Cameron Smith – Shadows of the Moonlight (Live)
Back in July we wrote about Fort Worth, TX songwriter Cameron Smith, describing how single ‘Under the Cover of Darkness’ drew on “the loaded depths of the southern gothic genre” to evoke “the heartsick wanderer which can be traced back through Molina and van Zandt, where the long night is illuminated only by the blood moon and low fuel light on the dash.” Recorded as part of a Café Solo Songwriters Live session, latest single ‘Shadows of the Moonlight’ follows a similar spirit. This time it takes inspiration from the story of Smith’s great-grandfather Sam Smith who served in WWI and worked as a cowboy before being killed while working as a lineman for the Texas Louisiana Power Company. “I’m not a cowboy but Sam was,” as Smith explains. “It’s a campfire song; a reflection on the mental, spiritual and physical distances a person can travel between night and day.”
You can grab the track now from the Cameron Smith Bandcamp page.
h. pruz – I Keep Changing
The third single from their forthcoming record No Glory, ‘I Keep Changing’ is the perfect introduction to the music of h. pruz, aka Queens-based songwriter Hannah Pruzinsky. It’s a rich and direct track that wanders further toward rock than previous h. pruz songs, giving weight to the very real emotional power that has always underpinned their music. Like much of the record, the song focuses on a pivotal moment, conjuring almost physical dimensions to inner turmoil and subsequent growth. “The song emerged a few weeks following a pretty life-altering break-up, Pruzinsky describes to Stereogum. “I’m trying to capture the feeling of the moment when you can feel something inside you giving way to a newer form, and how ugly yet unstoppable and freeing that ultimately felt.”
No Glory comes out on 29th March via Mtn Laurel Recording Co. and is available to pre-order via the h. pruz Bandcamp page.
Habibi – On The Road
Brooklyn’s Habibi return later this spring with Dreamachine, their first new record in four years. Released via Kill Rock Stars, the album promises to be something of an evolution for the garage rock five-piece, drawing on everything from post punk and lo-fi experimentalism to vintage disco and the Middle Eastern psych influences that have always made Habibi stand out. And it’s not a case of style over substance either, the band utilizing these disparate elements to explore themes both physical and spiritual. “There’s always a desire for transcendence in our music,” says lead Rahill Jamalifard, “a desire to go beyond our limitations. Whether it’s spiritual or physical or emotional, it feels like this album really embodies that search for something more.” Check out lead single ‘On The Road’ for an early taste, a beguiling and deadpan track with infectious percussion and stabs of wiry guitar.
On the road again, on the road again
Driving north towards the great star of Bethlehem
Dreamachine will be released on 31st May via Kill Rock Stars and is available to pre-order via Bandcamp.
Hailaker – Gist
A collaboration between songwriters Ed Tullett (Lowsimmer) and Jemima Coulter, Hailaker put out two records pre-pandemic, with both their self-titled debut and follow-up Holding proving testaments to the bond between the artists. However, several years of isolation and social distancing, not to mention other creative endeavours in the interim, left the pair wondering whether the spark had extinguished. It was only when Coulter suggested they park any songwriting ambitions and instead just enjoy one another’s company again did the connection rekindle, and the resulting songs are as ambitious and inventive as anything Hailaker has released to date. Take new single ‘Gist’ with its newfound pop sensibilities, sounding like a new dawn fitting for the circumstances, and one suggestive of a bright future for the project once again.
‘Gist’ is out now via Believe.
Jackie West – Snow Amplified
Back in December, we described how Jackie West‘s ‘Tiny Flowers ii’ drew the audience in with a decidedly ambiguous tone, with a specific line from the song “complicat[ing] the second listen and every one thereafter, its gravity subverting the track’s structure and perspective from what the sound might originally suggest.” West has now announced her debut full-length, appropriately titled Close To The Mystery, to be released this May via Ruination Record Co., made in the hope of edging closer to the truth at the heart of any relationship. But with its oscillation between stark fingerpicked hush and chaotic, weighty momentum, new single ‘Snow Amplified’ suggests such mysteries might resist easy explanation, and instead only draw the audience deeper into the rich ambiguity of Jackie West’s work.
Kierst – Southern Star
“A reflection on longing and self-worth which owes as much to Grouper and Mazzy Star as it does contemporary bedroom pop, the intimate vocals and pressing rhythm lifted by an ethereal soundscape, resulting in a mood which transcends the immediate pain for heartbreak.” That’s how we described ‘Phone Call from Kierst‘s Thud EP on Sad Club Records. Following on from the success of the release, which among other things saw a track placed on Disney+ series Extraordinary, Kierst has returned with a brand new single, ‘Southern Star’. Just as emotive as anything on the previous record, the new single offers the kind of lush dreaminess only possible with patience and attention. “I wrote this a long time ago when I was really heartbroken, there’s no other way to put it,” Kierst explains. “But years have gone by and the song has gone through countless versions and been transformed by people I hold dear—and in that way, it means so much more to me now than ever before.”
‘Southern Star’ is out now via Sad Club Records and available from the usual places.
Luke De-Sciscio – Papa
Looking to capitalise on the creative breakthrough of recent full-length Heaven, an album which parked any sense of overworking in favour of “an intuitive flow which charges the songs with a sense of poetic authenticity,” prolific songwriter Luke De-Sciscio has already released new album, Papa. Described as “nine songs of delicate brevity,” the album takes stock of the ephemeral moments shared by a couple as they pass through the trials of young love towards parenthood, both as a way to preserve what has been and as a kind of ritual farewell. ‘Insights of a Heart’ is the perfect introduction to this tender, reflective collection, understated yet shot through by a frantic longing which belongs to the late night. ‘Blank Inside, Designed And Printed In The UK’ is no less keen in its observations, evoking the mysterious space between an end and a start with De-Scisco’s trademark reverence for human feeling.
Papa is out now and available from the Luke De-Sciscio Bandcamp page.
Mandy – High School Boyfriend
Best known as the lead singer of Chicago noise rockers Melkbelly, Miranda Winters has also quietly written her own music for over a decade. Despite some small releases over the years, she is now about to step into the limelight proper with the release of Lawn Girl, her debut “solo” full-length on Exploding in Sound Records, released under the moniker Mandy. With assistance from Linda Sherman (guitar), Lizz Smith (bass) and Wendy Zeldin (drums), Mandy make what Winters calls “dirty-bubblegum pop rock” that explores being a daughter, a mother and a woman in general. Lead single ‘High School Boyfriend’ is an exhilarating introduction, a crunchy rock song that packs anthemic noise and clear-eyed sincerity into its barely two minute runtime. Watch the video by Liam Winters and Marty Schousboe below:
Lawn Girl will be released on 26th April via Exploding in Sound. Pre-order it now from Bandcamp.
Pacing x Career Woman – Boyfriends
After the success of album Real poetry is always about plants and birds and trees and the animals and milk and honey breathing in the pink but real life is behind a screen, Pacing has teamed up with Melody Caudill, AKA Career Woman, for a new single on Lauren Records. ‘Boyfriends’ collides the trademark sensibilities of both artists, blending confessional emotion with quirky charm to offer something between wistful rumination and scream of frustration. But by the end of the joint chorus, the overring emotion is something affirming. “It feels very nostalgic to me,” McTigue explains, “like I can’t tell which parts are about being a kid and which parts are about being a grownup.”
We promised that we would live together in a tree
And watch the world end
But you got a boyfriend
I got a… really cool pen
But you got a boyfriend