Big Thief – Capacity

Saddle Creek

“[Lenker’s vocals] unfurl like a magician’s silk scarves, a perpetual unravelling shaped by a poetic, negentropic logic. [It] is as though the meaning is summoned from the words themselves, something in the syllabic arrangement dragging stories and emotions into our world from somewhere else entirely. Lenker’s gift is her ability to recognise the strange, innate forces within language, surrender to them, and present them back to us with a crystal-clear clarity.”

REVIEW / BUY

Wild Pink – S/T

Tiny Engines

“Ross feels like a narrator dropped into an ongoing narrative, not fully aware of the beginning or end, or even any coherent context, yet haunted by profound sensations of sadness, fear and guilt—an unshakeable, existential dread that suggests we’re going to pay for how this story is panning out. Wild Pink haven’t come to us amidst this chaos with magic cures or quick-fix solutions, but they’ve come to us nonetheless. Right now, that’s probably the most valuable and noble thing any of us can do.”

REVIEW / BUY

The Wooden Sky – Swimming in Strange Waters

Chelsea Records / Nevado Music

“The Wooden Sky are making music with emotion, intelligence and integrity, songs in which you can both lose and find yourself, and perhaps even connect with the plight of others. We’re all trying to survive strange waters to some degree, and the record’s intent on illuminating this fact—both appreciating your constant kicking beneath the surface, and imploring you to help those that may be tiring, or entering even rougher seas.”

REVIEW / BUY

Vagabon – Infinite Worlds

Father/Daughter Records

“This is the sort of music that makes you feel part of a something, it does reflect a big sad and confused gang spread out all over the world, and we should be connected by shared experience and a sneaky feeling that life is worth living. However, to mark Infinite Worlds as simply sad or lonely falls into to the very trap of binarism that the album spends so much time fighting. Yes, it’s mournful but joyous too. It’s bedroom pop and indie rock and experimental ambient. It’s immensely personal and broadly relatable. It’s Vagabon, though only as it sounds right now.”

REVIEW / BUY

Protomartyr – Relatives of Descent

Domino

“Casey returns to his own struggles with the irony of being an artist in such a world, where to not speak against the absurdity of the system is to become complicit, yet knowing those very absurdities render his words meaningless. Rather than give up, or persevere nobly, Casey twists his art into the shape of this double-bind, using self-deprecation to cover any hint of naivety. “I have a backlog of so-called prophets,” a character tells a Messiah-like oracle near the beginning of the [final song]. “You are of a multitude.” The preacher insists he witnesses truth, to which the first character reacts with genuine confusion and interest. “The truth?” he asks. “What is it?””

REVIEW / BUY

Julia Lucille – Chthonic

Keeled Scales

“Part folk, part dream pop, part something else entirely, her music combines equal parts delicacy and foreboding with an impressive patience and emotional intensity […] concerned with the underworld, more specifically descending into as a mode of growth and rebirth (a la Persephone), and [showing] off the interplay between shadow and light that constitutes the record’s aesthetic.”

REVIEW / BUY

Friendship – Shock Out Of Season

Orindal Records

“In many ways, Friendship are in a Bardo of their own, caught between how life has been and could be, unsure how and when, if ever, they might pass into the next part. Shock Out of Season is concerned with finding this exit, figuring out some act or combination of words that allow passage into the next life. Or maybe it’s about making peace with the current space, acknowledging that perhaps true communication is impossible, and that trying to live with this understanding might be the most sympathetic and empathetic path available to us.”

REVIEW / BUY

Real Life Buildings – Significant Weather

Lauren Records

“Real Life Buildings capture both the quiet minutiae of day to day living—the soft feeling you get in an empty room with just a ticking clock and raindrops on the window pane for company—and the exhilarating rush of joy that is still sometimes possible. It’s music that, despite its anxiety and concern, still sees that silvery sheen of magic in the mundane, a fun indie rock record and a lesson in paying attention to what’s going on both inside and outside your head.”

REVIEW / BUY

Distant Reader – Home Power

Lily Tapes & Discs

“Distant Reader weav[es] a dense web of not just personal reflections, but reflections on the lives of those he cares about. Home Power is a deep record, one that withstands, even requires, a lot of thought and rumination, but after repeated listens the key points of empathy and kindness begin to resonate deeply. It’s a reminder that we’re all able to help ourselves and each other, and that we will be better people for both.”

REVIEW / BUY

Alex Napping – Mise En Place

Father/Daughter Records / Sports Day Records

“Less like a chronicle of a disintegrating relationship than the beginning of a process of self-examination, of moving forward, of weighing things up day-by-day and acting accordingly […] On Mise En Place, Alex Napping somehow manage to marry the immediacy of good pop songs with a slow-burning complexity, proving that meaningful songs can still be fun, and that great pop songs need not be a simple shallow sugar rush.”

REVIEW / BUY

Craig Finn – We All Want The Same Things

Partisan Records

“There’s a danger that pushing everything through the Trumpian prism collapses some of the intricacies and nuances of art. After all, The Donald is a product of the disaffection Finn is exploring here, not the cause. The problem is deeper and more complex than any government-related trouble, and Finn is too wise to offer much in the way of an answer. Instead, he suggests we shift the focus of our questions. Because We All Want the Same Things is an album about relationships, but not in the usual sense. Not the transcendental, star-aligned love of Billboard hits and Hollywood flicks but coupling based on common needs. Not life-changing answers but life-preserving strategies. Luckily, in the hands of Craig Finn, this version of ‘romance’ feels somehow more fulfilling, the opposite of cynical, for better or for worse, genuinely human. Perhaps the revolution in the conclusion isn’t some violent revolt or epiphanic break, rather a gradual yet constant commitment to challenging our own expectations. To stop wanting too much for ourselves and to start being sympathetic to others. A comeback story, of sorts.”

REVIEW / BUY

The Courtneys – II

Flying Nun Records

“There’s something joyfully nostalgic [about II]…the aural equivalent of the era it borrows from musically. It’s wrapped up in the warm fuzzy tape hiss of the late 80s / early 90s, that period of endless possibility, where everything was colourful and exciting and came with a free toy.”

REVIEW / BUY

Pleasure Systems – Antumbra Pull

Antiquated Future Records

“Essentially a collection of love songs. Each track is pure and sincere and deceptively rich, each created within its own little world, or perhaps conjuring a snapshot of a particular time/place in our own. The positive outlook never seems like some near-forgotten memory. It’s as if Sondermann is using Pleasure Systems to focus all of the hope and love into a beam which is aimed at the shadow, a beam which might not make the problem go away, but can at least be used as a formidable weapon in the forthcoming struggle.”

REVIEW / BUY

Midwife – Like Author, Like Daughter

Whited Sepulchre

“On Like Author, Like Daughter, Midwife have made an album of dualities…both powerfully elemental and somehow intangible, the unrestrained power of nature versus the invisible waves that surround us, emotionally pure messages coded in digital distortion. This duality goes for the atmosphere too. It’s impossible to pack the album away into an explicit genre or emotion, somehow conveying the whole spectrum, swelling triumph and crushing defeat, bright white hope and oil-black despair. But, ultimately, almost unbelievably, the message is positive. Even during the moments where the music sounds like the apocalypse, a tangible, sonic manifestation of loneliness and despair, Johnston provides a thread to hold on to, a reminder that the human spirit is the one thing that can, and will, endure.”

REVIEW / BUY

Black Belt Eagle Scout – Mother Of My Children

Self-released

“For all the difficulty and heartache that clearly went into it’s creation, Mother of My Children ultimately feels like Black Belt Eagle Scout making a clarion call, a proud statement that is intended to encourage other queer people of colour to use art as a source of strength, self-knowledge and empowerment. But it’s more than just an artistic statement. The album has both focus and depth, exploring themes directly with its lyrics and more indirectly with the atmosphere it conjures.”

REVIEW / BUY

CHUCK – Franenstein Songs For the Grocery Store

Audio Antihero

“Frankenstein Songs for the Grocery Store finds CHUCK doing what he does best, making songs that are catchy and funny and unashamedly “pop” and all undoubtedly good fun. But there’s always that something else to his songs too, something that’s harder to put a finger on, a nod to the vacuum at the centre of our 21st century consumerist culture.”

REVIEW / BUY

Half Gringa – Gruñona

Self-released

“Unpick[ing] the knots and tangles that have developed through[out] life, both retracing steps and forging ahead to discover something closer to [an] authentic self […] Gruñona is a journey without a clear destination, a question without an answer. An attempt to map identity not to achieve some clear-cut conclusion but rather in the hope of better understanding how history and culture and personal beliefs shape the people we are and were, the people we will be.”

REVIEW / BUY

Meursault – I Will Kill Again

Song, By Toad Records

“This is an album full of ghosts, both literal and metaphoric, from the disembodied voices that sometimes interrupt the broadcast, to Pennycook’s characters themselves, all coalescing to create a grand sense of melancholy […] but [the final song] see a sense of advancement, a suggestion that the ghosts might finally be confined to the past, where they belong.”

REVIEW / BUY

Adult Mom – Soft Spots

Tiny Engines

“Soft Spots finds Adult Mom with a new sense of self-assurance. These songs contain genuine hurt but also genuine hope, the narrator finally in possession of the bravery necessary to open up to people. It’s hard to think of a more fitting illustration of the album than the pickled pink peaches on the cover art. Yes, the fruits may get bruised if the jar is opened, but how else would anyone know how soft and sweet they are?”

REVIEW / BUY

Bea Troxel – The Way That It Feels

Self-released

“The album is an introspective one, based around big questions of where the narrator wants to be and what kind of life they want to live. In that way, it feels like a re-evaluation, the bright and hopeful result of much thought and worry […] The Way That It Feels hits a nice balance between the weighty and the not. It’s an album as poetic and pretty as it is serious and sincere, and marks Bea Troxel as a name to watch among contemporary folk musicians.”

REVIEW / BUY

The post Favourite Albums of 2017 appeared first on Various Small Flames.

In the meantime, check out the mix below to hear everything we covered during June 2017, and click through the links in the tracklisting to be whisked away to the specific posts.

Tracklisting:

Roadkill Ghost Choir – Classics (Die Young)
Julia Lucille – Darkening
girl valley – faceback
Deer Scout – Sad Boy
Crushing – Emery Board
Crumb – Plants
Alex Napping – You’ve Got Me
Squirrel Flower – Daylight Savings
Andrew Younker – Pretend Therapist
Outside The Academy – Anaesthetise
Sammus – Perfect, Dark
Miserable Chillers – Love Theme (For The Wilderness)
Ohyeahsumi – Cosmos Bowling
Maud Scheltinga – I’ve Come to Know You Well
Midwestern Exposure – Riverboat
Will Graefe – Blood Feather
Baxter Roy Long – Purpose Against An Unavailing Balance
Idan Altman – Heroic Bee
american poetry club – how i felt about most things
About a Million – Young Bull
Flamingods – Bhima
Headless Pin Up Girl – Forever Watching the Skies
Wild Pink – Albert Ross

Check out the previous round-up mixes here, and stick around next month for yet another selection of the best new music.

The post June 2017 Roundup appeared first on Various Small Flames.

The guitar on opener ‘Eternally’ sounds like embers glowing gently in a dark space, Lucille’s light and airy vocals swooping and swirling like drifts of ash. The lyrics paint a picture of restlessness, of striving for liberty and independence. As we described in a preview back in February, “the album is concerned with the underworld, more specifically descending into as a mode of growth and rebirth (a la Persephone), and ‘Eternally’ shows off the interplay between shadow and light that constitutes the record’s aesthetic.”

“Call but I don’t answer
I long to be eternally free
Not like my mother
Not like my father
But what feels good to me”

There’s an interesting duality on ‘Darkening’ too. The song juxtaposes twitchy percussion with a slow-burning ethereality. The effect is a beguiling dream-logic, a vibe only accentuated by Jordan Moser‘s accompanying video, which is packed full of imagery (including a bonfire, a crystal clear desert pool and a pomegranate).

There’s a strange undulation to ‘Plot of Ground’, instrumentation and backing vocals shimmering like a vision over the desert, anchored in place by its percussion, the skeleton that holds the song in shape. The gently rippling ‘Ariadne’ is backed with pulse-like drums, guitars sprouting knotted and wiry from this beating centre, joined eventually with a sense of off-kilter grandiosity. Lucille’s vocals seem made from some other material, something silvery and supernatural, as she sings quiet words of reassurance to a loved one.

“You get so sad my darling
And I can’t pull you from the deep
You get so sad my darling
And nothing I can tell you
Will reach you when you’re lonely
But follow where my thread leads
While I sing”

At first glance, penultimate track ‘Beneath the Spring’ sounds heart-warmingly tender, and while that’s not completely untrue, it’s not the song you might think. “I find myself keeping house” she sings, “find myself taking the trash out,” as the song reveals itself to be full of internal struggle before ending with the lines: “Can a woman love and not lose herself?”All that’s left then is for the closer ‘Lets Climb Up on the Car’ to usher out the album with deceptive simplicity. The lyrics comprise of just 25 words, but like all the best poems the song captures a sense of something much deeper and wider.

“Let’s climb up on the car
And watch the stars

Oh how I wish I could take your hand
But I don’t think I can”

You can get Chthonic now on vinyl, CD and cassette via Keeled Scales, and digitally from the Julia Lucille Bandcamp page.

The post Julia Lucille – Chthonic appeared first on Various Small Flames.