A book within a book, Hystopia is actually the novel left behind by Eugene Allen, a Vietnam vet from a slightly-alternate version of the 60s where John F. Kennedy survived Oswald’s assassination attempt and is serving his third term in office. Opened and closed by various notes and testimonies from friends and family members, Allen’s work makes up the majority of the novel, a narrative imagining characters from his time in Vietnam once they return home. The kicker, though, is that while they are back in the States, they never really ‘get home’, with the war following them back to a dystopian (but far from unrecognisable) America ravaged by biker gangs and forest fires.

In an attempt to solve the crisis of PTSD and violence, the government turn to an experimental psychiatric method called ‘enfolding’, where veterans reenact traumatic scenes while dosed up on a tranquilliser, Tripizoid. While even the doctors working on the project believe the technique to be without substance, it proves paradoxically effective for many subjects and blanks memories of combat. “Confusion is undoubtedly an element of the curative process,” writes Means. “In most cases the patient does forget about it, becoming fully immersed in the reenacted trauma’s nullification of the real trauma”.

Which isn’t to say it’s a silver bullet. Indeed the novel opens with a “failed enfold,” Rake, a man filled with the sort of all-consuming rage and propensity for violence unique to men forced into the sacrifices of war only to end up on the losing side. We find him with Allen’s sister, Meg (whom he has almost certainly kidnapped, and has undergone some degree of enfolding too), as they drive across Michigan on an anarchistic rampage of murder, drugs and destruction. Eventually, they reach the home of Hank, Rake’s former sidekick who has developed a love of trees since enfolding, a man who tries to protect Meg and figure out a way in which they can save themselves from Rake.

The second strand of the story deals with another enfold Singleton and his colleague Wendy, government officials breaking protocol to meet up and fall in love, who somehow end up on the trail of Rake, as though their rule bending was in fact a conspiracy on the part of their superiors to engineer the operation. Again though, confusion reigns, with Singleton’s boss admitting that a key part of being a commander is having the “gumption to go back and revise history”, talking of writing operation plans after the operation in order to ensure they are correct.

This sense of counter-history runs throughout the novel, from Singleton and Wendy’s quest and Hank’s transformation into peaceful nature-lover, right down to Eugene Allen’s re-telling (re-imagining?) of his sister’s story. What becomes important for these troubled people is not discerning the capital-T Truth but rather finding a variation they can believe in. More often than not, this involves a sense of mission, the victim’s need for order in the face of chaos, the desire for purpose or meaning in “an age when everything else seemed to be spinning deeper and deeper into despair,” anything which enables them to form a narrative of the world in a way they would like it to exist.

“It was crazy, he admitted, but it kept him going and like all good delusions it was fuelled by genuine hope and dedication to the truth”

And that’s what sets apart David Means’ Vietnam from that of the postmodern cannon. Yes, it is full of claims and counter-claims and impenetrable paranoia, but rather than using these to trace a descent into bewilderment, Hystopia utilises them to chart a way out. In a world where confusion and conflict constitute the resting face of the planet, maybe disinformation is needed not to obscure the truth but rather create it?

Here’s a playlist of songs that are suitable or relevant in one way or another, or maybe just capture the mood of certain characters and scenes.

Tracklisting:

1) Search and Destroy – The Stooges
2) IN EVIL HOUR – Battle Ave.
3) High & Wild – Angel Olsen
4) My War – Black Flag
5) Everything Falls Apart – Hüsker Dü
6) Saigon Shrunken Panorama – The Mountain Goats
7) Rugged Country – Japanese Breakfast
8) Meg – Hovvdy
9) Love, Come Save Me – Right Away, Great Captain!
10) I Need You To Tell Me Who I Am – John Moreland
11) Drugs To Make You Sober – Jeremiah Nelson
12) Are We Failing? – Hallelujah The Hills
13) Flaming Home – Mount Eerie with Julie Doiron and Frederick Squire
14) Lovers as Mirrors – Paper Bee
15) Forgetting is Believing – Nathaniel Rateliff
16) Redemption:1 (An Army Man And His Self-Discovery) – Justin Vernon

Hystopia is out now via Faber & Faber (UK) and Farrar, Straus and Giroux (US) and you can get it from most good bookshops. Check out the other works by David Means on his Goodreads page.

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Nicholas Krgovich – Who Cares?

Nicholas Krgovich, the man behind projects like Gigi, No Kids and P:ano, is back with a solo album under his own name. With little more than a guitar/ukulele and his voice, the LP is a minimal acoustic folk record. This, however, does not do justice to the multitude of styles he manages to reference/borrow from. Who Cares? is out now on Jaz Records.

M. Lockwood Porter – Chris Bell / Secrets

M. Lockwood Porter is an Oklahoma-born, San Francisco-based folk/country artist. Last year he released an album, Judah’s Gone and opened for acts such as John Moreland and Samantha Crain. Porter recently released a new double A-side 7″; one a country-tinged tribute to Big Star’s Chris Bell, the other a “Malkmus-esque” ballad. You can buy both songs on a pay-what-you-want basis over at Bandcamp.

Family and Friends – Love You Mean It

Family and Friends are a folk rock band from Atlanta, Georgia. They describe their sound as, “Equal parts indie, rock, and sincerity, sliced, diced, smothered, covered, and rooted in folk.” This is a pretty accurate description, and if you like bands such as The Head and The Heart, then I’d highly suggest checking out Family and Friends. The band recorded their debut EP, Love You Mean It, after a successful Kickstarter campaign, and you can get it right now for just $5 over at Bandcamp.

Nicole Dollanganger – Observatory Mansions

Toronto’s Nicole Dollanganger makes a haunting brand of bedroom pop that juxtaposes gently crooned vocals with weird, often extraordinarily violent lyrics. It’s a strange listen that delves into some really interesting areas, challenging the presumptions of the listener. Observatory Mansions is taken from the book of the same name by Edward Carey, a story about love set in a sad, strange setting inhabited by odd people. I can see the link.

Fronts – Kind Rays

Next up is Fronts, a singer-songwriter from the German city of Jena. ‘Kind Rays’ is a beautiful little indie folk song, perfect for the dawn of Spring. Fans of bands like Blind Pilot will love this. There is currently very little information available, but what I do know is that ‘Kind Rays’ is the first track from a forthcoming EP. I’m certainly excited to hear more.

Joe Nolan – Tornado

What is it about Edmonton and folk singers? Joe Nolan is a singer-songwriter from the Albertan capital who makes everything from Americana tinged folk-rock to delicate, melancholic slow burners. His latest album Tornado, was released back in January on Six Shooter Records. Check out ‘Pawnshop’ in the player below and then order the album here.

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15). Kanye West – Yeezus

(Roc-A-Fella / Def Jam)

14). Implodes – Recurring Dream

(Kranky)

13). Vampire Weekend – Modern Vampires of the City

(XL)

12). Julia Holter – Loud City Song

(Domino)

11). John Moreland – In The Throes

(Last Chance)

10). Trouble Books – Love At Dusk 

(MIE)

9). Darkside – Psychic

(Matador / Other People)

8). Mount Kimbie – Cold Spring Fault Less Youth

(Warp)

7). Jon Hopkins – Immunity

(Domino)

6). Phosphorescent – Muchacho

(Dead Oceans)

5). The Knife – Shaking the Habitual

(Mute / Brille / Rabid)

4). Fuck Buttons – Slow Focus

(ATP)

3). Typhoon – White Lighter

(Roll Call)

2). Chance the Rapper – Acid Rap

(Self-released)

1). The National – Trouble Will Find Me

(4AD)

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I am paraphrasing here but the sentences above capture exactly what makes the record so great. In The Throes is a collection of songs that play like perfect short stories, writing that has been mercilessly editted and revised so that each and every word has been forced to justify its existence. Each song feels distilled, reduced to its purest and most brilliant form.

The real masterstroke is putting together all of these killer lines and making them fit together into something that sounds like a stream of conciousness, as if they are the words of a man spilling his inner self for the first and only time. The songs are simultaneously highly polished and roughed up, carefully crafted and organic.

As for comparisons, I guess you can take your pick from your favourite songwriters. The slower finger picked songs such as ‘3:59AM’ bring to mind Joe Pug, and Nine Bullets suggested Townes Van Zandt (with which I concur), but there are plenty of others you could name too. Nebraska-era Springsteen, Jason Isbell, Steve Earle, Tom Petty…  Moreland is in no way out of place among any of the gravely poets that make up the big names of songwriting.

The whole gamut of emotions are covered on In The Throes, from sadness and desperation (I swore the days were over, courting empty dreams / I worshiped at the altar of losing everything) to earnest joy (I got the guiltiest conscience / Listening for a savior on a Saturday night / I got my ear to the ground / You got Easter Sunday in your eyes) and even humour (I guess by now, I’m supposed to be a man // But my grandmother still gives me ten bucks on my birthday). Some artists make songs that are made memorable by just one masterful line, John Moreland produces songs with masterful lines as his only ingredient.

You can buy the album from Last Chance Records.

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