Writing back in 2021, we described how full-length Fake saw Michigan songwriter Conor Lynch expand the horizons of his sound. “The folk leanings of the previous albums are dialled back,” we wrote, “but only so as to open a heavier sound palette and wider spectrum of influences. Elements of indie rock, electronic pop and country can be found across the songs, as well as a Pinback-esque emo spirit too.” The release was indicative of an artist willing to explore new avenues and styles, so it is unsurprising Lynch’s latest album Slow Country, set for release later this month via Devil Town Tapes, again sees something of a new direction. A more patient, expansive style which fully embodies the album’s title.
The change is not only in terms of sound. Conor Lynch has until now worked almost entirely solo, playing a variety of instruments, recording and producing himself. But Slow Country sees a turn away from this practice in favour of a newfound spirit of collaboration. Hence a line-up of guest musicians which features Ryan McDonald (pedal steel, saxophone, aux perc, accordion, mandolin, backing vocals, drums), Kaysen Chown (fiddle/violin), Joey Fortino (drums), Edie McKenna (backing vocals), Reuben Stump (upright bass), Danny Keyes (trombone), Jacob Ward (clarinet), Byran Valentijn Hall (flute) and Sam Smith (trumpet). Couple in the fact recording sessions were spaced months apart and a new dimension of Lynch’s work makes itself apparent. A newly attentive style which forgoes the creative rush in order for something unhurried and considered.
Though it is the album’s closer and the title track which encapsulates the spirit of Slow Country. “Ain’t it funny, ain’t it strange / I’ve been waiting my whole life to feel this way,” Lynch sings over the leisurely arrangement. “Now I can rest my head for days / and the willow trees keep me cool in the shade.” The prominence of pedal steel shows itself, a signature of the album, winding out towards the listener as though to welcome them into the landscape it evokes
don’t know how long i can stay
‘least a minute lasts an hour in this placesomething cold touches my face
in the slow country i’ll die and feel no pain
The song comes complete with a video, filmed and colored by Will Spurrier, featuring the abandoned Fisher Body Plant in Detroit. Watch below:
Slow Country is out on the 29th March via Devil Town Tapes and you can pre-order it from the Conor Lynch Bandcamp page.
