Featuring Dora Noonan, Nat Cimino, Zara Roy and Noah Kelley, Queens-based indie rock outfit blankette combine the irreverence and mischief of twee music with something altogether more cathartic and raw. The result is an unapologetically singular sound able to communicate the full spectrum of emotions. New album doll puts this to good use, exploring knotty ideas of identity, depression and self-actualisation with a decidedly unguarded air, displaying courage in its vulnerability and embracing the communal power of a band. Single ‘after’ shows the kind of mood to expect, a song all about the misplaced suspicion that a simple change might fix your life. It starts out with something like hesitant hope and culminates in a something of an exorcism.

after i stop drinking i’ll feel better
after i stop overthinking i’ll feel better
after i start running i’ll feel better
after i make more money i’ll feel better
after i feel better i’ll feel better

Brimheim – My Collection

“Writing new music had felt like swimming in molasses for months until ‘My Collection’ arrived,” explains Danish songwriter Brimheim of her latest single, a track she considers something of a paradigm shift. “The jazzy direction was surprising to both me and Søren [Buhl Lassen]. It’s a musical tradition I haven’t explored before. Yet somehow, it immediately revealed itself as the most enchanting path we could take. It felt like receiving a gift from the universe.” Where her previous album RATKING sought clarity within the fraught, confusing experience of personal identity, ‘My Collection’ moves in a more ambiguous direction, swapping out the brightness and rhythm in favour of something more fictional and oblique. The story of a perhaps eccentric woman who collects objects discarded by others, valuing the hidden beauty within that which has been rejected, and guarding her prized possessions with an almost maternal instinct.

Watch the video directed by Stine Emil and produced by Monster Crotch below:

‘My Collection’ is out now via Tambourhinoceros and available from Bandcamp.

Caoilfhionn Rose – Horizon

“Some of the lyrics talk about becoming ‘lost inside your own imagination’ and how ‘dreams can seem so real’,” explains Manchester songwriter Caoilfhionn Rose of her fourth full-length, Draw Out Your World, coming early next year on Lost Map Records. “To me, this album is about building a life for yourself, stepping out of daydreams and carving out a path towards a happier future.” Made with husband and collaborator Rich Williams in the years of pregnancy and early parenthood, Draw Out Your World finds Rose working through a tumultuous period with both resilience and curiosity, resulting in a sound that is marked with compassion and always reaching for some brighter, calmer territory. Lead single ‘Horizon’ gives a flavour of what to expect, not least the impact of Danish duo Svaneborg Kardyb (Nikolaj Svaneborg and Jonas Kardyb) who lend their talents to the release and leaven the sound with their ethereal electronics. 

Hank Tree x Peter Broderick – You Can Thrive

Led by Fergus MacDonald (formerly of State Broadcasters), Glasgow‘s Hank Tree first caught our ears back in 2023 with album The Big North. “Hank Tree take folk sensibilities and elevate them into something truly atmospheric with a mixture of field recordings and distortion,” as we wrote, “but amid their invention and subversion of genre, Hank Tree hark back to folk’s best roots, positioning themselves in the long lineage of artists using the form to write about social history and labour movements.” Latest album Care 1 is every bit as thematically challenging and emotionally urgent, a record crafted around MacDonald’s experience working with people with profound learning difficulties and mental health problems. It delves into what it means to care and be cared for within a society which too often seems willing to disregard any semblance of responsibility. This time MacDonald is joined by Clarissa Cheong and Peter Broderick and together the trio conjure a sound that intimate, compassionate and subtly unflinching, as single ‘You Can Thrive’ suggests.

Karen y los Remedios – Mayahuel

Fronted by Mexico City-born, Guanajuato-raised artist and researcher Ana Karen G. Barajas and featuring Z.A.M.P.A. (Guillermo Berbeyer) on guitars and Mexico City producer Jiony (Jonathan Muriel), Karen y los Remedios is a shapeshifting project rooted in cumbia yet fluid and mysterious enough to bring its own mythologies to life. Latest album Bestiaria fulls like the most pure embodiment of the act to date, evoking a series of legendary women from across the world to celebrate femininity in all its desire, sorrow and power. Single ‘Mayahuel’ is a perfect example, “a hypnotic, low-tempo cumbia rebajada that dives into Mexica mythology,” as Barajas explains. “I was deeply moved by her story in the ancient codices—her escape to be with Quetzalcoatl, turning into maguey plants, and the sacred legend of the Four Hundred Rabbits.”

Watch the video directed by Barajas herself below:

Bestiaria is out now via ZZK Records and available from Bandcamp.

LAPêCHE – Parallel Park

“Drawing on shoegaze and post-punk, they make indie rock songs that are both shadowy and catchy, centering on a sense of considered patience that the band says is born from ‘a shared language of healing, honesty and presence’.” So we wrote of Brooklyn‘s LAPêCHE back in July, with single ‘Phantom of Cinder’ introducing the tone of their new album Autotelic on Tiny Engines. With singer and guitarist Krista Diem supported by with Dave Diem (bass), Drew DeMaio (guitar) and Colin Brooks (drums), the entire album channels a nineties sensibility without ever descending to cheap nostalgia, not least thanks to the committed, complex style in which they work. Take ‘Parallel Park’, a song about the end of a relationship which favours emotional honesty over poetic gesture, and thus recognising how any project, be it personal or artistic, relies on a kind of tenacious imperfection in order to move forwards.

Party Dozen – Full Powers

Australian duo Kirsty Tickle (saxophone, vocals) and Jonathan Boulet (drums, loops, production) have recorded under the Party Dozen moniker for near on a decade now, pushing an inventive style of psych rock which leans on improvision. But new Party Dozen album 21 Bum Salute, coming next month via City Slang, finds the band in their purest form, Tickle and Boulet dropping whatever pretenses which might have persisted in their work in order to fully embrace their idiosyncratic vision. Latest single ‘Full Powers’ indicates the raucous abandon of the result, not to mention the ambiguity of record which swings between swaggering confidence and something more volatile, almost dangerous. “There’s ‘Full Powers’ good and there’s ‘Full Powers’ bad,” they explain. “The good is when you’re personally becoming too powerful, an angel pisses on you, everything is going very well and suddenly you’re gliding down the street like King Swinging Dick. The bad is when one side has all the power and more is not enough. Powerlust, greedmongering, gluttonous fiends. This track switches between the two.”

Watch the video below, made with help from John-Henry Pajak and Jos Eastwood:

21 Bum Salute will be released via City Slang on the 6th November and you can pre-order it now.

Samjo – Franconia

Brooklyn born, Lille-based songwriter Sam Rueckert, AKA Samjo, works between folk, indie rock and punk to create songs at once emotive and energetic, as highlighted by 2025 album Barely Even Something. With a new extended edition of the album recently released, Samjo have returned with a video for single ‘Franconia’ to further the life of the record, and the track is the ideal introduction for those who missed the album the first time around. With a slow building and detailed style, the track is a lesson in slow burn, its determined indie rock chug slowly blooming outwards as cinematic strings widen the frame of the arrangement. The style is keyed into the thematic concerns too, the song moving from the doldrums of a particularly bad day towards some appreciation of the universality of misfortune, and in doing so emerging with compassion and solace.

Barely Even Something (Extended) is out now and available from Bandcamp.

Tough Old Bird – Tall Summer Clouds

Tough Old Bird continue their steady stream of new singles with ‘Tall Summer Clouds’. Following on from predecessor ‘Come Back, Come Back‘, a track we described as a poetic narrative that’s at once brooding and compassionate and little world weary too,” the new song again delves into a bittersweet headspace, specifically the strange blend of joy and sorrow which accompanies the passing of time. Written in the weeks before lead Nick Corrigan welcomed his first child into the world, there’s a tension between new beginnings and the inevitable loss which will follow, Tough Old Bird confronting mortality and deciding that life lies not in grand gestures but small moments. Perhaps the humbles snatches of calm are the best life can get.

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Then there was ‘All Bets Off‘. “An ostensibly charming indie pop song that nevertheless delves into a toxic relationship,” we wrote, “and not your average one either.” Because, partly inspired by The Sopranos, the single was written from an equine perspective, exploring the exploitation at the heart of the horse racing industry. “Tony [Soprano] buys a race horse and develops a genuine love for it,” Clasen explains of the episode which sparked the idea. “I thought writing a song from the horse’s perspective would make an interesting device for exploring the ups and downs of a volatile relationship.”

With the release of Bute approaching, Sulka has now returned with brand new track ‘Meteorite’. Again crafted in the project’s trademark fuzzy DIY aesthetic, the song this time takes the perspective of an entirely different character, centring on a prepper-style protagonist who, finally vindicated in his pessimism, has been given a chance to put his plans in motion. “Fireball in the sky / Giant meteorite / Cutting through the night / Grab your keys and drive,” as the first verse opens, though the sound is far from the doom-laden atmosphere you might expect. Rather, there’s almost something buoyant in the hazy fuzz, as though even the end of the world comes with its own possibility of new beginnings.

I have dreamed it through
I have seen the news
Pack my bags and food
Got no time to lose

Think I know a place
We can go be safe
There will be no trace
Watch the world erase

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In February we previewed Shadow Child, the latest album from Abigail Lapell which was recorded while the Canadian songwriter was pregnant and unsurprisingly explores motherhood. “The tracks emerged stripped back and stark,” we wrote, “a stylistic move at least in part dictated by Lapell’s difficult experiences with IVF and miscarriage that comes to paint the journey to parenthood in all of its too-often unspoken truth.” With the release fast approaching, Lapell has shared the title track along with a video to further introduce this style. “I recently found all my old super 8 films, and I thought this odd little black and white claymation might fit well with ‘Shadow Child’, a song about pregnancy and childbirth – creation and transformation,” she explains. “But when I actually tried pairing the two, it was crazy. The unedited ‘backwards’ visuals fit the song exactly perfectly – like down to the second. Complete with the final reveal of the figure’s shadow, and then my own hands in silhouette, returning it to a formless blob. I couldn’t believe it.”

Shadow Child will be released on the 8th May via Outside Music and you can pre-order it now from the Abigail Lapell Bandcamp page.

Air Mail – Won’t You

Following on from singles ‘Wide Awake (a.m.)’ (“uses a melodic and melancholic style to explore the strange sensation of being faced with disaster at a distance”) and ‘Moss Song’ (“its warm tones and languid rhythms allowing in the outside environment, playing like spring blooming in real time”), Niko Francis’s Air Mail has unveiled debut LP a.m. Continental with latest track ‘Won’t You’. Again falling somewhere between Lenderman-esque alt country and the sun-drenched pop of acts likes Cut Worms, the track explores the sensation of a relationship being slowly dismantled by forces beyond anyone’s control. It meditates not only on the pain of a separation but the enduring fondness that survives beyond physical remove. “As long as words are sincere / and what you want is clear,”  Francis sings in the first verse, “as long as you still feel near, even when you’re far from here / won’t you stay and love me?”

Ben Auld – Red Bandana

This May, Norwich-based artist Ben Auld will release Loserdom, a brand new album via Safe Suburban Home and Repeating Cloud which signals something of a sea change. Whereas Auld’s previous work tended towards the twee end of indie folk, the new record draws on influences like Tony Molina and Teenage Fanclub to offer loud, scrappy and spirited style of power pop. Lead single ‘Red Bandana’ heralds this new sound, as well as the mix of unabashed sincerity and tongue-in-cheek charm which marks his writing. “I was trying to write something that captured the explosive pang that can happen when you reflect on places you’ve lived and people you’ve known,” Auld explains of the single. “That sudden reminder of a life you used to have, the impossibility of returning to it, and the pain of living in the past.”

Frog – Je Nes Sais Pas

When cult favourites Frog put out their 1000 Variations of the Same Song album last year, we didn’t think they were actually aiming for the big four figures. But follow-up The Count arrived hot on the heels of its predecessor and now the New York outfit are already gearing up to release the third full-length in the cycle, Frog for Sale. Described as an album “about how money sometimes gets in the way of love,” the record sees the Bateman brothers take inspiration from the likes of Buddy Holly and Paul McCartney, again switching up the Frog sound while maintaining that idiosyncratic charm that’s made them so beloved. Lead single ‘Je Nes Sais Pas’ is available now, a track of bright energy and fading dreams, not to mention a trademark wit and humour. “You’re just no good anymore since you went away and didn’t darken any door,” as Bateman sings in one typical verse. “Now you got your hair like Anna Wintour except poor.”

Jillian Lake – Human

“Attuned to emotional forces and their significant gravitational pull, namely the strange tension of watching a loved one attempt to navigate a difficult period, willing more than anything to save them from the turmoil but conscious of being dragged into the mire yourself.” So we wrote of ‘Cold Where You Are’ by Jillian Lake last month, a single which embodies the balance between compassion and suffering which marks the Vancouver-based songwriter’s work. Now Lake has shared brand new single ‘Human’ and this balance has never been more evident. It’s an intensely personal song which reckons with the self in the most intimate way possible, displaying Lake’s turn towards richer arrangements while still evoking the austere stillness of an empty room. A place where there is nowhere to look but inwards, no matter how uncomfortable. “’Human’ is a song I wrote about the fear that you’re losing pieces of yourself, and starting to not recognize yourself,” Lake explains. “I remember the first time I saw the Eiffel tower I was so amazed and astonished. When I went back to Paris years later I just stared at it and didn’t really feel anything. It scared me that I lost that sense of wonder. I missed the old version of myself.”

‘Human’ is out now via streaming services.

Matthew Squires & Sunk Coast – Wing Song

We’ve followed the idiosyncratic, ever-inventive songwriting of Matthew Squires for a number of years now, from his ‘Ballad of Norm MacDonald‘ and quasi-cover ‘Poor Men Southeast of Portland‘ to ‘Song of a Cactus‘ in 2024. Now, having moved to Ithaca, New York, Squires has teamed up with Zach Totta of Sunk Coast for a new track, and the result is no less distinctive. With vocals that rival Daniel Johnston in their ability to echo Kermit the Frog, the song is classic Matthew Squires, proving that genuinely compassionate music need not leave playfulness or strangeness at the door. “In the face of the absurd, it’s there I’ll find my answer,” he sings in one fitting verse, “I’ll decode the hidden words inside the movements of a dancer: / It’s the story of a king who forgot if he has merit / He sprouts himself some wings and then he sings ‘til all can hear it.”

Old Amica – Bländverk

“A record which explores time with Old Amica’s signature care and patience […] suspended in a negative space seemingly disconnected from anything tangible, memories floating by in abstract grace.” That’s how we described the Swedish duo’s album För alltid back in 2024, again noting how their blend of organic and digital sensibilities manages to evoke memory in all of its emotional depth. With a new full-length set for release next month via Whitelabrecs, Old Amica are now back with ‘Bländverk’, a spare piano-based track that again explores the poignant, often ethereal world of recollection. Stretched across ten minutes, the song mimics the gauzy filter memory can bring, where the reality of a moment is softened, a monument worn smooth by the passing of time.

Sulka – All Bets Off

This summer Glasgow-based songwriter Lukas Clasen, AKA Sulka, will release new full-length Bute on Lost Map and No Soap Records. Following last year’s single ‘Halloween’, that as we said previously combined “subdued vocals with an eerie backdrop of distorted guitars and synths,” he has now released a second track from the album to further whet appetites. Titled ‘All Bets Off’, it’s an ostensibly charming indie pop song that nevertheless delves into a toxic relationship. And not your average one either. Written from an equine perspective, it explores the exploitation at the heart of horse racing. “The song was partly inspired by a storyline in the TV show The Sopranos, where Tony buys a race horse and develops a genuine love for it,” Clasen explains. “I thought writing a song from the horse’s perspective would make an interesting device for exploring the ups and downs of a volatile relationship”

Tory Silver – Microwave

Pittsburgh-based Tory Silver makes a brand of indie rock that she says “[channels] the small joys and inevitable uncertainties of residing in a body.” She has a new record, In Through the Front with Lasers, coming at the end of May via Michi Tapes and has unveiled new single ‘Microwave’ in anticipation. The song is set in the cold chill of dawn, our narrator sat bleary-eyed in their kitchen, enjoying the quiet ahead of a day of selling their body for what Silver describes in an Instagram post as a “silly grocery job under crapitalism.” There’s a healthy dose of existential dread sure, but there’s also enough garage rock crunch for it to feel rousing too. An anthem for the masses forced to drag themselves out of bed every morning to keep on keeping on.

Scrambled eggs
On my plate
Getting cold
Microwave

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“A diverse album entirely committed to whatever direction each song takes, as though leaning into the spontaneity of the moment.” That’s how we have previously described Wise Blood, the forthcoming album by Blue Yonder on Earth Libraries. With the release now on the horizon, the band have unveiled final single, ‘Nightingale’, and this time they pitch us right into the middle of a seventies spaghetti western. The song opens with a nocturnal simmer, Karalena Fjortoft’s vocals emerging with an almost haunting croon, though soon the rhythm picks up and adds a sense of urgency, as though the dark figures at the door have been evaded and now we are racing across the desert floor with only the moon in pursuit.

Wise Blood is out on the 24th February via Earth Libraries.

Dari Bay – Same Old Bumpy Road

Described as “an ongoing thought experiment disguised as a band,” Dari Bay is the project of Burlington, Vermont’s Zack James. Though originating as something rough and chaotic, new album Longest Day of the Year sees the Dari Bay style morph into an altogether smoother sound, albeit with some of the strangeness left intact. Take ‘Same Old Bumpy Road’, the country pop jangle a clear departure from the harsh and often abstract noise of the previous releases, while a certain playfulness underpins everything. Life is no less odd for Dari Bay, they are just finding new ways to describe it.

Emelia Austin – Shifting Weather

With debut album From Another Sky coming very soon via Anxiety Blanket Records, Emelia Austin has been releasing a series of single to offer glimpses into her style. Tracks like ‘Hand Soft’ and ‘Desire to Reveal’ hinted at the amalgamation of sparkle and cloudiness which constitutes her shoegaze-adjacent sound, though it is the hefty closer ‘Shifting Weather’ which is perhaps the perfect introduction to From Another Sky. A slow song which gathers weight behind itself gradually, like a thunderhead coalescing into something dense and charged before its tumultuous finale, offering a cathartic view of possible futures where you come to accept yourself just as you are.

Kassi Valazza – Watching Planes Go By

Having introduced herself in 2019 with debut album Dear Dead Days and consolidated the style with last year’s EP Highway Sounds, Kassi Valazza has established herself among the new generation of country songwriters who build their craft around celebrating and subverting the traditions of the genre. With new album Kassi Valazza Knows Nothing out via Loose Music (UK) and Fluff & Gravy Records (US), Valazza is now a labelmate of acts like of Anna Tivel, Margo Cilker and Courtney Marie Andrews, and single ‘Watching Planes Go By’ shows she belongs among such company. A song centred on ideas of loss and the inability to move on which draws a psych-inflected richness around itself, it bears all the hallmarks of the best retro tracks while refusing to fall for nostalgic imitation.

Kassi Valazza Knows Nothing is out on the 26th May. UK fans can preorder from Loose Music and US fans from Fluff & Gravy Records.

 L.T. Leif – Gentle Moon

Back in December we previewed Come Back To Me, But Lightly, the a release from L.T. Leif released by Lost Map Records in collaboration with OK Pal. An album in which the Calgary-born, Scotland-based artist “draws on both the imagery of these northern climes and the talent which resides there to create songs able to explore intimate processes of development.” The album has just been released, and opener ‘Gentle Moon’ captures the compassionate and striking tone for anyone who still needs convincing. A song which uses lunar imagery to explore the wax and wane of relationships, not to mention the gravitational pull which seems to hold some power over the smallest and largest of things. Check out the lyric video by Bart Owl below:

Gentle moon
you are shining
in the shape
of a human body

Come Back To Me, But Lightly is out now via Lost Map Records and OK Pal Records and you can get it from Bandcamp.

Party of the Sun – Forget Me Knot

“Psych-inflected folk songs anchored to the natural environments in which they were created, tracks possessing both tension and harmony.” So we wrote of Capsule II, the previous EP from New Hampshire‘s Party of the Sun on Trailing Twelve Records. Next month sees the release of the appropriately named follow-up Capsule III, and lead single ‘Forget Me Knot’ suggests the psych-folk outfit are continuing to push this style. A song which lives up to its title, the careful details and easy intuition evoking the patterns of a forest or perhaps the knotted layers of the trunks themselves, eventually rising into a soaring crescendo in the closing minutes.

Saloon Dion – I Don’t Feel

Bristol post-punks Saloon Dion are back with a new single, ‘I Don’t Feel’, the first taste of their forthcoming debut EP on Mucker Records. It follows a spate of singles in the last few years that have established the five piece’s distinctive style, what we previously described as “an eclectic blend of punk and funk topped by raw and volatile energy.” Delivered with considerable pop polish, ‘I Don’t Feel’ is built on grooving beats and bass riffs, its big chorus hinting at a future of radio airtime and festival appearances. “[It’s] a song about being reluctant to seek help from others,” Saloon Dion explain. “What it isn’t, is a song about having no feeling, but more of choosing what to feel and when to feel it. It speaks of the barriers we all put up to protect ourselves, no matter the damage they may do in the long run”.
Watch the video by Clump Collective below:

‘I Don’t Feel’ is out via Mucker Records and available from the Saloon Dion Bandcamp page.

Symbol Soup – Overdressed

The project of London-based songwriter Michael Rea, Symbol Soup takes inspiration from folk, country, indie pop and electronica to create something that sounds sunny and insouciant. Latest single ‘Overdressed’ is a great introduction, fusing a classic British folk charm with something rather more American, including faint notes of country and a couple of spoonfuls of Alex G-style lo-fi indie rock. What Rea describes as “a love song from the perspective of someone who’s overly cynical,” ‘Overdressed’ takes aim at the superficial nature of human interaction, its narrator sick and tired of meaningless etiquette and small talk, yearning instead for something deeper. “They don’t learn a whole lot by the end of the song,” Rea continues, “but they are fully connected to one person, and that’s the connection to something deeper that they’re desperate for.” Check out the lighthearted if indigestion-inducing video, directed by Kirsty Wells of Kondor Films, below:

‘Overdressed’ is out now. Get it from the Symbol Soup Bandcamp page.

Zoon – A Language Disappears

Following the success of recent EPs Big Pharma and A Sterling Murmuration, Daniel Monkman’s Zoon is set to release brand new full-length Bekka Ma’iingan this spring on Paper Bag Records. The Zoon sound is a constantly evolving thing, and with guests and contributors including Owen Pallett, Michael Peter Olsen, Andrew McLeod (Sunnsetter) and Lee Ranaldo (Sonic Youth), the new album is no exception. But as single ‘A Language Disappears’ suggests with its themes of lost heritage, the sense is that Zoon is not morphing away from its origin but rather moving closer to some central truth. “This album is about acknowledging a part of me that I felt was there the whole time,” as Monkman puts it. Check out the 3D animated video directed by Tkaronto-based multimedia sculptor Shawn Chiki below:

Bekka Ma’iingan is out on the 28th April via Paper Bag Records and you can pre-order it now.

The post Weekly Listening: January 2023 #3 appeared first on Various Small Flames.

“This album comes from a six-year long space of change,” Leif explains, “from a life I was living as someone afraid of my own brain and body, into someone a lot more openly unshiney. Painful and seeping. I think that distance and decisions and loss and conflict are all things that can birth you into a different kind of being.” This is achieved with contributions from Clea Anaïs, Bill Wells, Matt Swann, Clarissa Cheong and Bart Owl (of eagleowl) and Faith Eliott and Mark Hamilton (of Woodpigeon), leading to a sound that’s minimalist but rich in its quiet detail.

Latest single ‘Pass Back Through’ captures the album’s tone. A song written in the aftermath of loss, confronting the non-linear phenomenon of grief and its penchant for dragging old wounds back from the past. A time in which it is all too easy to get baffled by the repetition of your interior landscape, lost in circling thoughts. But with ‘Pass Back Through’, L.T. Leif seeks a way out through the clarity of cold air and wide open spaces. Looking to the northerly landscape as a kind of catharsis.

“There’s a smallness I would feel when walking in the cold Finnish nights that brought a kind of clearness or release,” they explain. “There’s this feeling I sometimes got when a bird would fly low over my head from behind, like they were somehow a thought of mine that was bursting forth and flying off, fading out there into the distance… I can get really mired in my own thoughts, and there’s like a release, or a lift that comes when you can let the rich pain and pleasure of the world just be.”

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A Little Older feels less like an answer than an extended contemplation of the question. A period of time spent sitting with it, exploring its various depths and contours, even as the potential answer changes or begins to feel nothing like an answer at all. “Am I alright or almost there?” asks patient opener ‘Step in Line’. “All that I am, all that I’m not / Am I too bright, or almost there?” This searching tone is indicative of a record in which doubts and convictions intertwine, rising and fading at any given moment. One, as the title suggests, too wise to expect a single epiphany to solve everything. “I’m not hoping for a saviour,” as ‘Forgotten Angle’ puts it. “I’m only sifting through what’s given / An earthly bind or something bitter.”

In this manner, the album should be viewed as a space in which Avina works through this process, rather than the process itself. Songs like the slow dawning ‘I Am Opening’ and reflective ‘Way Things Grow’ clock in at well over seven minutes apiece, long, unhurried tracks which invite the listener to sit still and take part. Free them from the need to do anything else.

This mindful style is present in other ways too. Though possessing an edge and far more succinct, songs like ‘Human’, ‘Poison’ and the title track offer awareness in a different manner. A consciousness of feelings and desires, an acknowledgement of needs and wants. And also a recognition of shortcomings and regrets so that the questioning might continue despite misgivings within any specific time. “How can I learn the way to show / All that matters when I’ve barely grown,” as closer ‘How Can I learn’ puts it. “I’m better than this but I’m battered / Embarrassed by something I missed in the moment.”

A Little Older is out now via Lost Map Records and you can get it from the Alexia Avina Bandcamp page.

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Following 2020 album Unearth on Topshelf Records, Brooklyn-based artist Alexia Avina is set to return with a brand new LP, A Little Older. Released via Lost Map Records, the album began on a borrowed guitar and a friend’s floor, slowly blossoming into a deep and searching meditation on the existential functions of love and art. “What does it mean to feel small, to feel nothing, to feel everything?” asks the album notes, “to skirt around the edge of true vulnerability unknowingly and yet somehow so consistently?” Clocking in at over eight minutes, slow-burning single ‘I Am Opening’ shows that while Avina might not have an answer, her rich and evocative compositions create spaces in which to contemplate such questions.

The Bins – Santa Cruz Mountains (Remix by Danny Spiteri)

Last summer, The Bins released the album Happiness Complete, a stellar collection of songs which showed off Clark Barclay’s joyous plunderphonic style. But as if his own endlessly inventive cut and paste experiments weren’t ambitious enough, Barclay then turned over his sonic mosaics to other artists and asked they rework them into new forms. The result is Happiness Completely Remixed, an entire album of these reimaginings. Danny Spiteri’s take on ‘Santa Cruz Mountains’ is emblematic of the power of such processes, rendering the originally buoyant track into something reflective and subdued. A meditation on place which excavates not just the sunny present but the ghosts of the past too.

Dawning – Demo Tape

After fronting post-folk Apricot Blush, South Carolina’s Jackson Wise has emerged from a musical hiatus with brand new project, Dawning. A collaboration with artist and musician Matt Massara, the outfit work between brooding punk and gauzy slowcore, the tracks united by the texture of their style. Soundscapes that drift over you, invite you to lose yourself inside. The debut release Demo Tape shows off this aesthetic, from the frustrated yells of ‘We All Went Swimming’ and the searing energy of ‘Kreuzberg’ to the searching melancholy of ‘Sediment’. Each of the six songs feels like a door through which the Dawning project might head, and Demo Tape has more than enough to suggest you would be advised to follow whichever they choose.

Demo Tape is out now.

Dead Nettle – Undertow

The recording project of Nashville/California artist Lindsey Wall, Dead Nettle is set to release album How I Thought later this year. With its slow burning intensity, single ‘Undertow’ introduces the engaging and poetic style the record promises to bring. Opening with acoustic strums and smoky vocals, it builds from wistful warmth to fierce conflagration, finding a sound which engages with emotional turmoil yet finds buoyant energy within the roil. As though the updrafts of the burn lift Wall high above the situation, floating high and free if only for a moment.

Denitia – Highways

Raised in Houston and currently living in New York’s Hudson Valley after time spent in Nashville and Brooklyn, Denitia is an artist often on the move. New song ‘Highways’ embraces this nomadic spirit while recognising the value of connection too. An ode to the road which is nevertheless unwilling to leave home behind. “‘Highways” is a song about looking forward but taking the past along with you,” Denitia explains. “I’ve had many friends and loved ones in my life and as time passes and I move from place to place, phase to phase, I hope to always take those connections with me wherever I go. I want to take home with me everywhere I go.”

Itch Princess – To Be Your Fool

The recording project of New York‘s Katelyn Farstad, Itch Princess make self-described psycho-existential-dredge ballads which wrestle with the various torments of human living. Latest record POP CALLS PASSES, out now via Crass Lips Records, was written at the end of an eighteen-year struggle with substance abuse, and directs all of its ambition and energy to communicating the move beyond suffering into a more creative space. Single ‘To Be Your Fool’ is the perfect introduction to the record’s off-kilter vibe, capturing its embrace of left-field oddness symbolic of a wider acceptance of life and its unpredictable motion.

Marissa Nadler – Cold Wind Blowin’

This spring sees the release of Todo Muere SBXV, a compilation celebrating fifteen years of Sacred Bones which asks artists from across their roster to cover one another’s songs. With songs from Anika, The Hunt, Dean Hurley, Black Marble, Hillary Woods and others, the result is a testament to the diverse and ambitious line-up the label has built over a decade and a half. A group linked not by clear style or genre but something more oblique. A shared commitment to artistic vision, whatever shape that might take. A great example is Marissa Nadler‘s take on ‘Cold Wind Blowin’ from David Lynch‘s The Big Dream, a version which understands the twin forces of familiarity and strangeness which underpin Lynch’s work and treats each with the reverence they deserve.

Todo Muere SBXV is out via Sacred Bones on the 27th May and you can pre-order it from Bandcamp.

Pacing – Sunny <3

Combining the twin forces of anxiety and sarcasm, Katie McTigue uses Pacing to explore the busy and oftentimes ridiculous period we find ourselves inhabiting. Ahead of new mixtape hatemail later this spring, McTigue has unveiled lead single ‘Sunny <3’ to get us acquainted with her distinctively sardonic style. Because do not be fooled by the title, or at least be sure to excavate its wry connotations, as this FOMO anthem does not find joy or self-actualisation at the end of a productively jammed day. Just creeping panic as the pressure to be better and better coils like a spring. “I’m gonna be good,” goes the tongue-in-cheek refrain. “I’m gonna be so good.”

hatemail is out on the 13th may and you can pre-order it from the Pacing Bandcamp page.

This Frontier Needs Heroes – Not Gonna Write a Song

Following on from 2021’s Go With the Flow, the fifth album from David Bradley Lauretti’s This Frontier Needs Heroes, this spring sees the project return with a new song series titled Every Song is a Single. The first taste of this new material comes with the ironically titled ‘Not Gonna Write a Song’, a wry take on a break-up number which sees Lauretti break his own promise in real time. A song about resisting the urge to write. But despite this playful humour, the sound itself commits to a subdued warmth. Earnest and reflective, caught between looking back and moving on. Lauretti is gonna continue to write songs, and the world is all the better for it.

Take what you have to take
And I’ll break what I have to break
I know that it’s not a mistake
So I’m not gonna write a song for you

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