Though led by poet/fiction writer Mike Young, Clementine Was Right is far more than a solo project. With Young now joined by fellow poet Gion Davis, as well as a core group of musicians based between Denver and Arkansas, the project is one always moving and always changing, adapting to each present moment to best convey the stories which feel most pressing at that given time. So while ‘Dreaming of Dancing in a Different Town‘ offered nostalgic country rock and ‘Takes Tall Walks‘ pushed towards Killers-esque indie polish, latest track ‘There Are No More Almond Trees’ adds a scrappier immediacy. Still falling under the wider ‘Western emo’ tag they’ve made their own, the track is full of the wistful fondness we’ve come to expect, but balances this with a newfound playfulness.

Heartrunner – Faltering

‘Faltering’ is the debut single from Toronto indie rock band Heartrunner. Lead vocalist & songwriter Adina V is supported by Eric Bernhardt (guitar), Chris Parnis (bass), and Aidan Lucas-Buckland (drums), who together craft a lush sounds that’s tinged with sadness or longing. The track opens with sedate acoustic guitar and measured percussion, eventually swelling with electric guitar into a rich and emotionally charged finale. The band say the single “takes listeners through the dissociation, slipping relationships, and failing drive that comes with substance abuse,” and this helplessness and loss of self-confidence is captured in the loaded final lines.

Good God I’m faltering
I’m no good at anything

Jeremy Ferrara – Darkness Is A Bright Sound

Next March,  Portland, Oregon-based songwriter Jeremy Ferrara is putting out a brand new full-length, Darkness Is A Bright Sound via American Standard Time Records and A For Effort Records. Though continuing what we’ve previously called a practice centred “on openness and sincerity” which “conjures warm and welcoming songs within which he invites the listener,” the album sees Ferrara adopt a full band arrangement for the first time, resulting in his richest sound to date. The title track and album opener serves as the door through which the audience can enter this world, highlighting the sense of subtlety and control which marks the Jeremy Ferrara sound.

Mal Not Bad – AP

“Drawing the analogy of an athlete going through the highs and lows of competition to ask how one continues to push forward when exhaustion and disappointment have sapped all will to carry on.” That’s how we described ‘Sports’ from Mal Not Bad‘s Continuous Short Feature Film last year. But push forward the LA-based musician and visual artist did, as new single ‘AP’ attests. The first glimpse of a new project due in 2024, the track displays a newfound depth within the Mal Not Bad sound, leaning further into electronic sensibilities while simultaneously interrogating the impact of technology, resulting in a nuanced exploration of the human experience within the digital present.

The song comes with a video co-directed by Hauser and Seannie Bryan, a solo dance-performance created in collaboration with choreographer Alyssa Allen:

‘AP’ is available now from Bandcamp.

Mia Joy – 4th of July

Mia Joy‘s 2021 album Spirit Tamer utilised a dreamy style to form “a chronicle of [Mia] Rocha’s history,” as we put it in a review. “A way of collecting the seemingly disparate pieces that make up a life in the hope of making sense of them, and learning more about the resulting whole.” Again released via  Fire Talk Records, new EP Celestial Mirror sees the Chicago artist continue this exploration, digging into the way people and events can come to shape your sense of identity. Single ‘4th of July’ fashions a safe haven from its hazy sounds, giving space to drop the armour of self-protection in favour of a more vulnerable, open state. “Time is a teacher,” as Mia Joy sings in the opening lines, “so teach me how to love / without the fear of its cost.”

Moselle – Pesticides

“I think I accidentally / smoked pesticides or PCP  the year before I left for college,” sings Moselle on their new single, ‘Pesticides. “Everything looked like a deep fried meme / I think somebody laced my weed / I didn’t do it to myself I promise.” The first taste of an EP coming sometime next year, the track positions the Ozarks folk punk project alongside contemporaries like Pacing, where deadpan delivery and playful details are fashioned into an image of a specific moment and frame of mind. Self-deprecating perhaps, but full of wry humour too. “What if I broke this stupid glass over my dumb head?” as the chorus asks:

Let all the blood run down my arms ’til the garden’s fed
Wait til the flowers bloom in the same place that I bled
Make a bouquet hoping I’m half as useful when I’m dead

Rosie Tucker – Unending Bliss

Following recent “mini visual album” Tiny Songs Volume 1, LA’s Rosie Tucker is back with a brand new single, ‘Unending Bliss’. Packed with power chords and crashing percussion, the single is a fervent and furious treatise on the power of forgiveness and resistance in a society which seems hellbent on pitting people against one another. “’Unending Bliss’ is about petty personal beef,” Tucker describes, “and, simultaneously, about my fury at the material conditions that encourage us to treat each other like crap in order to survive.”

I want nothing but unending bliss for my enemies

Watch Vanesa De La Mora’s animated video below:

‘Unending Bliss’ is out now via Sentimental Records.

Sonya – God Save Your Soul

With new album At What Cost? on the horizon, California-based alt pop act Sonya has shared the first single, ‘God Save Your Soul’. With a sound that flits between chilled and urgent sensibilities, the song offers the sultry pop soundscapes of the late 00s buzz bands and adds a through line of energy. What results might be buried in a sun-kissed haze, but nevertheless possesses a tangible immediacy, Sonya’s vocals emerging from within the hypnotic atmosphere as though looking to shake you from its hold.

‘God Save Your Soul’ is out now via streaming services.

Sophie Gault – Christmas in the Psych Ward

Having previously recorded as Sophie & the Broken Things, Nashville-based songwriter Sophie Gault is releasing new album Baltic Street Hotel on Petaluma Records next spring, and single ‘Christmas in the Psych Ward’ gives an indication what to expect. The record was produced by Ray Kennedy, collaborator with folk royalty including Steve Earle, Lucinda Williams and Patty Griffin, and the single very much follows such a lineage, delving into highly personal experiences of bipolar disorder with a tone both steely and wry.  “There’s a guitar they give you if you’re doing good / It’s got four strings and it’s made of plywood,” as Gault sings. “I’m gonna go write down some songs and take them to Nashville / ‘That’s funny, honey, just swallow a few of these pills’.”

Baltic Street Hotel is out via Petaluma Records on the 12 April 2024.

Trinket – Silver Thread

Trinket might have originated as the solo project of Madison Kate Proffitt, but soon welcomed Basil Lee (drums), Nara Avakian (bass) and occasionally Sean Camargo into the fold and evolved towards a jangling, eighties-inflected pop style. Debut EP New Hobby is coming soon on Sad Club Records, and single ‘Silver Thread’ highlights why audiences should be anticipating their potent blend of lush nostalgia and serious self-reflection. “This song is about idealization, getting to a point with someone important in your life who sends you mixed messages,” Proffitt explains. ‘Maybe you want them to be someone they aren’t, maybe you’re projecting onto them […] It’s about stopping that cycle and letting yourself move forward.”

‘Silver Thread’ is out now via Sad Club Records and available from the Trinket Bandcamp page.

The post Weekly Listening: November 2023 #2 appeared first on Various Small Flames.

With second album Still Life coming later this year on Lay Down Recordings, Lisbon‘s April Marmara has shared brand new single, ‘Who Knows Where the Love Goes’. It tells the tale of a love forbidden yet unyielding, persisting even through a lifetime of separation. Marmara’s warm and mysterious folk style elevates the story toward an almost mythical plane, teasing out the unknowable facets of the heart in all of their human nuance. Check out the video produced by Pipa Marinho/Lay Down Recordings and directed by Martim Braz Teixeira:

Still Life will be released later this year on Lay Down Recordings.

Clementine Was Right – Takes Tall Walks

We last wrote about Clementine Was Right, the songwriting project of poet and fiction writer Mike Young, just over a year ago when we previewed the album, Can’t Get Right With the Darkness. It was a record which left “no emotion untapped as they aim to paint the most vivid version of each story possible,” as we described in our piece, letting the shadows take their full darkness if only so that the joy might burn brighter. New single ‘Take Tall Walks’ retains this spirit while moving the style into new territory, what Young calls “a push away from Americana into full-throated Sam Fender/The Killers western emo.” A tone able to broach the weight of the topics at hand, the lyrics dealing with missed opportunities to reach out and reconnect, playing as one last chance to say what needs to be said.

Hall Johnson – OMWO

This spring, Texas-based outfit Hall Johnson are releasing Haymaker, their debut full-length via The Record Machine. Powered by an upbeat energy and seemingly fond vocals, the track plays as a confident and cheerful number, though scratch the surface of the lyrics and there’s a more conflicted mood underneath. Because ultimately the song is a meditation on a failed relationship and the accompanying missteps, packaged so as to work for any listener, no matter where along the spectrum of love and regret they might be.

July Talk – When You Stop

Toronto‘s July Talk have made a name for themselves with an expert balance of ferocity and control, and new album Remember Never Before feels like their most confident, impassioned yet. Single ‘When You Stop’ serves as a distillation of the album’s themes, and thus serves as the ideal introduction to July Talk’s vision across the record. A visceral and cathartic message of persistence delivered from within a culture all to ready to snuff out such ideas. Above all, a willingness to hope in something more. As the liner notes put it “an album of matter over mind. Instincts. Guts. Radical acceptance of who we are; giant hopefulness for who we can be.”

you say you feel
you don’t believe in anything and it doesn’t matter anyway
you say you feel there’s no one listening
been hearing that a lot these days

when you stop you’ll find out what yer running from

Check out the hand-drawn and animated video by band co-leads Leah Fay Goldstein and Peter Dreimanis below:

Remember Never Before is out now via Six Shooter Records and available from Bandcamp.

 Laveda – Clean

With their full-length album A Place Your Grew Up In on the horizon, Laveda are back with a new single, ‘Clean’. Previous track ‘Surprise’ was what we called a “juxtaposition which both embraces the nostalgia of the dream pop/shoegaze style while also refusing to retreat fully from the realties of living and working through pandemics and other challenges,” and the new track is similarly bittersweet. An examination of growing up that captures both the fondness and loss inherent in the process. “I think for the first time I truly realised that growing up was an inevitable fate,” Ali Genevich explains. “It’s such a strange thing, knowing you’re only to grow further and further from innocence as life goes on. I never wanted to think about getting older as a kid, I wanted to stay eight years old forever. I think there’s a part of that feeling that will always stay with me.”

I’m getting older
You say it’s fine though
Am I playing my cards right
Me and the devil

Check out the video directed by David Martucello, Ali Genevich and Jacob Brooks below:

A Place You Grew Up In releases on 14th April on PaperCup Music. You can preorder it now via the Laveda Bandcamp page.

Nico Paulo – Time

Nico Paulo is a Portuguese-Canadian singer-songwriter who’s based in St John’s, Newfoundland & Labrador. In April she will release her self-titled debut LP via Forward Music Group, a record that promises to follow the nuanced, tender lineage of songwriters such as Gal Costa, Feist and Victoria Legrand. Latest single ‘Time’ is the perfect introduction, a rich folk pop song full of smooth melodies and almost tropical rhythms, like a long-lost seventies masterpiece that you dig out from a crate in a garage sale. Lyrically the track is sparse on detail but strong on imagery, the narrator urging a friend to let go of inhibitions. “’Time’ is a song about friendship, admiration and change,” Nico Paulo explains. “It’s a dialogue between two characters that investigates the discrepancies between them — one is more rigid and one is more free.” Check out the video by LA creative studio Sing Sing below:

Nico Paulo releases on 7^th April and you can pre-order it on a variety of formats via Bandcamp.

Orchid Mantis x surfgoth – time and space

We’ve long appreciated the work of Orchid Mantis, with most recent release How Long Will It Take on Spirit Goth Records exploring time in all of its dimensions, from reflection to predestination. But never one to rest on their laurels, the project has teamed up with Wilmington’s surfgoth for brand new single, ‘time and space’. Another suitably glimmering slice of lo-fi pop which tempts the listener in with its wistful textures and holds them there with enveloping layers of vocals.

roman around – Comes With Age

Back in June we introduced roman around with single ‘Rhythm‘ on Trailing Twelve Records. The Fresno-based drummer, multi-instrumentalist and teacher “draws on personal experiences as a non-binary, pansexual person, as well as spiritual themes from their upbringing within Native American and Mexican communities,” as we explained, using a palette across post-punk, pop and R&B styles to do so. roman around has now released their debut full-length Tell Me All About You, and single ‘Comes With Age’ offers a glimpse at the hazy side of their sound. A gauzy space through which confessional vocals drift, though the vocals flash with deceptively sharp edges too.

Species Traitor – Acheulean Handaxe

“I used to work as a gardener, and now I’m an archaeologist,” says Joey LeBrun of Species Traitor. “That seems relevant.” The Vancouver band’s self-titled album explores the tension of climate change from this perspective, balancing the dread of an impending doom with the temptation to submit altogether, all presented with an off-the-wall energy. The result achieves the Berman paradox, sounding at once overwhelmed in the immediacy of the present and commenting from a wry remove. A gardener and archaeologist both. Inspired by the work of Anne Carson, single ‘Acheulean Handaxe’ is a good place to start—the tale of a monster who wants more than everything to be nice, only for the world to push him toward a violent end.

Throw your glass in the fire and we’ll make a whole scene
Where everything around you is pouring red to the sea

Wednesday – Chosen to Deserve

“Though Twin Plagues is a record of memories, there’s nothing polished about the experiences being relayed, no rose-tinted gloss applied through repeated telling. There’s no nostalgia either. No intention to preserve or wish to return. Rather, Wednesday portray the past as something still present. The rugged surface across which the present is overlain.” That’s how we described the previous record by Wednesday, released via Orindal Records. Having now signed with Dead Oceans, the Asheville outfit are set to return with new full-length Rat Saw God, and latest single ‘Chosen to Deserve’ suggests they are pushing this style to new heights. There’s pool hopping, Benadryl abuse, Sunday school, a loneliness everywhere and in everything. But like those of bandmate MJ Lenderman, Karly Hartzman’s lyrics offer no distinction between the good and the bad, the fascinating and the mundane, but rather recognise everything as another dimension of life in all its peculiar beauty.

Rat Saw God will be released via Dead Oceans on 7th April and you can pre-order it now.

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March sees the release of Can’t Get Right With the Darkness, the second Clementine Was Right record. It promises to build upon the foundations of Lightning & Regret while pushing deeper into the wounds and wonders it discovers along the way. With a balance of indie rock and country sensibilities, the songs are at once more rugged and joyous than the previous album, leaving no emotion untapped as they aim to paint the most vivid version of each story possible. “A second record is for dancing even deeper and the different towns you do it in,” Young puts it, “the strangers you made along the way and the candles you don’t know how to hold.”

Latest single ‘Dreaming of Dancing in a Different Town’ takes this sentiment to heart, and serves as the perfect introduction to the Clementine Was Right sound. If the wistful tone is decidedly nostalgic, it is not the hazy nostalgia so often peddled. Rather these are memories with their teeth left intact, as vivid and painful as the moment they occurred. Fitting for a song, in Young’s words, about “the ache of naïve promises.” As he continues:

You start out flirting and trading clove cigarettes outside the laser tag place, and you end up running into someone years later and admitting you never understood why they were crying. You wanted to. You had a lot of plans. You jumped into the river at dawn. You haven’t forgotten any of them.

Can’t Get Right With the Darkness is out in March and you can pre-order it now from the Clementine Was Right website.

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