Take opener ‘Heavy Horse Museum’, its woozy psych opening threatening to rise into post-rock thunder before suddenly thinning into the slack murkiness of its middle section. Maya Harrison’s sardonically spoken delivery charges this space once more, various instruments needling from the edges and eventually gathering into a new thunderhead. But rather than get lost amid the chaos, the band ride its leading edge in triumphant embrace of the disorder. The video directed, shot and edited by Owen Neve captures some of the disorientating atmosphere:

‘OK Roswell’ strips things back for its slow-burning drama, though the entrance of Harrison’s vocals fans the flames, her proclamations pulling the various elements around them into an increasingly ominous atmosphere, winding tighter and tighter until the eventual spark unravels the whole thing into a turbulent blaze. The aforementioned ‘Orfordness Lighthouse’ offers a similar build toward crescendo, though within an entirely different manner, accelerating with elegant poise through its middle section as Harrison’s vocals are swept along in the motion.

Living up to its title, closer ‘Nervous Boundaries’ is no less ambitious, its binding momentum and swirling jazzy intricacies presenting something anxious and full of menace and constant movement. Aligning itself with the latest Protomartyr record in an embrace of dreadful unease, the song is indicative not only of For Breakfast’s experimentation, but their ability to channel this into something at once erratic and purposeful. A harnessing of chaos into pure energy.  Like a descent so quick and astonishing it comes to feel like an ascension, if only for the few moments before you hit the ground.

Trapped in the Big Room is out now via Glasshouse Records and you can get it from Bandcamp.

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“Strange DIY songs for strange DIY times,” is how we’ve described the work of California‘s Derek Ted in the past, though 2021’s KEEP TRYING hinted at a warmer, sentimental side. Latest single ‘someday soon’ develops this aspect of Ted’s work, finding a ray of light in otherwise dark circumstances and working to persevere if only for the sight of it. “I wanted to capture that pure magic you feel when you’re first crushing on someone special,” Ted explains. “Like a springtime daydream played out in your head.”

gotten used to having my heart wasted
but then you came around
could it be true?
there’s beauty on the horizon
i’d wait around all just if just for you

For Breakfast – Orfordness Lighthouse

Ahead of their forthcoming EP Trapped in the Big Room on Glasshouse Records, London-based art rock outfit For Breakfast have unveiled brand new single, ‘Orfordness Lighthouse’. The single is as detailed and inventive as you might expect from a seven-piece band, each member bringing their own musical sensibilities to achieve a sound incorporating everything from dream pop and noise rock to trip hop and psychedelica. The brass and flutes of ‘Orfordness Lighthouse’ weave a nuanced, playful sound, though this is anchored by a post-rock depth which rises as the song progresses and thunders into the cathartic conclusion.

Horseface – Sanakirjan Takana

Based in Umeå, Sweden, Horseface work at the intersection of dream pop and post-punk to create their immersive songs. Next month sees the release of their latest album Sanakirjan Takana on Sing a Song Fighter and they have shared the title track by way of an introduction. With rhythmic percussion and synths/mellotron from David Lundberg (of Gösta Berlings Saga), the song combines emotive atmospherics with off-kilter charm. The title, which translates as “behind the dictionary,” alludes to a short story by the mother of the lead vocalist which was sadly only found after her untimely passing, and there’s a sense of cryptic fondness running through the sound.

King Ropes – Greedy

Bozeman, Montana outfit King Ropes won our attention back in 2021 with the release of Way Out West, an album which took inspiration from the rural landscape and mindset as well as a healthy slice of weirdness. Songs marked “by odd wisdom and surreal images, all cloaked in a psych-inflected air that only accentuates the strangeness,” as we put it. With trauma, reincarnation and inexplicable ailments, this balance between natural beauty and eeriness is again a feature of new LP Super Natural, out next month on Big and Just Little, as shown by latest single ‘Greedy’. A deadpan stream of consciousness which captures the vibe of an album that is a ramshackle ode to both the grace and difficulty of our strange world.

Super Natural is out on the 26th May and you can order your copy from the King Ropes Bandcamp page.

Mal Not Bad – Oven

The recording project of Los Angeles-based visual artist and musician Mallory Hauser, Mal Not Bad makes a lush brand of indie folk which blurs the line between mundane reality and ethereal dreams. Ahead of new EP Continuous Short Feature Film and a EU/UK tour with Illuminati Hotties, Mal has released the single ‘Oven’. A slow, foggy track which captures this spirit perfectly. “Smells like something’s burning,” Hauser sings, the delivery more sluggish than panicked as dissonant tones scramble the once-pillowy sound, like a nightmare where the terrible is happening but you can hardly move.

Continuous Short Feature Film is due to be released later this year.

Sinead O’Brien – There Are Good Times Coming

Ahead of debut album Time Bend and Break The Bower, out via Chess Club Records this summer, Ireland’s Sinead O’Brien has unveiled latest single, ‘There Are Good Times Coming’. The song captures the idiosyncratic aesthetic O’Brien has developed, one reliant on words and images as much as sound, and able to be at once twitchy and fluid, alluring and menacing, forthright and mysterious. “Throw a coin in the fountain,” O’Brien sings. “A curse in your name / A praise in vein of kindness / There are good times coming / For love or for money there are good times coming.” Check out the video directed by Chloé le Drezen below:

Time Bend and Break The Bower is out via Chess Club Records on the 10th June and you can pre-order it now.

Yves Jarvis – At the Whims

We’ve followed the work on Montreal‘s Yves Jarvis since his days recording under the moniker Un Blonde, always appreciating how Jarvis maintains such a sense of detail and invention in his sound. Ahead of new album The Zug on ANTI-, Yves Jarvis is back with brand new single ‘At the Whims’. Described as depicting “the arc of civilization,” the track uses psych pop as the thread to weave a tapestry of human history, starting with creation and extending out into a time yet to be realised. A future marked by collapsing empires, as foretold in all empires past.

The Zug is out on the 13th May via ANTI- and you can pre-order it from the Yves Jarvis Bandcamp page.

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