Adeline Hotel

“Exists within that small and fleeting pocket in time and space that opens just before you take off from a familiar location” – we premièred the first song from an upcoming Adeline Hotel EP

Morning River Band

“Songs about those men down on their luck but too stubborn to change… doomed to making the same old mistakes and who continue chasing the same misguided remedies” – we wrote about Abyssal Chanelling, the latest album from Morning River Band

On The Water

“A strange stop-motion collage that sits perfectly with the lyrical themes of death, decay and, naturally, life” – we premièred a video by Nnamdi Ogbonnaya for ‘Born in Reverse’, the opening track from On The Water’s Cordelia.

Bells Atlas

“Using precise imagery to trace imprecise, unknowable things, the words coalescing with the music to create something unclear but imbued with meaning, as if reaching somewhere deeper within your brain or soul than you can consciously go” – the vibrant and mystical Hyperlust EP from Bells Atlas

Frog

“Queens is the most diverse county in America, and maybe the world. Kind of Blah is about living here, in this city, which is sometimes incredibly wonderful and other times feels a lot like prison and most times probably both at once” – we spoke with Frog about listening to Jagged Little Pill with your mom, the brilliance of Lightning Bolt and some terrible advice from David BermanFuneral Sounds

“Casa Ruby strives to enable people to be treated as people” – a benefit compilation from Funeral Sounds in support of multicultural LGBTQ organisation Casa Ruby

Girlpool

“In a weird way, Girlpool have grown up – becoming confident enough to share their dreams and vulnerabilities and in turn galvanise a lonely generation too afraid of ridicule to live the lives they desire” – Girlpool’s new album Before The World Was Big sees the band offer a sustainable and productive antidote to the pressures of growing up

Advance Base

“Sweetly sad stories about lonely Midwesterners trying to make sense of their troubled pasts” – mark your calendars, August will see a new album from Owen Ashworth’s Advance Base

Two White Cranes

“A clear advancement from anything on Two White Cranes, fleshed out with electric guitar and drums and focussed in its writing” – we previewed Radisson Blue, the forthcoming album from Two White Cranes

Evening Hymns

“I could go on about how [Evening Hymns are] brave and heartbreaking and intensely personal, or how [they] made me feel okay and less alone” – Evening Hymns has us very excited for their new album Quiet Energies

Mitski

“I’m not the white boy. I’m not in a position to be heard whatever I make” – Mitski spoke with Caralyn Green for Pittsburgh City Paper about being an introverted person of colour in music. [See our review of Bury Me at Makeout Creek]

Katie Dey

“I remembered that I had earphones in my coat pocket. I plugged them into my phone and listened to asdfasdf and rested my head on the train window. Closing my eyes, what was initially a gloomy train ride turned into something more cathartic” – Gold Flake Paint talked about Katie Dey’s asdfasdf and the restorative power of music

Ornette Coleman

“A giant of 20th century music, pushing jazz into new harmonic territory and reconceiving the way in which musicians improvised” – Stewart Smith wrote about the career and legacy of Ornette Coleman for The Quietus

Long Neck

“An album with no season, or maybe it’s every season, or maybe it’s just the season when you feel most alone” – Stereogum are streaming Heights by Lily Mastrodimos’s Long Neck

Mitski (again)

Out of Town Films shot Mitski playing ‘I Will’ in the middle of nowhere

Swell Tone’s Summertime Sanity

“Getting lost in the heat and the sense of freedom inherent in the forthcoming season is tempting, to say the least” – Shana over at Swell Tone has put together a selection of summer songs, including Yowler, Girlpool, Hot Palms and The Washboard Abs. Any playlist that opens with ‘Skin of Your Yellow Country Teeth’ gets a thumbs up from us.

Kathryn Joseph

We liked Kathryn Joseph’s Bones You Have Thrown Me Blood I’ve Spilled an awful lot. Last week she played some songs for the Roddy Hart Show on BBC Scotland and it sounded great. Check it out on the BBC iPlayer.

And Finally… the 8tracks Playlist(s) of the Week

This week’s winner is mix-master Adam, AKA Songsfortheday, and his summer soundtracks. There are separate day and night editions, so he has you covered for all your musical needs.

The post Week in Review: #5 (8th – 13th June) appeared first on Various Small Flames.

“prismatic music which draws upon a diverse range of styles and artists, blending the visceral emotions of R&B and soul with an off-the-wall, avant-garde vibe akin to Dirty Projectors and tUnE-yArDs”

The band have now released their Hyperlust EP, and it’s safe to say that the above description holds fast. The most impressive achievement is how the band manage to weave the different elements into something so natural, the guitars, bells, chimes, drums and vocals knitting together like the sonic equivalent of a patchwork quilt.

The atmosphere on the release is decidedly sunny, the vibe generally laid-back and soulful and the cacophony of instrumentation vibrant and bright. However, behind the summery veneer lies a collection of esoteric lyrics which hold an abstract mysticism, frontwoman Sandra Lawson-Ndu posing vague, existential questions as if channelling some higher power or divine force. “If future takes me to find our bones,” she sings on opener ‘Future Bones’, “I’ll mold them together / and desert this form / Break (break) original rules that would guide the way we’d move until we required cover and strange spirits remained.” The song continues in this manner, using precise imagery to trace imprecise, unknowable things, the words coalescing with the music to create something unclear but imbued with meaning, as if reaching somewhere deeper within your brain or soul than you can consciously go. As Lawson-Ndu sings on ‘Sugar Queen’:

“Intertwined by things we’ll never see, never feel, never know, never we try”

[…]

“Lost in these thoughts that you’ll never know, never hear, never ask, never you’ll care.”

This idea of the lyrics and music entwining to work together is an important part of the Bells Atlas sound. Of course, the majority of songs are based on this marriage but there usually seems a certain degree of disconnect, the words an afterthought to the riffs, the instrumentation an accompaniment to the poetry. Here, both are treated with equal importance, so much so that it becomes difficult to determine which came first. It’s hard to imagine such an experimental sound being created before the profoundly obscure lyrics, yet it’s almost as if Lawson-Ndu is writing about the music itself, as if the lyrics already existed in the kaleidoscopic cocktail and she merely had to delve in and present them for our ears.

You can buy Hyperlust now from Bandcamp, as well as their previous releases and some pretty cool t-shirts.

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‘Bling’ is the latest single from Hyperlust, a jagged pop hit which manages to not only bathe the listener in a glowing summer chill but also challenge the concept of capital-T Truth in reality and the mind, answering its own mystical questions with the only fair motto of our times. I don’t know.

“What do you mean?

I don’t know

Just a sign of science

Just a sign of science

What did you see?

Eyes to the floor

And if I do not understand it, was it real?

What do you mean?

I don’t know”

Hyperlust will be released on the 31st May and you can pre-order it now from Bandcamp. If, like me, you are new to the band, be sure to go back and explore their previous releases.

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