Released to coincide with his birthday, and organised by Dan Wriggins (of Friendship) in collaboration with Dear Life Records, You Were Alone: An Owen Ashworth Almanac is a covers compilation featuring versions of Owen’s songs from family, friends, labelmates and fans. A celebration which recognises a birthday but also so much more than that. A body of work and the burgeoning legacy it has and continues to establish, not to mention the blossoming community fostered through Owen’s label Orindal Records.

And community feels like the right word for the compilation. Both in terms of the gathered artists and the characters they bring to life. Because hearing the songs in different voices really brings home the diversity of personalities present across Owen’s work. Pedro the Lion adds a weariness to ‘My Sister’s Birthday’ with his distinctively gruff fondness. Claire Cronin is the perfect person to fully excavate the spookiness of ‘Pamela’. MJ Lenderman and Karly Hartzman raise a glass to poor old Christmas Steve. Sinai Vessel captures ‘Kitty Winn’ in all its sad affection.

Some, like Lisa/Liza‘s ‘Rabbits’ or Karima Walker‘s ‘Same Dream’, take the original versions back to the traditional folk roots, while the likes of Ylayali, Moon Racer and Bedbug lean into the electronic, harking back to earlier CFTPA days. What’s impressive is how the distinctive “Ashworthian” voice remains across the spectrum. Even the tracks with no literal voice, be it Robert Stillman‘s take on ‘Christmas in Nightmare City’ or Gordon Ashworth‘s extended guitar version of ‘Nephew in the Wild’, lose none of their ability to evoke the tales we’ve grown to hold so dear. Because while Dan might have intended to organise a birthday party, it turned out more like a reunion. A gathering of Owen’s characters, our friends. Still here, still living, still with so many stories to tell.

Cover painting by Martha Miller

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Ashworth has just released Plastic Owen Band, a new “album” of covers, demos, compilation tracks and rarities produced between 2011 and 2014. The covers include Creedence Clearwater Revival, Bill Withers, Neil Young and even Casiotone’s own ‘Natural Light’.’Natural Light’ is classic Ashworth, a low-key, yearning song for a lost love. It is has lines like this:

“I got some news on you from a friend
you’re in Charlotte again
teaching Spanish at high school

he said you’re going by Joy
you cut your hair like a boy
& you don’t talk to your old friends

I found a picture from before the fight
we’re in natural light
& you’re sitting on my lap
like everything’s alright”

There’s also a remix of Advance Base’s ‘Summer Music’ (featuring Julie Byrne, who we wrote about here) which appeared on the aforementioned A Shut-In’s Prayer. It’s a great illustration of how a change of name has not meant a change of direction (or quality for that matter).

“There’s no comfort in sympathy
she’s upstate with her family
I’m still at the same address
I still believe I could love her best”

It also has a bizarre video in which Ashworth reveals himself to be a little fuzzy blue guy, a longlost inhabitant of Sesame Street.

Plastic Owen Band also has some rather nice instrumental tracks that show that Ashworth’s talents extend far beyond song writing. Advance Base has an album of them here, if you would like to hear more.

You can grab Plastic Owen Band on a pay-what-you-can basis right now.

P.S. If you’re not familiar with Ashworth’s work then please put that right immediately.

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