, and doing it myself the way that I used to do when I was a teenager,” as Roth explains.

Plastic Cactus – Year of the Rat

Portland, Oregon outfit Plastic Cactus are gearing up to release their debut full-length album, and new single ‘Year of the Rat’ is the first taste of what to expect. Together, Brooke Metropulos (guitar/vocals), Michaela Gradstein (guitar/vocals), Bill Willson (bass) and Tyler Brown (drums) take equal parts cosmic desert rock and languid surf pop and submerge everything in vocal harmonies, creating a sound which owes as much to spaghetti westerns as it does the polish of classic pop.

‘Year of the Rat’ is out now and available from the usual places.

Rin McArdle – Something Blue

With a self-titled album coming later this summer, Naarm/Melbourne-based multi-instrumentalist, songwriter and producer Rin McArdle has released new single, ‘Something Blue’. The album spans the emotional gamut from searing anger to tender vulnerability, and the track shows off the latter side of the work, tapping into a nineties aesthetic to bring to life its searching, therapeutic sound. Camp Cope’s Georgia Maq joins on vocal duties too, charging things with an impassioned intimacy. “It’s a really personal song so I wanted to get someone close to me to sing on it in a kind of conversational way,” McArdle explains. “I thought Georgia would be perfect, our voices are quite different, there’s a contrast to them that I really like.”

The song also comes with a video directed by Louis Oliver Roach which takes imagery from  Norwegian black metal band Immortal and transplants it into the Australian bush.

Rin McArdle is out on the 28th July and you can pre-order it now.

Sea Lemon – Cellar

Having just signed with Luminelle Recordings, Sea Lemon (AKA Seattle‘s Natalie Lew) has unveiled a delightfully ethereal new single, ‘Cellar’. Dream pop in an almost literal sense, where weightless textures bely the ominous weight within, and close-held impulses make themselves known in strange ways. “‘Cellar’ was inspired by my love of really classic horror and thriller films, like Blow Out and Misery,” Lew explains, “and how loving scary movies can sometimes feel like something is wrong with you.” A compulsion to seek out the dark and disturbing aspects of life that’s often mirrored within the movies themselves. Characters who allow their morbid curiosity to get the better of them, drifting toward what they already know to be bad news as though a certain inevitability exists within the situation. Watch the video shot and edited by Natalie Lew and Abe Poultridge below:

‘Cellar’ is out now via Luminelle Recordings.

Sleepy Gonzales – Skylight / Freaking Out

With EP Mercy Kill coming next month on Light Organ Records, Vancouver‘s Sleepy Gonzales have unveiled a double single, ‘Skylight/Freaking Out’. A pair of tracks which act as a kind of yin and yang, the first slower, heartfelt and emotive, searching for illumination within an otherwise gloomy environment, while the latter is the polar opposite. A racing track which taps into darker interiors, finding catharsis in allowing the less than positive feelings out into the world. “Maybe they balance each other out, or maybe one eventually destroys the other,” as the band explain. “That depends on you.” Watch the video for ‘Skylight’ filmed by Ethan Andrews below:

Mercy Kill is out on the 30th June via Light Organ Records.

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Native to Texas and now based in Ojai, CA, Austin Leonard Jones has made a name braiding melancholy and wit into his country style. Described as “somewhere between a funeral and a costume party,” new album Dead Calm continues to develop this apparent juxtaposition. Though as lead single ‘Back in Black Lagoon’ shows, humour and sadness might not be such odd bedfellows. “I’m the sole survivor of the all-night show,” Jones sings, “it cost a thousand tears for every episode.” Check out the video starring Bill Wedden below:

Dead Calm is out on the 29th July via Perpetual Doom and you can pre-order it via Bandcamp.

bedbugz – bedbugz / golf jumper

Hailing from Canterbury, shoegaze outfit bedbugz is the latest addition to the roster of Tonetic Records, a new youth-led label run via the Arts Education Exchange. Their new self-titled single and b-side ‘golf jumper’ first came into being in demo form while the members were still at school, and periods spent in the studio alongside continued world-building developed them further, creating a sense of ambition and energy which mark the band (the songs even come complete with a text-based adventure game). With its upbeat rhythm and searching vocals, the title track is a bittersweet tale of young love, while the b-side sets out further into shoegaze territory, its pace slower but weightier, the feedback gathering slowly before breaking in a stormy finale.

Easy Sleeper – D.T.F.S.

Having formed in DC and now based in LA, indie rock outfit Easy Sleeper have cut their teeth across various locals scenes on both coasts. Following on from previous single ‘Access Reply’, their latest release celebrates the value in creation and community. Titled ‘D.T.F.S.’, or Drive That Fucking Stake, the song is a searing reminder of how powerful the present moment can be, blocking out yesterday and tomorrow in favour of making something worthwhile today.

Every breath that you take
is another chance
to drive that fucking stake

Editrix – Hieroglyphics

As with all the work of Wendy Eisenberg, Editrix is a project which eschews binary thinking to transcend usual labels. To describe new album Editrix II: Editrix Goes To Hell as precise or chaotic would be misleading. Likewise accessible or challenging. It is all these things simultaneously, not only furthering the marvel at Eisenberg’s invention, but also pushing the burning questions of their work. Single ‘Hieroglyphics’ descends into the hell of the title, a depth not burning miles beneath our feet but centred square in our heads. “I don’t think all hells are other people,” Eisenberg explains. “Most of the hells I’ve experienced are the effects of solitary, circular thoughts, the kind that make a person attack themselves, while claiming they’re helping them gain a kind of clarity. This song is a dispatch from that place.”

Enumclaw – Jimmy Neutron

Ahead of debut album Save the Baby on Luminelle Recordings, Tacoma’s Enumclaw have unveiled brand new single, ‘Jimmy Neutron’. Drawing equally from the Pacific Northwest’s grunge history and the working class dreams of Britpop, the song introduces a band aiming for the stars, with lead Aramis Johnson pointing to Oasis’ rise from small-time to stadiums as an arc to emulate. The single’s combination of genuine heart and rock swagger suggests Enumclaw have all the elements required to achieve these ambitions, and its themes of self-sabotage hint at an awareness behind the bravado which will keep them grounded no matter how far into the stratosphere they might shoot. Check out the video directed by John C. Peterson below:

Save the Baby releases on 14th October via Luminelle Recordings. Pre-order a copy now from the Enumclaw Bandcamp page.

headboy – Toothrot

With equal parts riot grrrl ferocity and bedroom pop charm, London‘s headboy capture the worrying absurdity of our decidedly volatile times. Out via Blitz Cat Records, new single ‘Toothrot’ attacks the theme with classic nightmare imagery. Teeth falling into palms with no explanation, the world getting smaller and you shrinking too. Between the deadpan verses and frantic chorus, the song finds both horror and wry humour in the situation, where fear is ever-present but bewildered exasperation never far behind.

You’ve got toothrot
There’s nothing we can do about it
You keep your teeth clean
But it’s still all coming out

Jasmyn – Blank Paper

After fronting Toronto‘s Weaves for a number of albums and EPs, Jasmyn Burke has now gone it alone under her first name with debut solo record, In the Wild. Single ‘Blank Paper’ seizes the sense of freedom and possibility, turning away from self-doubt with a conviction present across much of the record. Uncertainty can be frightening, but it can also be an opportunity. With In the Wild, Jasmyn has decided to make it the latter, finding joy and meaning in music once again, and urging the listener to join her for the ride.

Open up your eyes
Look for what you want to see

Little Mazarn – Dew Nears Yay

Austin‘s Little Mazarn formed in local dive bar The Hole in the Wall, a club famous for hosting the likes of Nancy Griffith, Lucinda Williams and Townes Van Zandt. It’s tempting to say some of the ghosts which lingered there somehow attached themselves to the project, but the experimental folk style of new single ‘Dew Nears Yay’ (from LP Texas River Song on Dear Life Records) suggests the opposite transaction occurred. As though Lindsey Verrill and Jeff Johnston instead joined the spirits there, themselves now phantoms content to haunt the Texan land around them. Scouring for details, salvaging what they find.

Check out the video directed, shot, and edited by Jordan Moser below:

Texas River Song is out via Dear Life Records on the 19th August and you can pre-order it now.

Louien – No

After last year’s No Tomorrow, Norway folk rock outfit Louien have returned with single ‘No’ ahead of new EP, Figure Me Out, coming later this year on Jansen Records. Something of a sequel to the previous release, the EP continues the style and themes established there while shaking up the formula by co-writing with Preben Sælid Andersen. The single highlights the release’s balance between vulnerability and empowerment, confronting the issue of personal boundaries to show how honesty and openness might be painful but ultimately always more affirming. Check out the video filmed, directed and cut by Marthe Amanda Vannebo below:

Figure Me Out releases in September, bundled with No Tomorrow. Order it now from the Louien Bandcamp page.

Occupants – Serpent Shine

Having formed in Portsmouth over a shared appreciate of noisy punk and Father Ted, it is fitting London’s Occupants combine ferocious energy and whip-smart wit within their sound. Forthcoming EP Serpent Shine sees the trio direct this sound toward themes of narcissism, paranoia and grief, and the title track highlights their ability to repurpose cynicism into a purging force. Naked fury scorching all before it, eradicating anything bothersome and banal.

Boring protagonist,
Recycles used plot twists,
Repeats the same catch phrase,
Dripping with tired cliches

I was sent here to destroy you

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