“Picks through self-destructive tendencies in something like a lament, swapping guitar for organ to further amplify the sorrowful atmosphere of the Minneapolis-based songwriter’s work.” So we wrote of Annie Schultz’s recent single ‘MIS‘, a track which marked a conscious effort to move away from the blueprint of previous album It Bends Until It Breaks to open up new territory. Latest single ‘Search and Destroy’ is further proof such experimentation yields fruit. Schultz uses a woozily layered combination of drum machine and keyboards to evoke a dreamlike world, though a pressing electric bassline pulls the listener through. What emerges is something hypnotic and slightly ambiguous, playing somewhere between antagonistic and alluring and never quite showing its hand.

‘Search and Destroy’ is out now via Trailing Twelve and available from the usual places.

Bleary – Foyer

“If Bleary‘s new single ‘bug’ seems to carry a notable sense of depth, then it is with good reason,” we wrote in a preview of the Nashville band’s full-length Little Brain back in February, the song taken from a body of work first developed before the pandemic then more recently honed into something special. With the album’s release little over a month away via yk records, the outfit have shared brand new track ‘Foyer’, and the result is no less impressive. The perfect introduction to the signature Bleary aesthetic, where big wall-of-sound shoegaze sensibilities are paired with a mood more reflective and melancholic. The result is something equal parts visceral and thoughtful that’s sure to swallow you in its embrace.

Death Tennis – Racehorse

Based in Montreal, Death Tennis are a indie rock band unafraid of emotion, as new EP Thank You. No, Thank You attests. Talya Gad (vocals) Marco Petrella (guitar, vocals), Dave Hjin (electric guitars, acoustic guitars), Nathan Cann (electric guitars), Matthew McCormack (bass) and Daniel Pavkeje (drums) add healthy dollops of alt and shoegaze influences to bring these high stakes to life, allowing tenderness and weight to sit side by side. Take opener and single ‘Racehorse’, an emotive number which places Gad’s sincere vocals front and centre, though gradually deepens into something epic. “‘Racehorse’ is a song about loss, told from the perspective of the recently departed,” the band explain. “Do we get a chance to communicate with those we loved from the other side?”

Frog – Dark Out

“Thank you for the day but go slow when you walk out, its dark out,” sings Daniel Bateman on ‘Dark Out’, the latest single from Frog‘s new album Frog for Sale, coming soon via Audio Antihero. “The dogs are barking like Dachau / I need you when it’s dark out.” These lines might sound like depression condensed into half a verse, but the track itself is altogether more jaunty and cool, continuing the new sleek style introduced on previous albums 1000 Variations of the Same Song and The Count. The result has all the idiosyncratic style which has won the New York outfit such a following, managing to maintain a toe-tapping brightness despite the desperation and soul bubbling beneath the surface.

Golden Tiles – Peace

Portland trio Golden Tiles announced themselves to the world in late 2024 with The First EP. Back then we described their sound as “a bright, laidback brand of basement rock which combines playful melodies, fuzzy textures and reflective vocals,” inspired by the last forty-odd years of PNW lo-fi indie rock. Next month, Golden Tiles will release their debut LP, Set Up on the Leaves, via Antiquated Future Records, and the record looks to build on the band’s early promise. Expect catchy pop melodies, left-field song structures and an eye for improvisation, taking something that could feel nostalgic and twisting it into new shapes. Lead single ‘Peace’ is a great introduction. A fleeting sub two-minute rock song that feels warm and intimate but with an air of bittersweet mystery, there and then gone in a flash of satisfying guitar, rambling percussion and fragmentary lyrics.

Josephine Illingworth – The Mythical

The work of London-based musician and multi-disciplinary artist Josephine Illingworth sits at the intersection of song, storytelling and soundscape, drawing on traditions of folk music and folklore but with a modern, experimental edge. Her forthcoming EP, Bright Things I Found In The Dark, follows the narrative of a girl raised by wolves, mapped across the lunar cycle and enveloped in field recordings to intertwine each song in the rhythms of nature. Lead single ‘The Mythical’ was in some ways the record’s genesis, the first song written for it and a critical inflection point in the story where it is still unclear which direction it will take. “[‘The Mythical’] sits in the moment of childhood awakening where reality sharpens and the soft edges of fairytale fall away,” Illingworth describes, “when you can no longer see shapes in the clouds or voices under the bed. It’s about refusing to quite let that other world go.”

Bright Things I Found In The Dark will be released on 1st May.

Motherhood – Kyle Hangs Ten

Canadian rock outfit Motherhood have never been content to sit still, constantly hopping between genres and moods across their five full-length albums, and often within those records too. When working on last year’s Thunder Perfect Mind, they couldn’t quite settle on a single form of one of the songs, vacillating between surf and spaghetti western sensibilities. The later vibe won out for the eventual album track ‘Kyle Hangs At Noon’, but the sister version was also recorded and is now being released as a b-side. ‘Kyle Hangs Ten’ is an interesting counterpart to its twin, ramping up the tempo to make for a perfect slice of summer, while also serving as a window into the creative spirit of a band constantly pushing at the boundaries of their own work. “Usually by the time we release a song, the original influences have been hidden under layers of subterfuge, with our attraction to play far outweighing our ability to stay put,” they explain. “With ‘Kyle Hangs Ten,’ we were trying to write the most surfy song we could without over-complicating a genre that, at it’s core, is just swaggy country music.”

Nic Panken – Out in the Rain

“An compassionate number which takes the image of its title further than you might expect, pushing the love song beyond romance and into something existential.” That’s how we described ‘2 Hearts‘ by Nic Panken back in March, the latest single from the Spirit Family Reunion frontperson’s forthcoming solo album, Near Divine or Merely Rhyme. With the record now just a week away, Panken has unveiled brand new single ‘Out in the Rain’ to further whet appetites. A song which again elevates a personal experience into something near spiritual, it finds Panken positioning love and beauty as things which connect us to older, more mysterious forces. “Did I see you baring your soul / Uncovered the holy portal,” as he sings in one typically striking verse, “Heart was free then, resting in flight / A parcel of light immortal.”

villagerrr – Swimming

Last month we shared ‘Locket’, the lead single from villagerrr’s new record Carousel. We described how the record celebrates the act of opening up, that combination of fear and joy involved in, as we put it “the attempt to communicate in earnest with another person within a world which often seems designed to hinder such a thing.” Winspear will release the record at the end of next month, and villagerrr have dropped a new track to tide us over until then. Titled ‘Swimming’, it’s another slice of sincere indie pop, this time nudged in a country-ish direction with sparkles of pedal steel and Mark Scott’s signature heart-on-sleeve lyrics that focus on small pleasures in the face of the day-to-day trials of existence. “I cried watching the TV, it felt a lot like healing,” he sings in a typically frank line that captures the song’s balance between struggle and self-acceptance. “This song will be my enemy / My brain it wants to kill me.”

Zoon – One Too Many Nights (feat. Sam Jr.)

We have previously described the work of Daniel Monkman’s project Zoon as “an ever-evolving sound rooted in shoegaze that explores themes of activism and Indigenous experience.” The Polaris Prize-shortlisted musician draws as much from traditional First Nations music as they do contemporary indie rock, and in doing so explores themes both national and intensely personal. June sees the release of a brand new Zoon record, Happy Thought School, on Paper Bag Records, and lead single ‘One Too Many Nights’ is our first glimpse. Monkman is joined by Sam Jr. for a cathartic exploration of the strange unmooring caused by the end of a relationship. “When a relationship ends, it’s not just the person you lose it’s the version of yourself that existed beside them,” Monkman describes. ‘“One Too Many Nights’ is about that recalibration. I don’t date often, so when something shifts, it shifts my whole orbit. In that moment, being alone felt like the honest path forward.”

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Retracing the footsteps of beloved Scottish nature writer Nan Shepherd, Alice Boyd and eight other women set out into the Cairngorm mountains in 2023, spending four days immersed in nature with Shepherd’s writing and spirit as a guide. Boyd’s new EP Cloud Walking is a journal of this experience, combing folk harmonies and chamber pop instrumentation with field recordings gathered in situ to reflect upon the challenges and joys of facing the elements. A response to the song ‘Heart’ by Jacob Norris’, who Boyd collaborated with for previous release The Favourite, single ‘Heart ii’ embodies the the EP’s philosophy—championing the benefits of slowing down and connecting to your surroundings amid a busy, panicked world.

Stay calm in the torrent
Stay slow in the chase
And hasten to help out
And hurry to make

Brent Amaker and the Rodeo – You’re No Good

“A Southerner in Seattle who channels the classic country spirit while at the same time subverting its tropes, owing as much to the persona-led art rock of Bowie and co. as the macho (so-called) authenticity of the genre’s heavy hitters.” That’s how we described Brent Amaker and the Rodeo earlier this year, won over both by their single ‘Take Me By The Horns‘ and cover of Devo’s ‘Gut Punch‘. Having travelled to Mexico City with Mariachis, Amaker is now teasing new album Vaquero, pencilled for release sometime in 2025, and single ‘You’re No Good’ introduces what to expect from the record. The buoyant spirit of the Salón Tenampa at Plaza Garibaldi committed to song, with Amaker’s distinctive, almost Cash-esque cowboy vocals hinting at the dark underside of such a good time. Watch the video directed and edited by Jasmina Hirschl below:

‘You’re No Good’ is out now. Vaquero will be released some time in 2025.

Celeste Madden – Fever Dream

“A lesson in unguarded feelings which isn’t afraid to risk overstatement in trying to explain the sensation of the moment.” So we wrote back in the summer of Celeste Madden‘s ‘Joan of Arc’, a single released via Sad Club Records which represented the first release from the UK songwriter in two years. This sincere style continues through into latest track ‘Fever Dream’ too. Pairing acute longing with an ethereal air, the song charts those heady days of romance where pleasure and frustration accentuate one another and everything feels so close yet so far away. A state almost unreal in its experience. “Life with someone becomes a distorted daydream,” as Madden explains. “Thrilling but unnatural.”

‘Fever Dream’ is out now on streaming services.

Denison Witmer – Focus Ring (feat. Sufjan Stevens)

Next February, Philadelphia singer-songwriter Denison Witmer will release new full-length, Anything At All, an album made in collaboration with Sufjan Stevens, who produced, recorded and performed on the songs. With a balance found between Witmer’s characteristically straightforward, earnest folk and Stevens’s ornate arrangements, the album probes into great existential themes with a careful hand, delving into ordinary domestic scenes to locate the joy to be found there. “Anything At All is about doubling down on family life and doing everything I can to slow the pace of my life as things around me feel busier than ever before,” Witmer explains. “It’s about putting systems in place and committing to the changes needed to make it work.” New single and opener ‘Focus Ring’ introduces the style perfectly, its warm sound full of heart and fondness. Watch the video directed and animated by Stephen Halker below:

Anything At All is out on the 14th February via Asthmatic Kitty Records.

Frog – Did Santa Come

Having returned from hiatus in 2023 with the excellent full-length Grog, New York cult heroes Frog are already preparing to drop another album on us. And though we have to wait until March for the intriguingly titled 1000 Variations on the Same Song, the duo have been kind enough to share an appropriately seasonal taster to tide us over into the new year. ‘Did Santa Come’ “is about my son when he was two years old at Christmas time,” Daniel Bateman explains. “Every morning for 2-3 weeks after, he would wake up and ask, “Did Santa Come?” Seeing the world through the eyes of your children makes it all very beautiful.” In true Frog style, this is delivered with full sincerity yet with no trace of the Hallmark sweetness the description might suggest, committing instead to the idiosyncratic energy which has won the project so many fans.

‘Did Santa Come’ is available now from the Frog Bandcamp page. 1000 Variations on the Same Song will be released in March.

Golden Tiles – Doesn’t Take Long to Find

Last month Portland, Oregon outfit Golden Tiles released The First EP, their appropriately titled debut via Antiquated Future Records. Consisting of Oliver Stafford (vocals, guitar), Justin Hocking (drums) and Joshua James Amberson (bass), the band create a bright, laidback brand of basement rock which combines playful melodies, fuzzy textures and reflective vocals. Fans of Guided By Voices will find much to admire in tracks like ‘Tale We Told’ and ‘100%’ , while latest single ‘Doesn’t Take Long to Find’ edges towards Yo La Tengo territory with its assured, nostalgic tones. A trio to watch for sure.

Kramies – That’s A Midwest Christmas

Following on from single ‘Social Light‘, which enlisted the help of Allison Lorenzen to bring to life “another dreamy, melancholic fairy tale which blurs the line between eeriness and empathy to form something ultimately affirming,” songwriter Kramies is capping off 2024 with a Christmas song of his own. ‘That’s A Midwest Christmas’ is everything you’d expect from a festive tune. Warm fondness and nostalgic reflection edged with something more melancholic, the acoustic arrangement creating an intimate, authentic sound able to chart the bittersweet quality of the season. Another year has past, the weight of days gone grows heavier, but everyone is home once again.

‘That’s A Midwest Christmas’ is out now.

The Men – Pony

With their fifteenth album Buyer Beware coming next February via Fuzz Club, prolific New York punks The Men have unveiled new single ‘Pony’ to defiantly evidence their refusal to slow down. In someone else’s hands, a song which asks “when you gonna stop running?” in the opening line might opt for a slower, more reflective sound, but The Men answer the questioning with a blistering momentum, teeing up another record which examines the turbulent present with all the snarl and bite it deserves. Recording engineer Travis Harrison (Guided by Voices, Built to Spill) helps the band achieve their live performance on tape, and the raw immediacy is apparent from the first second to the last.

The world is ending
grab a seat
enjoy the ride

Watch the video by Preston Spurlock below:

Buyer Beware will be released on the 28th February 28th via Fuzz Club.

Will Stratton – I Found You

“When the forest burns, what ghosts rise as steam from the boiling soil?” So asks Points of Origin, the new full-length from Will Stratton, forthcoming via Bella Union and Ruination Record Co. next March. Described as a novelistic album “as dense as a Pynchon picaresque,” by Ben Seretan in the album notes, the collection sees Stratton grapple with the grim realities of the Anthropocene across an almost geologic span of time, centring on California as a kind of a ground zero for both the causes and effects of humanity’s connection to nature. Lead single and opener ‘I Found You’ pitches the listener straight in with a rich, character-led narrative, Stratton’s vocals prominent within the careful, tender arrangement. “I met a mechanic up near the state line / he knew I knew motors and paid me just fine,” as one verse sets out. “I couriered engines all over the state / and settles by Shasta surrounded by lakes / the beds have gone dry but I do what I can / to keep away fire from my plot of land.”

it rips through the Coulter and Tamarack pines
and it thickens the air ’til you’d think you’d gone blind
saying, oh where are you, oh where are you, when it has reddened the sky
oh where are you, oh where are you, when heaven abandoned the sky

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