The recording project of Chicago-based violinist and songwriter Mallory Linehan, Chelsea Bridge is something of a shapeshifting entity. One as likely to entice the listener in with hazy dreamscapes as it is blast them with intense noise, willing to present sensual and detached sensibilities side by side. Perhaps not a shapeshifter, then, but rather something fluid, an amorphous thing able to exist across and between fixed points. It is therefore fitting that new album K, coming next month via Whited Sepulchre, could be described as both the most accessible and experimental Chelsea Bridge record to date. A collection of songs which sees Linehan reach for pop sensibilities as naturally as she might classical or avant garde, as though to prove such a distinction is of little consequence to an artist fully embracing an intuitive mode of working. Single ‘The Morning’ introduces the result, where plucked violin seems to work hand over hand to tease a lush pop soundscape into life.

cryer mya – Leylines

Based in south London by way of Bristol, cryer mya is the new recording project of songwriter Rishi Saluja. Having previously played in bands with psychedelic influences, Saluja uses the moniker to combine such sensibilities with more personal tastes in soul and folk, resulting in a richly realised sound sure to grab the ears of fans of Sam Evian and Alice Phoebe Lou. Lead single ‘Leylines’ provides the first taste of the cryer mya style, taking a languid summer rhythm and populating it with vocals both heartfelt and searching, the easygoing warmth belying the depth of a track which explores themes of spirituality and mystery.

‘Leylines’ is out now and available from the usual places.

 Ead Wood – Menu

Ead Wood might hail from Bristol in the UK, but their Americana-inflected sound positions them closer to acts like Friendship than any of their British brethren. Following on from last year’s EP A Sparkling Gift, the outfit have returned with new single ‘Menu’ on Breakfast Records. A song which typifies the balance between sincerity and playfulness which marks the Ead Wood sound, delving into an ostensibly mundane situation to reveal the deeper meanings beneath the surface. “‘Menu’ is a (somewhat) lighthearted song about decision making anxieties,” as lead Ed Soles explains. “[That feeling] of being frozen in fear of making the wrong choice, even in those situations where it may not seem to even matter. This is never more apparent than ordering at a restaurant, where I often get the same as whoever I’m with to avoid having to make my own decision, even if it’s not something I want.”

‘Menu’ is out now via Breakfast Records and available from Bandcamp.

Holy Matter – Prince Gloom

This autumn, Leanna Kaiser will release her debut album under her Holy Matter moniker. Titled Beauty Looking Back, the record explores “the changing seasons of life and the passage of time,” featuring intimate meditations on the cyclical patterns of past, present and future that attempt to capture the paradox of time and how we experience it. Namely, how things seem at once immutable and ever-changing. “Holy Matter comes from Leonard Cohen’s novel Beautiful Losers,” Kaiser explains. “There’s one passage that has stayed with me, since – a page with the repeated mantra ‘I change; I am the same.’ This, I would say, is the best description of what this album is about.” Latest single ‘Prince Gloom’ is dreamy and diaphanous, unfurling in a slow, almost tropical swirl.

Japandroids – Chicago

Seven years after their last record, Vancouver indie rock legends Japandroids have announced one last album before they lay the project to rest. Billed by duo Brian King and David Prowse as a parting gift to fans, Fate & Alcohol seems intent on going out in a blaze of glory. “On our last record we wanted to broaden the definition of a Japandroids song,” King explains, “and purposely left our demos quite open and malleable so that we had more flexibility to experiment in the studio.” If lead single ‘Chicago’ is anything to go by, this translates to a sound that’s bolder and more widescreen than anything Japandroids have made to date. Which is saying something for a band who have always been unapologetically maximalist, combining punk rock energy with good-time, fists-in-the-air classic rock.

Kitty Fitz – Laughing Stock

Inspired by both 90s power pop and contemporary pop songwriters like Lorde and Caroline Polachek, the work of London’s Kitty Fitz combines a sometimes chaotic, danceable energy with candid and introspective explorations of turbulent relationships and self-doubt. Less poppy than last year’s debut EP All My Own Stunts, new single ‘Laughing Stock’ has been honed on the live circuit for over a year, forgoing the more bombastic synth pop elements in favour of something a little more poignant. What Fitz describes as “the epitome of me attempting to pass off my own fear of commitment and rejection as character flaw, as being cool and aloof, or once again feeling in a way ‘unloveable,'” the song’s breezy surface is something of a facade, beneath which squirm anxious thoughts and fears.

Maya Ruth – oblivion

“Chapped lips / But nothing like the harshness of smoke / We fall asleep restlessly / Counting the years on our toes.” So sings Maya Ruth in the opening of new single ‘Oblivion’. A song which began life as a poem before morphing into a grungy rock hit, the track mines the banality of every day life for its inherent absurdity, offering a bittersweet sound of sweet textures and edgy bite. The result is both alluring and slightly unnerving, as though beneath the monotony of our normal experience lies something more exciting, something more dangerous. “Die with me here / And you’ll be asking for more,” as Ruth sings in the chorus. “Doesn’t it scare you? / But don’t you feel good?”

‘Oblivion’ is out now and available from the usual places.

Merce Lemon – Backyard Lover

Following recent single ‘Will You Do Me a Kindness’, what we called “a song that ebbs and flows between quiet introspection and a wild, barely-restrained energy,” Pittsburgh songwriter Merce Lemon has announced a new record, Watch Me Drive Them Dogs Wild. Released via LA label Darling Records, the album promises to marry quiet vulnerability with cathartic power, something immediately apparent on lead single ‘Backyard Lover’. What starts as a warm and swaying country song, complete with propulsive percussion and wistful pedal steel, gathers into a sharp point of wailing guitar and emotional release. It’s a glimpse at a theme that winds throughout the record, and Lemon’s work in general.  “So many of my songs are touched by and explore death, specifically in relation to the loss I experienced of my best friend when I was fifteen years old,” she explains. “That loss has forever changed me and who I am in my relationships to lovers, friends, family.”

Watch Me Drive Them Dogs Wild will be released on 27^th September via Darling Records. Pre-order a copy now from the Merce Lemon Bandcamp page.

Nuisance – Holy Basil

Over recent years, few could have done more to work against the traditional studio-based recording process than William Seidel and Ryan Weber of Nuisance. Whether working as part of Eric & Magill or REW<<, Weber has created albums in some of the world’s remotest areas while serving as a Peace Corps Volunteer, while Seidel has worked on music in hotels and mini-cab taxis during his extensive travels. Not to mention their development of the virtual sounds database Poetic Devices which underpins Nuisance releases. The pair are now back with Squash Blossom Necklace, a new full-length which furthers their exploration of possibilities within this frame of working, bending genre conventions in order to incorporate pop, folk, electronic and classical sensibilities into something unique to them. Listen to single ‘Holy Basil’ now:

Sylvia – Found and Lost

With members hailing from all over Australia, Sylvia is a Melbourne/Naarm-based band which is equally diverse in its points of reference. Gemma (vocals/guitar) is one half of dream pop duo Earache, Murray (drums) used to power Brisbane noise-rock outfit No Sister, Dee (bass) also plays in dystopian industrial band Red Hell while Sean (guitar) spent time in powerviolence as part of Canberra’s Hygiene. United as Sylvia, the result draws on all of this past experience to create something straddling shoegaze, power pop and indie rock, while maintaining a certain intensity of noise too. New EP II is a good place to jump in, with single ‘Found and Lost’ seeing noisy rock and twee pop collide in a short, sharp burst.

variety – Plover

Earlier this year, Austin-based outfit variety—That’s Jordan Emmert (Porcelain/Pleasure Venom), Nick Stout (New Strangers), Rhys Woodruff (Borzoi/Leche) and Zach Wood (Borzoi)—released ‘Plover’, the first single of their forthcoming album pencilled for release this autumn. A twitchy rush of anxious energy, the song uses the titular wader and ornithological themes more generally to paint a picture of an ecosystem gripped by a constant tension. As though every environment is a network of individuals with competing desires, be they animal or human, and each organism is set on edge by the presence of everything else. Watch the video directed by Taylor Browne below:

‘Plover’ is out now and the variety album is coming soon.

Wild Pink – The Fences of Stonehenge

Following on from 2022’s hit ILYSM and John Ross’s successful collaboration with Laura Wolf under the moniker lilts, Wild Pink have signed with the good folks at Fire Talk and announced new full-length album, Dulling The Horns. But if Ross’s recent output has seen discursions into dreamy and often ornate pop styles, the new record is a recentering of Wild Pink as a rock band. One ready to be more immediate, less polished and finely crafted. “I wanted to make economical songs,” as Ross explains. “Music that is very much at its core three or four people rocking.” First single ‘The Fences of Stonehenge’ leads the way, heralding not only a fresh collection of songs but what feels like a new era for the band. One which finds them revitalised and ready to commit wholeheartedly all over again.

Dulling The Horns is out on the 4th October via Fire Talk and you can pre-order it now.

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Various Small Flames’

Songs of 2017

Anamon – Kneel Old
Android Automatic – Dark Roads*
Angie McMahon – Slow Mover
Basement Revolver – Johnny Pt. 2
Baxter Roy Long – Paribanou
Bea Troxel – Let Them Know
Big Thief – Mary
Black Belt Eagle Scout – Soft Stud
Bully – Running
Cayetana – Mesa
Charly Bliss – Percolator
Chastity Belt – Different Now
CHUCK – Happy Birthday
The County Liners – Maria
The Courtneys – Tour
Craig Finn – God in Chicago
Crumb – Locket
Crushing – Emery Board
Cut Worms – Like Going Down Sideways
David Bazan – Care
Distant Reader – First Try
Emperor X – God Save Coastal Dorset
Fits – Ice Cream on a Nice Day
German Error Message – 2017*
Gleemer – Soothe Me
Great Grandpa – Favorite Show
Haley Heynderickx – Oom Sha Lala
Hiccup – Teasin’
Horse Culture – Texaco
Illuminati Hotties – ‘(You’re Better) Than Ever’
Japandroids – No Known Drink or Drug
Jason Isbell & the 400 Unit – If We Were Vampires
Jay Som – The Bus Song
Jeremy Squires – Night Cars
Katie Ellen – Drawing Room
Lizzie No – Monuments
Lomelda – Bam Sha Klam
Mike Pace and the Child Actors – Audits & Surveys
Meursault – The Mill
Mount Eerie – Crow
Nice Legs – Mighty Three
Oceanator – Nowhere Nothing
Ohyeahsumi – Daisy
Old Earth – Pit Dynamics
PASTEL – Stammer
Peter Silberman – New York
Phoebe Bridgers – Motion Sickness
Pope – Talk Me Out of It
Protomartyr – Windsor Hum
Rainwater – Place
Ratboys – Elvis is in the Freezer
Rick Rude – Bald & Fat in Houston, TX
Roadkill Ghost Choir – Classics (Die Young)
Rose Dorn – Dirt
See Through Dresses – Lucy’s Arm
Shannen Moser – A Funeral, A Friend, My Sanity
Sinai Vessel – Died On My Birthday
Slaughter Beach, Dog – Phoenix
SOAR – Fort Funston
Soft Fangs – Jordan // Jackson Elementary
Spartan Jet-Plex – We Believe
Strange Ranger – House Show
Strawberry Runners – Garden Hose
Timid, The Brave – Alice
Us and Only Us – Bored of Black
Vagabon – Cold Apartment
Viewfinder – Instant Moonlight
The Washboard Abs – Veil
Waxahatchee – Never Been Wrong
Wild Pink – Albert Ross
William Ryan Fritch – In Our Blood
The Wooden Sky – Swimming in Strange Waters
Ylayali – Cherry Tomatoes

*Strictly released in 2016, but barely, and we covered it in Jan. 2017.

If you missed it, you can see our Favourite Albums of 2017 list here. Also, the curious can find such lists from previous years here.

The post Favourite Songs of 2017 appeared first on Various Small Flames.

Whether Garth Risk Hallberg lived up to the hype is up for debate. I’d suggest there is a certain ‘hype threshold’ past which people will ensure you get a fair share of criticism regardless of what’s between the covers. What is not up for discussion is the beauty of the writing on show, nor is the sheer scope of the world it brings to life. Here we find a network of characters linked by blood or love or sheer chance which grows through schizophrenic POV changes and creative interludes. To give you some idea: There’s Mercer, a man struggling with being gay and black in 1970s New York and his relationship with punk musician/artist William, heir to the Hamilton-Sweeney fortune who’s music with the now-defunct Ex Post Facto “seemed to promise complete freedom, on the condition of complete surrender”. Then there’s William’s estranged sister Regan and her troubled relationship with husband Keith, who are themselves caught up in the Hamilton-Sweeney machine, plus loser-loner Charlie and his friendship with punk cool-kid Sam, and their link to the Post-Humanist Phalanx. That’s not to mention the police detective, the art dealer, the shock jock radio presenter. The investigative journalist, the firework-setter, the transvestite keyboard player. The anarchistic, arsonist cult leader.

So… yeah, it’s all too detailed to review properly, though the key plot is strangely simple. Packed with the sort of suspense/drama you might expect from a film or television show, the book is not as challenging (difficult, ‘literary’) as you might expect. What Hallberg does achieve is to conjure New York at a specific time. The web of characters produce a panoramic snapshot of a generation, palpable nostalgia and a good sprinkling of well-used topics (troubled artists, drug addicts, traumatised and/or damaged lovers) creating a view of the seventies perhaps as we’d like to remember them. The spirit of the book is captured nicely near the beginning, when the clock strikes midnight on New Year’s Day :

“For a second the city seemed to lean forward and make contact with a future self: ruined, de-peopled, and nearly still. In a sealed hanger, forensic economists move around numbered lots with scales and callipers. Believing themselves to have evolved beyond delusion and loneliness, beyond illness and longing and sex, they hum distractedly and wonder what it all meant”

As books go, City on Fire is pretty easy to soundtrack, so this playlist could have been a hundred songs. But anyway, here are twenty songs which go some way to capturing the time/place/mood Hallberg created. I’ve included a mix of classics and newer stuff to keep things interesting, and the order isn’t important.

Tracklisting:

1. Blank Generation – Richard Hell and the Voidoids
2. Art is Hard – Cursive
3. To Hell With Good Intentions – Japandroids
4. Kimberly – Patti Smith
5. Chinese Rocks – The Heartbreakers
6. Roar of Nothingness – Sun Organ
7. Docking Guard – Northern Primitive
8. Today, More Than Any Other Day – Ought
9. Aloha Steve and Danno – Radio Birdman
10. The Kids – Lou Reed
11. Orphans – Teenage Jesus and the Jerks
12. Stevie Nix – The Hold Steady
13. Who Do You Belong To? – The Spirit of The Beehive
14. You Can’t Hold The Hand of a Rock and Roll Man – Okkervil River
15. Our Lives Would Make a Sad, Boring Movie – The Hotel Year
16. Using – Sorority Noise
17. Fireworks – Radiator Hospital
18. Your Own Place To Ruin – Rivulets
19. New York Hardcore – Talons’
20. This Heart’s on Fire – Wolf Parade

City on Fire is out now via Knopf Doubleday (US) and Jonathan Cape and is available from all good book shops. Quiet, Constant Friends is available digitally and on cassette via the Wake The Deaf Bandcamp page.

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We had originally planned for 15 songs each but found it was too difficult to fit in all the artists we felt needed to be included and decided to go with 20 each. Luckily, HI54LOFI included some of our favourites and I think we had some of his on ours, so we helped each other out a bit.

Granted, there are far more than 40 noteworthy Canadian artists out there and there were some hard decisions. Any disappointed acts crying into their maple syrup or taking out frustrations on their teamates on the ice, please don’t despair, there is always next year.

We hope you enjoy listening to it as much as we enjoyed making them. These songs certainly haven’t helped banish our romantic view of Canada.

Wake The Deaf side:

1.Docking Guard – Northern Primitive
2. Drop It – NEEDLES//PINS
3. Flyingshot Lake – The Flaming Moes
4. Ask Me Something – Wind & the Wild
5. Left and Leaving – The Weakerthans
6. Snow Ghosts – Paul Stewart
7. Voyageur – Doug MacNearney
8. The Future Of Tradition – Frederick Squire
9. Bruises – Dusted
10. Ben – Tyler Butler
11. Warning – Postdata
12. Margaret Downe – Aidan Knight
13. Coming Back Home – Zachary Lucky
14. Sask – Donovan Woods
15. Young Glass – Hey Rosetta!
16. Lightshow – Plants & Animals
17. And I Thank You – Pink Mountaintops
18. Cloud Of Evil – Blackout Beach
19. Sing! Captain – Handsome Furs
20. Continuous Thunder – Japandroids

HI54LOFI side:

1. Welcome To The Heart – Eamon McGrath
2. Broken Knees. – Different Skeletons
3. Sunset – Two Bicycles
4. Brook and Branch – The Weather Station (featuring Baby Eagle)
5. Skinny Ghost – HAPPY TRENDY
6. Deny, Deny, Deny – Joel Plaskett
7. You’re Cool – The Joe
8. Oh My God (It Still Means A Lot To Me) – The Wooden Sky
9. Necromancy – Jessica Jalbert
10. Scared – The Tragically Hip
11. Family Tree – Evening Hymns
12. Wind Driving Dogs – Chad VanGaalen
13. Were You In Love With Me – Andy Shauf
14. Big Bird In A Small Cage – Patrick Watson
15. I Need You Closer – LadyFace
16. Where are you? – nick everett
17. The Very Best – Mike Tod
18. Vapours – Islands
19. Sugar Mama – The Deep Dark Woods
20. Road Regrets – Dan Mangan

You can find both mixes here as a collection.

EH? – A Canadian Mixtape (Wake The Deaf Side) from Wake The Deaf on 8tracks Radio.

EH? – A Canadian Mix Tape (HI54LOFI Side) from HI54LOFI on 8tracks Radio.

If anyone can think of any more Canada-themed cliches or stereotypes then please don’t hesitate to let us know for next year’s mix. Going by this collection of songs, being insanely talented might just be one more.

The post EH? – A Canadian Mixtape Complied By Wake The Deaf & HI54LOFI appeared first on Various Small Flames.

Dirty Projectors – Gun Has No Trigger

“As a self-confessed Dirty Projectors fanboy, I’ve always admired their musicianship, instrumentation and ability to surprise, and all these things shine through on this track, but there was something new at play too. I would call it structure but that seems somehow unfair (and entirely subjective to the context of a back catalogue that is at times so cerebral that it verges on impenetrable). There’s a directness and simplicity to this track – perhaps not in technical terms, but certainly in terms of ideas – that feels like a picture coming in to focus. Where in the past, Dirty Projectors songs have sometimes felt like an argument between a room full of incredibly clever music students, Gun Has No Trigger (and the album as a whole) feels like it finds freedom in a structure that, whilst formulaic, forces the more surprising and expressive ideas to play together rather than fight each other to be heard.” Dave

Japandroids – The House That Heaven Built

“A difficult decision but this is the song that I have continually returned to over the past year. It’s positive, carefree, from an album called ‘Celebration Rock’, and I happened to see them play it on the Thursday before a certain night in Munich. It was a sign!” Jon

Evening Hymns – Asleep in the Pews

“Spectral Dusk, my undoubted favourite album of the year, isn’t the sort of record that has a standout track or a couple of killer singles – it works best as a cohesive whole. I ended up going for Asleep In The Pews which nicely sums up the overarching themes of family and loss and the confusing and strange process that follows losing someone you love. It’s a song about trying to be okay that should resonate with most. It certainly does with me.” Liam

Lone – Crystal Caverns 1991

“Immaculately produced, incredibly detailed and yet still brimming with furious energy, this is what dance music should aspire to. I’m a little too young to appreciate the nostalgic element of the recent 90s rave revivalism, but I’ve always found a guilty pleasure in the staccato vocal hits and synth stabs, and this track has plenty.” Matt

TNGHT – Higher Ground

“HudMo’s always been a bit of a character and his collaboration with Lunice as TNGHT helped to reaffirm my belief in music as just pure, unadulterated fun. Higher Ground’s the highlight on our EP of the year. Led by a tuba, with a bit of everything else chucked in for good measure, it’s flat out fucking monstrous.” Will

The post Wake the Deaf’s Top Tracks of 2012 appeared first on Various Small Flames.

Tracklisting:

1. Heroes (David Bowie Cover) – TV On The Radio
2. Shame (PJ Harvey Cover) – Japandroids
3. Close To Me (The Cure Cover) – WHY?
4. Float On (Modest Mouse Cover) – Blackbird Blackbird
5. The House That Heaven Built (Japandroids Cover) – Beat Radio
6. Going To Georgia (Mountain Goats Cover) – Sledding With Tigers
7. Still Life Blues (Elephant Micah Cover) – Small Sur
8. Runaway (Kanye West Cover) – Parts & Labor
9. Flume (Bon Iver Cover) – Emily Sprague
10. Lovely Allen (Holy Fuck Cover) – Shugo Tokumaru
11. Oh! Sweet Nuthin’ (The Velvet Underground Cover) – Bry Webb & Casey Mecija (of Ohbijou)
12. Whirring (Arms Cover) – Windmill
13. Wonderful (The Way I Feel) (My Morning Jacket Cover) – Trampled By Turtles
14. End Of The Line (Travelling Wilburys Cover) – GSJF
15. Constructive Summer (The Hold Steady Cover) – Kelly Hogan
16. Texas In A Drawer (Heidi Spencer Cover) – Conrad Plymouth (Now Field Report)
17. Red Candle Bulb (Withered Hand Cover) – Meursault
18. Yulia (Wolf Parade Cover) – Dan Griffin
19. Kettering (The Antlers Cover) – Sean Atkins
20. Golden Age (Beck Cover) – Strand Of Oaks

As usual if you like what you hear then go out to shows and buy stuff.

(P.S. Be sure to check out Volumes I and II if you haven’t already)

The Covers Mix: Volume #3 from Wake The Deaf on 8tracks Radio.

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Exactly how Brian King and David Prowse manage to make as much noise as they do was a bit of mystery before I saw them live myself. I was lucky enough to catch them in Cardiff on the first date of their current UK tour. Firstly, seeing them live allows you to appreciate that they really are just two men with a guitar and a drum kit and the relative simplicity of what they do becomes apparent. Secondly, these guys give it everything. King declared that they give ‘every fucking drop’ and they dutifully obliged, alternating between new songs and old to keep things fresh (also including Darkness on the Edge of Gastown, a personal favourite and a killer live). Just brilliant. Don’t take my word for it though – if you find yourself in London tonight (28th May) drag yourself along to the Old Blue Last for a free show.

Celebration Rock is available to buy from Polyvinyl Records. Order it now for an instant MP3 download of the album to enjoy.

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Vancouver punk rock outfit Japandroids are back with another album. Fresh off the back of what sounded like a few very impressive SXSW appearances, the duo announced ‘Celebration Rock’ will be released on Polyvinyl Records on 5th June. You can pre-order it here.

You can stream the single from the new record, ‘The House That Heaven Built’, above. It sounds like a continuation of Post-Nothing’s noisy but jubilant sound rather than some of the heavier songs they released on their collection of singles (No Singles). I must say I like both sounds so hopefully there is room on the album for both.

Japandroids are touring in support of the new album (according to Consequence of Sound):
05/17 – Cardiff, UK @ Clwb Ifor Bach
05/18 – Brighton, UK @ The Green Door Store
05/19 – Amsterdam, NL @ Paradiso
05/21 – Bristol, UK @ Cooler
05/22 – London, UK @ Camp Basement
05/23 – Manchester, UK @ Soup Kitchen
05/24 – Glasgow, UK @ King Tuts
05/25 – Leeds, UK @ Cockpit 2
05/26 – Nottingham, UK 2 The Bodega
05/31 – Barcelona, ES @ Primavera Sound
06/11 – Seattle, WA @ Neumo’s
06/12 – Portland, OR @ Doug Fir Lounge
06/14 – San Francisco, CA @ The Independent
06/15 – Los Angeles, CA @ Echoplex
06/16 – San Diego, CA @ The Casbah
06/19 – Denver, CO @ Larimer Lounge
06/21 – Chicago, IL @ Lincoln Hall
06/22 – Cleveland, OH @ Grog Shop
06/23 – Toronto, ON @ Horseshoe Tavern
06/25 – Montreal, ON @ La Salla Rossa
06/26 – Allston, MA @ Brighton Music Hall
06/27 – New York, NY @ Bowery Ballroom
06/29 – Philadelphia, PA @ Johnny Brenda’s
06/30 – Washington, DC @ The Rock and Roll Hotel
07/03 – Minneapolis, MN @ 7th Street Entry
07/07 – Vancouver, BC @ Biltmore Cabaret

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