Alexei Shishkin – Greenwich Mean
“As inventive as it is relaxed, the whole thing buoyed by a sense of patience and curiosity as it explores whatever avenue seems appropriate.” So we wrote of Open Door Policy, the recent release by Brooklyn songwriter Alexei Shishkin, back in June. If the album typified Shishkin’s sense of invention, then it is fitting that new release Greenwich Mean EP is something different altogether. A collection of jazz-adjacent (mostly) instrumentals which takes the patience and curiosity of ODP and applies them in another manner. Only opener and title track ‘Greenwich Mean’ has vocals. The portal through which listeners are invited into the album. The abstract lyrics might sound foreboding on first listen, but take the time to listen and you come to realise there’s no substance behind the mood. As though Shiskin is working to prove how even the most nonsensical strings of words might come to take on a certain feel if presented with a particular soundscape.
Casper Skulls – Spindletop
New single ‘Spindletop’ represents something of a fresh start for indie rock band Casper Skulls. It is the first taste of the band in their new three-piece setup, and also sees guitarist Neil Bednis take on vocal duties for the first time since the band’s debut record. The song explores the Texas oil boom of the early 20th Century, and Bednis describes how he “tried to capture the ominous atmosphere and avarice” of Paul Thomas Anderson’s There Will Be Blood while writing it. In contrast, the music video is a lighthearted one, what guitarist and vocalist Melanie St-Pierre calls “a funny lil take on me being annoying and late to jam,” following her journey to band practice through the local Sudbury scene, amp in tow.
‘Spindletop’ is out now and available from the Casper Skulls Bandcamp page.
Casual Technicians – This Emotion
Catching “the ache and yearn of a lonesome night under the stars” as we described in a preview, single ‘Midnight Moon’ by Casual Technicians introduced their new album, Deeply Unworthy on Repeating Cloud. The record “sees the three songwriters cross the beams of their creativity once more and embrace the loveable strangeness of the result,” we continued, with everything from Angelo Badalamenti and David Lynch to Smile-era Beach Boys and Steely Dan listed as influences. With the album now out, the trio have shared single ‘This Emotion’, the album’s closing track which at least partially turns away from the overtly western sensibilities of the previous songs but lacks none of the heartfelt reflection or idiosyncratic charm.
Ciao Malz – Two Feet Tall
Having caught the attention of Audio Antihero with a cover of Frog’s ‘You Know I’m Down‘, Connecticut-born, Brooklyn-based Filipino-American Ciao Malz (Malia DelaCruz) is teaming up with the label to release their debut EP, Safe Then Sorry. The Ciao Malz sound pairs equal parts upbeat energy and probing introspection to explore themes of identity and love in young life. “These stories and characters came to me subconsciously and asked to be spoken into existence,” DelaCruz explains. “These songs are about the unlikely connections we make, how they’re simultaneously inexplicable and meaningful.” Lead single ‘Two Feet Tall’ introduces the project to the uninitiated, embodying the release’s unguarded nature with lush textures and a binding sense of forward motion.
I’ve been feeling two, two feet tall
I’ve already heard, heard it all
I’ve been meaning to, call your bluff
But I can never tell, quite tell you stuff
Clover County – Under These Conditions
Growing up in Florida and now based in Athens, Georgia, Clover County is a songwriter inspired by the greats in the genre—from Stevie Nicks and Carol King to Ella Fitzgerald and Dolly Parton. With new EP Porch Lights out now via Thirty Tigers, new single ‘Under These Conditions’ introduces the artist as a continuation of this lineage, with vulnerability and strength marbling into something as assured as it is heartfelt. “[The single] was the ‘kick-in-the-ass-come-to-Jesus’ talk I needed to have with myself,” she explains. “A reminder not to sacrifice the life I wanted while people pleasing the generational expectations placed on me by the town I was living in, the church I grew up in, or the people I was raised by.”
Porch Lights is out now via Thirty Tigers and available from the usual places.
Grandmas House – Screw It Up
Following last year’s EP Who I Am, which garnered attention from all corners with its anarchic energy, Bristol post-punks Grandmas House are back with new single, ‘Screw It Up’. The band say the song is about “having to walk on eggshells in a relationship and feeling like you have to keep you emotions bottled up in order to be liked,” but there’s nothing held back in the sound that twitches and snarls with furious frustration. It’s a loud one, even from a band who have made a name for it, moody guitars and stomping percussion jostle for space behind brash and cathartic vocals. Watch the video by the band themselves below:
‘Screw It Up’ is out now via streaming services.
mary in the junkyard – this is my california
Back in May, London group mary in the junkyard released their debut EP, this old house, to much fanfare and critical acclaim. The record’s unique style of experimental rock and unsettling visual imagery saw the trio’s (that’s Clari Freeman-Taylor, Saya Barbaglia and David Addison) reputation skyrocket. Now the band have returned with a new single, ‘this is my california’. What Freeman-Taylor describes as “a nostalgic song about finding my own dreams,” the song dials back the unpredictability and intensity that made the EP so startling, opting instead for a laidback vibe that lands somewhere between Sun June’s twilit dreamy grooves and the knotty emotion of Big Thief.
naya mö – wanderlust
Recorded in Baltimore with help from Bartees Strange, ‘wanderlust’ is the new single from French alternative artist naya mö. The song draws on the grunge and alt-pop of the nineties and the soaring indie rock of the mid 00s, resulting in something that sparkles with possibility despite being coated in gritty fuzz and shadowy reverb. “The lyrics explore the bittersweet journey of longing and letting go,” naya mö describes. “It captures the feeling of being caught in a loop of memories while hoping to find a way forward.” With a new EP scheduled for release early in 2025, the single marks mö as an artist to keep an eye on moving into 2025 and beyond.
‘wanderlust’ is out now via streaming services.
Niall Summerton – No One
When we last featured Yorkshire artist Niall Summerton back in September, we mentioned he had a new EP, Tread Water, on the way via Tiny Library Records. The title track represented both “an ode to friendship and an antidote to our busy world,” we wrote, “brought to life by the patient guitar and soothing delivery, a spacious arrangement which allows the surrounding world to bleeds into the gaps.” Latest single ‘No One’ is no less unhurried in style, though here the languid rhythm brings to life a different shade of character. An almost slacker-style sound which lands somewhere between downbeat lethargy and calming respite. “No one’s coming in,” Summerton repeats to capture this mood, a statement which carries inherent loneliness but also a clear thread of relief.
Tread Water is out now on Tiny Library Records and available via streaming services.
Sunny War – Walking Contradiction
After releasing critically acclaimed record Anarchist Gospel in early 2023, Sunny War moved into her late father’s Chattanooga home and began obsessively working on new material save she slip back into the substance abuse that almost killed her in the past. These long hours of crafting elaborate demos allowed her to experiment, trading her acoustic guitar for an electric one. “I definitely wanted to make this album for a badass five-piece band,” she says of the resulting record, Armageddon In A Summer Dress, which comes out next year on New West Records. Our first glimpse of this new, louder direction is ‘Walking Contradiction’, a duet with Crass’s Steve Ignorant which brings elements of punk rock into her usual folk and Blues stylings, a blend which actually makes a lot of sense. As Sunny War explains “Folk used to be very anti-establishment. Pete Seeger, union songs, Woody Guthrie—that’s punk rock shit. It’s all about being an outsider.”