With a new collection on the way, Greta O’Leary has now returned with ‘Baptised at the Desktop Computer’, a new single which offers an altogether more domestic scene but sacrifices none of the invention or evocative imagery. Described as a song ” touching on childhood religious experiences and growing up playing The Sims,” the single offers a surreal picture which feels very much of those years around the millennium. A time in which the promise of a digital future collided with darker eschatological prophecies, as though at the precipice of great change a certain dread bubbles to the surface.

O’Leary confronts such strange forces with all the absurdity they deserve, the song rising from a simple folk number into something more urgent as tales of possession and exorcism are detailed, the chugging beat and drum machine supported by Cass Basil, whose bass growls like some unnatural voice of its own.

Sitting at the family computer
He walks in clutching a paper bag
Plastic bottle of holy water
come forth now it’s time

Tip your head child, you’re being baptised
At the desktop computer by your dad

The song comes complete with a video directed by O’Leary along with Adam Rohe. Watch below:

‘Baptised at the Desktop Computer’ is out now and available from the Greta O’Leary Bandcamp page.

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Back in August we wrote about ‘Sarehole Mill‘, the debut single from EP Wandering Worlds by Birmingham-based artist, composer, producer and singer-songwriter AGAAMA. It was a song, we described, “rooted in physical place but also the psyche of the individuals and collectives with pass through it, carrying with it all those people’s energies and anxieties.” Now out via The state51 Conspiracy, the EP continues this examination of spaces, gradually moving from a place of uncertainty to one of love. With its patient intimacy, closer ‘In This Life’ completes this journey, drawing a line between healing and empowerment, championing the healing of wounds as the path to more fully becoming oneself.

Alexia Avina – Let This Die

Fresh off the back of recent album A Little Older on Lost Map Records, Alexia Avina returns this month with a brand new EP, Crush. Focused on vulnerability and smallness, the previous record probed at tender spots we might usually ignore or protect, choosing to sit and contemplate pain instead. But Crush emerges from the aftermath of this period. A fresh start where new feelings germinate and sprout through the ground. Composed entirely of synths, the result is something freer, more fun, ready to give itself over to joy and desire, even while understanding such emotions might only stay for a fleeting moment. Check out the video for lead single ‘Let This Die’ below, shot, directed and edited by Sara Laufer.

Crush releases on 14th October and is available to pre-order from the Alexia Avina Bandcamp page.

Alicia Clara – I Let My Plant Die

Following last year’s EP Outsider/Unusual, Montreal-based dream pop artist Alicia Clara returns this month with a new four song release. Titled Velveteen, the EP is something of a message to her teenage self, and finds Clara at her most assured, combing confident musicianship with impressionistic and introspective lyrics that display an admirable vulnerability. Latest single ‘I Let My Plant Die’ was written on the pandemic’s one year anniversary and is full of both yearning for “normal” life and gentle self-admonishment for living passively and taking small things for granted. “The inspiration behind the title came from three baby plants I inadvertently let die when I left my apartment to go stay with family outside of Montreal in March 2020, thinking I’d be back in the city come April,” Clara explains. “I recognized a parallel between this and a tendency I have to put off tackling tasks or situations that scare me, thinking time will do the work on its own.” Check out the video directed and shot on the Swiss-French border by Alix Bortoli below:

Velveteen is out on the 28th October via Hot Tramp and you can pre-order it now.

Brody Price – It Was You

Later this month, Dallas artist Brody Price will release his latest album Win a Trip to Palm Springs! On Niles City Records. Price refers to his style (only semi sarcastically) as “doom country,” a tag which goes some way to capturing the record’s blend of folk, country, noise and sludge. The album’s second single, ‘It Was You’ exists on the gentler end of the spectrum but still captures the wider tension and stormy atmosphere which mirrors the lyrics’ exploration of the turbulence of life. Price is joined by Robert Ellis (piano) and Andy Baxter (vocal harmonies), who together create a folk song that, despite its twang and gentle melodies, actual explores the difficulties we all face and sometimes try to hide. “This song is about being aware of my own internal turmoil and realizing that everyone has the same thing in some form or fashion,” Price explains. “Even if someone may appear to have it all together, you still can’t tell what’s racing through their mind when they lay awake at night.”

Win a Trip to Palm Springs comes out on 28th October and you can order a copy now from the Brody Price website.

Doctor Delia – Whoa

Based in Portland, Oregon, Doctor Delia is a self-described “entity specializing in tinctures, alchemical transubstantiation, and old-time new-time music.” We first featured their work last summer, when we reviewed Parlor Songs, a collaborative album with Mother Juniper that we described as possessing “an intangible sense of homespun communal spirit.” Their latest release is Sunroom Vloop // Whoa, a double single which again takes a traditional instrument (here the violin) and creates something that feels both fresh and somehow timeless. ‘Sunroom Vloop’ is a bright and playful expression of the titular sunroom, all clear warm air and vivid reflections, while ‘Whoa’ is a violin loop altogether more mystical. “If you listen closely you can hear a great Spirit moving through the bones of the violin,” Doctor Delia describes. “It is my spirit; it is more than what I can put into words. So I play.”

Sunroom Vloop // Whoa is out now and available via the Doctor Delia Bandcamp page.

ghost orchard – rest

This November sees the release of rainbow music, the new album from ghost orchard on Winspear. The project of Grand Rapids, Michigan’s Sam Hall, ghost orchard has made its name with a distinctively sincere blend of folk and electronic styles, and their latest record develops this aesthetic further. A picture of calm and patience amid loss, where the quiet stillness holds the latent warmth of things now gone. New single ‘rest’ is the perfect introduction, its palpable, physical details holding something less tangible too. As though the world itself mourns that which is lost, and the correct arrangement of objects might summon it back once more. Watch the video by Nik Arthur below:

rust on its bearings
links in the chain
scars intermingled
the feeling wanes

and like the moon still crests as its’ hue ruminates
like thick smoke fills the room
and brings you back again

rainbow music is out on the 4th November via Winspear and you can pre-order it now.

Greta O’Leary – Body, Now

Written during an autumnal drive through the mountains of the South Island, ‘Body, Now’ is the latest single from Aotearoa folk artist Greta O’Leary. It’s a delicate, careful track which places the body into this context of the environment, charting its subtle changes in the face of grief in the manner one might watch the seasons pass across a landscape. But for all its isolation and heartbreak, the song emerges as a balm against outside forces. A return to the self as not only a mode of protection, but a way in which to reconnect with the most fundamental of things.

‘Body, now’ is available from the Greta O’Leary Bandcamp page.

Hang Linton x LeBron Aggressive – SALE

The work of Leeds-based interdisciplinary artist Hang Linton has been described as “a rebellion against clean aesthetics,” his work across music, performance, video and installation inspired by time spent amid countercultural collectives in Berlin. Debut single ‘SALE’ sees Linton enlist the talents of LeBron Aggressive for a synth-based meditation on consumerist culture, the catchy and playful sound simmering underneath sardonic lyrics. Essentially repurposing the strategy of advertisements to send the attack in the opposite direction. A crystal clear message dressed up with shiny adornments. “Discounts on discounts but don’t discount the fact,” as Linton sings. “We bought it all for cheap, with the sweat off someone else’s back.”

Kierst – Phone Call

South Carolina raised, Brooklyn-based songwriter Kierst has a new EP, Thud, coming next month on Sad Club Records, and latest single ‘Phone Call’ sets the tone for the release. A reflection on longing and self-worth which owes as much to Grouper and Mazzy Star as it does contemporary bedroom pop, the intimate vocals and pressing rhythm lifted by an ethereal soundscape, resulting in a mood which transcends the immediate pain for heartbreak. “I think it’s important to know how to sit with yourself, and not depend so much on romantic fulfilment, Kierst explains of the track. “You can only be as good to someone else as you can be to yourself, and the song’s about knowing when to respect that.”

Platonic Sex – Exhausted Competing For You

Meanjin/Brisbane outfit Platonic Sex are gearing up to release a brand new EP this November, and latest single ‘Exhausted Competing For You’ gives further indication of what to expect from the four-piece. The single is a track based around the tensions of a mismatched relationship, where the initial rush of excitement has dissipated and issues of compatibility are brought into relief. The temptation to persevere in the face of such doubts is clear, but struggling to make things work comes at a cost. “It’s exhausting to keep something alive for the sake of fighting for it,” says lead Bridget Brandolini, a realisation which becomes apparent across the song, its energy picking up into an affirming catharsis. Check out the video directed by Bridget Webb below:

‘Exhausted Competing For You’ is out now on all your favourite streaming services.

Puck – Best Friend

Having cut her teeth touring in the bands of SZA, dhruv and Maggie Rogers, Puck might have already announced themselves as keyboardist, but upcoming debut album Best Friend feels like a proper introduction. The record draws upon a childhood immersed in Seattle’s grunge and alt-rock scene but reaches out toward folk and jazz too. A highly personal blend used to conjure the experience of love but also violence, ultimately directing its energies into processing trauma and grief within a society seemingly arranged to reinforce such phenomena. “I wanted it to be catchy enough for the words to sneak under people’s skin,” Puck explains of the title track. “I didn’t really have much music to heal by, so I made some.”

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