With album Mirror, Reflect coming in May via Winspear, Amy O has shared single ‘Dribble Dribble’ by way of introduction. The record charts the experience of new motherhood during the pandemic, where twin forces of uncertainty and isolation ran a deep seam of precariousness through everything. But as ‘Dribble Dribble’ shows, Amy O documents this time with compassion and playful curiosity, the lo-fi pop sound lifting rhyming schemes from the books she read to her daughter to offer a mood at once fun and incisive, and Glenn Myers’s backing vocals further the conversational closeness.

Please don’t let the tide rush in
Held unburdened by the wind
A roomful of familiar
No catastrophes within

Bloomsday – Dollar Slice

The recording project of Brooklyn’s Iris James Garrison, Bloomsday introduced itself back in 2020 with debut Place to Land, an album which charted the fear, loss and joyous freedom inherent within the quest to find one’s true identity. But despite the personal subject matter, collaboration has always been an inherent part of the Bloomsday DNA, and new album Heart of the Artichoke is certainly no exception. Coming this summer on Bayonet Records, the release see Iris joined by Andrew Stevens (Lomelda, Hovvdy), Alex Harwood, Richard Orofino, Maya Bon (Babehoven), Hannah Pruzinsky (h.pruz, Sister.) and Chris Daley, and proves to be not only a celebration of togetherness and community but a testament to the enduring presence of friendship itself. Lead single ‘Dollar Slice’ is a great place to jump in, the cornerstone of the album which hints at the sound’s devotional quality. “I’m not religious,” Garrison says, “But I am into the idea of mystical, higher power—whatever that means – and that power seeing me, and my bullshit, and calling it out. That’s kind of godly to me.”

Cereus Bright – Boys

We introduced Boys, the new EP from Knoxville‘s Cereus Bright, back in February with single ‘Drifting’. “An ode to every tired soul and person without direction,” as we put it, “which offers comfort not through the promise of agency but rather the unforeseen benefits of letting oneself relax into the drift.” With the EP now out via Nettwerk, Cereus Bright has released the opener and title track as a final single. Inspired by stories of a “hard, complicated figure” of a grandfather, the song delves into the tangled world of cause and effect not so much in search of an answer but to instead reveal the layers of complexity which define any given person. As the artist explains: “It’s essential to reckon with the people or institutions that have affected us or hurt us, but some times truly understanding is impossible.” The song comes complete with a video filmed by Follow The Leader which you can watch below:

Boys is out now via Nettwerk and available from Bandcamp.

Fresh – Merch Girl

London punks Fresh have made a name with a heart-on-the-sleeve brand of rock, with tracks like ‘Babyface‘ and ‘Morgan & Joanne‘ typifying the bittersweet celebration of the queer experience offered by LP Raise Hell. Ahead of tours with Teenage Halloween and Los Campesinos!, Fresh are releasing a brand new EP Merch Girl on Specialist Subject Records next month, and have unveiled the title track for an early taste. It’s a song “about living in that space between wanting something and achieving something” as lead Kathryn Woods explains, centring on the titular character as they yearn to break free from the sidelines and make art of their own. “Standing at the back of the room / Wishing I could do what they do,” as Woods sings, “After all, I could play that guitar part better / I could hit those drums much harder / I could sing that song far louder // But I’m just a merch girl.”

I’m tired of living like this
Letting people talk over me for years and years and year and years
Gonna start doing things my way
Gonna write a song with a voice so strong it knocks you sideways

I’m not just a merch girl

Hour – Ease the Work

Though named after an image from a tragic Greek myth, Hour‘s 2018 album Anemone Red had more quotidian concerns. “Hour present the same heartbreak and longing as it occurs today,” we wrote in our review, “repressed and layered behind our day-to-day responsibilities, manifest not in blood-dripped flowers but the slow, sad progression of the world around us.” The project, led by Michael Cormier-O’Leary, returns this spring to build upon this foundation with Ease the Work, a brand new release on Dear Life Records. Challenging any clear distinction between composition and improvisation, the album performs the same small miracle of the previous records, presenting the everyday in all its joy and melancholy, comfort and strangeness. Listen to the title track now:

Jack Name – Cherie’s Eyes

Described as a “homage to the IRL world and its twisted and varied romance with the worlds of our minds,” Fabulous Soundtracks is the fourth album from Los Angeles-based musician Jack Name, out this May on Maple Death Records. Each song on the record is intended as a mini-soundtrack to a specific scene, and Jack Name runs the gamut of genres and stylistic influences in order to create cinematic soundscapes able to elevate these moments into their full surreal potential. Single ‘Cherie’s Eyes’ is the first example of this singular effort, presenting a sound at once odd and strangely intuitive, as though Fabulous Soundtracks functions within the logic and physics of dreams, where everything is off-kilter yet charged with meaning.

 Logan Lynn – To Be Of Use (Smog Cover)

Songwriter, producer, filmmaker, television personality and activist Logan Lynn is releasing new LP SOFTCORE this June on Kill Rock Stars. The album, written in the aftermath of a break-up, serves as a vehicle of rebirth. “A record of my coming alive again, and coming back to myself in the face of pretty extreme betrayal,” as Lynn puts it. “It’s a party album in a way—loud, wild, unhinged and abrasive at times—but it’s also a collection of tender songs about longing and togetherness.” A cover of Smog’s ‘To Be Of Use’ opens the album, a plaintive track which slowly gathers momentum, as though Lynn uses Bill Callahan as a way to shake off the shrouding gloom and turn a new page.

Magana – To My Love

Last month we introduced Magana‘s new album TEETH on Audio Antihero with the single ‘Paul’. “A song where grief is transcribed almost verbatim,” as we put it, “and tenderness, strangeness and plain disbelief can exist simultaneously.” With the album out today to coincide with the Worm Moon’s peak illumination, Magana has released final single ‘To My Love’ to further introduce the witchy rock atmosphere. A strange sound for a strange world, made by an artist determined to use every style available to best communicate their own experience of trying to exist within it.

Pina Palau – We’ve Got No Time At All

“The birds outside my window, they are singing as if the world was still the same.” So opens ‘We’ve Got No Time At All’, the centre point of Get a Dog, the sophomore album by Pina Palau. It’s a song that very directly captures the despair felt by young people across the globe, describing a world of war and mass shootings, heatwaves that “no AC can get us out of.” The Swiss artist put a career in medicine on hold to pursue her musical career, and her creative work is driven by the same fascinations that led her to the path to becoming a psychologist—what label Mouthwatering Records describe as “a desire to understand unvarnished humanity—the motivations, emotions and stories that shape our lives.” Which is why ‘We’ve Got No Time At All’ stands out on an album full of varied emotions. A rare track that stares down a generation’s biggest concerns head-on, blowing out into furious noise in its cathartic climax.

We’re still young they say we have time
But the truth is: we’ve got no time at all

The post Weekly Listening: March 2024 #4 appeared first on Various Small Flames.

Various Swell Sounds is a new collaborative playlist series from Shana Hartzel of Swell Tone, Jon Chin of Cereal and Sounds, and myself. Instead of constantly exchanging tracks amongst each other, we have decided to work together to bring them to more ears. Every month, we will match a selection of our old and brand new favourites to a specific theme, as decided on a revolving basis month by month.

After the brutal summer, the leaves are finally turning, which can only mean one thing. Yep, it’s the time of year to slip on pavements, make tired jokes about pumpkin spice coffee and hide behind closed curtains to ignore the calls for candy from ghouling children. We’ve made a playlist of songs to see you through the cool and crispy season.

There’s a Playmoss and Spotify version below, so choose what suits you best, though due to incomplete catalogues the are slight discrepancies between the two.

Check out our other Various Swell Sounds entries here and here, and head over to Swell Tone and Cereal + Sounds for the edition over there.

The post Various Swell Sounds #9: Cool & Crispy appeared first on Various Small Flames.

Written after a move from Texas to California, Truthlikeness is a record about the inherent strangeness of new places, as well as the loneliness of trying to making them your own. “I was really quite lonely at the time but also enthusiastic,” Von Gonten says, “so it was an interesting headspace to be in. I was trying a lot of new things but had few trusted friends for affirmation.” First single ‘Anthem’ explored this directly, the dreamy style conjuring a setting where nothing is as it seems, the vocals vulnerable and earnest as Von Gonten declares “I never go out. I gave it a chance, I never go out,” though never descending into outright melancholy.

Today, we’re delighted to be able to share a second single, ‘Fabrique’. Opening the album, the track follows a similar vein, a kind of waking dream as experienced during low-level fever, where rhythms and phrases repeat and recycle, coalescing into significance beyond the modest sound. Von Gonten’s falsetto is joined by the hypnotic pluck of guitar and sparse synths, and this arrangement seems to gather energy from its own order, eventually rising into a wistful finale where the drums finally kick in.

This is dreaminess not as some stylistic choice or genre trope, but a considered and meaningful expression of a life upended. And life is certainly upended during a change of home. Even aside from any obvious cultural and geographical differences, there is something more personal too, some uncanny sense that even recognisable things are different, that familiarity can no longer be trusted or else has ceased to possess meaning. With Truthlikeness, Ryan Von Gonten brings such a state to life, a heightened awareness of isolation and worry, of agitation and doubt, of the beauty of all things.

Truthlikeness is out on the 14th September via Human Noise Records and you can pre-order it now.

The post Song Premiere: Ryan Von Gonten – Fabrique appeared first on Various Small Flames.

Various Small Flames’

Songs of 2017

Anamon – Kneel Old
Android Automatic – Dark Roads*
Angie McMahon – Slow Mover
Basement Revolver – Johnny Pt. 2
Baxter Roy Long – Paribanou
Bea Troxel – Let Them Know
Big Thief – Mary
Black Belt Eagle Scout – Soft Stud
Bully – Running
Cayetana – Mesa
Charly Bliss – Percolator
Chastity Belt – Different Now
CHUCK – Happy Birthday
The County Liners – Maria
The Courtneys – Tour
Craig Finn – God in Chicago
Crumb – Locket
Crushing – Emery Board
Cut Worms – Like Going Down Sideways
David Bazan – Care
Distant Reader – First Try
Emperor X – God Save Coastal Dorset
Fits – Ice Cream on a Nice Day
German Error Message – 2017*
Gleemer – Soothe Me
Great Grandpa – Favorite Show
Haley Heynderickx – Oom Sha Lala
Hiccup – Teasin’
Horse Culture – Texaco
Illuminati Hotties – ‘(You’re Better) Than Ever’
Japandroids – No Known Drink or Drug
Jason Isbell & the 400 Unit – If We Were Vampires
Jay Som – The Bus Song
Jeremy Squires – Night Cars
Katie Ellen – Drawing Room
Lizzie No – Monuments
Lomelda – Bam Sha Klam
Mike Pace and the Child Actors – Audits & Surveys
Meursault – The Mill
Mount Eerie – Crow
Nice Legs – Mighty Three
Oceanator – Nowhere Nothing
Ohyeahsumi – Daisy
Old Earth – Pit Dynamics
PASTEL – Stammer
Peter Silberman – New York
Phoebe Bridgers – Motion Sickness
Pope – Talk Me Out of It
Protomartyr – Windsor Hum
Rainwater – Place
Ratboys – Elvis is in the Freezer
Rick Rude – Bald & Fat in Houston, TX
Roadkill Ghost Choir – Classics (Die Young)
Rose Dorn – Dirt
See Through Dresses – Lucy’s Arm
Shannen Moser – A Funeral, A Friend, My Sanity
Sinai Vessel – Died On My Birthday
Slaughter Beach, Dog – Phoenix
SOAR – Fort Funston
Soft Fangs – Jordan // Jackson Elementary
Spartan Jet-Plex – We Believe
Strange Ranger – House Show
Strawberry Runners – Garden Hose
Timid, The Brave – Alice
Us and Only Us – Bored of Black
Vagabon – Cold Apartment
Viewfinder – Instant Moonlight
The Washboard Abs – Veil
Waxahatchee – Never Been Wrong
Wild Pink – Albert Ross
William Ryan Fritch – In Our Blood
The Wooden Sky – Swimming in Strange Waters
Ylayali – Cherry Tomatoes

*Strictly released in 2016, but barely, and we covered it in Jan. 2017.

If you missed it, you can see our Favourite Albums of 2017 list here. Also, the curious can find such lists from previous years here.

The post Favourite Songs of 2017 appeared first on Various Small Flames.

And, of course, being comprehensive is impossible these days, so let us know if we missed your favourite and maybe we’ll add it to the collection.

If I Die in Mississippi – Artless
(RIYL: bedroom pop, ambient, Sam Ray, sad)

In Love With a Ghost – Let’s Go
(RIYL: electronic, chillwave, dream pop)

Jake Bellissimo – Piece of Ivy
(RIYL: indie pop, Gay Angel)

Jemima Coulter – lampshade ep
(RIYL: bedroom pop, chilled out, Volcano Choir)

Joyride! – Half Moon Bay
(RIYL: pop punk, indie rock, All Dogs)

Julia Brown – An Abundance of Strawberries
(RIYL: experimental, indie pop, Elephant 6)

Lake Michigan – Gleaming
(RIYL: bedroom pop, late night vibes, Arrange)

Lance Bangs – Lance Mountain
(RIYL: lo-fi, indie pop, Colin Thibodeauxxx)

Lazy Legs – s/t
(RIYL: shoegaze, noise pop, feedback)

Little Kid – Flowers
(RIYL: fuzz pop, bedroom folk, reflective thoughts)

Long Neck – Spring Cleaning
(RIYL: bedroom pop, Cyberbully Mom Club, Jawbreaker Reunion)

Max Gardener – Memory Lounge
(RIYL: dream pop, bedroom pop, slacker)

Mineral Girls – Seven Inches of Release
(RIYL: noise pop, emo, indie rock)

Moin Moin – Dawn
(RIYL: folk, bedroom pop, delicate, quiet)

MOLAR / Pale Kids – Split
(RIYL: pop punk, riot grrrl, The Courtneys)

Molly Drag – Tethered Rendering
(RIYL: bedroom pop, experimental, dreamy vibes)

Monarch Mtn – Everyone is Here
(RIYL: grand melancholy, nighttime)

Monster Rally – Mystery Cove
(RIYL: experimental, hip hop, tropicana)

Moving In – Sunburn
(RIYL: bedroom pop, lo-fi, teenage heartbreak)

Naps – Happy All the Time Forever Always
(RIYL: ambient, experimental, tape hiss)

No Museums – The Drifting Knives
(RIYL: basement rock, indie pop, lo-fi)

Nice Try – s/t
(RIYL: lo-fi, indie pop, Frankie Cosmos)

Nikolas Escudero – 100
(RIYL: lo-fi, indie pop, slacker)

No Dice Tapes – 2016: the year all bad things went away and everything turned out to be fine
(RIYL: lo-fi, indie pop, good causes, ironic titles)

Noname – Telefone
(RIYL: hip hop, rap, courageous poetry)

Be sure to check out the previous sections of our favourite free music list here.

The post Favourite Free Music of 2016: I – N appeared first on Various Small Flames.

If any of the above points make you feel a little down, here’s a playlist of every band we featured during September to cheer you up. As always, click the artist name in the tracklisting to be whisked away to the specific post.

Tracklisting:

1. Hidden Driver – LVL UP
2. Death – CHUCK
3. Seskinore – Hiva Oa
4. Shut Out the Light – Tiny Dinosaurs
5. Foothills – Simon Balto
6. Lie 2 Me – Shana Falana
7. annie – moving in
8. A Lonely Road – Jordan O’Jordan
9. Augustine – The Chairman Dances
10. Golden – Mt. Wolf (feat. St. South)
11. I – Slenko & McKeys
12. zszs – rgz
13. Meditations – Tall Ships
14. Tossing & Turning – Saint Clementine
15. Century Woods – Lisa/Liza
16. Clear Section – Spartan Jet-Plex
17. Trancendless Summer – Peter Silberman
18. Where We Began – Tilman Robinson
19. will you?/you will – Fossil Jane
20. Ya w/Me? – Lomelda (from Swell Tone’s Summer of Sad)
21. Soon Soon – Praything
22. Drive – Mere Women
23. See Through – Suzy Callahan
24. Untitled (Slow) – Jana Irmert
25. Beyond the Stars – The Edge Of The Light
26. Northern Arm – Evening Hymns
27. It’s Not Real – Hazel English

You can check out the previous monthly roundups here, and our various other playlists and mixtapes here.

The post September 2016 Roundup appeared first on Various Small Flames.

The week saw the second such collaboration, this time with Philadelphia blog sensation Swell Tone. Curated by Shana Hartzel, Summer of Sad is a ten-song release featuring a range of styles and genres linked by the common themes of being 1) summery, 2) sad, 3) great. Or, as Shana puts it:

“Summer of Sad is about the quiet moments of the hottest season. It’s the warm breeze on a moonlit night and the mellow release of melancholia as you float down the river on an inner-tube in the hot, hot sun. A collaboration between Philly music blog Swell Tone and Slovakian tape label Z Tapes, the compilation combines 10 songs from female artists and female-fronted bands to create a dual atmosphere of summer’s brightness and the depths of longing. As if time were being kept by the creak of an old, back porch swing, the songs sway with an effortless sincerity.”

‘Icebergs’ by Bevelers opens, playing like some mountain hymn for the twenty-first century, while ‘Bad Way’ by Pop & Obachan is a slow, dreamy rock jam that seems caught between light and dark. “You arrived a surprise in the strangest way,” sings Emma Tringali, “what started as hate ended as a beautiful thing”. Lomelda’s glitchy folk rock follows, ‘Ya w/Me?’ insular and downbeat yet also somehow warm in its incredibly human heartbreak:

“So you don’t wanna be a family
You told me
Sitting at the table that my grandparents left for me
I just poured you another glass
Did ya notice
The silence that passed is all that lasts?
Where did ya go?”

Summer Flake’s ‘Shoot and Score’ is a slightly off-kilter rock tune, the vocals sliding over the music in monotone sheets, always threatening to deepen into something more dark or dangerous but never quite following through. ‘bat’ by CBMC’s ÓOR is a submerged bedroom number, the instrumentation rippling like the surface of a pond, while Queen of Jeans’ cover of Roy Orbison’s ‘In Dreams’ is seized by a timeless, romantic melancholy, the dramatic drums and crooned vocals conjuring that perfect tortured state unique to country singers and Hollywood actors.

The second cover, Candace’s rendition of Buffalo Springfield’s ‘Way Home’, is similarly arresting, snaking between fond sadness in the verses and the carefree forgiveness (or at least forget) in the chorus. Mia Loucks follows this with ‘summer’, a song both muffled and bright, as though sung the bottom of a swimming pool, lit electric blue during a sweaty August night. Sarah M.’s ‘t-shirt’ worms its way gradually out from beneath heavy bass, the energy rising across its run-time, before Deer Scout closes the release with ‘Haus’. Half-paced and soft, this is a song for those late summer nights where autumn comes knocking, darkness arriving a little too early, cool damp creeping into the fabric of things. Luckily, Dena Miller’s vocals are the perfect antidote, weaving a blanket in which to wrap yourself, through the night and winter both.

Working as a stellar release in its own right, as well as an introduction to ten acts that will soon be amongst your favourites, Summer of Sad is pretty much the perfect compilation, and a great example of the special things that can happen when enthusiastic people team up and combine their energies.

Summer of Sad is out now and you can get it now from the Z Tapes Bandcamp page, including a rather lovely cassette edition. All digital sales will be donated to Slovakian charity, Esther, who help people live again after domestic abuse.

Cover art drawn by Victoria Engle, colored Caitlin McCann

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