Back in September we featured an amazing casette compilation from the cool kids over at 80N7. Well the label have wasted no time in releasing their second collection of what can only be described as “jams”. As the name suggests, the focus this time is on bands from the US of A, bands who could all be loosely catergorised into a folder with the heading lo-fi-garage-indie-rock, or as 80N7 put it, “dropout pop”.
The album opens with Tomorrow’s Tulips, who provide a slice of effortless Californian uber-cool, a catchy rock song with a loveable slacker vibe and lines like “check me out as I walk down the street / Life’s a drag so I drag my feet / I just stay here, I just drink beer / And check me out the door”. The second track, from Ohio’s Eternally Dizzy, sets a trend of frantic indie rock instrumentation paired with (semi) nonchalant vocals, before Ringo Deathstarr (who’s ‘Big Bopper’ sounds like shoegaze fed through a crunchy alt-rock filter), Dan the Human (who covers sad lyrcis with a veneer of bright and breezy indie rock) and Harley Alexander (no not Rizzle Kicks – who apparently shares the name – but a much cooler guy from Canada who has this smooth soulful swagger and sounds like he keeps his shades on when serenading his audience inside dark and smokey clubs) take to the stage.
[soundcloud url=”https://api.soundcloud.com/tracks/178260437″]
Oh there’s also oddball pop from Blessin’, yelpy goodtime rock n’ roll from Joe Bordenaro and a DIY (unrequited) love song from Boy Spit. There’s Kachi Ebiringah with his Eddie Argos-esque (Argosian?) sing-shout, Jake Rollins’ erratic guitar and the ominous deadbeat disinterest of Furnsss. There’s a windows-down summer gem from Dude York, sundrenched surf-rock from Hot Flash Heat Wave, hilarious energy-drink-fuelled teenage rebellion from White Fang and, finally, a restrained, wistful bedroom pop strum-along with DRGN King.
[soundcloud url=”https://api.soundcloud.com/tracks/183914558″]
Phew. Deep breaths, that’s it! I’m sure you get the idea. This is compilation jam-packed with goodness (as long as you class DIY indie rock music as goodness – which you should). It’s a testament to the hordes of talented people who are making music any way they can, a celebration of those writing and singing and smashing drums because they feel like it and it’s fun and perhaps makes them and their listeners just that little bit happier. All-American Edition is what music is all about.
You can get it right on a nice-looking casette via the 80N7 bandcamp page.
