Now, aside from certain misgivings pertaining to the diversity and focus of such events, there’s also a long and likely important discussion as to what degree protest alone can change (see Micah White’s case in The Guardian, citing the relative failure of Occupy). However, there is little doubt that activism is as or more important than it’s been for years. The tricky part will be maintaining this level of enthusiasm and commitment to equality beyond single marches or petitions. As White writes at the end of his piece: “The Women’s March on Washington has a role to play in this unfolding drama, but only if we cultivate a few moments of detachment from the thoughtless excitement to truly take time to consider this question: what happens on the day after the women march?”

The answer, I think, should be a doubling down on listening to women, non-binary folks and people of colour. Like, truly listening. Allowing them not only a voice but also the respect/power/position that will enable such a voice to enact social and political change. This can and should start at the smallest levels, equating to nothing more than a commitment to seeking out non-male/white opinions and voices and considering them with equal weight. Look for female journalists and authors and thinkers, PoC musicians and artists and film-makers. Heck, even just read The Le Sigh and Swell Tone and The Grey Estates, anything to shift your perspective away from the dominant voices. Do this until your bookshelf and record collection and Twitter feed look a little different, and the worldview that’s being beamed to you will look a little different too.

We’re under no illusion that our blog posts and mixtapes will solve anything, or that we’re preaching to the converted in this cool little echo chamber. So consider this as us shutting up for a few minutes, both to give space to voices that need it and a reminder that we’re standing by, on your side. You’ve lit the match, it’s time the void went flash. Never think that what you are doing is too small, and never assume that you are doing enough.

Tracklisting:

1. Jenny Hval – Untamed Region
2. Oh Rose – Running
3. Camp Cope – Jet Fuel Can’t Melt Steel Beams
4. The Breeders – Hag
5. Screaming Females – Mothership
6. BB Cream – Heroine
7. Shannen Moser – A Funeral, A Friend, My Sanity
8. Tanukichan – Enough
9. Noname – Reality Check
10. Patti Smith – Kimberly
11. Sammus – Perfect, Dark
12. Vagabon – Fear & Force
13. Diet Cig – Tummy Ache
14. Jay Som – The Bus Song
15. Haybaby – Her
16. Betty Becky – Telegraph Ave
17. Suburban Lawns – Janitor
18. Heavens to Betsy – Nothing Can Stop Me
19. Tacocat – Dana Katherine Scully
20. Colour Me Wednesday – Two Fifty For You Girls
21. Allison Crutchfield – Dean’s Song
22. Cherry Glazerr – Nuclear Bomb
23. Mal Devisa – Dominatrix
24. Nicole Dollanganger – American Tradition
25. Angel Olsen – Sister

P.S. This seems a good time to remind you that Nancy Kells of Spartan Jet-Plex recently put out Friends For Equality, a compilation in support of the Southern Poverty Law Center, ACLU and Planned Parenthood. In addition, she has arranged a benefit show in Richmond, VA in support of Forward Together and Sister Song (full details here).

There have also been similarly great releases like Wren & Shark and Friends, Don’t Stop Now (featuring covers by the likes of Lisa Prank and Augusta Koch of Cayetana) and Our First 100 Days. Oh, and some specially written songs by Hip Hatchet and Adeem the Artist.

Photo by Benjamin Lovell

The post Lit a Match, the Void Went Flash: A Playlist for Moving Forward appeared first on Various Small Flames.

A book within a book, Hystopia is actually the novel left behind by Eugene Allen, a Vietnam vet from a slightly-alternate version of the 60s where John F. Kennedy survived Oswald’s assassination attempt and is serving his third term in office. Opened and closed by various notes and testimonies from friends and family members, Allen’s work makes up the majority of the novel, a narrative imagining characters from his time in Vietnam once they return home. The kicker, though, is that while they are back in the States, they never really ‘get home’, with the war following them back to a dystopian (but far from unrecognisable) America ravaged by biker gangs and forest fires.

In an attempt to solve the crisis of PTSD and violence, the government turn to an experimental psychiatric method called ‘enfolding’, where veterans reenact traumatic scenes while dosed up on a tranquilliser, Tripizoid. While even the doctors working on the project believe the technique to be without substance, it proves paradoxically effective for many subjects and blanks memories of combat. “Confusion is undoubtedly an element of the curative process,” writes Means. “In most cases the patient does forget about it, becoming fully immersed in the reenacted trauma’s nullification of the real trauma”.

Which isn’t to say it’s a silver bullet. Indeed the novel opens with a “failed enfold,” Rake, a man filled with the sort of all-consuming rage and propensity for violence unique to men forced into the sacrifices of war only to end up on the losing side. We find him with Allen’s sister, Meg (whom he has almost certainly kidnapped, and has undergone some degree of enfolding too), as they drive across Michigan on an anarchistic rampage of murder, drugs and destruction. Eventually, they reach the home of Hank, Rake’s former sidekick who has developed a love of trees since enfolding, a man who tries to protect Meg and figure out a way in which they can save themselves from Rake.

The second strand of the story deals with another enfold Singleton and his colleague Wendy, government officials breaking protocol to meet up and fall in love, who somehow end up on the trail of Rake, as though their rule bending was in fact a conspiracy on the part of their superiors to engineer the operation. Again though, confusion reigns, with Singleton’s boss admitting that a key part of being a commander is having the “gumption to go back and revise history”, talking of writing operation plans after the operation in order to ensure they are correct.

This sense of counter-history runs throughout the novel, from Singleton and Wendy’s quest and Hank’s transformation into peaceful nature-lover, right down to Eugene Allen’s re-telling (re-imagining?) of his sister’s story. What becomes important for these troubled people is not discerning the capital-T Truth but rather finding a variation they can believe in. More often than not, this involves a sense of mission, the victim’s need for order in the face of chaos, the desire for purpose or meaning in “an age when everything else seemed to be spinning deeper and deeper into despair,” anything which enables them to form a narrative of the world in a way they would like it to exist.

“It was crazy, he admitted, but it kept him going and like all good delusions it was fuelled by genuine hope and dedication to the truth”

And that’s what sets apart David Means’ Vietnam from that of the postmodern cannon. Yes, it is full of claims and counter-claims and impenetrable paranoia, but rather than using these to trace a descent into bewilderment, Hystopia utilises them to chart a way out. In a world where confusion and conflict constitute the resting face of the planet, maybe disinformation is needed not to obscure the truth but rather create it?

Here’s a playlist of songs that are suitable or relevant in one way or another, or maybe just capture the mood of certain characters and scenes.

Tracklisting:

1) Search and Destroy – The Stooges
2) IN EVIL HOUR – Battle Ave.
3) High & Wild – Angel Olsen
4) My War – Black Flag
5) Everything Falls Apart – Hüsker Dü
6) Saigon Shrunken Panorama – The Mountain Goats
7) Rugged Country – Japanese Breakfast
8) Meg – Hovvdy
9) Love, Come Save Me – Right Away, Great Captain!
10) I Need You To Tell Me Who I Am – John Moreland
11) Drugs To Make You Sober – Jeremiah Nelson
12) Are We Failing? – Hallelujah The Hills
13) Flaming Home – Mount Eerie with Julie Doiron and Frederick Squire
14) Lovers as Mirrors – Paper Bee
15) Forgetting is Believing – Nathaniel Rateliff
16) Redemption:1 (An Army Man And His Self-Discovery) – Justin Vernon

Hystopia is out now via Faber & Faber (UK) and Farrar, Straus and Giroux (US) and you can get it from most good bookshops. Check out the other works by David Means on his Goodreads page.

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If the first song has you reeling from unfulfilled expectations, then the rest of the album will sweep you off of your feet. Jumping from a restless speed to a wistful melancholy and back again at the drop of a hat, Mitski challenges the listener’s thoughts on the album the moment they are formed.

Some artists set out to make a sad record and some set out to make a happy record, some aim for calm or cool or angry or crazy. Mitski flits between it all, less a persona than a person, a conflicted, messy, real person. ‘First Love / Late Spring’ is a dishevelled hymn of doubt and sadness (“wild women don’t get the blues but I find that lately I’ve been crying like a tall child,” she sings), ‘Townie’ is an exasperated statement or plea and ‘Drunk Walk Home’ is fast and angry and ready to get to the bottom of things, a hot, heavy song full of adrenaline and alcohol. It starts with the verse…

“I will retire to the Salton sea
at the age of 23
for I’m starting to learn I may never be free
but though I may never be free
fuck you and your money
I’m tired of your money”

…and snowballs into a maelstrom of distortion and screaming which is marked on the lyrics sheet as “(aaaaaaaa etc)”.

However, on occasion the transient emotions pale away. The aggression is lost and the melancholy quelled and something else is discovered underneath. ‘I Will’ follows directly after the violent end of ‘Drunk Walk Home’ and sees the anger/despair transformed into hope, the murky shroud dropped to offer a glimpse at her core, a sincerity as fragile as glass and brilliant as a diamond, a fierce promise as much to herself as others:

“and while you sleep
I’ll be scared
so by the time you wake
I’ll be brave
I’ll be brave
I’ll be brave”

But just like the rest, the emotion passes and the album goes on shape-shifting and you are left wondering if you saw the true centre or just another mask. Album closer ‘Last Song of a Shooting Star’ hints at this. “And did you know the liberty bell is a replica,” she asks, “silently housed in its original walls?” Maybe centre is nothing, a blank canvas across which the fleeting emotions dance and die and rise again. Maybe we are just whatever we’re feeling at any given moment. Maybe.

You can buy the album now from Bandcamp or Double Double Whammy.

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Be sure to check out the other volumes which can be found here. Enjoy.

Tracklisting:

1. Thirteen (Big Star cover) – The Point
2. Time After Time (Cyndi Lauper cover) – GRMLN
3. Sofia (Mannequins on 7th Street cover) – Spark Alaska
4. Sunflower (Low cover) – T E Morris
5. Hideaway (Kiesza cover) – Eliza Shaddad
6. It’s the End of the World as We Know It (R.E.M. cover) – Free Cake for Every Creature
7. Peach, Plum, Pear (Joanna Newsom cover) – FemFemFem
8. Fake Empire (The National cover) – Thad Kopec
9. No Lion (Boom Forest cover) – PHOX (Fuel/Friends Chapel Session)
10. Last To Swim (Strand of Oaks cover) – Our Griffins (Root Down in the Shadow Covers Club)
11. Unfucktheworld (Angel Olsen cover) – Nadia Reid
12. You’re Not the Only Monster (R.L. Kelly cover) – DIY Scarves
13. I’m on Fire (Bruce Springsteen cover) – Low
14. You’re Gonna Make Me Lonesome When You Go (Bob Dylan cover) – My Bubba
15. Tugboat (Galaxie 500 cover) – Finnmark!
16. Frog Went a Courtin’ (Traditional) – Eef Barzelay
17. Lost on the River (Hank Williams cover) – Radiator Hospital (Birdtapes compilation)
18. Just Be Simple (Songs:Ohia cover) – Water Liars (Out of Town Films)
19. Goldheart Mountaintop Queen Directory (Guided By Voices cover) – Arms
20. Can’t Help Falling in Love (Elvis Presley cover) – Eels (KCRW)

Covers Mix #12 from Wake The Deaf on 8tracks Radio.

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Lyrically, Rough River is again close to the classics, using landscapes and natural imagery to paint tales of love, life, loss and grief. The current favourite line I have stumbled across so far is from ‘Sometimes’, which reads:

’And sometimes I can’t care to find 
what it is that makes me feel good about this life.
And I’ll float back to you
on a raft, steady and true,
and you say,
maybe it’s meant to be that way?’

You can buy the album via Bandcamp as a download or as a lovely limited-edition CD (designed by Sarah Hopfer).

The post Rough River – S/T appeared first on Various Small Flames.

Tracklisting:

1. Borrowed Tune (Neil Young Cover) – Field Report*
2. Someone Like You (Adele Cover) – Shipwrecks & Island of Misfit Toys
3. Good Good Things (The Descendents Cover) – Edsel
4. Ceremony (New Order Cover) – Chromatics
5. Angels (The XX Cover) – KOTKEE
6. Dark Eyes (Bob Dylan Cover) – Dirty Projectors
7. If I Had No Place To Fall (Townes Van Zandt Cover) – Nathaniel Rateliff^
8. Dancing in the Dark (Bruce Springsteen Cover) – Praything
9. From the Soil, a Violin (Goose Lake Cover) – Wand (formerly First Nations)
10. I Can’t Talk About It (El Perro Del Mar Cover) – His Clancyness
11. Such Great Heights (Postal Service Cover) – Iron & Wine
12. From The Morning (Nick Drake Cover) – Pickering Pick
13. Night Moves (Bob Seger Cover) – Miles Benjamin Anthony Robinson^
14. Hang Me, Oh Hang Me (Traditional) – Daniel Rossen
15. My Dreams Have Withered and Died (Richard and Linda Thompson Cover) – Angel Olsen & Marissa Nadler
16. No Ordinary Love (Sade Cover) – The Rosebuds
17. You Aint Seen Nothing Yet (Bachman Turner Overdrive Cover) – Yo La Tengo
18. Indian Sunburn (Schooner Cover) – Wesley Wolfe
19. Ohio (Damien Jurado Cover) – Neil Halstead*
20. I See a Darkness (Bonnie ‘Prince’ Billy Cover) – Johnny Cash

* = taken from Fuel/Friends Chapel Sessions
^ = taken from Daytrotter Sessions

Please remember to support the artists! We’ve included links on the tracklisting that will take you somewhere more specific for each band so be sure to check out their original material. Also visit Daytrotter and Fuel/Friends, the sessions they do are well worth your time.

The Covers Mix: Volume #6 from Wake The Deaf on 8tracks Radio.

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“I think no matter how stable I am I will always be searching, I guess that’s what this album is about. The endless searching, the fruitless waiting, the idea of a home that is inside yourself”.

She contemplates love and life and death and does so in a way that feels both fundamental in some timeless sense, and also novel and fresh and raw. It is an album with melancholy that cuts straight to the bone but it also feels oddly comforting. I found myself becoming increasingly attached to the album with repeated listens. It wasn’t so much a “grower” as a “grabber”, it reels you in and won’t let go, and if you’re anything like me then you won’t want to be let go.

You can get the album from Bathetic Records, although the initial pressing of the record has sold out. A second pressing is well underway and the label says all orders with be fulfilled as soon as possible. You can also get the album as a digital download from most of the big music sites, and can also listen to it in full via Spotify.

The post WTD’s Advent Calendar – 10 – Angel Olsen appeared first on Various Small Flames.

1st – Annie Dressner
2nd – Knots
3rd – Ljóst
4th – Fantasy Rainbow
5th – Timid, The Brave
6th – BLACK ZEROS
7th – Reuben Hollebon
8th – Sam Moss
9th – Portage
10th – Angel Olsen
11th – Moon Ate The Dark
12th – Challenger
13th – ScotDrakula
14th – Dusted
15th – Loraine
16th – Husky
17th – SNOWBEAST
18th – Mike Tod
19th – Stalwart Sons
20th – Old Ugly’s Christmas With Friends
21st – Nils Frahm’s Screws Reworked
22nd – The Holidays Don’t Have To Be So Rotten
23rd – The Tree Ring
CHRISTMAS EVE – Fred Woods

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