Remember, we’re on Twitter, Facebook, Instagram and Tumblr, so don’t hesitate to get in touch and let you know your favourite tracks from June. Or July. Or whenever.

Tracklisting:

1) Gofer – Yucky Duster
2) The End Parts One and Two – Paper Bee
3) Pas De Deux – Brenda’s Friend
4) Mostly Homely – Exam Season
5) rosy – Long Neck
6) Cool It! – Terry vs. Tori
7) best thought – Honeyuck
8) buttery sprouts – Trace Mountains
9) Green Ennui – Flying Circles
10) Memento Mori – Jake Bellissimo
11) Same Light – Tim Lannen
12) Golden Car – Tincho
13) Can’t Take My Mind – Skyjelly
14) E.V.I.L – Medicine Boy
15) Bike Thief – Frederick Squire
16) Oh Well – Adeline Hotel
17) Offering – Loone
18) Something Profound & Meaningful – See You At Home
19) Bowl of Plums – Ben Seretan
20) Muted Colours – Chain Wallet
21) Little One – Aaron Holm
22) Fear O’ the Light – Katie Dey
23) Protracted – William Ryan Fritch
24) Dizzy – Danielle Fricke
25) Uncanny – Sister Grotto
26) Hands in Our Names – Karima Walker

The post June 2016 Roundup: A Mixtape appeared first on Various Small Flames.

Moon, released on Seattle’s Porchlight Coffee & Records, was originally a physical-only release but the 24th May saw it’s official ‘digital’ unveiling, meaning it’s now available for your purchasing pleasure on the Danielle Fricke Bandcamp page. If you need reminding as to why you should indulge, this quote from our review might help:

“Moon is a lesson in stillness (albeit a frantic, twitching stillness of false starts). Here we have a moment stretched out, questions asked but not answered, a monologue that might never leave the room. The wonder of the album is that the human emotions of love and longing never evaporate, continuing to push through the frost where they are warmed by earthshine, opening up the possibility that the very feelings which caused the pain could be the things which end it. So while the narrator is trapped, they never submit to the vacuous silence of space. Hopes are still hoped and dreams are still dreamed and wishes are cast from cold, cupped hands, skywards.”

To mark the release, Fricke has made a video for the single, ‘Dizzy’.

So head on over to Danielle Fricke’s Bandcamp page to download Moon, or, if you are a vinyl person who missed it the first time around, head to Porchlight Coffee & Records and snag a copy before they’re all gone.

The post Danielle Fricke unveils video for Dizzy, LP Moon available online appeared first on Various Small Flames.

Evening Hymns – Quiet Energies
(REVIEW | INTERVIEW)

“The album takes the suffocating, nebulous shadow of grieving and distils it into something small and hard and strangely tactile, a mysterious object that will always be there in your pocket, radiating its secret and peculiar brand of comfort. This isn’t about forgetting death, or even really ‘moving on’, instead its about coming to a deeper understanding of one’s life, about how a person can be so shaped by another, and how such an impact can and should be a source of immense pride and joy, no matter how hard some days can be. In other words, Quiet Energies is about understanding how it is in fact life, not death, which shapes us and our view of the world.”

Kathryn Joseph – Bones You Have Thrown Me and Blood I’ve Spilled
(REVIEW)

“This is a simple album about things so complicated that it’s almost impossible to put them into words. It’s about those thoughts and feelings that we all experience but never admit, the things that we, be it through etiquette and embarrassment and fear, dare not confess to others or even ourselves. Bones You Have Thrown Me and Blood I’ve Spilled is an album about people: lonely and loved, corporeal and divine, mortal and terrified yet enduring with a resilient hope that never quite goes out.”

Young Jesus – Grow / Decompose
(REVIEW | INTERVIEW)

“As the title describes so neatly, Grow / Decompose speaks of the familiar paths that human lives follow. Despite all the strangeness, the characters here are going through the age-old problems – depression, anxiety, identity crises, existential terror – the problems of being You and You alone, Molina’s “curse of a human’s life”. For all of the complexity of our existence, we are still locked in the atavistic pattern of life and death, everyone more or less condemned to the same mistakes and fears and joys that we as human beings have been experiencing for generations.”

Danielle Fricke – Moon
(REVIEW)

“Moon is a lesson in stillness, a moment stretched out, questions asked but not answered, a monologue that might never leave the room. The wonder of the album is that the human emotions of love and longing never evaporate, continuing to push through the frost where they are warmed by earthshine, opening up the possibility that the very feelings which caused the pain could be the things which end it. So while the narrator is trapped, they never submit to the vacuous silence of space. Hopes are still hoped and dreams are still dreamed and wishes are cast from cold, cupped hands, skywards.”

Yowler – The Offer
(REVIEW)

“Burns with quiet intensity, its strange lyrics feeling oddly personal, giving the album the intimacy of hearing about someone else’s dreams. Guitars sidle and prowl like shadows and the whole thing seems on the verge of something vaguely dangerous. All eight tracks are a study in the art of minimalism, of the exchange between poetry and negative space. It’s certainly a lot more than just quiet and pretty folk music”

Advance Base – Nephew in the Wild
(REVIEW)

“I don’t know Owen Ashworth, and maybe I’m completely wrong, but he seems like a kind and empathetic generally nice human being, in the same way the best writers seem like people you could be friends with. Even if none of that is true, I guess it doesn’t matter – what is indisputable is the fact that he’s a damn good writer who tells stories that speak to and help us all. While it’s easy to cast him as the lonely boy in front of a keyboard, the truth, at least in my eyes, is that he’s often hardly there at all, a transparent gateway into the lives of people you’ve never met, feeling things you thought you had to suffer through alone.”

Siskiyou – Nervous
(REVIEW)

“Nervous is an album of dizzying scope and ambition, quite literally the tumult of sound and emotion inside one man’s head. It is by turns dark and creepy, shimmering and vibrant. Siskiyou have never sounded so eerie, so threatening, or so expansive. And I have to admit, I don’t think they have ever sounded so good.”

Samantha Crain – Under Branch & Thorn & Tree
(REVIEW | INTERVIEW)

“These are songs played like inner thoughts or secret diary entries of persons not usually able to or justified in expressing their true sentiments, people who are not as tough as they let on, but tougher than they think in the middle of the night. A selection of underdogs living the lives they have been given, not pining for more or complaining at a cosmic injustice. Quiet, noble people in the trenches of everyday life, those with the broadest shoulders and smallest voices and a hard, buried sense of pride who treat hardship like a member of the family.”

Lejsovka & Freund – Fatal Strategies
(REVIEW)

“Fatal Strategies inspires a multitude of strange, lateral thoughts – a soundtrack that doesn’t need a film. The musical translation of the postmodern ruminations of an over-active, twenty-first century brain. Music unearthed by a post-society people, who’ll turn it up loud and sit in their ruined cities, reclaimed by branches and vines, and wonder and wonder about us.”

Frog – Kind of Blah
(REVIEW | INTERVIEW)

“Kind of Blah is a product of this place, an album imbued with the spirits of a sparkling past… Judy Garland is America. Lusty teenagers are America. Jesus Christ is America. So is Dr Pibb and dusty valleys and shut-down bowling alleys and all the communal memories shared by millions just like you. Kind of Blah is America, the U S of A in eleven songs – quirky, joyous, breathless, exhausting, addictive, heartbreaking and downright weird, accelerating towards a distant horizon while keeping its eyes firmly on a halcyon past that sure seems like it should have been more fun.”

Oh, Rose – SEVEN
(REVIEW | REVIEW OF ‘SEVEN’, THE VIDEO)

“Olivia Rose’s voice carries the tracks beyond the genre norms into peculiar territories. Raw and versatile, her vocals range from whelps and wails to quiet, haunted whispers. On their début full length SEVEN, a record on which, if anything, Rose pushes things even further. Lean and wiry guitars lead proceedings while a lo-fi buzz envelopes everything, Rose’s words cutting through like shards of glass. The vocals have the quality of an exorcism, like the unnatural utterings of a twelve year old as some jaded man of faith flicks holy water at her forehead.”

Valley Maker – When I Was a Child
(REVIEW | INTERVIEW)

“When I Was a Child is an album about belief and love in a variety of guises, about the big and unknowable questions, from love and growth and family to God and everlasting life. It’s an album about all of us, basically.”

Eskimeaux – O.K.
(REVIEW)

“O.K. is about reality, the moment we live in and the people we share it with. It’s about the things we want and the things we wish for and the things we can’t control. It’s about doing the best you can and hoping it’s enough, about accepting and learning and growing so that whatever hand you’re dealt, you carve out some semblance of meaning and happiness to make everything worthwhile”

Aero Flynn – S/T
(REVIEW)

“This is not an album in which the emotional arc is self-contained and easily mappable… The redemption is the very fact that Scott is creating words and sounds, that he is letting others know where he is and how he is and why he is. The album is the flare of hope hanging in the night sky, burning bright and incandescent.”

Hip Hatchet – Hold You Like a Harness
(REVIEW)

“[Speaks] of that vulnerable core at the heart of every man, and the desperate, ridiculous attempts to suffocate it with cigarette smoke or drown it in whiskey or cover it over with scars. Hold You Like a Harness is an album about tough guys who know deep down that they aren’t so tough. Yeah they fight and drink and make merry, but they’re also sentimental and lovesick and terrified of everything.”

Mike Pace & the Child Actors – Best Boy
(REVIEW)

“Best Boy is for the children of the 80s and 90s, reminiscing about the age where entertainment exploded, where VHS tapes and cable TV transformed us into constant consumers. Of course, as consumers we were sold promises, told we merely needed x, y and z to be happy and successful and pretty and popular. It’s kind of ironic that a time built on visions of the future is now seen as a utopia locked in the past. Pace gets at this feeling by writing feel-good songs tinged with longing, nothing too sad or serious, nor a Father John Misty-style ironic assault. Instead, Best Boy is a wistful celebration of what we had and presents some convincing reasons for why we feel the way we do.”

Fanpage – LYA
(REVIEW)

“Fanpage’s music occupies a space between life and imitation, too mechanical to be described as organic yet too intuitive and mysterious for machines. It wanders a strange distance ahead of the human race, amongst a chaos born of our need for order. Love and delirium and bright white fear roil beneath the feedback, humanity kicking and twisting within a noise filled with myth and magic and dread. Terrifying and beautiful and glorious, LYA is an album for the information age, where data has exploded to incomprehensible volumes and become its own wilderness.”

Titus Andronicus – The Most Lamentable Tragedy
(REVIEW)

“Life (and especially mental illness) isn’t a neat Freytagian pyramid, so why should a representation of it conform to expectations? […] You are left with the impression that the band have said “fuck it, we’re doing it our way”, rejecting a clear genre in favour of whatever felt right at any given time. This kind of zealous self-belief in their own work is interesting, as it’s at odds with Our Hero’s struggles to accept himself as Himself, and sees Titus Andronicus cutting swathes through the field of wannabes, imposters and pretenders and stepping up to the plate as the twenty-first century’s bona fide punk rock band.”

Elvis Depressedly – New Alhambra
(REVIEW)

“This is not a born-again Love-The-World-Because-Life-Is-Great sort of album. Elvis Depressedly will not mend broken bones or cast out demons or have you walking across hot coals. Instead they say that afflictions are not all there is, that you are not defined solely by your circumstances. They say that peace and hope are never out of reach and offer an achievable version of optimism, one which does not require manic enthusiasm or God-like goodwill but instead a pinch of determination and a firm belief in love.”

Nathaniel Rateliff & The Night Sweats – S/T
(REVIEW)

“Nathaniel Rateliff & The Night Sweats could be your favourite anti-heroes of the sixties, the forgotten friend of Otis Redding and Sam & Dave, or maybe from even further back, a band of villains rolling into nameless pre-war towns to cause shitstorms in cowboy brawl-bars and put smiles faces for one night only. That there is a serious side is less a surprise than a foregone conclusion, because no man has conjured this kind of bone-level fervour out of a pleasant existence. No, here are people staring down the barrel, people stranded in a sea of beer, locked inside some breakneck motion in which a grin and a grimace are practically indistinguishable. Whether this is a defiant two fingers or last hurrah seems unclear even to Rateliff, himself too caught up in a compulsion to dance and scream and shout. Whatever you take from this record, one thing is clear: They can’t put you in the ground if you’re still moving.”

What were your favourite albums of the year? Let us know through one of the usual channels – we’re on Twitter, Facebook, Tumblr and Instagram.

The post Wake The Deaf’s Favourite Albums of 2015 appeared first on Various Small Flames.

Tracklisting:

1. I Don’t Know – Tina Refnes (+ Lit Links)
2. If I Were a Portal – Evening Hymns
3. Cradle Robber – Tyler Butler and His Handsome Friends
4. Calvander – Mount Moriah
5. The Way It Is, The Way It Could Be – The Weather Station
6. Porch – Long Beard
7. Small Wind Power – Fraternal Twin
8. Mourning Dove – Danielle Fricke
9. 3 – Cat Be Damned
10. Cold Apartment Floors – Vagabon
11. I Used To Be A Bird – Fairweather Currents
12. Drive-Thru – Honeyuck
13. Ghosts – The Washboard Abs
14. Litany – Tyler Key
15. Aviator Shades – Quiet Hollers
16. Book of Right On (Joanna Newsom cover) – Foxtails Brigade (Lit Links)
17. Judy Blume – Mal Devisa
18. So Long – Dot & Logic
19. A Swift Thing – EP
20. Stuck w/ Me – Home Lives
21. Close Call (Adderall Anxiety) – Shaky Shrines
22. Boys – Dicktations
23. Nothing – Strange Friends
24. Careful Creators – Summering
25. Blinding White – Vapour Night
26. Pull – Slow Dancing Society (Hidden Shoal compilation)
27. Calmest – Naps
28. As He Walked Into the Field – Robert Stillman
29. Church Bells – Tommy Perman, Simon Kirby & Rob St. John
30. Seven – Oh, Rose
    31. No Hell – Cloud Cult

The post November Roundup – A Mixtape appeared first on Various Small Flames.

Because we still have a fair amount of tapes left, and obviously want to raise as much as possible for Worldreader, we have decided to run a special holiday offer. So, as suggested below in stylised sans serif, entering the code ‘HOHOHO’ at the checkout on Bandcamp will get you a handsome 40% off both digital and physical copies of the compilation. This will still cover the production cost of the cassette, but remember all profits go to charity, so every extra pound you give will be a pound well spent.To refresh your memory, here’s what you’ll be getting if you put some of your hard earned cash towards Quiet, Constant Friends:

Side A

Danielle Fricke – The Well
Lotte Kestner – Cattleya
Wes Tirey – Akhnilo Blues
Pasture Dog – Everything That Rises Must Converge
Old Earth – Pretty Steep
Salt Altars – Little Big Man
Henry Demos – Not Her
Beat Radio – Mexico City
Sondra Sun-Odeon – Hair

Side B

Nathan Amundson – Haruki Murakami
Windmill – Jim & The Rather Large Nectarine
ARMS – The Book of Love
Oh, Rose & Sawtooth – TV
Free Cake For Every Creature – Don’t Go Away (Ahumpf Acgroof)
John Ross – The Overlook Hotel
Kissing Fractures – I Drank Phosphorus With Aunt Lucy
Nice Legs – Past Lives
Ben Seretan – King of Crumbs
Trouble Books – Oak and Linden Tree Abridged
Lewtrakimou – I’m a Book on Tape
Nadia Reid – Runway

Grab a download or cassette now via our Bandcamp page, and be sure to remember to use the code ‘HOHOHO’ for your discount.

The post Quiet Constant Friends: A Christmas Sale (40% Off!) appeared first on Various Small Flames.

The album opens with ‘Tenterhooks’, an ambient track which swells and simmers like a post-rock song which never quite reaches a climax. Fricke’s vocals arrive in the closing minute, repeating the same line over and over, sounding like a call into fog or else a silent incantation let free into the internal turmoil of the narrator’s mind. The title track follows with an icy stillness, the mist clearing to reveal a stark lunar landscape upon which Fricke lets her words go:

“Let me be your moon
when you go out at night
shine down on you
I’ll change your tide”

It is from here that the album’s themes of loneliness and isolation develop, although quite how appropriate it is that the narrator casts themselves as the moon itself depends on whether or not a distant lump of rock can feel, can dream. Take ‘The Well’ as an example, a song darker still but never barren, desperation and anxiety and human heat cutting through the blackness. Moon is not a happy album, but it is these sparks of emotion that mean it’s never empty either.

The instrumental ‘Yours To The Ocean’ continues the mood, a layered track of ghostly, cinematic ambience and glitchy electronics playing out like the northern lights above an Arctic wind, managing to convey both stillness and anxiety, an internal writhing amidst external inertia. In contrast, ‘Dizzy’ feels like a short spell of audacity, the narrator gathering the courage to speak their thoughts, even if no-one is there to hear them. ” Let me feel love, even pain / whatever you feel, I’ll have the same” Fricke sings, “we can make it, close our eyes / be lovers, give it time”. But if that was an upward spiral then ‘Cicadas’ is a downturn – slower and sadder, it stutters into life with hesitancy, the candid words of ‘Dizzy’ replaced by a wistful melancholy, an animal gripped by pessimism as its genes stir up the unavoidable compulsion to bed down and hide from an approaching cold.

“Let the cicadas sing
bring the heat in.
We’ve only got a few more weeks
till the winter’s here
then I’ll settle in my room
waiting for you”

‘Grey’ is sadder still, a sombre love-story-turned-tragedy in the most human way, the participants speaking and thinking of love’s ephemeral nature during even the most placid of days, anticipating the acceleration or deceleration or cold hard snap that will turn everything on its head. The (mostly) instrumental ‘Heirloom’ plays like a confused dream below a frozen field, a burrow filled with the smell of life and thoughts of another world, while ‘Maisy’ sees the internalised emotion precipitate into something palpable, a desperate attempt to communicate, regardless of whether the words will be heard or not. For all of the love and loss in the poetry of the record, the song possesses a sincerity and vulnerability so far unseen, resorting to the kind of simple phrases used when all else fails.

“If the world is weighing down on your skin
you will be ok and you will let it in
you can make it love
you will be ok
sometimes life just makes you want to throw it away”

In most movies and books, this opening up would be the catalyst for an upturn of fortunes, the ‘bravery’ of speaking earnestly appeasing whatever cosmic forces govern these things and allowing a reunion or something equally happy. Moon does not work that way. ‘Mourning Dove’ feels like the bottom of a trench, a deep but well-lit nadir in which all shock, denial and anger has dissipated to leave a quiet, introspective continuation, where one commits to their grief and loneliness without embarrassment or fear. With its gentle vocals and spectral instrumentation, the track plays like an empty room, maybe the scene of some vital occurrence, a space once important but now still and serene, the past existing in objects left untouched and faint vibrations in the air.

“I mourn the mourning dove
who calls for it’s lost love in the night
there’s not much left in its lungs
not enough light to see the sun
I’m afraid he’s lost this one”

Closer ‘Rabbit’ is a piano-led ballad made intricate by Fricke’s careful, evocative layering, the track morphing near the three minute mark into a swirling blizzard. Somehow all this adds up to something as simple and organic as any live-take folk song, the electronic, orchestral and pop elements fusing into something heartfelt and heartbreaking, an arrangement I don’t remember being done quite so effectively since the early albums from The Antlers. Quite how the story ends is unclear. It could be read as a challenge, a test of faith, or alternatively as a reprieve, but you get the sense that it is actually no conclusion at all, that these are just more thoughts put out into the empty room, words that will be followed by more as the narrator’s heart and head cycle through the gamut of pain and hope we call life.

“From waking, keep me from waking up
say you hate your rabbit
and let it go”

In a world where so much art is geared towards redemption, where no character is complete without a life-changing epiphany and every downward face of Freytag’s pyramid must entail personal change and regrowth, Moon is a lesson in stillness (albeit a frantic, twitching stillness of false starts). Here we have a moment stretched out, questions asked but not answered, a monologue that might never leave the room. The wonder of the album is that the human emotions of love and longing never evaporate, continuing to push through the frost where they are warmed by earthshine, opening up the possibility that the very feelings which caused the pain could be the things which end it. So while the narrator is trapped, they never submit to the vacuous silence of space. Hopes are still hoped and dreams are still dreamed and wishes are cast from cold, cupped hands, skywards.

You can buy Moon on white vinyl now from Porchlight Records. If you are feeling decadent you can buy the ‘Fancy Edition’ (priced at $25) which gets you a limited edition art print and lyric booklet. The vinyl will ship on the 4th December but comes with an immediate download.

The post Danielle Fricke – Moon appeared first on Various Small Flames.

‘The Well’ is taken from her upcoming album Moon, which you will be hearing a lot more about in the coming months. The song is at least partly inspired by Andrew Kaufman’s All My Friends are Superheroes. As Danielle explains:

“I remember opening this book while waiting at an airport to fly over the ocean and back home. An event in the story causes the main character’s wife to be hypnotized to no longer see him, and so he becomes invisible to her. The book is a fairly quick light read and filled with humour. However, underneath it all I felt attached to this struggle where no matter how close the husband felt to his wife, he was never really there in her eyes. This idea inspired my song ‘The Well’, as I was in a long distance relationship at that time, I thought no matter how close I felt to the person, at moments there would always be an ocean between us, making me invisible.”

The accompanying artwork is a painting by South African artist Amor Coetzee in response to the song. You can find her on the Dayfeels website, follow her on Tumblr and Instagram, and ‘like’ her Facebook page to be sure to keep up with her work.

Remember that you can (and should) order Quiet, Constant Friends on cassette via the Wake the Deaf Bandcamp page, which come with a selection of small prints of the original artwork. Digital downloads available too for the fully-functioning members of the twenty-first century among you. Every penny of the profits go straight to Worldreader so what are you waiting for?

The post Quiet, Constant Friends: Danielle Fricke – The Well appeared first on Various Small Flames.

“Books are the quietest and most constant of friends; they are the most accessible and wisest of counsellors, and the most patient of teachers”

So says Charles William Eliot, and I tend to agree with him. And not just because I’ve thrown my lot in with the literary world. Books are where you learn that others share your weirdest thoughts and experiences, and are able to describe them in a way that makes you want to squee with delight or tattoo the words into your skin. What’s more, they let you experience life as someone else, allowing you to get a grip on the unseen forces which batter some while you relax in ignorant shelter. I can confidently say I would be a different person had I not become acquainted with John Singer and Don Gately and Ignatius J. Reilly, with JR from New York and Ruthie from Fingerbone and Oscar Wao from the Dominican Republic, now of Paterson, New Jersey. That’s without mentioning Esther Greenwood or Hazel Motes or the Glass family, nor Mr Small or Spot the Dog or any of the menagerie of Redwall mammals, ie. any of the hundreds of fictional folk who helped build the world as I now see it.

If, then, you cannot read, you automatically miss out on an army* of literary friends to entertain you and hold your hand and generally remind you that you are not alone. You may or may not know that UNESCO estimate there are 757 million adults, including 115 million youths (15-24), who cannot read or write the simplest of sentences. They even have a cool interactive map to give you a better idea of where the problem is biggest.

Worldreader is non-profit organisation dedicated to creating a literate world through digital education. Their Worldreader Mobile app (available on even the simplest feature phones) brings digital books to families around the planet, allowing communities without access to any print books to connect to a library of over 28,500 titles in over 40 languages. And this sort of programme extends far further than helping people gain basic skills. Take the current Ebola outbreak as an example. With such a deadly disease it can be difficult to provide adequate information to those in danger, particularly when moving around increases the risk of transmission and worsens the situation. Worldreader are utilising their mobile reading app to disseminate information to help save lives, from vital health advice to inspiring stories from survivors, while minimising the need for movement on the ground, and thus transmission.

Of course, all this ignores the whole special, reading-as-a-magic-activity side of things that Charles William Eliot was getting at. Books are fun and comforting and inspiring and door-unlocking in so many ways, and I believe quite firmly that increasing the number of young people reading is one of the best ways to deal with current issues and prepare ourselves for future ones. Worldreader actively curates books by African and Indian authors, so rather than just beaming the same dusty classics all over the world, they’ve developed a library representative of the diversity of interests, tastes and subjects seen around the globe. Better still, the mobile aspect will help transform education into an unstoppable force. No longer will your gender or religion or race prevent access to education, nor any disabilities, nor your social standing. With a small amount of help from charities like Worldreader, we can overcome privilege and prejudice by placing education in the hands of the people. We can be each other’s quiet, constant friends.

It’s all pretty inspiring. So much so that I decided to try to help with my own version of community and worldwide collaboration. Quiet, Constant Friends, a compilation of literary-themed songs by some of my favourite artists, will be sold in support of Worldreader, with every penny of the profits going straight into their good work. Some of the songs were recorded especially for this release, some are from upcoming albums and others are old favourites which fit nicely with the theme. You can listen to one new track, ‘I’m a Book on Tape’ by Lewtrakimou, right now:

I’ll be unveiling more songs between now and release, so keep your eyes peeled for that, and check out the artwork and full tracklisting below:

1. The Well – Danielle Fricke
2. Cattleya – Lotte Kestner
3. Akhnilo Blues – Wes Tirey
4. Everything That Rises Must Converge – Pasture Dog
5. Pretty Steep – Old Earth
6. Little Big Man – Salt Altars
7. Not Her – Henry Demos
8. Mexico City – Beat Radio
9. Hair – Sondra Sun-Odeon
10. Haruki Murakami – Nathan Amundson (of Rivulets)
11. Jim and the Rather Large Nectarine – Windmill
12. The Book of Love – ARMS
13. TV – Oh, Rose & Sawtooth
14. Don’t Go Away Ahumpf Acgroomf – Free Cake For Every Creature
15. The Overlook Hotel – John Ross
16. I Drank Phosphorus with my Aunt Lucy – Kissing Fractures
17. Past Lives – Nice Legs
18. King of Crumbs – Ben Seretan
19. Oak and Linden Tree Abridged – Trouble Books
20. I’m a Book on Tape – Lewtrakimou
21. Runway – Nadia Reid

As if collaborating with 20-odd acts wasn’t exciting enough, we’ve also enlisted the talents of a range of artists and illustrators to design special-edition postcards for each song. Again, I’ll be unveiling these as time goes on, but check out the piece for Lewtrakimou’s song by Ji Hyun Yu below:Huge, huge, huge thanks go out to everyone involved. It has been so great to see how nice and enthusiastic people can be about a simple idea, and how it can evolve into something much better than I ever expected. I owe you all.

Quiet Constant Friends is out now. You can buy it from our Bandcamp page, including a limited edition cassette, complete with some super-limited edition art postcard prints (you can browse the complete set of artworks here).We decided against having this as a free download in an attempt to raise as much for Worldreader as we possibly can. Obviously, if you choose to pay more than the suggested amount you are donating more to Worldreader, so feel free to do that. That said, we know times are tough, so if anyone wants a download, just drop us a message/tweet/email and we’ll sort you out, no questions asked.

* I’m taking suggestions for the best collective noun for friends who only exist in books.

The post Wake The Deaf presents… Quiet, Constant Friends appeared first on Various Small Flames.

Tracklisting:

1. A Lingering – German Error Message
2. All You’ve Gotta be When You’re 23 – Free Cake For Every Creature
3. Can You Feel It, Too? – Fun Home
4. Garden Tomb – Pasture Dog
5. How Marvelous – Lewtrakimou
6. Out Names – Shunkan
7. Floral Mattress – Naps
8. Rapture in Heat – Liam Betson
9. Astoria – Gwenno
10. Electric Duck – Henry Demos
11. Angharad – Yucatan
12. Orchids (Instrumental) – Celebrity Crush
13. Tulsa – John Statz
14. Snow – Alanna McArdle
15. Yours Till the Ocean – Danielle Fricke
16. The Lights in the Sands of Katumpkale – REW<<

April 2015 Roundup from Wake The Deaf on 8tracks Radio.

The post April Roundup – A Mixtape appeared first on Various Small Flames.

Keep your eyes peeled for more details regarding Moon, we’ll be certain to write a full review once we have had a chance to hear it. In the mean time, why not grab yourself a copy of Burrow?

The post Danielle Fricke – Cicadas appeared first on Various Small Flames.