mirror stages is clearly the work of a band that have grown and developed together, displaying more nuance and tact than the first floral print EP. The chaotic structures and collaborative experimentation are still front and centre, but they feel finely honed and instinctive. This is apparent from the very beginning, the insistent driving drum beat of ‘sweepstakes life’ at odds with the stark and soft outro.

Perhaps the best illustration of the album as a whole, ‘Kevin’ builds from wiry guitar, becoming a schizoid indie rock song, part buoyant garage pop, part sombre emotion. The lyrics are equally predictable, switching from ruminations on mortality to altogether lighter thoughts.

“is my cat really my friend?
she chomps my arm
steeping dark teas,
she sits with me on the porch”

There are knotty guitar lines and cathartic tempo changes aplenty on ‘morning with ophelia’, another shifting, complex pop song, before closer ‘broad street visitors center’ jerks into life. Here Springer’s vocals are gentler and more earnest, delivering lyrics about negative feelings and missing the person who makes them disappear.

With mirror stages, floral print have delivered a record that is quite unlike any other you’ll hear this year. It’s a whirlwind of a journey, like rattling along a maze of tunnels, sometimes slowly and sometimes at breakneck speed. But, despite their fondness for unpredictability, they manage to keep a hold of the reins, marshalling the chaos into something both infectious and meaningful.

You can get mirror stages on LP, cassette or download via Tiny Engines and the floral print Bandcamp page.

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