Whether Garth Risk Hallberg lived up to the hype is up for debate. I’d suggest there is a certain ‘hype threshold’ past which people will ensure you get a fair share of criticism regardless of what’s between the covers. What is not up for discussion is the beauty of the writing on show, nor is the sheer scope of the world it brings to life. Here we find a network of characters linked by blood or love or sheer chance which grows through schizophrenic POV changes and creative interludes. To give you some idea: There’s Mercer, a man struggling with being gay and black in 1970s New York and his relationship with punk musician/artist William, heir to the Hamilton-Sweeney fortune who’s music with the now-defunct Ex Post Facto “seemed to promise complete freedom, on the condition of complete surrender”. Then there’s William’s estranged sister Regan and her troubled relationship with husband Keith, who are themselves caught up in the Hamilton-Sweeney machine, plus loser-loner Charlie and his friendship with punk cool-kid Sam, and their link to the Post-Humanist Phalanx. That’s not to mention the police detective, the art dealer, the shock jock radio presenter. The investigative journalist, the firework-setter, the transvestite keyboard player. The anarchistic, arsonist cult leader.

So… yeah, it’s all too detailed to review properly, though the key plot is strangely simple. Packed with the sort of suspense/drama you might expect from a film or television show, the book is not as challenging (difficult, ‘literary’) as you might expect. What Hallberg does achieve is to conjure New York at a specific time. The web of characters produce a panoramic snapshot of a generation, palpable nostalgia and a good sprinkling of well-used topics (troubled artists, drug addicts, traumatised and/or damaged lovers) creating a view of the seventies perhaps as we’d like to remember them. The spirit of the book is captured nicely near the beginning, when the clock strikes midnight on New Year’s Day :

“For a second the city seemed to lean forward and make contact with a future self: ruined, de-peopled, and nearly still. In a sealed hanger, forensic economists move around numbered lots with scales and callipers. Believing themselves to have evolved beyond delusion and loneliness, beyond illness and longing and sex, they hum distractedly and wonder what it all meant”

As books go, City on Fire is pretty easy to soundtrack, so this playlist could have been a hundred songs. But anyway, here are twenty songs which go some way to capturing the time/place/mood Hallberg created. I’ve included a mix of classics and newer stuff to keep things interesting, and the order isn’t important.

Tracklisting:

1. Blank Generation – Richard Hell and the Voidoids
2. Art is Hard – Cursive
3. To Hell With Good Intentions – Japandroids
4. Kimberly – Patti Smith
5. Chinese Rocks – The Heartbreakers
6. Roar of Nothingness – Sun Organ
7. Docking Guard – Northern Primitive
8. Today, More Than Any Other Day – Ought
9. Aloha Steve and Danno – Radio Birdman
10. The Kids – Lou Reed
11. Orphans – Teenage Jesus and the Jerks
12. Stevie Nix – The Hold Steady
13. Who Do You Belong To? – The Spirit of The Beehive
14. You Can’t Hold The Hand of a Rock and Roll Man – Okkervil River
15. Our Lives Would Make a Sad, Boring Movie – The Hotel Year
16. Using – Sorority Noise
17. Fireworks – Radiator Hospital
18. Your Own Place To Ruin – Rivulets
19. New York Hardcore – Talons’
20. This Heart’s on Fire – Wolf Parade

City on Fire is out now via Knopf Doubleday (US) and Jonathan Cape and is available from all good book shops. Quiet, Constant Friends is available digitally and on cassette via the Wake The Deaf Bandcamp page.

The post Garth Risk Hallberg – City on Fire appeared first on Various Small Flames.

Listen to the mix via the player below, and be sure to check out the other volumes which can be found here, and are available on our 8tracks page.

Tracklisting:

1. Midnight City (M83 Cover) – The Last Bison
2. Anthems For A Seveteen Year Old Girl (Broken Social Scene Cover) – Dancing Years
3. Goodbye Horses (Q Lazzarus Cover) – Hayden Thorpe & Jon Hopkins
4. Native American Summer (Beat Happening Cover) – Small Wonder
5. Semi-Charmed Life (Third Eye Blind Cover) – Frontier Ruckus
6. Passionate Kisses (Lucinda Williams Cover) – Shakey Graves
7. Do You Realize (The Flaming Lips Cover) – Fossil Collective
8. Crazy In Love (Beyonce Cover) – Melissa Laveaux
9. Car (Built To Spill Cover) – Emily Reo
10. Perfect Day (Lou Reed Cover) – Phosphorescent
11. Father & Daughter (Paul Simon Cover) – The River Has Many Voices
12. Blues Run the Game (Jackson C. Frank Cover) – Oscar Lush
13. In Spite of Ourselves (John Prine Cover) – Kyle Morton & Danielle Sullivan
14. Around and Around (John Denver Cover) – Mountain Man
15. I’m So Lonesome I Could Cry (Hank Williams Cover) – Fog Lake
16. The Way the Whole Thing Ends (Gillian Welch Cover) – Night Beds
17. I Am Not Waiting Anymore (Field Report Cover) – Blind Boys of Alabama
18. Will the Circle be Unbroken? (Traditional) – Emily Lacy
19. Oblivion (Grimes Cover) – Wilsen
20. Teenage Spaceship (Smog Cover) – How To Dress Well
21. Fare Thee Well (Dink’s Song) (Dave van Ronk Cover) – Oscar Isaac

The Covers Mix: Volume #10 from Wake The Deaf on 8tracks Radio.

The post The Covers Mix: Volume #10 appeared first on Various Small Flames.

It starts off with regular songs that are somehow linked with a scary theme before taking a more traditional Halloween vibe, a kitsch spookiness akin to handing out candy in costume to kids with bedsheets over their heads. Finally, in the second half on the mix, things take a strange turn and get weird, an unsettling section best listened through headphones in a dark room.

Beware the Moon: a Halloween Mix from Wake The Deaf on 8tracks Radio.

Tracklisting:

1. Halloween Parade – Lou Reed
2. Werewolf (or …While I Was Casting Demons Out of You) – Tyler Lyle
3. Witches – Low
4. She Just Happens To Date the Prince of Darkness – Say Hi To Your Mom
5. The Bear – Snow Mantled Love
6. Casper the Friendly Ghost – Daniel Johnston
7. Skeleton Man – Evangelicals
8. Dracula is Only the Beginning – COOLRUNNINGS
9. My Body’s a Zombie for You – Dead Man’s Bones
10. Woman – Timber Timbre
11. Colours – JB Newman & The Black Letter Band
12. Dance of the Dream Man – Angelo Badalamenti
13. Fear of the Unknown and the Blazing Sun – Colin Stetson
14. Guilt – Piggy
15. Alone – Alone
16. Childhood’s End – Majical Cloudz
17. Fridge Music – Mogwai
18. The Mirror Reflecing (Part 2) – The Haxan Cloak
19. The Cellar – Nick Cave & Warren Ellis
20. I Know (Jon Hopkins Remix) – David Lynch

The post Beware The Moon… a Halloween Mix appeared first on Various Small Flames.