With the record’s release now a week away, Faurholt has shared new single and album opener ‘It’s the End of the World’. As immediate and compassionate as its predecessor, the song lives up to its title as it probes into the rising tide of apocalyptic moods within the present moment. But rather than dealing with the subject matter via frantic unease or Biblical heft, Faurholt instead paints a picture altogether smaller and more intimate. The end times as experienced in real time, where the lights are set low and homely and the ones you love are still in the kitchen preparing dinner.

Watch the video by Mikkel Elbech of One Horse Town below:

Jacob Faurholt will be released on the 24th November via Raw Onion Records and you can pre-order it now from Bandcamp, including a green/black marbled vinyl edition.

The post Jacob Faurholt – It’s the End of the World appeared first on Various Small Flames.

“In my body / On my skin / In the cool October wind / You’re there.” So sings country girl on ‘miracle’, a brand new single out now via FADER Label. Following on from debut EP meet me at the fountain, a richly nostalgic release we described as “reflecting on the joys of a rose-tinted past, looking to preserve that sense of possibility and fun in the face of life’s inevitable progression,” the new track again offers an earnest if dusky sound which presents the on-set of autumn as something to be celebrated. As though, having been battered by a summer heat for months, the October winds promise to arrive as something of a balm, country girl’s trademark fondness transforming what might normally be considered a melancholic time into something to be savoured.

‘miracle’ is out now via FADER Label and available from the usual places.

Greg Freeman – Salesman

The word-of-mouth success of 2022 debut I Looked Out earned Burlington, Vermont-based artist Greg Freeman something of a cult following. His twangy style of indie rock, evocative songwriting and strong sense of place that reflects his home of the northeastern US won lots of fans, and expectations for his sophomore album Burnover, released last week via Canvasback Music and Transgressive Records have been sky high. A steady stream of solid singles, like the “assured and surprising verbose” ‘Curtain’ allayed any concerns of a sophomore slump, and final single ‘Salesman’ is further proof that Freeman is firing on all cylinders. What he describes as “technically a serious song about something sad,” it’s actually one of the record’s livelier tracks, recorded almost entirely live with Freeman’s touring band to capture a sense of immediate energy.

Home Videos – the devil’s credit score

Described as “a tape obsessed band of slackers,” Rochester’s Home Videos has evolved across its lifetime. Debut EP (the fittingly titled EP) featured nothing but two acoustic guitars, a four track recorder and a whole lot of tape hiss, though the project has gradually blossomed into a full band. New album Home Taping is Killing Music, recently released via Raincoated Records, shows just what this change means, Home Videos retaining the intimacy that marked their early material but now capable of far greater depth. A reimagining of a track from the prior EP, single ‘the devil’s credit score’ offers the perfect comparison. None of the texture or tenderness is lost, but where the original never puntured its fuzzy wrappings, this version of the song carries a tangible weight, the emo underpinnings of the Home Videos sound fully apparent as the song rises towards its big, cathartic climax.

Jacob Faurholt – Painfully Alone

The first single from his forthcoming self-titled new album, ‘Painfully Alone’ finds Danish songwriter Jacob Faurholt stripping things back to the bare bones. Ever prolific, Faurholt has been making music for decades, releasing twelve records under his own name alongside work with experimental project Crystal Shipsss and Danish language outlet Statisk Støj. But the new album sees him breaking new ground. Recorded in “the quiet corners of his home studio,” it finds him at his most restrained and vulnerable, resulting in what he describes as “an intimate portrait of existential dread, inner turmoil, and fragile love.” ‘Painfully Alone’ proves the perfect introduction, a stark and intimate affair that builds from plucked guitar and Faurholt’s solitary vocals into something almost romantic, as his wife adds her voice too and they sing together “Alone, with you.”

Jacob Faurholt will be released later this year. Keep an eye on his Bandcamp page for updates.

Lydia Luce – Quiet

Born in Fort Lauderdale and now based in Nashville via Boston and LA, Lydia Luce has been on something of a journey in life, though her forthcoming full-length Mammoth centres on a journey of a different kind. One, that is, out of suffering, charting the path of recovery from chronic pain and the hard-won bonds which came with it. Lead single ‘Quiet’ embodies the tenderness with which Luce takes on this challenge. A song all about the slow process of learning to not only tolerate silence but embrace its power within a noisy world. Be that finding healing in the stillness of nature or coming to appreciate the beauty of sitting in quiet with the people you love. Watch a performance of the track below, with Luce supported by Lockeland Strings to bring the track’s subtle power to life.

Mammoth will be released on the 30th October and you can pre-order it now.

Mappe Of – Terraforming Moons

We are inching closer to the release of Afterglades, the new record from Mappe Of (the project of Toronto singer-songwriter and multi-instrumentalist Tom Meikle). Following the weighty ‘A Scourge Laid Upon The Earth’, which we wrote about back in June, Meikle has unveiled another single ahead of the record’s September release date. Titled ‘Terraforming Moons’, it’s a song that takes very personal difficulties and sends them spinning into the cosmos, a gentle, folk-inflected indie pop song with an almost sci-fi twist. “A few years ago my partner got really sick,” Meikle explains. “I felt helpless, despite doing everything I could to make things better. I thought there was something romantic and terrifying about the idea of going as far as terraforming a planet to create the right conditions for a person you love to live.”

Ny Oh – Aperture

It is fair to say UK-born, NZ-raised and LA-based songwriter Ny Oh has travelled a lot across her life and career. Be it fronting jazz outfit Neon Gru, collaborating with the likes of Margo Price and Madison Cunningham or performing as part of Harry Styles’s band across stadium tours. But her new single ‘Aperture’ is all about coming home. Written in Aotearoa and developed with producer Jonathan Wilson (Father John Misty, Angel Olsen, Conor Oberst), the song unfurls with the distinctive mix of dreaminess and clarity that any place dear to the heart comes to possess. “I deserved a glove touch / Softness played it school yard rough,” Oh sings in one verse, balancing the allure of the familiar in all of its soft comfort and with a tactile level of detail. “Light flooded in / Gentle and warm / Reveal where I came from.” Watch the video by Victor Grossling and Anna Anderson below:

‘Aperture’ is out now and available from the usual places.

Patrick Shiroishi – Mountains that take wing

“An attempt to wrestle with [racism] as both a historical fact and contemporary shame, and furthermore one which confronts the impossibility of living in this world without participating in its ongoing function. Acknowledging that if the desire to eradicate another is something allowed into the world, then no aspect of a culture can be said to exist above or beyond it.” So we wrote of Forgetting is Violent, the new album from Patrick Shiroishi forthcoming next month via American Dreams Records. Lead single ‘There is no moment in my life in which this is not happening’ offered what we described as “a window into the poignant and evocative sound which results,” and new single ‘Mountains that take wing’ is every bit as striking as its predecessor, as Gemma Thompson (Savages) and Aaron Turner (SUMAC, ISIS) join Shiroishi to conjure a sound which ebbs and flows between fierce intensity and elegiac quiet.

Forgetting is Violent is out on the 19th September via American Dreams Records and you can pre-order it now from the Patrick Shiroishi Bandcamp page.

Pickle Darling – Congratulations Champion

We have written about Pickle Darling a couple of times in recent months, songs which heralded a new era for Aotearoa/New Zealand-based producer and multi-instrumentalist Lukas Mayo. First the Robyn, Cher and Madonna-inspired pop gem ‘Massive Everything’, what we called “a love song with all the complications left in,” then the sprawling ‘Human Bean Instruction Manual‘. “A track perhaps not direct in terms of style,” we wrote, “but every bit as forthright as its predecessor when it comes to the message it carries,” urging us to stand together against the multitude of threats which haunt our present moment. With the album’s release via Father/Daughter Records a matter of weeks away, Pickle Darling is back with ‘Congratulations Champion’, a sub-ninety-second single which might sit at the opposite end of the spectrum in terms of runtime yet nevertheless packs an equal emotional punch. A collage of lines collected from Mayo’s phone, the song pieces together incomplete, ostensibly mismatched thoughts into a satisfying whole. “An Oscar for Jane Campion / I found a note written in crumbs inside a biscuit tin,” as one couplet goes. Or the final verse, which sums up the strange, playful and completely sincere style of Bots as a whole:

You know i’m gonna love you still
Like black mould loves the window sill
Like oceans love an oil spill
Like ducks towards an air rifle

Shabason, Krgovich, Tenniscoats – Departed Bird

“A snapshot of a group of musicians pitched together for a short window of time, subject to the small moments of chance and happenstance and all the more special for it.” That’s how we described Wao, the forthcoming album by Shabason, Krgovich, Tenniscoats back in July, writing of how the outfit—Joseph Shabason, Nicholas Krgovich and Saya and Takashi Ueno of Tenniscoats—embrace ephemerality and imperfection. With the album set for release at the end of the week via Western Vinyl, the quartet have shared new single ‘Departed Bird’. The opening track of the record which highlights the mix of melancholy and magic which marks a release able to conjure wonder at the simplest of things.

Watch the visualizer below, shot at at Guggenheim House in Kobe, Japan:

Wao will be released on the 29th August via Western Vinyl and you can pre-order it now.

Silver Synthetic – Happy Ever After

Back in March, Silver Synthetic released their second full-length Rosalie on Curation Records, an album which saw the New Orleans outfit push the self-described ‘Home Fi’ style of their debut (a self-titled LP released with Third Man Records in 2021) towards the full richness and confidence of classic indie rock. The label had wanted the specific song ‘Happy Ever After’ to be the lead single, though the band themselves feared the track was something of an outlier and ended up not featuring it on the record at all. Whether or not that was an error, you can now decide for yourself, because fast forward several months Silver Synthetic have released the track as part of a double single, Happy Ever After / Say The Wrong Word. Charged with the same sunny swagger that marked Rosalie, ‘Happy Ever After’ couldn’t have been timed better, the peppy rhythms, smooth delivery and slight pysch wooze combining into the ideal soundtrack to which to milk these last weeks of summer.

SQORE – INTERNAL///VS.EXTERNAL[forces]

Recording under the moniker SQORE, New York-based producer, multi-instrumentalist and sound artist Em Sgouros blends field recordings with synthesized sounds to create small worlds of their own. Last week saw the release of reGENERATION, the sophomore SQORE EP, via Ambient Pasta, a collection of three tracks they say “explore the struggle of generating a new reality within yourself in the midst of fear and anger and ask as humans, ‘what are we capable of?'” Centrepiece ‘INTERNAL///VS.EXTERNAL[forces]’ is a good place to start, a song which sees field samples and drones play across waves of digital strings and flourishing arpeggios, resulting in something that feels part organic and part virtual. The track confronts fear and the strangling grip it can hold on both a personal and societal level, offering a sense of meditative understanding as a path towards joy and the regeneration of the record’s title.

The post Weekly Listening: August 2025 #4 appeared first on Various Small Flames.

The recording project of Texas musician Daniel Bryson (who also plays drums in Skirts), A.L. West is an outlet for lo-fi bedroom pop meets indie rock. He recently released a new double single, Nothing At All / Rabbitbrush 2, which is the perfect introduction for newcomers. ‘Nothing At All’ is a lovely patient indie pop song, but it’s ‘Rabbitbrush 2’ that sees things kicked into another gear. As its name suggests, the track is something of a sequel to one from 2023 A.L. West album The Store, but whereas the original was a gentle folk-inflected bedroom pop song, ‘Rabbitbrush 2’ is thick with a heavy fuzz, building from lulls of plodding percussion and Bryson’s draw out vocals into peaks of triumphant noise.

Watch the video by Alex Montenegro below:

Nothing At All / Rabbitbrush 2 is out now via the A.L. West Bandcamp page.

Casper Skulls – Roddy Piper

Turning the page onto a new chapter for the Sudbury/Toronto indie rock outfit, new album Kit-Cat promises to see Casper Skulls push themselves to new heights. Single ‘Spindletop‘ introduced this refreshed sound, drawing on There Will Be Blood to create a moody, ominous atmosphere, and now ‘Roddy Piper’ introduces a more energetic and soaring dimension. Drawing on the titular figure, the track uses a wrestling analogy to explore confrontation within a relationship, the combination of upbeat rhythm and fuzzy weight evoking the dramatic ups and downs of a choreographed bout. Watch the Mortal Kombat-inspired video, directed by Curtis Carriere and Jordan Vandenberg (of Goodscreen Media) along with the band themselves, below:

Kit-Cat will be released on the 11th April via Next Door Records and you can pre-order it now.

Celeste Madden – Lapdog

Having signed with Sad Club Records, recent months have seen Celeste Madden unveil a handful of singles, with tracks like ‘Joan of Arc‘ and ‘Fever Dream‘ embodying the London-based songwriter’s singular style. Songs both unashamedly melodramatic and undeniably strange, drawing the listener directly into Madden’s psyche so that we too might experience the diverse range of moods and feelings therein. Having announced that EP Is It Really Goodnight? will be released next month, Madden has now returned with new single ‘Lapdog’. Another dreamlike folk song where placid surfaces hide a roiling depth beneath, reflecting on difficult experiences in order to exorcise the hold of the past.

‘Lapdog’ is out now and available via the Celeste Madden Bandcamp page. Is It Really Goodnight? will be released on the 27th March via Sad Club Records.

Craig Finn – People of Substance

Anyone who caught Craig Finn on his This Is What It Looks Like tour last autumn will be champing at the bit for a new album, Finn using the solo sets to introduce a number of new narrative-driven songs full of the detail, emotion and empathy which has so long marked his work. The record, it turns out, is called Always Been, and will be released this spring. A fitting addition to Finn’s oeuvre in the year The Hold Steady‘s Separation Sunday celebrates its twentieth anniversary, the album traces the arc of a protagonist through a rise and fall and eventual redemption, the character committing the life of a priest despite his lack of faith. A whole cast of characters pass into the frame within the telling of this story, but for now we have single ‘People of Substance’ as a glimpse at the world within.

Watch the visualizer by David Kelling below:

Always Been is out on the 4th April and you can pre-order it now.

Dead Bandit – Pink

“Something of a landscape,” was how we described Dead Bandit‘s self-titled album, coming soon on Quindi Records, in a preview back in January. “One rural in tone which seems at once physical and emotional. Often stark and severe in its loneliness, a kind of haunted prairie or steppe, yet often possessing some kind of yearning fondness for the wide open space.” New single ‘Pink’ furthers the style. A cryptic, slow-building number which possesses a kind of shadowed mystery, the layered guitar and creeping beats never puncturing the understated air, as though the truth of the track is always drifting just out of view.

Jacob Faurholt – I Will Hold You

We’ve featured the prolific Danish songwriter Jacob Faurholt multiple times in recent years, an outsider artist in the vein of Daniel Johnston and co. who looks to explore existential themes via lo-fi, idiosyncratic combination of folk, rock and pop. Recorded in the room beneath his children’s bedroom while they were asleep, the most recent release of Faurholt’s we covered embraced a hushed style, but new single ‘I Will Hold You’ pivots away from this entirely. It was written in the aftermath of a Dinosaur Jr. gig, post-show tinnitus still ringing, which anchors its poignant emotion and melodies with a dense undercurrent of noise.

‘I Will Hold You’ is out now and available from the usual places.

Léna Bartels – January is the Loneliest Month

It’s Gonna be a Wonderful New Year, a split between NYC’s Léna Bartels and Nico Hedley, is the first release on new label Rock For Sale Records who release music on cassette tapes and not streaming services. Bartels and Hedley have collaborated across a range of projects (both realised and not quite), and this EP is from the intimate end of the spectrum. The pair describe it as a collection of “songs from winter. Songs for the new year. Songs to get by by,” and if lead single, Bartels’s ‘January is the Loneliest Month’ is anything to go by, it makes good on the promise of its admirably optimistic title. Though not with saccharine cheerfulness but a quiet persistence and steady belief in new beginnings.

Lucy Liyou – Arrested

‘Arrested’ is the lead single from Every Video Without Your Face, Every Sound Without Your Name, the new record from Lucy Liyou. Released next month via Orange Milk Records, the album promises to be the Los Angeles musician’s most pop-oriented to date, but anyone expecting a collection of up-tempo dancefloor fillers might be disappointed. As ‘Arrested’ attests, Liyou’s distinctive style is far more complex than that, possessing both a fragile minimalism and lush melodrama, the understated ethereality of the sound and poignant longing of the vocals combining into a reflective and melancholic mood. The sensation of watching a fond memory fade at the edges as the desire to return to its smallest details only grows.

Watch the video shot and directed by Park Seung Won below:

Every Video Without Your Face, Every Sound Without Your Name is out on the 21st March via Orange Milk Records and you can pre-order it now.

Mumu The Free Diver – Blossoms

The project of Raleigh, NC-based singer-songwriter Aki Laakso, Mumu The Free Diver offers an evocative brand of indie folk which embraces the authenticity of the DIY aesthetic. Recorded at home with what Laakso describes as “a cheap mic, an old guitar and a bargain-bin audio interface,” new song ‘Blossoms’ swaps out technical polish for a sense of immediacy, sounding like a direct communication from within a moment of grief-stricken vulnerability. But don’t let the description fool you, for though the arrangement is based around acoustic guitar and humble, near-spoken vocals, the track possesses a real sense of richness too. As though through its unguarded nature flows a certain intensity, be it born of compassion, panic, plain hard longing, or indeed a combination of all three.

Penny Loafer – Fridge

Consisting of Emma Barnes (vocals, guitar, keys) and Seth Parker (drums, percussion), Penny Loafer make self-described “post-college rock” which draws from nineties heavyweights like Fugazi and Sonic Youth to offer songs about everyday life which nevertheless possess real weight and bite. With debut EP Daily Deal set for release via Indecent Artistry next month, the Athens, GA-duo have shared single ‘Fridge’. It’s an example of all the ingredients which make the Penny Loafer sound so enticing, with deadpan observation and wry humour meeting tangible heft, all strung together by a chugging momentum which pulls the audience along for the ride. A little bit salty, a little bit sweet and with a noticeable acidic edge.

Tractor Beam – SHOW YOU

“Draws from across the ages in their work, owing as much to 00s indie as 60s folk, and all wrapped up the the contemporary DIY aesthetic, leading to a sound both emotionally immediate and tangibly nostalgic.” So we wrote of Toronto-born, Vancouver-based artist Tractor Beam back in 2023. Now Sasha Balazic and co. are set to return with Monoliths & The Early Reflection, and latest single ‘SHOW YOU’ sees the outfit combine their usual freak folk sensibilities and a more chaotic noise pop style within a single track. The result feels like witnessing a band solidify their ambitions in real time, expanding the possibilities of the Tractor Beam project and pushing closer to their final form. Watch the video directed by Aiden Millroy below:

Monoliths & The Early Reflection is out on the 19th February via Good Stones // Calm Water.

The post Weekly Listening: February 2025 #1 appeared first on Various Small Flames.

Based in South London, Alice Boyd is a singer-songwriter and sound artist who looks to address our increasingly disconnected position within the wider ecological system. This might be through residences and performances in botanical gardens, travelling to collect field recordings or even making music with plants themselves. As the title suggests, new single ‘Life in Cities’ finds Boyd mourning this separation from nature and pining for a more interconnected way of living. A hushed, reflective folk song which gazes out at its surroundings with a heavy heart. “Life in cities now / sleep no more,” as the opening lines go, “stare out my window / ’til the break of dawn.” Melancholy not as a form of pessimism, but rather a feeling born of knowing what nature could offer us should we let it in. Watch the video by Edith Morris below:

‘Life in Cities’ is out now and available from the Alice Boyd website.

BYLAND – Postcard

BYLAND, the recording project of Albuquerque-born, Seattle-based artist Alie Renee Byland, will next year release a new full-length album Heavy For A While. Latest single ‘Postcard’ gives an insight into what to expect from the release. Mournful but never without hope, the song explores the concept of searching for a place to call home within a world in which things too often fall away. Meagan Grandall of Lemolo sings the last verse before joining Byland for the final chorus, something which elevates the song both stylistically and thematically. “Meagan is someone whose friendship fostered so much of my own growth, and whose music and voice warms and inspires me,” Byland explains. “In the final chorus, we both sing the main melody, doubling each other, which feels almost like a sister comforting another sister in this life of too often ‘goodbyes’.”

‘Postcard’ is out now and available from the usual places.

Jackie West – Tiny Flowers ii

Back in 2022 we wrote about ‘Amelia‘, a single from New York-based songwriter Jackie West which offered a picture of close friendship in all of its persistence and comfort. But working within this warm sound was something more mysterious, dipping beneath the surface fondness to evoke the intangible connections we might share with other people. Released via Ruination Record Co., new single ‘Tiny Flowers ii’ builds upon these foundations, drawing the audience in with tenderness yet remaining distinctively ambiguous in its overall tone. The opening verse’s wistful fondness is undercut by the refrain: “I don’t fall in love like that anymore.” The line complicates the second listen and every one thereafter, its gravity subverting the track’s structure and perspective from what the sound might originally suggest.

‘Tiny Flowers ii’ is out now via the Jackie West Bandcamp page.

Jacob Faurholt – Words Whispered From the Sand

We’ve long admired the work of Jacob Faurholt, most recently with album When the Spiders Crawl and single ‘Madness on the Rise‘. The latter was a song “exploring mental struggles with Faurholt’s characteristically empathetic and understanding style,” as we wrote, [but carrying] a certain starkness too as the electric guitar rumbles with palpable weight, a formidable force bubbling up around fragile vulnerability.” With new album Burn Burn Here out now, Faurholt has shared single ‘Words Whispered From the Sand’, which embodies the record’s foreboding yet tender tone. Faurholt recorded the album at his home studio beneath his children’s bedroom, its hushed quiet as much a practical necessity as anything else. The result feels like being invited into an artist’s home to listen to what comes out in the still hours of the night.

Burn Burn Here is out now and available via the Jacob Faurholt Bandcamp page.

Luke De-Sciscio – Clever Ghost

Heaven, the latest full-length album from songwriter Luke De-Sciscio, felt like the work of an artist finding their true voice. “As though,” as we put it in our review, “having built up momentum across the years, De-Sciscio was able to record an album free of overthinking and overworking, instead tapping into an intuitive flow which charges the songs with a sense of poetic authenticity.” Not one to squander this headspace, De-Sciscio has returned with ‘Clever Ghost’. The stripped-back folk sound splits the difference between warm intimacy and tortured loneliness, playing like the patient confession of a man caught between memories and dreams.

‘Clever Ghost’ is available now on a variety of streaming platforms.

Oh, Rose – Back 2 U

We’ve followed Olympia’s Oh, Rose since the release of their exceptional SEVEN, so it was with great excitement that we saw Olivia Rose and co. have returned with brand new single, ‘Back 2 U’. Their first release since 2019’s While My Father Sleeps, the song shows a newly pop/dance dimension to the Oh, Rose sound. But however changed the style might be, it is the sense of returning which stands out most clearly. “I remember when I wrote this I wondered who/what I was going back to. Songs have a funny way of revealing themselves and we took our time with this one,” Rose explained in an Instagram post. “Right now I’m gonna leave it at back to music, back to friendship, back to y’all in a way that feels lighter than before… I hope this song can be a roadmap to LOVE.”

ask me where I am
the maps they all trace back
back to you

Speedrun – Hysteria

‘Hysteria’ is the new single from Speedrun, the “indie chic” project of New York’s Nina Lüders. Named after the psychological condition that was originally considered unique to women (the word originates from “hystera”, the Greek word for uterus), the song explores what Lüders describes as “the false equivalency of female rage as psychosis, independence as irritability, autonomy as threat.” Beneath the angular guitars and propulsive percussion and indignant backing vocal (“do what the fuck I want!”) lies an uplifting message of female solidarity and empowerment. “This song is for the mothers and sisters in my life who raised me,” Lüders describes, “and taught me to turn my rage into light, compassion, and forgiveness.” Watch the lyrics video by John Filmanowicz below:

‘Hysteria’ is out now via streaming services.

talker – Drag Your Feet

“I’ve said that the songs on my new record are my most honest songs ever,” says Celeste Tauchar of talker of her forthcoming debut album, “but that doesn’t always just mean being honest with others. Sometimes, it means accepting a hard truth for yourself.” This is particularly true of latest single ‘Drag Your Feet’, a song written after the long decline of a five-year relationship. It’s a hooky indie rock song that marbles sadness over the end with a sense of relief in finally admitting the truth, a big messy catharsis that burns a new hopeful path into the future.

‘Drag Your Feet’ is out now via streaming services.

WILDES – heartbreak is silent

Following the release of debut album Other Words Fail Me back in January, Ella Walker’s WILDES is readying a new EP for release next Spring. Titled Subsidence, the record promises to see the Anglo-Irish songwriter and producer return to her roots, recorded at home with the help of long-time collaborator Matt Wiggins. Walker says the EP “centres around the abrupt end of a loving relationship that left me quite devastated and shocked,” and lead single ‘heartbreak is silent’ tackles this theme head on. It’s a pulsing synth pop song with a calm, clear-eyed centre, capturing the strange mixture of strength and vulnerability that follow in the aftermath of heartbreak.

‘heartbreak is silent’ is out now via the WILDES Bandcamp page.

The post Weekly Listening: December 2023 #3 appeared first on Various Small Flames.

Swiss post-punks Batbait are preparing to release their debut album this September, and latest single ‘Talk’ certainly whets the appetite. With a deadpan vocal style delivered over rhythmic drums and a tense bass line, the track threatens to spark into furious life for most of its runtime, though despite the discordant guitars passing over haphazardly, it isn’t until the closing section that the real bite reveals itself. A lesson in passive aggression which can’t help but eventually show its claws. Check out the claymation video by Nadia Leonhard below:

‘Talk’ is out now via Irascible Distribution and available from the Batbait Bandcamp page.

Foyer Red – Flipper

Described as “fuck-you crayon rock”, the music of Foyer Red combines colour and bite to great effect, blurring the line between fun, fury and fantastical charm. New single ‘Flipper’ embraces this style wholeheartedly, swinging wildly between sugary sweet and strikingly strange to weave its way between the real and imaginary. As the track barrels its way toward the chaotic climax, any distinction between the two seems to dissolve, leaving a trip to the bodega as desperate and dangerous as scavenging a post-apocalyptic world.

i’m a ravenous creature left to roam the earth
set against a scorching sphere
no one here, my own frontier
rusted into this warzone
i’m all alone, i have no bones (no bones)
not yet full grown, i’d eat your bones
bones, bones

‘Flipper’ is out now and available from the Foyer Red Bandcamp page.

Healees – In Your Cave

Based in Paris, Healees are a four-piece band who make noisy but sweet pop music that harks back to the C86 era. Formed back in 2015 after a chance meeting between Bryan Quinn and Renaud Chauré, the band soon added Hillevi Robertsson (bass) and Arthur Chen (drums) and set to work on writing songs, culminating in 2019 with the release of the demo tape Heal’s Beals. Now Healees have teamed up with Hidden Bay Records to release their first proper debut, a self-titled EP that contains polished versions of some of the demos as well as brand new tracks. One such new song is lead single ‘In Your Cave’, which on the surface sparkles like the summer sun but is undercut by a sober wistfulness.

Jacob Faurholt – Madness on the Rise

Back in March we wrote about, ‘Comforting Sounds’, the first single from Jacob Faurholt‘s new album, When the Spiders Crawl. A nostalgic track “downbeat but coloured by an overriding fondness.” Latest single ‘Madness on the Rise’ picks up this melancholic tone, exploring mental struggles with Faurholt’s characteristically empathetic and understanding style. But it carries a certain starkness too as the electric guitar rumbles with palpable weight, a formidable force bubbling up around fragile vulnerability.

When the Spiders Crawl is out on the 15th July via Raw Onion Records and you can pre-order it now.

JayWood – God is a Reptile

JayWood is the alias of Winnipeg songwriter and producer Jeremy Haywood-Smith, who has recently announced a brand new record coming this summer on Captured Tracks. Haywood-Smith began work on the album as an escape from what can only be described as mourning, both from the various social crises of 2020 and the death of his mother in 2019. He began by reconnecting with his roots, pulling back into the past in order to fire himself forward into a better future, hence the title Slingshot. For an album that explore such deep territory, it is surprisingly fun and playful, presenting a near-real version of his life that combines fact and imaginative fiction to explore themes of childhood, religion and identity. First released standalone back in March, lead single ‘God is a Reptile’ is the perfect introduction, a kaleidoscopic blend of groovy pop and bummed-out angst, complete with refracted layered vocals and surreal tempo changes. Check it out below:

Rob Dickson – Aaron and Rae

Based in Whitehorse, Yukon, Rob Dickson is a songwriter gearing up to release brand new record, Portraits, later this year. With guests including Ansley Simpson, Bry Webb, Mika Posen, Nic Hyatt, Micah Smith, Drew Jurecka and Michael Feuerstack, the album assembles some of Canada’s best to realise its rich and emotive sound, as demonstrated by lead single, ‘Aaron and Rae’. An ode to the past which drops the rose-tinted fondness in favour of something more real and raw.

Shady Baby – Come To Life

The project of Brighton‘s Sam Leaver, Shady Baby is the latest emerging act to be featured in the ‘Nice Swan Introduces…’ series of UK label Nice Swan Records (which has also included the likes of Sprints, English Teacher and Saloon Dion). Leaver is joined by Laurie Debnam (guitar), Nick Varnava (bass) and Tom Jackson (drums), who together make contemporary indie rock that draws heavily from the Britpop and Madchester scenes that dominated British music in the 90s. Shady Baby have introduced this style with ‘Come to Life’, their debut single for Nice Swan. It’s a track that belies its angsty subject matter with pure heart-quickening energy. “‘Come To Life’ is an angry response to feeling like people treated you like shit but you let them get away with it,” Leaver describes. “Feeling both angry at them but also at yourself for letting it happen.”

‘Come to Life’ is out now and available via streaming services.

Weird Nightmare – Searching For You

Best known as the guitarist and vocalist from METZ, Alex Edkins has turned to new project Weird Nightmare as an outlet for another dimension of his creativity. The self-titled debut album, out now via Sub Pop, leavens the foreboding weight of Edkins’ usual material with a mischievous fun, as captured in the hectic single ‘Searching for You’. A track which is no less pedal-to-the-metal than anything in the METZ catalogue, but engages this energy in an entirely different direction. Check out the great video directed by Ryan Thompson with animation from Jordan “Dr. Cool” Minkoff:

Weird Nightmare is out now via Sub Pop and you can get it from Bandcamp.

The post Weekly Listening: May 2022 #4 appeared first on Various Small Flames.

“When I was young living with my parents, my mother would be worried about my mental state because of the music coming from my room,” Faurholt explains. “One album I listened to again and again was Sophia’s sadcore masterpiece Fixed Water. Indeed the music was gloomy, but to me it felt like a warm soothing blanket, and it resonated in me. ‘Comforting Sounds’ is a salute to the music that has meant so much to me over the years.” In the song’s lyrics he name-drops the bands that form what he calls the soundtrack of his life. “Galaxie 500, Low, Red House Painters,” slowcore/sadcore heavyweights that nevertheless provide comfort rather than desolation.

The mood is therefore downbeat but coloured by an overriding fondness. The kind of melancholy you can wrap yourself in. The tempo is heavy and unhurried, surrounded by a sense of homemade silence that recalls Down Colorful Hill-era Red House Painters. But, in spite of that, its not a dark song per se. The overwhelming feeling is one of grateful nostalgia, the lasting message a positive one. “Do you think music can save your soul?” Faurholt asks, before affirming, “I think music can save our souls, at least it did for me.”

When the Spiders Crawl will be released via Raw Onion Records in the second half of 2022. You can get ‘Comforting Sounds’ now from the Jacob Faurholt Bandcamp page.

Artwork by Nadia & Polly Faurholt

The post Jacob Faurholt – Comforting Sounds appeared first on Various Small Flames.

Real Life Buildings – Racing the Sun
Nice Apple – Are You Still There?
V.V. Lightbody – Babe, Honestly
Nico Hedley – Late Bloomer
Gracie Gray – Morphine
Spencer Radcliffe & Everyone Else – Bloodletting
Pleasure Systems – Heirloom
Ana Roxanne – Slowness
Kin Hana – Fog
Rainwater – Pink Flowers
Christelle Bofale – U Ouchea
Prudence – Smile & Nod
Operators – Faithless
Belaver – Driver
Mr Husband – Friends
Rose Hotel – Running Behind
Jeremy Squires – Somersault
Bad Books – Lake House
Yammerer – Poisonous Reptilian Colleague’s & Co
Britt – Trial Period
Wild Yawp – Femme Girl
Forest Management – Blue Leaves
Robert Stillman – Ritual
Everyone is Dirty – Hit-Girl
Merin – Coral Island
Lavender Bones – Over Again
Luke De-Sciscio – R.O.B.Y.N.
Anna Wiebe – Fortune
Young Elk – Gossip Magazines
Emma Frank – I Thought
Eamon McGrath – GUTS
Jacob Faurholt – The Dark Isn’t Right

Like what you hear? Catch up with the rest of our Monthly Mixes.

The post May 2019 Roundup Mix appeared first on Various Small Flames.

For all of the variation and experimentation, Faurholt has always remained true to such a description, and his latest record is no different. Recorded in his hometown of Aarhus, with an array of local musicians joining him in his “trailer wagon studio,” Shake Off The Fear is Jacob Faurholt’s first album to fully utilise a studio and live musicians.

With Nadia Sharpe Faurholt (vocals) Rasmus Fink Lorentzen (drums, percussion) Victor Kim (esraj, samples, noisy guitars) Mikkel Stenholt (bass) and Anders Ahle (piano, bass, slide guitar, electric guitar, acoustic guitar) all appearing on the record, the sound is something of a move away from the lo-fi home recordings of previous releases, possessing a newfound richness and sheen. Factor in the production of Victor Kim and mixing by Andy Magoffin (Great Lake Swimmers, Royal City, Richard Laviolette) and the result is Faurholt’s most polished and ambitious record to date.

Despite the stylistic changes, the music of Jacob Faurholt is still based around his deep and striking explorations of the human condition. Drawing on influences like Mark Linkous, Jason Molina, Conor Oberst and even Daniel Johnson, Faurholt’s writing views love and loss through a number of prisms—from the general portrayal of restless anxiety on ‘Stargazing’ to the highly personal ‘The Burning Ship, a song exploring the loss of a childhood friend in the 1990 Scandinavian Star ferry tragedy.

Today we’re sharing lead single ‘The Dark Isn’t Right’ ahead of the album’s autumn release, and the sense of emotion and intimacy is immediately clear. Picking up Molina’s knack for turning classic symbolism and unanswered questions into monologue to absent loved ones, the track transforms uncertainty and doubt into a kind of tender hymn.

What do we do with the lonely nights?
Where do we go when the dark isn’t right?

Shake Off The Fear will be released via Raw Onion Records on the 6th September and you can pre-order it now from the Jacob Faurholt Bandcamp page.

Artwork by Jacob Faurholt, layout by William Kudahl

The post Jacob Faurholt – The Dark Isn’t Right appeared first on Various Small Flames.

Tracklisting:

Half Gringa – Marte
CHUCK – Happy Birthday
Ian Terry – Cut
Bea Troxel – Let Them Know
Dana Gavanski – How Long Has It Been?
Honey Joy – Done
Miseryslims – Onto Elm Street
See You At Home – Summer Is a Long Way Off
Camp Counselor – Limo Speech
Windbury Street – Skinny Jeans and Sweaters
Philippa Zawe – Time
Big Baby – Not That
Illuminati Hotties – (You’re Better) Than Ever
Señor Fín – Joe Charmers
M Grig – Still Life I
Jacob Faurholt – A Lake of Distortion
Lazy Legs – Bed Head
Steakhouse – National
Francis – Swing
all-caps LADD – Computer Kids
Happy Abandon -Severed Seams
pastel – Silhouette
Nice Legs – I Never Knew
Tucker Theodore – Our Lady Hope

If you’ve missed more than a month of VSF, or just want some good music to listen to, check out our other Monthly Roundup mixes.

The post August 2017 Roundup appeared first on Various Small Flames.

Fast forward eighteen months and the question is about to be answered with a brand new record. A Lake of Distortion is a marriage of folk and lo-fi pop, the latter wrapping around the former in its gauzy noise to produce what the the press release describes as “10 twisted love songs filled with joy and anxiety.” As such, the album sounds very much a product of Daniel Johnston’s legacy, with the final track, ‘Listening to Devil Town’ making such a comparison explicit.

Lead single ‘Before it Starts to Rain’ is essentially a folk song, delicate and tender though fleshed out with a variety of instruments and samples that lend an extra emotive edge. But the title track, premiering with us today, sees something of a change. Set to sun-bleached home video-style footage, the track is lives up to its name, drenched in feedback and gloriously retro rock vibes. Lyrically however, the song is far clearer. Faurholt sounds clear-eyed and sure, not only declaring his love but promising to prove it.

A Lake of Distortion is set for release on the 20th October and you can pre-order it now from the Jacob Faurholt Bandcamp page, including a transparent orange LP edition.

The post Song Premiere: Jacob Faurholt – A Lake of Distortion appeared first on Various Small Flames.