A book within a book, Hystopia is actually the novel left behind by Eugene Allen, a Vietnam vet from a slightly-alternate version of the 60s where John F. Kennedy survived Oswald’s assassination attempt and is serving his third term in office. Opened and closed by various notes and testimonies from friends and family members, Allen’s work makes up the majority of the novel, a narrative imagining characters from his time in Vietnam once they return home. The kicker, though, is that while they are back in the States, they never really ‘get home’, with the war following them back to a dystopian (but far from unrecognisable) America ravaged by biker gangs and forest fires.

In an attempt to solve the crisis of PTSD and violence, the government turn to an experimental psychiatric method called ‘enfolding’, where veterans reenact traumatic scenes while dosed up on a tranquilliser, Tripizoid. While even the doctors working on the project believe the technique to be without substance, it proves paradoxically effective for many subjects and blanks memories of combat. “Confusion is undoubtedly an element of the curative process,” writes Means. “In most cases the patient does forget about it, becoming fully immersed in the reenacted trauma’s nullification of the real trauma”.

Which isn’t to say it’s a silver bullet. Indeed the novel opens with a “failed enfold,” Rake, a man filled with the sort of all-consuming rage and propensity for violence unique to men forced into the sacrifices of war only to end up on the losing side. We find him with Allen’s sister, Meg (whom he has almost certainly kidnapped, and has undergone some degree of enfolding too), as they drive across Michigan on an anarchistic rampage of murder, drugs and destruction. Eventually, they reach the home of Hank, Rake’s former sidekick who has developed a love of trees since enfolding, a man who tries to protect Meg and figure out a way in which they can save themselves from Rake.

The second strand of the story deals with another enfold Singleton and his colleague Wendy, government officials breaking protocol to meet up and fall in love, who somehow end up on the trail of Rake, as though their rule bending was in fact a conspiracy on the part of their superiors to engineer the operation. Again though, confusion reigns, with Singleton’s boss admitting that a key part of being a commander is having the “gumption to go back and revise history”, talking of writing operation plans after the operation in order to ensure they are correct.

This sense of counter-history runs throughout the novel, from Singleton and Wendy’s quest and Hank’s transformation into peaceful nature-lover, right down to Eugene Allen’s re-telling (re-imagining?) of his sister’s story. What becomes important for these troubled people is not discerning the capital-T Truth but rather finding a variation they can believe in. More often than not, this involves a sense of mission, the victim’s need for order in the face of chaos, the desire for purpose or meaning in “an age when everything else seemed to be spinning deeper and deeper into despair,” anything which enables them to form a narrative of the world in a way they would like it to exist.

“It was crazy, he admitted, but it kept him going and like all good delusions it was fuelled by genuine hope and dedication to the truth”

And that’s what sets apart David Means’ Vietnam from that of the postmodern cannon. Yes, it is full of claims and counter-claims and impenetrable paranoia, but rather than using these to trace a descent into bewilderment, Hystopia utilises them to chart a way out. In a world where confusion and conflict constitute the resting face of the planet, maybe disinformation is needed not to obscure the truth but rather create it?

Here’s a playlist of songs that are suitable or relevant in one way or another, or maybe just capture the mood of certain characters and scenes.

Tracklisting:

1) Search and Destroy – The Stooges
2) IN EVIL HOUR – Battle Ave.
3) High & Wild – Angel Olsen
4) My War – Black Flag
5) Everything Falls Apart – Hüsker Dü
6) Saigon Shrunken Panorama – The Mountain Goats
7) Rugged Country – Japanese Breakfast
8) Meg – Hovvdy
9) Love, Come Save Me – Right Away, Great Captain!
10) I Need You To Tell Me Who I Am – John Moreland
11) Drugs To Make You Sober – Jeremiah Nelson
12) Are We Failing? – Hallelujah The Hills
13) Flaming Home – Mount Eerie with Julie Doiron and Frederick Squire
14) Lovers as Mirrors – Paper Bee
15) Forgetting is Believing – Nathaniel Rateliff
16) Redemption:1 (An Army Man And His Self-Discovery) – Justin Vernon

Hystopia is out now via Faber & Faber (UK) and Farrar, Straus and Giroux (US) and you can get it from most good bookshops. Check out the other works by David Means on his Goodreads page.

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And absurd Bilton’s stories certainly are. Take for example the entirely fictitious trip to Walla Walla by one Professor Milton, a scholar seemingly determined to aggravate his own misery through bumbling perseverance, or ‘Two White, One Blue’, where a man with heart trouble becomes convinced someone has stolen his tablets, displaying all the indignation and paranoid anger of Ignatius J. Reilly. ‘Filing’ joins a dentist who, upon finding the word ‘help’ marked inside a patient’s mouth, begins to look a little closer at the throat before him, the situation growing more and more peculiar with each passing second, and ‘Love in the Time of Austerity’ finds a new couple biting off more than they can chew in an expensive restaurant, knowing they’d never have to pay if only they can keep eating. Though maybe you’d prefer runaway dogs, orchestral massacres and haunted swimming pools? Or frustrated postmen and eternal bridge-building in rural Russia? Think of the oddest thing you can imagine and its likely Bilton has gone odder still.

However, the strangeness does not end there. ‘Flea Theatre’ finds the whole thing closing in on itself, as if a map of Bilton’s marvellous world has been origamied into an inward-facing cube, leaving you trapped to study the walls. There are further examples of interconnectedness through each piece, with a (semi-)recurring time/place and set of characters, though quite how and why they fit together is left up to the interpretation of the reader. The closest thing you’ll get to an answer here is the nagging itch that the next clue might just be around the next corner. Indeed, the book is something akin to a fevered anxiety dream, the true horror not so much the lack of clarity but rather the nagging feeling it might arrive all too suddenly.

It’s not always easy to make musical playlists to accompany books, especially not for short stories collections as varied as this, but we’ve tried to select songs that in one way or another capture the dream-like atmosphere that shrouds Alan Bilton’s work. They’re not 100% appropriate because they miss the comedic edge, so feel free to replace them with a silent film score of your choice.

Tracklisting:

1) Wilds – Blast Furnace
2) Deserter – Siskiyou
3) Rain Days For Bad Songs – Fanpage
4) 3 – Old Earth
5) Heavy Water/I’d Rather Be Sleeping – Grouper
6) Never a Joke – Krill
7) Full of Minnows – Happyness
8) God Save the Man, Who Isn’t All That Super – BOAT
9) Dog Years – Fog Lake
10) October Mirage – Island Eyes
11) The Place Lives – Mount Eerie
12) Dance of the Dream Man – Xiu Xiu

Anywhere Out Of The World is out now and available from Cillian Press.

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With that in mind, The Mirror Trap’s ferocious sound might come as a surprise upon first listen. Blending the energy of post-hardcore with deep, ominous drums The Twilight Sad would be proud of, Moore and Co. create weighty, atmospheric anthems inspired by the contemporary world. Financial inequality, technological identity (or the lack thereof), information overload and narcosis… The Mirror Trap are concerned with all of the things which make today’s society such a strange, confusing place. Lead single ‘Piranhas’ feels like the consequence of these pressures, a furious, frustrated scream which could be read as an act of rebellion, a burning of bridges or a desperate cry for help.

We’re up to our eyeballs, in half a million problems

Piranhas come calling and tear the flesh right off us.

I woke up this morning, with three bears in my porridge,

with no good news in paper, no let up in the weather.

I live for the weekend, a bowl to put my keys in,

I hide my desires, so you wont kick me out the gang.

As part of our Quiet, Constant Friends project, we’ve been asking people to make playlists based around a book of their choice, and thought The Mirror Trap might be just the folks to continue the Lit Links series. Lead Gary Moore stepped up the the plate with a collection of tracks inspired by a work by Orwell, which seems pretty suitable considering the themes they’re concerned with. Grab your headphones and have a read below!

George Orwell’s Keep The Aspidistra Flying
by Gary Moore

For some unknown reason I avoided George Orwell for years. I think the romantic in me insisted I only read exotic novels by wayward Frenchmen or stoic Russians. Reading the work of a British man whose real name was Eric seemed unthinkable. But a brief fascination with the Spanish Civil War led me to read Homage to Catalonia and the flood gates opened, I swiftly set about reading every word Orwell had ever written.

Keep The Aspidistra Flying is perhaps my favourite Orwell novel. Set in 1930’s London this is the story of a writer rejecting the constraints of money and the “evils” of consumer capitalism, giving up his humdrum day job in advertising to peruse his artistic passions. This appealed to me as booth a burgeoning creative and as a giant lefty. Gordon Comstock, the central character of the novel, is a man with a commendable plan and outlook but is shown throughout to be flawed and shambolic, he is not a hero or a villain, and he is just unreservedly human. He drinks too much, and smokes too much, he is neurotic and distracted.

Keep The Aspidistra Flying is raw, cynical and often bleak but is ultimately a brilliant book, in both the story it tells and the somewhat prophetic points it makes. I tend to feel a little bit dirty reading it, but in a way I rather enjoy

Tracklisting:

1) Work, Work, Work (Pub, Club Sleep) – The Rakes
2) This Charming Man – The Smith
3) Atmosphere – Joy Division
4) Cigarettes & Alcohol – Oasis
5) Shot By Both Sides – Magazine
6) ifwhiteamericatoldthetruthforonedayit’sworldwouldfallapart – Manic Street Preachers
7) Is This It – The Strokes
8) Common People – Pulp
9) I Love a Man in Uniform – Gang of Four
10) Lost in the Supermarket – The Clash
11) Bitter Sweet Symphony – The Verve
12) Fake Plastic Trees – Radiohead
13) For Tomorrow – Blur
14) Rat Race – The Specials
15 What a Waster – The Libertines

Simulations will be released on the 8th July via Riverman. The band have a few festival dates lined up before an European tour this autumn with Placebo (marked with *):

Jul 09: T In The Park, Stirling, United Kingdom
Jul 31: Y Not Festival 2016, Derby, United Kingdom
Aug 19: Astro Hall, Tokyo, Japan
Aug 21: Summer Sonic Festival, Tokyo, Japan
Oct 13: Train, Aarhus, Denmark*
Oct 14: Vega Main Hall, Copenhagen, Denmark*
Oct 16: Sentrum Scene, Oslo, Norway*
Oct 18: Cirkus, Stockholm, Sweden*
Oct 20: Hartwall Arena, Helsinki, Finland*
Oct 22: Riga Arena, Riga, Latvia*
Oct 24: St Petersburg Arena, Saint Petersburg, Russian Federation*
Oct 26: Moscow Olimpiyskiy, Moscow, Russian Federation*
Oct 29: Torwar, Warsaw, Poland*
Oct 31: Barclaycard Arena, Hamburg, Germany*
Nov 02: Laxness, Cologne, Germany*

P.S. Be sure to tune in next week, where we’ll be presenting a playlist from Gary’s cat based around Exile and the Kingdom by Camus.

P.P.S. Not really.

The post Lit Links: The Mirror Trap appeared first on Various Small Flames.

Today we are delighted to share a piece by Shana Hartzel, one half of the excellent, Philly-based music blog Swell Tone. If you are unfamiliar with the site, Hartzel and her partner in crime Victoria surf the high seas of new music and write about the best of it, with well-written reviews, cool sessions, innovative (and often pizza-based) guest appearances and regular mixtapes full of unearthed gems. Basically, it offers everything a music blog should.

As if that wasn’t enough, Shana also writes for The Wild Honey Pie, and is the assistant director of Philadelphia’s Y-Not Radio, and hosts the show ‘Aussie Unlocked’ on 2nd Fridays, 9-10pm (or you can find them on-demand via Mixcloud).

Jane Austen’s Mansfield Park
by Shana Hartzel

Though I’ve never been the most dedicated reader, my adoration for Jane Austen hasn’t waned since my first required reading of Pride and Prejudice. The English novelist’s romantic yet satirical fiction is an ideal match for my constantly shifting mental stream of humor and enchantment. It is a rare literary love that, at its peak, led to a full day of my life being dedicated to baking scones and lemon tarts, wearing frilly dresses, and plowing through the film adaptations of her three biggest novels in the company of a large pot of tea and my equally nerdy best friend.

There is something especially intriguing about Mansfield Park. Austen’s third novel is arguably her strongest exploration into the cloudy dichotomies of the British middle class and her most controversial work. Amongst an examination of the period’s morals and privileges and a slew of amorous entanglements, the story centers around the life of Fanny Price. Fanny is relocated at age ten from her markedly poor family to live with her wealthy relatives at Mansfield Park where she becomes a tiresome burden to everyone but her cousin Edmund.

Thanks to Edmund’s kindness, Fanny survives through an upbringing of monetary privilege and emotional abuse to become the most morally centered resident of the estate. As a character, Fanny isn’t nearly as agreeable or as openly charming as Austen’s other protagonists. Her emotional fragility appropriately reflects her constant treatment as an inferior. Yet, she always manages to imperfectly persevere through matters of affairs, slavery, debauchery, and consanguineous relationships. Seemingly unaffected by normal rules of decorum, her free will and clarity of thinking are always her best defense against the surrounding negativity. In the many ways it both defines and guides her, Fanny’s sincere approach to life is what has always drawn me back to this story in particular.

While the book itself portrays music as a skill that elevates character or a means by which affections are exchanged through dance, I have aimed to take a more modern musical approach to the grandeur and societal confines of Mansfield Park. Below, you’ll find an assortment of songs that challenge structural and melodic conventions in the way that Austen’s characters grapple with the expectations of their environment and upbringing. The sonic mix paints the spirit of the novel’s colorfully quaint world in stokes of humble grace, fearsome defiance, and (of course) irrevocable declarations of love.

Tracklisting

1. 1914 – Florist
2. Looking Out for You – Joy Again
3. For You – Free Cake For Every Creature
4. Super Rat – Honeyblood
5. The Garden – Flinter
6. Don’t Feel So Alive – Gabriella Cohen
7. p r e s c r i p t i o n – Good Try
8. Hey – The Twoks
9. Your Best American Girl – Mitski
10. Don’t Go – CBMC
11. Jogalong – Rozi Plain
12. Girl! – Terror Pigeon
13. Right Now – Amber Arcades
14. Tame One – Your Friend
15. All Day and All Night – And The Kids
16. No Room For Doubt – Lianne La Havas Ft. Willy Mason
17. Running with the Wolves – Aurora
18. You and I – Margaret Glaspy
19. Geranimo – Aphra
20. The Sun – BATTLE AVE.

You should most definitely add Swell Tone to your ‘blogs to check regularly’ list, and you can also find them on Twitter, Facebook, Instagram, Soundcloud and Playmoss. The Quiet, Constant Friends compilation is still available on our Bandcamp page, including a rather nice limited edition tape and art print bundle. All profits go to Worldreader so why not treat yourself?

The post Lit Links: Shana Hartzel appeared first on Various Small Flames.

Atticus Lish’s Preparation for the Next Life is, on the face of things, a relatively simple story. Girl meets boy under less than perfect circumstances and they struggle to make something of it. A classic love tale. But that’s where simplicity, or even any semblance of understanding, ends. This is a novel about post-9/11 New York, a tale of immense confusion, mistrust and paranoia, about poverty in a city smothered by it, about millions of people trying to make a life out of nothing.

Zou Lei is an illegal immigrant from China, a Muslim of the Uighur tribe, Skinner a PTSD-suffering Iraq vet who scraped through three tours of a war that’s followed him home in more ways than one. Queens is bursting at the seams with people looking for something better, or else ways to distract themselves from the present, a roiling, screaming sea of humanity. Lei and Skinner end up together, bonding through a common sadness and a shared appreciation of discipline and exercise. Their unsentimental yet gentle relationship serves as a recognisable, familiar way-in to a recognisable but wholly unfamiliar place. All of this is written in some of the best prose I’ve read in a long while. Beautiful and terrifying and sad, it captures New York as a gritty, humming place that’s crumbling in time with America’s perception of greatness.

Just like the characters, the reader is in alien territory. The overwhelming majority of us cannot fully understand the positions in which these protagonists find themselves. The fringes of society swamped by an overwhelming Lack Of. A lack of money and respect, of kinship and trust, as well as lack of material stuff (Zou Lei has a bed to sleep in but is essentially homeless, Skinner renting a basement with decidedly finite savings). But both are still subject to the American bombardment of dreams and nightmares that constitute the consumerist culture. They see shop-fronts and billboards, they see mistrust in the media and the faces of passers-by. The paradox of feeling isolated and lonely in a crowd of people seems designed specifically to torture them.

But the confusion is deeper than that, one that might impinge on Lei and Skinner more than most but hangs over us all. Not only are there no answers here, there are barely any questions. If 9/11 provided the West with a new narrative, a renewed sense of moral importance and superiority , then events like those at Abu Ghraib snatched away the veil. Technology has made it impossible to ignore that the ‘Bad Guys’ are mostly innocent, scared people like us, that our dirty secrets in exotic wars will not be buried. Everyone lives in this grey area but Skinner personifies it, pining for the purpose and friendship of war while being eaten alive by the truth of it.

“He took a drink from a flask of Bacardi Scorched Cherry and watched an execution on his laptop”

Here’s a collection of songs which we feel are somehow relevant to the themes and feel of the novel.

Tracklisting:

1. I’m New Here – Gil Scott Heron
2. Wish it Was True – White Buffalo
3. Drinking at the Dam – Smog
4. There I was in the pouring rain again, but this time I was at the drive-thru at Mac Donalds’ – Talons’
5. Beacon Hill – Damien Jurado
6. Heartbreaker – Noah Gundersen
7. Cold Apartment Floors – Vagabon
8. Travel Map – Hip Hatchet
9. Death By Dust – Miles Benjamin Anthony Robinson
10. Linens – Water Liars
11. The Modern Leper – Frightened Rabbit
12. No Future (Pt. I) – Titus Andronicus
13. Shitty City – Moonface
14. The Whip – Jesse Marchant
15. Third of Life – A Weather
16. Bloodkin Push (Forget the Ones) – Will Johnson
17. Wall Around Your Heart – Huck Notari
18. The Trapeze Swinger (Iron & Wine Cover) – Gregory Alan Isakov
19. I Could Only Stand By – The Weather Station
20. Fake Empire – The National

Preparation for the Next Life by Atticus Lish is out now on Tyrant Books (US) and Oneworld (UK + Aus). Quiet, Constant Friends is available digitally and on cassette via the Wake The Deaf Bandcamp page.

The post Lit Links: Atticus Lish – Preparation for the Next Life appeared first on Various Small Flames.

Today is the turn of Lanny Lieu, the person behind the new(ish) Portland-based PR entity Chill Chill Publicity (who brought Foxall and Mrs. Hopewell to our attention). PR companies are a divisive part of the music industry, at best clogging up our inboxes and at worst governing who and what gets heard in a way major labels can only dream of these days. People like Lanny are important because they show that PR can independent and tailored too, giving voice to artists who otherwise might not get heard without throwing money around or sending a zillion emails. Basically, PR can be done by people in it for the music.

Perhaps unsurprisingly, PR is only one of the musical pies in which Lanny has her fingers. She is also the current Music Director at KPSU (where she hosts her own radio show), and writes for UK blog Drunken Werewolf.

Gabriel Garcia Marquez’s Love in the Time of Cholera
by Lanny Lieu

I first stumbled upon Gabriel Garcia Marquez’s Love in the Time of Cholera in English class when I was 17. It’s probably the only assigned reading I’ve truly enjoyed. Despite it being one of my favorite books, I’ve only read it once (if only you could see my room of untouched books I’ve accumulated over the years…). I, however, still remember the magic that came along with it. I was blown away by Marquez’s vivid imagery, remarkable storytelling skills, and his ability to get inside his characters’ heads and realistically describe their motives and intentions.

I’ve always found Love in the Time of Cholera to be especially intriguing by the way it depicts all sorts of relationships ranging from a halfhearted marriage to lust-filled hookups and everything in between – some darker and more disturbing than others. The playlist I’ve provided as a part of the Quiet, Constant Friends project includes everything from a 1996 Backstreet Boys single to my favorite 2014 lo-fi gems to convey the different aspects of love and heartbreak in this beautifully written novel.

Tracklisting:

You can find Chill Chill Publicity on Twitter and Facebook. The Quiet, Constant Friends compilation is for sale on the Wake The Deaf Bandcamp page.

Cover art by Pamela Guest

The post Lit Links: Lanny Lieu appeared first on Various Small Flames.

“Throwing out the notion of binary happy-or-sad songs, [The EP] opts for something in between, or rather everything at once. Samantha is happy, sad, optimistic, pessimistic, cynical and hopeful within each song… and if you want your art to somehow imitate or represent life then surely that’s the only way to go.”

However, there is one drawback to having strong, literary writing (and a book-heavy music video) – you become a prime target for the Lit Links strand of our Quiet, Constant Friends project. So, I started bugging them by email and, luckily, lead Eric Krewson was more than happy to contribute.

Marilynne Robinson’s Home
by Eric Krewson

Marilynne Robinson is no stranger to success. Her first novel, Housekeeping, won the PEN/Faulkner Award; her second, Gilead, took home the Pulitzer. Even those outside her field have taken notice: President Obama, for example, honored her with a National Humanities Medal and, just two months ago, interviewed her for the New York Review of Books. (That is correct. The President of the United States of America interviewed Robinson, not the other way around.)

And yet, despite these achievements and brushes with fame, despite Faber & Faber recently reprinting Housekeeping as part of its Modern Classic series, Robinson is—by any polling of the public consciousness—largely unknown, unread. My goal is to give a brief primer of her books and, because each differs significantly in tone and content, suggest a starting point for potential readers based on their interests.

Philosophers – Do you spend your days marveling at the world, the seen and unseen? Do you love literature, metaphysics, science, art? Ah then the place to begin is Robinson’s essays, and I suggest the collection The Death of Adam, which includes an illuminating essay—illuminating, especially, for us progressives—about the writings of Charles Darwin. A progressive herself, Robinson muses on the fact that we moderns have rescued Darwin from his own bigotry, rescued him from his own abominable conclusions. From Darwin’s Descent of Man:

At some future period, not very distant as measured by centuries, the civilized races of man will almost certainly exterminate, and replace, the savage races throughout the world. At the same time the anthropomorphous apes. . . will no doubt be exterminated. The break between man and his nearest allies will then be wider, for it will intervene between man in a more civilized state, as we may hope, even than the Caucasion, and some ape as low as a baboon, instead of as now between the negro or Austrailian or the gorilla.

Dreamers – Do you while away your weekends writing poetry? Do you bore your friends with lines from bards? Do your favorite books collapse the boundaries of time and space, presenting a world that, while anathema to journalistic objectivity, is much more real, much truer than the one reported on the evening news? Well then, Housekeeping and Lila are for you. All of Robinson’s novels are poetic, at times ecstatic, but thanks to luminous female narrators, every page of these books is bathed in mystic light.

Hybrid – Do you enjoy poetry and essays equally? Did you get a B+ or higher in both History and English? We are alike, my friend, and the books most suited for us are Gilead and Home. The latter, my favorite Robinson work, is narrated by Glory Boughton, who is herself both a dreamer and a philosopher. (She is, by profession, a teacher.) In the novel she narrates, Glory has moved home, both to regain her footing after a failed relationship, and to care for her elderly father who has grown impossibly frail since the death of his wife. From the first pages of Home:

Their father said if they could see as God can, in geological time, they would see [the oak] leap out of the ground and turn in the sun and spread its arms and bask in the joys of being an oak tree in Iowa. There had once been four swings suspended from those branches, announcing to the world the fruitfulness of their household. The oak tree flourished still, and of course there had been and there were the apple and cherry and apricot trees, the lilacs and trumpet vines and the day lilies. A few of her mother’s irises managed to bloom. At Easter she and her sisters could still bring in armfuls of flowers, and their father’s eyes would glitter with tears and he would say, “Ah yes, yes,” as if they had brought some memento, these flowers only a pleasant reminder of flowers.

I first read Home in 2008, a few months after my twenty-second birthday. The world economy was bottoming out, and my peers and I were overwhelmed by a very urgent, very real anxiety to find a livelihood where no livelihood existed. We were encouraged to snatch at any flake of subsistence, to wrest it out of the hands of one’s neighbor, if necessary. I had been putting off writing music, which is, if not my calling, certainly my joy, in order to appease this anxiety. Glory spoke to me in reasonable, calm, motherly tones. She taught me that it was OK—even good and right—to stop, to assess. And more importantly, she taught me that it was OK to make art, to say “no” to the zeitgeist and “yes” to my curiosities and convictions. I remember the day I stopped applying to jobs I didn’t want. I wrote a song.

But I still haven’t convinced you to read Robinson? Well then, here is a musical representation of Home, culled from my modest library. Perhaps it will sway you.

You can buy Samantha Says now from The Chairman Dances Bandcamp page.. The Quiet, Constant Friends compilation is available on our Bandcamp page, including the limited edition tape and art print bundle.

The post Lit Links: The Chairman Dances appeared first on Various Small Flames.

Whether Garth Risk Hallberg lived up to the hype is up for debate. I’d suggest there is a certain ‘hype threshold’ past which people will ensure you get a fair share of criticism regardless of what’s between the covers. What is not up for discussion is the beauty of the writing on show, nor is the sheer scope of the world it brings to life. Here we find a network of characters linked by blood or love or sheer chance which grows through schizophrenic POV changes and creative interludes. To give you some idea: There’s Mercer, a man struggling with being gay and black in 1970s New York and his relationship with punk musician/artist William, heir to the Hamilton-Sweeney fortune who’s music with the now-defunct Ex Post Facto “seemed to promise complete freedom, on the condition of complete surrender”. Then there’s William’s estranged sister Regan and her troubled relationship with husband Keith, who are themselves caught up in the Hamilton-Sweeney machine, plus loser-loner Charlie and his friendship with punk cool-kid Sam, and their link to the Post-Humanist Phalanx. That’s not to mention the police detective, the art dealer, the shock jock radio presenter. The investigative journalist, the firework-setter, the transvestite keyboard player. The anarchistic, arsonist cult leader.

So… yeah, it’s all too detailed to review properly, though the key plot is strangely simple. Packed with the sort of suspense/drama you might expect from a film or television show, the book is not as challenging (difficult, ‘literary’) as you might expect. What Hallberg does achieve is to conjure New York at a specific time. The web of characters produce a panoramic snapshot of a generation, palpable nostalgia and a good sprinkling of well-used topics (troubled artists, drug addicts, traumatised and/or damaged lovers) creating a view of the seventies perhaps as we’d like to remember them. The spirit of the book is captured nicely near the beginning, when the clock strikes midnight on New Year’s Day :

“For a second the city seemed to lean forward and make contact with a future self: ruined, de-peopled, and nearly still. In a sealed hanger, forensic economists move around numbered lots with scales and callipers. Believing themselves to have evolved beyond delusion and loneliness, beyond illness and longing and sex, they hum distractedly and wonder what it all meant”

As books go, City on Fire is pretty easy to soundtrack, so this playlist could have been a hundred songs. But anyway, here are twenty songs which go some way to capturing the time/place/mood Hallberg created. I’ve included a mix of classics and newer stuff to keep things interesting, and the order isn’t important.

Tracklisting:

1. Blank Generation – Richard Hell and the Voidoids
2. Art is Hard – Cursive
3. To Hell With Good Intentions – Japandroids
4. Kimberly – Patti Smith
5. Chinese Rocks – The Heartbreakers
6. Roar of Nothingness – Sun Organ
7. Docking Guard – Northern Primitive
8. Today, More Than Any Other Day – Ought
9. Aloha Steve and Danno – Radio Birdman
10. The Kids – Lou Reed
11. Orphans – Teenage Jesus and the Jerks
12. Stevie Nix – The Hold Steady
13. Who Do You Belong To? – The Spirit of The Beehive
14. You Can’t Hold The Hand of a Rock and Roll Man – Okkervil River
15. Our Lives Would Make a Sad, Boring Movie – The Hotel Year
16. Using – Sorority Noise
17. Fireworks – Radiator Hospital
18. Your Own Place To Ruin – Rivulets
19. New York Hardcore – Talons’
20. This Heart’s on Fire – Wolf Parade

City on Fire is out now via Knopf Doubleday (US) and Jonathan Cape and is available from all good book shops. Quiet, Constant Friends is available digitally and on cassette via the Wake The Deaf Bandcamp page.

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It’s up for debate whether Alexandra Kleeman’s début novel You Too Can Have a Body Like Mine is dystopian. I mean, it’s too familiar and life-like to be truly dystopian, although that’s exactly what makes it so terrifying. The world seems to be functioning pretty much as normal, as people go about their days with the aimless sense of duty we are all accustomed to, a far cry from the visions of Orwell or Burgess or Dick. But the definition of dystopia is “a community or society that is undesirable or frightening”, so who’s to say “normal” can’t also be dystopic?

Kleeman’s narrator ‘A’ is blank, mostly faceless with few discernible personality traits. Her job feels temporary and is barely mentioned. Many of her scenes involve her doing very little inside her apartment. Instead she is fleshed out through her exposure to-/interaction with her room-mate (‘B’), boyfriend (‘C’) and the vivid stream of entertainment and advertising (or entertaining advertisement) which seems part of the world’s very fabric. Obvious comparisons are Pynchon and Foster Wallace, plus George Saunders in his being-clever mode (as opposed to his sentimental one), although the focus is very much away from the large-scale political/societal systems in favour of personal, A-centric explorations. All background occurrences (the mystery of disappearing dads, an anti-veal activist who ends up marketing it, even B and C) are filtered through A’s experience.

As the story is told in first person this might seem obvious, but (to me at least) it goes much deeper than that. In most postmodern books the main character is subject to/lost amongst a world of disinformation, whereas in You Too… it’s A herself who feels like the disinformation. The question here isn’t “is the world as the media says it is?” but rather “am I who the media says I am? Who I think I am?” Whether this is an emerging trend in post-postmodern millennial literature, a natural reaction to a world in which identity is unsettled and fluctuating, or just a new, gender-based perspective on things traditionally written about by men is unclear. One thing is for certain, Kleeman is a name to watch among the new generation of writers building upon the work of the aforementioned greats.Here’s a collection of songs that I think are relevant or related to the novel. If you like a particular band, just click the artist name in the tracklisting to be whisked away for more information. Enjoy:

Tracklisting:

1. Too Dark – Frankie Cosmos
2. Sucks Hanging Out With You (It Sucks Even More When You Leave) – Free Cake For Every Creature
3. Slumber Party – Mommy Long Legs
4. What’s Another Lipstick Mark – Adult Mom
5. Unholy Faces – Florist
6. Bedroom – Alanna McArdle
7. TV – Oh, Rose & Sawtooth
8. Death Cult Paradise – Trace Mountains
9. I Saw My Twin – Hop Along
10. Nashville Parthenon – Casiotone For The Painfully Alone
11. Dear Sons and Daughters of Hungry Ghosts – Wolf Parade
12. Oranges – Young Jesus
13. 1994 – PWR BTTM
14. Washing Machine – SPORTS
15. Lookalike / I Lost My Mind – Titus Andronicus

You Too Can Have a Body Like Mine is out now on HarperCollins. Quiet, Constant Friends is still available as a download or on cassette via the Wake The Deaf Bandcamp page. You can read the other Lit Links posts here. If you have a book in mind and fancy a go yourself, just get in touch!

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“No One Knows That You’re Lost is an album inspired by the Norwegian coast and a human interior, by tight itching doubts and wide open spaces. Here, fragility, strength and beauty become one and the same, parts of a landscape in constant flux yet remaining fundamentally unchanged”

Tina very kindly agreed to write a guest post for our ‘Lit Links‘ series (part of the Quiet, Constant Friends project), where artists and writers create a playlist of songs based around a book of their choice. Arm yourself with headphones and have a read below.

Chad Harbach’s The Art of Fielding
by Tina Refsnes

I’ve never felt comfortable with answering questions that ask for «the best» or «your all time favourite» as I just feel there’s too much good and different material in the world to hold them up against each other like that. So, I’ll say that one of my favourite books that I enjoyed immensely reading is one called The Art of Fielding by Chad Harbach. It’s set in an American College and with baseball as the back-drop, and it’s one of those slow books with great meaning but without the drama. It deals with the big hopes that young people usually have to life, with self doubt in performance, and with the social difficulties or shyness that young people sometimes struggle with. But, in a very down to earth way since, at least the main character, is so un-academic. I also imagined this suburban North-American setting for it: Long, wide streets with tall leaf trees on both sides of it. Really big and old campus buildings, and maybe since the characters were so alone in their minds I kept picturing everything as with never that many people around.

Tracklisting:

1. Jenny Come Home- Andy Shauf
   2. Gather, Form and Fly – Megafaun
   3. Own Side – Caitlin Rose
   4. Casimir Pulaski Day – Sufjan Stevens
   5. Easy – Laura Marling
   6. Blue Train – Emmy Lou Harris, Linds Ronstadt and Dolly Parton
   7. Out of the Woodwork – Courtney Barnett
   8. Big Black Road – Thousands
   9. That Knot Unties? – David Karsten Daniels
   10. Mr. Rodriguez – Rayland Baxter
   11. We Are Fine – Sharon Van Etten
   12. Horizons – The Staves
   13. Archie, Marry Me – Alvvays
   14. Friends – 22-20s
   15. Poison Oak – Bright Eyes

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